CHERRYBOY
CHERRYBOY STUDIO is a creative studio of traditional, digital & interactive print design.
CHERRYBOY STUDIO is an expansion of its original form, an annual, multidisciplinary arts magazine. Mastering the art of independent publishing, the CHERRYBOY STUDIO team maintains their core ideals, inputting them into a larger, faster and more innovative creative realm - resulting in a flexible and highly skilled creative studio.
CHERRYBOY is based in London.
Matilda Laird is a London based multidisciplinary artist, with a practice that spans across sculpture, installation, performance, drawing, video and digital drawing. She studied Fine Art at Camberwell College of Art in London.
From the 3rd - 10th February 2023, the artist exhibited her show ‘Soft Vent’ at Hotel Elephant, London. Each an evocative expression of emotional architecture, the works that contribute to Soft Vent probe the everyday properties that control human space and psyche.
Matilda Laird is a London based multidisciplinary artist, with a practice that spans across sculpture, installation, performance, drawing, video and digital drawing. She studied Fine Art at Camberwell College of Art in London.
From the 3rd - 10th February 2023, the artist exhibited her show ‘Soft Vent’ at Hotel Elephant, London. Each an evocative expression of emotional architecture, the works that contribute to Soft Vent probe the everyday properties that control human space and psyche.
In the same way that architecture and environment exist to serve a purpose, an action or to fulfil a socially or politically charged message, each sculpture, like a lonely vessel in space, becomes its own optical scenario of sensation.
Words by Grace Cargill
laird
Works in order of display:
Barred and Barbed
2023
Ply Wood, Cardboard, Vinyl, Felt
43cm x 29cm x 9cm
Soft Vent
2023
Cotton, Chiffon, Felt, Ply Wood, MDF, Vinyl
86cm x 52cm x 43cm
Well-Wrought Window
2023
Chiffon, Vinyl, Timber, Ply Wood
59cm x 34cm x 4.5cm
Spike’s Been Framed
2023
Ply Wood, Chiffon, Cardboard, Felt
98cm x 58cm x 38cm
Last month we officially sold out of photobook, CORE!
A masterpiece by our friends Kate Kidney Bishop and Celia Croft.
Plenty more were that came from..👀
Could CHERRYBOY make a book for you?
Announcement coming soon.
Who remembers this?
Photobook, CORE by and
A very powerful project to be a part of!
From fundraising through art markets to launching with , we built this!
Available on website.
Let us take the reins!
SWIPE!
We manage projects for businesses and individuals.
Visit our website to see our client portfolio or contact us to see how we can help bring your project to life.
Our first business card!
Designed in house by
Wait till you see what we’re printing on ..
Floating Retreat, Sharjah, United Arab Emirates
Ardh Architects Developed in partnership with Shurooq.
Paul Wunderlich (1927-2010) showing along side Karin Szekessy (1939) in CHERRYBOY’s 6th publication titled SUPERWORLD.
Husband Wunderlich an artist, and wife Szekessy a photographer, often collaborated with one another.
In these 'transpositions,' n**e photographs by Szekessy are juxtaposed with Wunderlich's versions, or replies, in the form of paintings and prints.
These works are shown together in ‘Transpositions’ (1980), ‘Schmuck’ (2002) and ‘Twilight’ (1970s).
Story in CHERRYBOY 6 covered by Esme Blair.
Buy now though link in bio!
Poster from 2022 for the CHERRYBOY Ball that was cancelled due to COVID.
Designed by Phia Bowden
HOW DO WE RESPOND TO THE VISUAL ASPECTS OF POETRY?
This research project uses psychological, critical and creative methods to study how readers respond to the visual aspects of poetry.
It involves specialists in English and Comparative Literature, Fine Art and Psychology.
These include the shape of visual or concrete poetry (where words are arranged spatially in particular patterns on the page), the combination of poetry with images (in artists' books and prints), and the moving words and images found in digital poetry (a relatively new form of poetry which is usually web-based and often interactive).
Lead Research Organisation: University of Dundee
Max Rocha behind Cafe Cecilia shares a recipe in CHERRYBOY’s 6th annual publication, ‘SUPERWORLD’.
Buy now from the link in our bio.
A visit to Museo del Juguete Antiguo (Old Toy Museum) in Mexico City.
4 floors sardined with a collection of over 20,000 Mexican toys from the early 20th century.
Monday to Friday, 10-6pm
Saturday, 9-4pm
Sunday, 10-4pm
General Admission $75 Mexican Pesos
Li Hei Di ( ) spread in A/D D/A, 2022
Past project for of show A/D D/A curated by .zerui.guo
Front cover:
Back cover:
Produced by .studio
Available to buy on website, www.cherryboystudio.com
Mia Vallance welcomes you to her first solo show at in Paris opening this weekend December 16th.
is a contributor and friend of CHERRYBOY, with retrospectives appearing in 2019’s edition 4 and 2021’s edition 6.
« painting for a short future »
from 6pm-9pm
81 Boulevard Beaumarchais
"A heap of broken images, where the sun beats, And the dead tree gives no shelter, the cricket no relief, And the dry stone no sound of water. OnlyThere is shadow under this red rock, (Come in under the shadow of this red rock), And I will show you something different from either".
T.S Elliot, Wasteland.
Mia Vallance's Painting for a Short Future presents a perturbed body of work. Frenetic brushstrokes amongst swathes of colour have come to be her signature, but what is debuting here is an overwhelming sense of decay and uncertainty. The paintings in the show echo T.S Elliot's oneiric yet corporeal poem Wasteland. Having referenced the line 'breeding lilacs out of the dead earth,' Mia's paintings suggest heavy heads on thin stems, seeping colours marred by overwhelming browns and dark places.
There's a timelessness to the phenomenon of decay, yet she also acknowledges the specificity of the disconcerting times she paints in.
Words by Esme Blair
Beautiful x5 foil colours on this GH Smith Peregrina Majestic paper stock.
For a Private Dining Room brochure we produced for one of our clients, Scott’s Mayfair of Caprice Holdings.
Font and metal work spot in Oaxaca, Mexico
The tangibility of books and the art of publishing.
‘I am in Mexico working on my publishing processes to gain a deeper understanding of the structure and tangibility of books. I am exploring how far I can stretch their two-dimensional forms to access a cross-dimensional reading experience. By practising the most traditional form of book-binding and bringing it back to its basics, I have unveiled the complexity of its hardware, thus knowing what areas to conceptually expand on.’ - Phia Bowden (Founder of CHERRYBOY)
The full interview available soon in the next edition of Oxford University’s .magazine
Some of our clients!
We provide print project management and communication services including graphic design, end to end print management, content management (copywriting) and outsourcing.
Prioritising quality and communication.
We have been producing bespoke collateral for private dinging rooms as well as personal book projects and branding material.
Find out more on our website!
Simple branding solutions!
NEWS! CHERRYBOY has expended into a studio, offering publishing, design and print management services - with a focus on cutting-edge and bespoke methods of curation and craftsmanship.
There is a new website, check it out!
Books designed and published by CHERRYBOY
🔴 Interior + exterior book design
🟠 Print production management
🟡 Happy clients!
Email for you printing needs. Print design is our life 🥹
The magic equation. It really works!
Artists and designers. Take notes.
Stop undercharging.
My badge today by
Feelz
Please join us for the post launch of CHERRYBOY 6, SUPERWORLD at on Friday 20th May from 7-10pm
There will be limited copies for sale and mech 👕
📍Photobookcafe, 4 Leonard Circus, EC2A 4DQ, London
🕰7-10pm
🎟Free
About
A biannual fashion and art magazine. Created by artists for artists, holding burning talent packed in paper and bellowing a manifesto of creative insanity.