Philippe Nault Art

06112024 . 19.5 x 53 in . Acrylic, Hamakua mud and graphite on free canvas . 2024 (Tile 1 of 3)








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06112024 . 19.5 x 53 in . Acrylic, Hamakua mud and graphite on free canvas . 2024 (Tile 2 of 3)








#芸術
#現代美術
#抽象芸術

06112024 . 19.5 x 53 in . Acrylic, Hamakua mud and graphite on free canvas . 2024 (Tile 3 of 3)








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#現代美術
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06012024 . 30 x 33.5 in . Acrylic and ash on linen . 2024








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05192024 . 38 x 56.5 cm . cendre, base acrylique et poudre de charbon de bois sur papier . 2024








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05192024 . 22.5 x 30 in . Ashes, acrylic base and charcoal powder on paper . 2024








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05172024 . 20 x 30.25 in . Fern forest mud, acrylic base and pastel on paper . 2024








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05182024-4 . 22.5 x 30 in . Fern forest mud, acrylic base and charcoal on paper . 2024








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Lineages Series: Acrylic and ash on paper.

| ELEMENTAL SERIES | 01312017-3
49 x 41 in (Unstretched)
Acrylic on canvas, 2017









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| ELEMENTAL SERIES | 01312017-2
40 x 39 in (Unstretched)
Acrylic, grass and leaf particles on canvas, 2017









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I look forward to participating at this invitational exhibit, alongside .freeman.57 and other local artists exploring the theme of Emptiness and Form.

May 18 - June 8th.

I’m looking forward to offering a tea ceremony demonstration to the Japanese language students, faculty and friends at University of Hawaii this upcoming April 11. Featured also is a roundtable discussion with philosopher and artist Tim Freeman .freeman.57, Rev. Jikagu Takenouchi (Taishoji Temple) and myself.

I am deeply honored that writer Abigail Leali wrote this article for MutualArt Magazine about the relation between my Chawan Landscape series and the philosophy of Chado. Her MutualArt Magazine columns like Chasing Paradise, and Sacred Art, amongst others, are a must read.

Philippe Nault’s Chawan Landscapes Representation and abstraction are influenced by Japanese tea rituals in Philippe Nault’s expression of physical and spiritual realities

Retrospect: Paris 1992 with Ed Clark and a friend. I wrote a brief article about our connection, you can find it under “Studio Notes” on my website. Photo and painting by Kymberli Johnson.

Retrospect: Orléans 1984. Signing a painting for and . Photo by Jean Pierre Pelletier Troupet.

Retrospect: Paris 1990. A recently found print damaged by weather.

| ASHES | 11112022
40 x 40 in (101 x 101 cm)
Burned pages and acrylic on tar paper, 2022.

2nd frame, lava field at Kilauea.

3rd frame, painting detail.












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| ASHES | 11142022
40 x 40 in (101 x 101 cm)
Burned pages and acrylic on tar paper, 2022.

2nd frame, lava field at Leilani lava flow 2018.












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| ASHES | 09172022
23 x 31 in (58x78 cm)
Burned pages & acrylic on canvas, 2022.












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| ASHES | 08062022
13 x 13.5 in (33 x 33 cm)
Burned pages & acrylic on canvas, 2022.












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| ASHES | 06102022-2
28 x 42 in (71 x 106 cm)
Burned book pages and acrylic on paper, 2022.












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| ASHES | 06302022
47 x 57 in (120 x 145 cm)
Burned pages & acrylic on paper, 2022.












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| ASHES | 05242022
26 x 40 in (66 x 101 cm)
Burned Gregorian chant scores & acrylic on paper, 2022.












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| ASHES | 02012022
18 x 26.5 in (46 x 67 cm)
Burned pages & acrylic on paper, 2022.












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| ASHES | 06082022
15 x 40 in (38 x 101cm)
Burned Gregorian chant scores & acrylic. (Tile 1of3).












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| ASHES | 06082022
15 x 40 in (38 x 101cm)
Burned Gregorian chant scores & acrylic. (Tile 3of3).












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| ASHES | 11012022
22”x30” (57x76 cm)
Burned pages on Arches paper.












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| ASHES | 11012022-3
22”x30” (57x76 cm)
Burned pages on Arches paper.












#芸術
#現代美術
#抽象芸術