IN THE CULTURE OF ONE WORLD is a cross-media project. It tracks global politics, international collaborations, public diplomacy, and generative narratives.
"An internationalist, a champion of cultural exchange and dialogue," New York Daily News
"The visionary," Instinct Magazine. "Randy Gener's command of theatrical subjects is unequalled among his contemporaries," American Theatre magazine/Theatre Communications Group. "Gener went above and beyond with regard to enterprise, resourcefulness and ov
ercoming obstacles in pursuit of the story," Deadline Club Award, New York chapter of the Society of Professional Journalists
"Gener's accumulation of words in his play 'Love Seats for Virginia Woolf' are the feathery evanescence of the butterfly's wings clamped together with the bolts of iron that are the four loveseat sculptures. The actors become words personified. I was left astonished,” The Virginia Woolf Miscellany of the International Virginia Woolf Society. "Randy Gener's 'Love Seats for Virginia Woolf' is a meditative homage. Gener has staged his play with a subtle grace that complements the art objects' sedentary ingenuity. Never has Virginia's room of one's own been so suggestively furnished,” The Village Voice
"Randy sheds light into censorship and repression of the arts," Deadline Club Award, New York chapter of Society of Professional Journalists
"Gener’s writing on theater, especially as it interacts with LGBT lives, is beautifully done, knowledgeable and almost lyrical in its language,” NLGJA Journalist of the Year. "He draws our attention to largely ignored voices and visions on the international theatrical scene," George Jean Nathan Award for Dramatic Criticism
"One of the leaders of the Asian American community," The New York Daily News.
