Doplgenger

Sutra se otvara veoma važna izložba!
(I mi smo dali mali doprinos (😊 *proud))

Autorski tim izložbe: Mišela Blanuša, Ana Panić, Vida Knežević, Autorka projekta: Katarina Živanović
Dizajn i vizuelni identitet izložbe: Milena Kordić i Andrej Dolinka

https://www.masina.rs/umetnik-radnik-borac-retrospektivna-izlozba-dorda-andrejevica-kuna-u-galeriji-sanu/

We had great time sharing our work with students from Academy of Fine Arts and Design, Bratislava! Thank you tranzit.sk💙

Part of exhibition A — WAY. Othering in/of the (semi)periphery curated by Iva Kovač.

Medijska arheologija kod Radeta Radovanovića za .
Čitanje vikendom 🤓

𝕆𝕟 𝕥𝕙𝕖 𝕤𝕡𝕖𝕔𝕥𝕒𝕔𝕝𝕖 𝕠𝕗 𝕞𝕖𝕞𝕠𝕣𝕪
Masterclass by Doplgenger
April 25, 2024, 10 am – 1 pm
tranzit.sk , Beskydská 12, Bratislava

https://sk.tranzit.org/en/lecture/0/2024-04-25/on-the-spectacle-of-memory

📸Srđan Veljović

LOOKING A — WAY
Othering in/of the (semi)periphery
* * * * * * * * * * * * * * *
Exhibition at tranzit.sk
///SK v ďalšom poste///
🔸 Artists: Anca Benera & Arnold Estefán, Anna Dasović, Doplgenger, Ferenc Gróf, Christian Guerematchi, Minna Henriksson, Ľuboš Kotlár & Robert Gabris, Kvet Nguyen, Daniela Ortiz
🔸 Curated by Iva Kovač
🔸 Opening: 11 April 2024, 7 pm
🔸 11.4. – 12.07.2024
🔸 For decades in the European peripheries we have ignored considerations about our entanglement in the histories of colonialism and de-colonization that shaped the public discourse in both the Global South and the Global North. The East Central European (ECE) and South East European (SEE) states have for the most part not participated directly in colonization efforts and have, through an anti-imperialist stance during different implementations of state socialisms, expressed a declarative anti-colonial position. Nevertheless, the European peripheries, historically subordinated to different empires until the beginning of the 20th century, have been affected by the history of colonialism and coloniality. As a result, they have been part of the global relations created through this history.
🔸 The works in the exhibition approach the question of othering and de-colonization, both from the need to decolonize the countries that constitute what is called the ECE and SEE, many of which were historically part of European empires that prospered through exploitation enabled by colonial expansion. It is also important to note that these peripheries have, in different ways, experienced othering by the West, which was strikingly obvious in the 1990s during the dissolution of the former socialist system.
🔸 More info: link in bio.
🚌 ERSTE Foundation is organising a shuttle bus from Vienna to Bratislava on the occasion of the opening of the exhibition. More info and registration - link in bio.
🔸 Looking a — way is presented in collaboration with the City of Women Association / .
ERSTE Foundation is main partner of tranzit. / Supported using public funding by the Slovak Arts Council. / Media partners: Artalk.info, Flash Art CZ & SK, Kapitál, GoOut.net

For the first time in Belgrade, fantastic Soda Jerk will screen their feature remix film Hello Dankness! Not to be missed 🤩

Departman za digitalne umetnosti poziva sve zainteresovane na gostujuće predavanje australijskog umetničkog i filmskog dua Soda Jerk, koji čine Den i Dominik Anđeloro. 🎥🎬

Predavanje će biti održano u utorak, 09. aprila u 18:30 u sali 421 na IV spratu Fakulteta za medije i komunikacije. 📅

Soda Jerk pravi faund futidž filmove sa lažnim dokumentarističkim impulsom, a po prvi put će u Beogradu prikazati svoj dugometražni remiks film „Hello Dankness“, dobitnika mnogih festivalskih nagrada, koji je premijerno prikazan na Berlinalu 2023. godine. 🎥🏆

„Hello Dankness“ je politička basna koja sledi psihotropni spektakl američke politike od 2016. do 2021. godine, kao i mitove i znanja koji su se oko ovog spektakla ukorenili. U formi prigradskog stoner mjuzikla, film prati američko susedstvo tokom ovog vremenskog perioda, dok se realnost zasnovana na konsenzusu raspada u teorijama zavere i drugim zarazama. 🎞️

Soda Jerk će dati kratak uvod u njihovu faund futidž filmsku praksu, a nakon projekcije filma sa studentima će održati razgovor koji će moderirati Boško Prostran, docent na Departmanu za digitalne umetnosti. 💬

https://fmk.singidunum.ac.rs/vesti/soda-jerk/

FMK Digitalne umetnosti

𝗧𝗵𝗶𝘀 𝗹𝗮𝗻𝗱, 𝗺𝘆 𝘀𝗶𝘀𝘁𝗲𝗿, 𝗶𝘀 𝗮 𝘄𝗼𝗺𝗮𝗻
𝘍𝘪𝘭𝘮𝘴 𝘣𝘺 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘗𝘢𝘭𝘦𝘴𝘵𝘪𝘯𝘪𝘢𝘯 𝘧𝘦𝘮𝘢𝘭𝘦 𝘢𝘳𝘵𝘪𝘴𝘵𝘴

March 8th, 7 PM
Center for Cultural Decontamination

The special screening on International Women’s Day borrows its title from a poem by the Palestinian poetess Fadwa Tuqan and will present to the Belgrade audience a selection of films by contemporary Palestinian female artists.

Reem Shilleh - Perpetual Recurrences (izvodi, 2016, 10 min)
Basma a-lSharif - Home Movies Gaza (2013, 25 mins)
Larissa Sansour - Nation Estate (2012, 10 min)
Rosalind Nashashibi - Electrical Gaza (2015, 18 min)
Oraib Toukan - Via Dolorosa (2021, 28 mins)

The film screening at the CZKD is part of a donor event “In Solidarity with Palestinian Women” and continues with a sales exhibition and merch at Caffe Bar “Sixteen”. The event is organized as part of the Artists Against Apartheid (AAA) movement.

Collected donations will be paid to the PCRF (Palestine Children’s Relief Fund).

.sheen

Jasna Galjer on mediatory practices of photography and film in the “production of space” for Sophia Journal: 𝙒𝙖𝙮𝙨 𝙤𝙛 𝙨𝙚𝙚𝙞𝙣𝙜 𝙖𝙧𝙘𝙝𝙞𝙩𝙚𝙘𝙩𝙪𝙧𝙚 𝙖𝙣𝙙 𝙡𝙖𝙣𝙙𝙨𝙘𝙖𝙥𝙚 𝙞𝙣 𝙩𝙝𝙚 𝙫𝙤𝙞𝙙𝙨 𝙤𝙛 𝙥𝙧𝙚𝙨𝙚𝙣𝙘𝙚: 𝙏𝙝𝙚 𝙘𝙖𝙨𝙚 𝙤𝙛 𝙖 𝙝𝙚𝙖𝙡𝙩𝙝 𝙧𝙚𝙨𝙤𝙧𝙩 𝙤𝙣 𝙩𝙝𝙚 𝘼𝙙𝙧𝙞𝙖𝙩𝙞𝙘 𝙘𝙤𝙖𝙨𝙩 𝙤𝙛 𝘾𝙧𝙤𝙖𝙩𝙞𝙖. 🥰

Such a precious insights about our film A̳ ̳R̳e̳c̳o̳r̳d̳ ̳o̳f̳ ̳L̳a̳n̳d̳s̳c̳a̳p̳e̳ ̳W̳i̳t̳h̳o̳u̳t̳ ̳P̳r̳e̳h̳i̳s̳t̳o̳r̳y̳💙

"𝘛𝘩𝘦 𝘱𝘩𝘰𝘵𝘰𝘨𝘳𝘢𝘱𝘩𝘪𝘤 𝘳𝘦𝘤𝘰𝘳𝘥𝘴 𝘰𝘧 𝘞𝘰𝘭𝘧𝘨𝘢𝘯𝘨 𝘛𝘩𝘢𝘭𝘦𝘳, 𝘵𝘩𝘦 𝘦𝘱𝘪𝘴𝘰𝘥𝘦 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺 𝘚𝘭𝘶𝘮𝘣𝘦𝘳𝘪𝘯𝘨 𝘊𝘰𝘯𝘤𝘳𝘦𝘵𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘦𝘹𝘱𝘦𝘳𝘪𝘮𝘦𝘯𝘵𝘢𝘭 𝘧𝘪𝘭𝘮 𝘈 𝘙𝘦𝘤𝘰𝘳𝘥 𝘰𝘧 𝘓𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦 𝘞𝘪𝘵𝘩𝘰𝘶𝘵 𝘗𝘳𝘦𝘩𝘪𝘴𝘵𝘰𝘳𝘺 – 𝘵𝘩𝘦𝘴𝘦 𝘢𝘳𝘦 𝘤𝘰𝘯𝘴𝘦𝘲𝘶𝘦𝘯𝘵𝘭𝘺 𝘰𝘯𝘭𝘺 𝘱𝘰𝘴𝘴𝘪𝘣𝘭𝘦 𝘵𝘰 𝘶𝘯𝘥𝘦𝘳𝘴𝘵𝘢𝘯𝘥 𝘸𝘪𝘵𝘩𝘪𝘯 𝘵𝘩𝘦 𝘤𝘰𝘯𝘵𝘦𝘹𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘥𝘦𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘦𝘹𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯, 𝘧𝘳𝘰𝘮 𝘷𝘪𝘴𝘶𝘢𝘭 𝘴𝘤𝘦𝘯𝘦𝘴 𝘳𝘪𝘤𝘩 𝘪𝘯 𝘥𝘦𝘵𝘢𝘪𝘭 𝘵𝘰 𝘵𝘩𝘦 𝘮𝘰𝘯𝘰𝘤𝘩𝘳𝘰𝘮𝘦 𝘴𝘪𝘭𝘦𝘯𝘤𝘦 𝘰𝘧 𝘣𝘭𝘶𝘦𝘯𝘦𝘴𝘴. 𝘛𝘩𝘪𝘴 𝘥𝘦𝘤𝘰𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯 𝘰𝘧 𝘷𝘪𝘴𝘶𝘢𝘭 𝘱𝘰𝘳𝘵𝘳𝘢𝘺𝘢𝘭 𝘪𝘴 𝘢𝘯𝘢𝘭𝘰𝘨𝘰𝘶𝘴 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘥𝘪𝘴𝘪𝘯𝘵𝘦𝘨𝘳𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘺𝘴𝘵𝘦𝘮 𝘰𝘧 𝘧𝘰𝘳𝘮𝘦𝘳 𝘷𝘢𝘭𝘶𝘦𝘴, 𝘳𝘢𝘯𝘨𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘭𝘰𝘴𝘴 𝘰𝘧 𝘵𝘩𝘦 𝘴𝘰𝘤𝘪𝘢𝘭 𝘳𝘰𝘭𝘦 𝘰𝘧 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘦, 𝘵𝘩𝘦 𝘥𝘦𝘴𝘵𝘳𝘰𝘺𝘦𝘥 𝘣𝘦𝘢𝘶𝘵𝘺 𝘰𝘧 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘦 𝘮𝘦𝘳𝘨𝘦𝘥 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘭𝘢𝘯𝘥𝘴𝘤𝘢𝘱𝘦, 𝘵𝘰 𝘵𝘩𝘦 𝘦𝘳𝘢𝘴𝘪𝘯𝘨 𝘰𝘧 𝘮𝘦𝘮𝘰𝘳𝘪𝘦𝘴 𝘰𝘧 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘰𝘧 𝘱𝘭𝘢𝘤𝘦𝘴."
https://www.up.pt/revistas/index.php/sophia/article/view/860

Ignacio Szmulewicz’s review of bienal for January 2024 issue of .
present. Featured in words and image 🫶
Thank you ❤️

Sonja Leboš's review of our cinematic lecture-performance "Re:Vision #4 (Yugoslav socialism and the women's issue on film)" for VoxFeminae.

Misliti povijest kroz filmsku sliku Beogradski duo Doplgenger bavi se jugoslavenskim socijalizmom i ženskim pitanjem na filmu.

Posted • The 22nd edition of Videobrasil—an open call exhibition—proposes the Global South as an "imagined community" of different cultures united in solidarity against hegemonic historical narratives, writes Oliver Basciano.

[ Doplgenger’s Fragments untitled (2012–22), a four-channel video work for which the Serbian duo have edited and collaged television footage broadcast around the dissolution of Yugoslavia, feels equally haunted. One of the floor monitors shows a compilation of perturbed looks, opening and closing doors, phones ringing, and sharp breaths from soap operas and dramas of the era; in the most recent of the series, we see footage of the infamous Dinamo Zagreb–Red Star Belgrade riot, which took place between Croat and Serb fans at Maksimir Stadium in May 1990, digitally manipulated—in a style reminiscent of Paul Pfeiffer—so that only the riot police remain. They maneuver around the silent pitch, ill-equipped and lost, their foe absent. ]

Read at the link in bio.



Image: Ali Cherri, Lion, 2022. Pink sandstone of a roaring lion head sculpture (England, 16th century), clay, sand, foam, xps, pigments, 52 x 105 x 45 cm. Image courtesy of the artist.

Posted •
𝗝𝘂𝗴𝗼𝘀𝗹𝗼𝘃𝗲𝗻𝘀𝗸𝗲 𝗳𝗶𝗹𝗺𝘀𝗸𝗲 𝘀𝗼𝗹𝗶𝗱𝗮𝗿𝗻𝗼𝘀𝘁𝗶
𝚁𝚊𝚣𝚐𝚘𝚟𝚘𝚛 𝚘 𝚔𝚒𝚗𝚎𝚖𝚊𝚝𝚘𝚐𝚛𝚊𝚏𝚜𝚔𝚒𝚖 𝚖𝚊𝚝𝚎𝚛𝚒𝚓𝚊𝚕𝚊𝚖𝚊 𝚒𝚣 𝚏𝚘𝚗𝚍𝚊 𝙼𝚞𝚣𝚎𝚓𝚊 𝙹𝚞𝚐𝚘𝚜𝚕𝚊𝚟𝚒𝚓𝚎

U sredu 29. novembra u 18 časova održaće se razgovor pod nazivom „Jugoslovenske filmske solidarnosti“ u bioskopskoj sali Muzeja Jugoslavije. Ovo je prvi u nizu javnih događaja planiranih u kontekstu inicijalnog istraživanja kinematografske zbirke Muzeja, a podrazumeva svojevrsno „otpakivanje arhive“ i uspostavljanje osnovnih epistemoloških dilema koje je upoznavanje sa materijalima pokrenulo.

Autorski tim projekta čine umetnički duo Doplgenger (Isidora Ilić i Boško Prostran) i akademski istraživači Sima Kokotović i Tamara Vukov.

Razgovor se realizuje u saradnji autorskog tima i kustoskinje Muzeja Simone Ognjanović.

Vizual: Kadar iz dokumetarnog filma „Naš nacionalni arhiv" (Indija). Iz fonda Muzeja Jugoslavije.

𝗗𝗼𝗽𝗹𝗴𝗲𝗻𝗴𝗲𝗿 - 𝓚𝓪𝓶𝓮𝓻𝓪𝓭𝓲𝓷
"(Ne)vidljive žene", tematska izložba Festival prvih @ KIC Zagreb

𝗗𝗼𝗽𝗹𝗴𝗲𝗻𝗴𝗲𝗿 - 𝗥𝗘:𝗩𝗜𝗭𝗜𝗝𝗔 #𝟰
𝕁𝕦𝕘𝕠𝕤𝕝𝕠𝕧𝕖𝕟𝕤𝕜𝕚 𝕤𝕠𝕔𝕚𝕛𝕒𝕝𝕚𝕫𝕒𝕞 𝕚 ž𝕖𝕟𝕤𝕜𝕠 𝕡𝕚𝕥𝕒𝕟𝕛𝕖 𝕟𝕒 𝕗𝕚𝕝𝕞𝕦
★𝒫𝓇𝑒𝒹𝒶𝓋𝒶𝓃𝒿𝑒-𝓅𝑒𝓇𝒻𝑜𝓇𝓂𝒶𝓃𝓈★
Dokukino Kic, Zagreb

Petak, 27.10.2023.

Panel rasprava ‘𝓘𝔃𝓪 𝓸𝓰𝓵𝓮𝓭𝓪𝓵𝓪: 𝓹𝓻𝓲𝓴𝓪𝔃𝓲 ž𝓮𝓷𝓪 𝓷𝓪 𝓯𝓲𝓵𝓶𝓾 𝓳𝓾č𝓮𝓻 𝓲 𝓭𝓪𝓷𝓪𝓼’ na kojoj su sudjelovale filmske kritičarke Dina Pokrajac i Iva Rosandić, Boško Prostran iz beogradskog umjetničkog duo Doplgenger te multimedijalna umjetnica Nina Kurtela. Panel je moderirala filmska kritičarka Ejla Kovačević.

📷 Edita Sentić

Vidimo se, Zagrebe!❤️
◾️◾️◾️
RE:VIZIJA 4: JUGOSLAVENSKI SOCIJALIZAM I ŽENSKO PITANJE NA FILMU
21. Festival prvih
PET 27. 10. 19H
Dokukino Kic

Provođenjem formalne i diskurzivne analize filmskog materijala i jezika, predavanja-performansi umjetničkog dua Doplgenger kreiranjem filmsko-montažnih nizova izvode i iščitavaju blokove slika jugoslavenske kinematografije kao dokumente i projekcije socijalističkog društva. Performativno predavanje ukazuje na napuštanje ideje ženske emancipacije, koja je prisutna u filmovima do početka šezdesetih, i na sve prisutniju retradicionalizaciju društva.

🕵: https://www.studio-artless.hr/archives/1088

📸Srđan Veljović

22nd Biennial Sesc_Videobrasil
𝙈𝙚𝙢𝙤𝙧𝙮 𝙞𝙨 𝙖𝙣 𝙀𝙙𝙞𝙩𝙞𝙣𝙜 𝙎𝙩𝙖𝙩𝙞𝙤𝙣

18 October 2023 - 25 February 2024
São Paulo, Brazil

Artistic Director: Solange Farkas
Curators: Raphael Fonseca and Renée Akitelek Mboya

It arrived! October 2023 issue of brings fantastic articles, interesting topics and great authors! 💥Excited and honoured to be in such a company!🥸

Posted • Qual é a participação da mídia na construção de narrativas históricas?

SEMANA DE ABERTURA | 22ª Bienal Sesc_Videobrasil⚡️ No dia 19 de outubro, às 16h30, o Sesc 24 de Maio recebe a performance do coletivo sérvio Doplgenger.

Parte de um projeto artístico que examina a participação da mídia na construção de narrativas históricas na Iugoslávia dos anos 1980, 1990 e 2000, a palestra-performance discute o problema de lembrar, representar e dar voz a histórias distantes pelas imagens da mídia, as políticas de arquivamento, os experimentos audiovisuais e o impacto dessa linguagem no espectador. Na sequência, a artista Isidora Ilic (Doplgenger) conversa com a curadora tchéca Teresa Jindrová

⚡ Doplgenger, "Fragments Untitled #5"
19.10, às 16h30
Espaço Multiuso - 4o andar
Sesc 24 de Maio: R. 24 de Maio, 109 - São Paulo (SP)
Entrada gratuita
Confira a programação completa [link na bio]

• • •

How does the media participate in the construction of historical narratives?

OPENING WEEK | 22nd Biennial Sesc_Videobrasil⚡️ On October 19, at 4:30 pm, Sesc 24 de Maio will host a performance by the Serbian collective Doplgenger.

Part of an artistic project that examines the media’s participation in the construction of historical narratives in Yugoslavia in the 1980s, 1990s and 2000s, the lecture-performance discusses the problem of remembering, representing and giving voice to distant histories through images from the media, the politics of archiving, audiovisual experiments and the impact of this language on the viewer. After the performance, there will be a talk with the artist Isidora Ilic (Doplgenger) and the Czech curator Teresa Jindrová.

⚡ Doplgenger, "Fragments Untitled #5"
Oct 19, at 4:30 pm
Multipurpose space - 4th floor
Sesc 24 de Maio: R. 24 de Maio, 109 - São Paulo (SP)
Free admission
Check out the opening week programming [link in bio]

• • •

Imagens com texto alternativo
📷 "Fragments Untitled -". Cortesia dos artistas / Courtesy of the artists

FESTIVAL DES CINÉMAS DIFFÉRENTS ET EXPÉRIMENTAUX DE PARIS — 25TH EDITION
11.10.23 - 15.10.23
Jeune Cinéma

FOCUS #2

12.10.23 19H45—21H30
CINÉMA LE GRAND ACTION

PROGRAM
pR0F355OR_$PL4SH by jAROD Unofisal
Fragments untitled #6 by Doplgenger
Water work by Tony Hill
Konrad & kurfurst by Esther Urlus
Spacy by Takashi Ito
Walrus by Moira Tierney
Refait by Collectif Pied la biche
Touring holland by bicycle by Paul De Nooijer
Water Pulu 1869-1896 by Ivan Ladislav Galeta

25e FCDEP // Trailer Crédits : Tanya Fokina

Beyond excited! 😍
𝗙𝗼𝘂𝗻𝗱 𝗙𝗼𝗼𝘁𝗮𝗴𝗲 𝗠𝗮𝗴𝗮𝘇𝗶𝗻𝗲 #𝟵 𝗶𝘀 𝗼𝘂𝘁!
And Doplgenger’s interview by Greg de Cuir in it! 🤓
Check it out and support the unsparing work of magazine editors and the extremely important contribution the magazine makes for the history, understanding and contemporary status of found footage film! ❤️💥
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Available for purchase online and in selected book shops.
More info: https://foundfootagemagazine.com

➋ FOCUS #2 LE LIEU DE L'EFFORT

12 Oct 7:45PM

✪ pR0F355OR_$PL4SH, Jarod Unofisal
France, 2016

✪ Fragments untitled #6, Doplgenger
Serbie, 2022

✪ Water work,Tony Hill
UK, 1987

✪ Konrad & kurfurst, Esther Urlus
Pays-Bas, 2014

✪ Spacy,Takashi Ito
Japon, 1981

✪ Walrus, Moira Tierney
Irlande, 2001

✪ Refait, Collectif Pied la biche
France, 2009

✪ Touring holland by bicycle, Paul De Nooijer
Pays-Bas, 1981

✪ Water Pulu 1869-1896, Ivan Ladislav Galeta
Ex-Yougoslavie, 1987-1988