Ugyen Traditional Arts

Unique Applique Design Thangka

Ongoing work of unique Thangka 🙏👍🙏😯🙏😯

More Thangka for more buyers 🙏🙏🙏

Work of silk 🙏🙏🙏

Thongdrel work under process 🙏👏🙏👏🙏

🙏🙏🙏🙏🙏

Check out the difference

Rimu

Work of master artist under process 🙏🙏

Check out with ugyen Thongdrel and Thangka/ traditional Arts at Menchuna restaurant la.

Now it's easier to contact Ugyen Traditional Arts.

One prays to White Tara, especially for health, healing, and longevity. She offers to heal, whether it is our bodies or our minds that have been hurt.
Though all the manifestations of Tara share the characteristic of compassion through this connection to Chenrezee, it is White Tara who is most closely linked to his essential, compassionate nature.
White Tara is seated in the more meditative diamond lotus position, with both legs folded under her, and her feet facing skyward.
White Tara has 7 eyes — with an eye in her forehead, and one on each hand and foot — symbolizing her compassionate vigilance to see all the suffering of the world.
Her left hand is in the protective mudra and her right in the wish-granting mudra. In her left hand, she usually holds a stem of the Utpala lotus flower with three blossoms.
One blossom is represented as a seed, a second as ready to bloom, and the third in full bloom.
These represent the Buddhas of the past, future, and present.

This particular piece is an amalgamation of hand embroidery and applique technique.
Materials used here are all hand-woven original Varanasi silk hand-stitched to perfection with silk threads.

Green Tara is usually depicted as a compassionate being ready to step down from her lotus throne to offer comfort and protection from all of the sufferings we experience in the world.
She is shown “in a posture of ease and readiness for action. While her left leg is folded in the contemplative position, her right leg is outstretched, ready to spring into action.
Green Tara’s left hand is in the refuge-granting mudra (gesture); her right-hand makes the boon-granting (giving) gesture.
In her hands, she also holds closed blue lotuses (utpalas), which symbolize purity and power.

This particular piece is an amalgamation of hand embroidery and applique technique.
Materials used here are all hand-woven original Varanasi silk hand-stitched to perfection with silk threads.

The oldest Medicine Buddha sutra we know about dates from the seventh century. In that sutra, we are told the story of a bodhisattva, Medicine Buddha, who made twelve vows about how he would help living beings after attaining enlightenment. The holistic healing of mind and body was an important focus of his vows: he promised to help eradicate pain, disease, and disabilities of all kinds, as well as promote good health and optimal flourishing.
When we practice Medicine Buddha meditation, we do not do so to replace mainstream medical treatment, but to complement it. The practice purifies and removes the underlying, karmic causes of disease and cultivates the causes for holistic well-being.

This particular piece is an amalgamation of hand embroidery and applique technique.
Materials used here are all hand-woven original Varanasi silk hand-stitched to perfection with silk threads.

Guru Padmasambhava, which translates to ‘Lotus born’, is believed to have appeared in a blossoming lotus as an eight-year-old in the kingdom of Oddiyana. While Gautam Buddha attained enlightenment at a later stage in his life, legend has it that Padmasambhava was incarnated as Buddha—the awakened one; and at the moment of his birth, he announced that he had incarnated to ‘accomplish the actions of Buddhas of the past, present, and future’.

Interestingly, Gautam Buddha predicted his birth in the Mahayana Mahaparinirvana Sutra. One day before attaining the state of nirvana, he announced to his disciples that 12 years after his death, a remarkable being with the name Padmasambhava will appear in the center of a lotus.
Often called the second Buddha, Padmasambhava is revered by followers of Vajrayana Buddhism as both Amitabha (he who is infinite) and Avalokiteshvara (the embodiment of all buddhas).

This particular piece is an amalgamation of hand embroidery and applique technique.
Materials used here are all hand-woven original Varanasi silk hand-stitched to perfection with silk threads.

Avalokiteshvara is the Bodhisattva of Compassion. He sits on a lotus throne upon a lunar disc. In this manifestation, he has four arms and is white in color. His upper hands hold prayer beads and a lotus; the lower ones, poised in a hand gesture of prayer, clasp the wish-fulfilling jewel at his heart. This jewel embodies the bodhicitta—the altruistic aspiration to attain the highest enlightenment in order to thereby save all beings from misery and establish them in perfect happiness.

This particular piece is an amalgamation of hand embroidery and applique technique.
Materials used here are all hand-woven original Varanasi silk hand-stitched to perfection with silk threads.