Michael Rikio Ming Hee Ho

Solo exhibit at Ongo Gablogian Gallery

"I've just picked up a fault in the AE35 unit. It's going to go 100% failure in 72 hours." - HAL 9000

Arcylic, enamel, and inktransfers on canvas
33cm x 33cm

"I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it."
-HAL 9000

Enamel and inktransfers on canvas
33cm x33cm

"I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it."
-HAL 9000

Enamel and ink transfers on canvas
33cm x 33cm

"I am putting myself to the fullest possible use. Which is all I think that any conscious entity can ever hope to do." HAL 9000

Enamel and ink transfers on canvas
33cm x 33cm

"can I pet that dog?"

"What the f**k do you mean you forgot the Perc 30?"

Matte acrylic, meat prints, ink transfer, and enamel on canvas
117cm x 117cm

My refuge and my fortress; my Dog in whom I trust

117cm x 117cm

So do not fear, for I am with you; do not be dismayed, for I am your Dog.

117cm x 117cm

Golumptuous the Lithuanian Beetle

Metallic and matte acrylic on canvas
117cm x117cm

Looks like Tokyo is also hopping on the monogram game along with literally every single high end brand.

New series that I spent all January working on. 👹💴

"REMEBER ME WHEN I'M GONE"

130cm x 130cm tryptic

“REMEMBER ME WHEN I’M GONE” creates visual parallels between itself and the recent influx of outsider art that has disrupted the conventions of the art world. The satirically gaudy phrase, “Remember me when I'm gone” operates both as a self referential statement as well as a declarative question to the viewer. The works’ blatant stylistic mimicry contextualizes the outsider art movement through the discourse of “historical digression vs controversial progression.” @ Tokyo, Japan

"OK BOOMER" death metal study 🧐🧐🧐

"Sanctuary Sanctum Mortuary Plankton"
100cm x 100cm

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