A.G

Je suis fière de vous présenter le premier clip vidéo de The Void Project🚨🙏🏼🚨 track par François Kompo filmé par les
Élèves de IAD avec le soutient du C12

Kompo -Mad and Angry Eyes (official video) Mad and Angry Eyes is the void project label's first video clip. It was made with the help of ESRA students, this clip reminiscent of the 90s and TV electron...

Time table for tonight Listen x Futurgrooves Hub Opening Night x The Void

Un grand merci à Jam - RTBF pour le soutien
Ne manquez pas notre soirée d’ouverture Listen x Futurgrooves Hub Opening Night x The Void

On sort où ? : Stop Making Sense, Crab Boogie et plein d’autres Envie de danser jusqu’aux petites heures du matin, de vous perdre dans une rave, de découvrir les pépites de demain ou...

Catch us this Friday at the creative hub opening night. With .music Live Live .sounds and .brussels

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Help : Cherche échafaudage à prêter sur Bruxelles et un pistolet à peinture :D

🌟 Exciting Opportunity Alert! 🌟 Join our team at FuturGrooves Co-Working Space as a Management Intern! 💼✨

🔍 Position: Co-Working Space Management Intern
🌐 Where: Boulevard Adolphe Max 12, 1000 Brussels
📅 When: Apply Now!

Futurgrooves Co-Working Space Assistant | stage | Student.be FuturGrooves Co-Working Space is seeking a dynamic and proactive individual to serve as the Co-Working Space Manager. The incumbent will be responsible for

Dear friends 🌟 I’m gearing up to open the new Academy Hub, but before we need some painting magic.

Can you lend a hand next week or whenever you have some free time? Any help is appreciated! 🙏🏼

In the meantime, I’m busy crafting furniture, getting my hands dirty for the cleaning spree, and crossing my fingers for some helping hands to join in. 😊

Feel free to swing by and visit us! Wishing you all a fantastic day! 🎨 ONE LOVE 🏴‍☠️

Yo les amis, la semaine prochaine je commence les gros travaux dans le lieu… étape numéro 1 peinture 🫣

Si des âmes charitables se sentent de venir m’aider une aprem ou un soir je vous en serez éternellement reconnaissant 🙏🏼

catch me now on radio vibration

Radio Vibration – La radio qui vous fait vibrer Sexperimental (Djackin’zone, D’zone B2B, Pu***es traxes, Around Techno) Sxp is a female DJ. It all began In 1994 when she was exposed to techno music at a party at pk studio. She immediately fell in love with the energy and authentic sound of techno music. she started mixing with geno-side Sexpe...

🎉 Join us tonight at UMI for a groovy night! 🌟 Featuring A.G, Bassam, Emma B, and Ilyes (live). 🎶 💃🕺 🌍✨

We're launching an exciting project with Futurgrooves, involving a fantastic new space to share at De Brouckère. All kinds of projects are welcome: businesses, start-ups, art galleries, musicians, workshops, artistic projects, etc.

We're counting on you to help us find the projects that will make this space vibrant.

Here's the info page:
FR: https://lnkd.in/ghuvnt97
NL: https://lnkd.in/g985MFBX
ENG: https://lnkd.in/g55ydsdx

Thanks in advance!

https://www.culture.be/vous-cherchez/appels-a-projetcandidature/detail/?tx_ttnews[backPid]=17500&tx_ttnews[tt_news]=11009&cHash=435738564d8f9652ea9f804148350f96&fbclid=IwAR06cd7MldNF-H51OwuqqWjI8F5ybyCmO3PBXTSPnMNwNaRCtAr2npf3ED8

Portail de la Culture 15/01/2024 Musique Actu Semaine de la Musique Belge 2024 Du lundi 22 au dimanche 28 janvier 2024, la musique belge sera sous le feu des projecteurs à l’occasion de la Semaine de la Musique Belge. Lire la suite

Rediscover Davy in that good old groovy mood at UMI on the 15th
UMI x UNITED LABEL w/ DJ Masda, PJAY, Davy, Dana Kuehr & Kayu

Davy | The MUDD Show Futurepast boss Davy closing proceedings - The MUDD Show broadcasts live from Fitzroy Club in the heart of Berlin, showcasing a selection of carefully curate...

Honored to play at Brussels new club this Saturday
Along artists such as & .jacquessss

Catch me for the second round at where I wil be sharing the decks from 6Am till 12AM 🧨

Track by .music released on 💯❤️

The Tsonga people, a group primarily residing in Southern Africa, notably in regions of South Africa, Mozambique, Swaziland, and Zimbabwe, have a rich cultural heritage that includes various forms of artistic expression. In the 19th century, the Tsonga community was known for their remarkable craftsmanship in crafting staffs, a significant element of their cultural and artistic identity.

The staffs created by the Tsonga were not merely utilitarian tools but held deep cultural and symbolic significance. Crafted from wood and adorned with intricate carvings and decorative elements, these staffs were a representation of status, power, and identity within the Tsonga society.

Each staff was meticulously carved with symbolic motifs and patterns that conveyed the individual's social standing, lineage, or achievements. Some staffs were ornately decorated with depictions of animals, geometric designs, or human figures, symbolizing various aspects of the Tsonga people's beliefs, traditions, and history.

Here, we have a cane carved in wood that presents a female anthropomorphic handle. The inspiration seems Western; she wears a fitted dress and underlined by a belt and a hat, perhaps a boater. Her hands are clasped before her. Below it is an engraving of a baby, bearing a cross on the chest (often related to protection such as an amulet or talisman). An oval surrounds this baby, as if in a cradle. We find this engraving on both sides of the cane. The cane has a beautiful patina that makes it glow in the light.

Although it is now impossible for us to reconstruct the exact context in which these objects were produced, we know that they have attracted collectors of such scepters from the early days. Some were exhibited in Europe as early as 1907, and classified under the category of 'Native Arts.'

Find this item at the Sotheby's Paris sale on Tuesday, November 28, 2023.

Ce rare casse-tête Zulu s'affirme par ses proportions exceptionnelles, le manche s'élargissant pour soutenir l'impressionnante tête ovoïde ornées de clous métalliques. Toute la longueur du manche, quant à elle, est sertie de larges bagues de fils métalliques finement tissés.

Cette arme fut autrefois utilisée comme arme de mêlée, elle s'avère très efficace et peut tuer en un coup porté sur la tête ou la nuque, d'où son appellation « casse-tête ».

Un second casse-tête, sans clous cette fois, de la collection Guisson sera également disponible chez à Paris le 28 novembre.

Le second casse-tête fut employé lors d'exécutions, la taille de la tête et son poids la rendent particulièrement difficile à manier. Durant l'exécution, le captif n'était donc pas en mesure de bouger lorsque le coup fatal lui était porté à la tête.

Retrouvez ces objets à la vente de sothebys Paris le mardi 28 novembre 2023.

Get ready to groove to the beats of our latest release V.P.006
Get your copy: https://thevoidproject90.bandcamp.com/album/the-void-project-v-p-006

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THE VOID PROJECT LINKS: https://linktr.ee/thevoidproject

Tomorrow is the first day of our next workshop 🥳💯

More info on website
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A Roman-Style Marble Gravestone Dating Back to 1660

Translation: "Here lies someone, and he was virtuous, abiding by the norms and values, deserving of all praise, Julius de Castro, who cared for the poor."

Sold at , Provenance Collection Guisson

For informations or inquiries contact [email protected] or +32475636368

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Pierre tombale en marbre de style romain, datée 1660

Traduction: "Ici repose quelqu'un, et il était vertueux, respectueux des normes et des valeurs, digne de tous les éloges, Julius de Castro, qui s'occupait des pauvres".

Vendu aux enchères Rob Michiels Auctions, Provenance Collection Guisson

Contact: [email protected] +32475636368

6 18th iranese vases sold at provenance .alexandre

These 18th century jars belong to a large group of ceramic wares very popular during the Qajar dynasty, which illustrate the development of the blue-and-white style; its shape, originating in Mamluk Syria, was adopted in China and in Safavid Persia. Used for the storage of food, including olive oil, they are particular due to the underglaze staining and the particular smell they have retained to this day. In the twentieth century, such jars were occasionally turned into lamp bases, as the perforation and the groove for electrical wire on the bottom appear to suggest.

The Safavid dynasty, led by Safi al-Din Ardabili, gained influence through religion and alliances. Its peak under Hodja Ali was followed by conflicts with neighboring powers. Shah Isma'il revived the dynasty briefly. They ruled a vast realm but Selim I's victory shifted their fate. A succession of rulers ended with Nadir Shah in 1737. Their legacy includes architectural wonders like Jihil Sütun palace and Masjid-i Shah mosque.

The Qajar dynasty ruled Persia (Iran), Georgia and Armenia (1785-1925), originating from Turkoman near Astarabad. They modernized Iran with technology and arts. Despite a legacy of tribal divisions, Qajars centralized Iran, embracing innovation. Photography, lithography, and new art forms thrived. They invoked Safavid glory. Agha Mohammad Shah's rule marked consolidation against Zands. Fath 'Ali Shah (1797-1834) worked on imperial image, faced Russo-Persian wars. Naser al-Din Shah (1848-96) modernized Tehran and implemented reforms. Mozaffar al-Din Shah (1896-1906) introduced Majles and a constitution. Mohammad Ali Shah's coup failed; Ahmad Shah (1909-25) dealt with foreign interventions and occupation, leading to his deposition. Reza Khan's 1921 coup ended the Qajar era.

🎶 Exciting News! 🎶

the arrival of the Test Pressing for our upcoming vinyl release, V.P.006! 🎉 This marks our sixth vinyl and countless digital releases, a testament to the incredible journey that began back in 2017.

From humble beginnings as a series of electrifying parties to the establishment of our label has evolved organically, steadily cultivating a vibrant community of music enthusiasts. It's been an exhilarating ride, and now, after six amazing releases, we find ourselves at the threshold of another unforgettable chapter.

We couldn't have reached this point without the unwavering support of our dedicated community, and we can't wait to share this next release with you all.
The EP showcases a stellar lineup of talented artists such as Lukey, Soyouz, kompo and A.G.

V.P.006 promises to be a groovy journey like no other. Stay tuned for more information.

Thank you for being a part of this incredible adventure. The rhythm continues, and the beats keep flowing. 🎶✨

This Sunday at .family with and .brussels

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Dear Music lovers,
The Void Project is offering FREE MUSIC to the community.
To get Free music, click on the link below ⬇️

The Void Project release download form The data from this study will be used to get more information about The Void Project customers demographic

Les figures de maternités Yombé ou Phemba, sont un archétype idéalisé de la beauté féminine historique des peuples du groupe Kongo.

La société Yombé tout comme Kongo est matriarcale et matrlinéaire. La femme y tient donc un rôle social, politique et religieux de premier plan car la transmission lignagère se fait par le sang de la mère.

Les figures Pemba sont l'incarnation de la beauté féminine. Elles sont généralement rendues dans un style séminaturaliste, avec un grand soin apporté à la représentation des détails culturels

L'art Phemba est régi par un certain nombre de canons. L'efficacité d'une statue de maternité dépend de la dignité de la figure et de sa jeunesse (démontrée par la fermeté des seins) et des bijoux, qui augmentent sa beauté et son statut.

Ce sont des statues en bois représentant une femme dénudée tenant le dos bien droit, assise sur un socle, les deux jambes croisées. Un enfant est posé dans son giron. L'enfant est habituellement en position allongée.

Les scarifications en relief sur la poitrine et le dos, les dents limées, les ornements perlés et la coiffure proéminente désignent cette figure comme une femme de statut d'élite.

Les scarifications sont dans la vie réelle, réalisées en frottant une substance médicinale non identifiée sur des coupures superficielles de la peau, afin qu'en guérissant, elles donnent des cicatrices lisses et brillantes aux formes définies.

La bouche des statuettes est généralement ouverte, laissant entrevoir des dents limées (signe d'identification culturelle chez le peuple Yombé, les incisives médianes taillées laissant apparaitre un interstice rectangulaire).

Les fragments de verre placés dans les yeux de la figure suggèrent le rôle commémoratif de la sculpture. Les surfaces réfléchissantes comme le verre suggèrent la surface de l'eau, un lien symbolique avec le royaume ancestral. La cosmologie Kongo considère l'eau comme la médiane qui sépare le monde vivant de l'au-delà.

Objet provenant de la collection Leloup présenter par