Christina McPhee

Christina McPhee

Christina McPhee is an artist who practices in painting, drawing, video installation and photomontag

Photos from Christina McPhee's post 07/12/2023

Palm at the End of the Mind 2023
After

Of Mere Being
BY WALLACE STEVENS
The palm at the end of the mind,
Beyond the last thought, rises
In the bronze decor,

A gold-feathered bird
Sings in the palm, without human meaning,
Without human feeling, a foreign song.

You know then that it is not the reason
That makes us happy or unhappy.
The bird sings. Its feathers shine.

The palm stands on the edge of space.
The wind moves slowly in the branches.
The bird's fire-fangled feathers dangle down.

07/12/2023

Crazy making
Stand off
Mattress cot
Mandelbrot

06/12/2023
Photos from Christina McPhee's post 06/12/2023

Another voice print

Photos from Christina McPhee's post 04/12/2023

Geologic resurgence studies 2021 -ink on paper ….. just a few flying by

Apropos of current

Photos from Christina McPhee's post 03/12/2023

“So soft this morning hours”

02/12/2023

Telluric Dreamtime

02/12/2023

Yes

Photos from Christina McPhee's post 02/12/2023
20/11/2023

Back home in morning light .
This one called to me. The sun blessing.

18/11/2023

video still from Yes! lord paradise remix, immersive animation-landscape film with sound by . Resistance to the hellscape by contemplation and devotion —

Photos from Christina McPhee's post 17/11/2023

Lady Luck. 2022.

16/11/2023

Over under

Photos from Christina McPhee's post 15/11/2023

Voice Print Atmospheric River 2023
Taking part in the benefit auction this week … auction link on my bio …

Photos from Christina McPhee's post 13/11/2023

Some baroque morning

Photos from Christina McPhee's post 13/11/2023

… 1/2/ … 3/4/

11/11/2023

Meanwhile back home Terr just painted the walls deep royal blue.

Photos from Christina McPhee's post 09/11/2023

Films by Christina McPhee screening at FiveMyles Brooklyn 11.10.23 7 PM

Photos from Christina McPhee's post 07/11/2023

Couple more of the new kids on the block:
1/ Me and My Shadow. 2/My Heart In Hiding Stirred for a Bird

2023 oil and dye on canvas 18 x 16 in

Channelling a standard with Justin Vivian Bond; plus, Gerard Manley Hopkins in flight services

Photos from Christina McPhee's post 06/11/2023

New little dudes. 1/ Thunder on the Mountain 2/ Snow Was General All Over Ireland; each 18 x 16 in 45.7 x 40.6 cm 2023

From a new project TBA soon. Here summoning Dylan and then Joyce (my favorite line from “The Dead”).

05/11/2023

No words. Basically painting activity is accompanied by spontaneous tears.

Photos from Christina McPhee's post 03/11/2023

No words

Photos from Christina McPhee's post 03/11/2023

Transition zone

Photos from Christina McPhee's post 31/10/2023

Looking forward to showing a film version of “Breathing”, a song from - with new footage from the revival of this multimedia performance work last August. Coming to on November 10 in Brooklyn.

Photos from Christina McPhee's post 31/10/2023

In the studio I feel like I’m channeling this big beautiful denim jeans jacket with padded shoulders and appliqué sequins that I wore in green mountain falls Colorado in 1990, with my babies . Well at least the yellow painting is like that seeing as how it’s about an assumption into it out of heaven

27/10/2023

This was a shadow from the oaks but it became Enclave.

26/10/2023

Broken vista point clear lake

Map collage + oil on canvas

Thinking of a research gallery at the American wing of the Met last year- 19th c paintings by white ‘explorers’ of Pomo scenes at Clear Lake , alongside contemporary and historical baskets

Thinking of what it means to call out a name - ‘our miraculous names’ (A.Cesaire)

25/10/2023

Conflagration (after Suzanne Cesaire)

2021

24/10/2023

RE: Chumash Heritage National Marine Sanctuary designation (NOAA-NOS-2021-0080)

We strongly support the swift designation of the Chumash Heritage National Marine Sanctuary (CHNMS) to protect ocean biodiversity and to advance environmental justice through collaborative ocean management. We support the following actions:

Sanctuary Boundary: The Initial Boundary Alternative with Gaviota Coast Extension
Name: The name “Chumash Heritage National Marine Sanctuary”
Tribal Collaborative Management: An inclusive approach to all Tribes in Collaborative Management & a NOAA Tribal Liaison.
Outreach and Education: Outreach, education and research programs that elevate Traditional Ecological Knowledge (TEK) and access for local underserved communities.
Rodriguez Seamount: The protection of Rodriguez Seamount
Offshore Wind: Thoughtful planning of Offshore Wind farms to protect ocean life
Water Quality: A prohibition on new oil development within sanctuary boundaries.

The Chumash Heritage National Marine Sanctuary, spanning over 7,500 square miles of ocean and 156 miles of coastline, will be both beneficial for the environment, local communities and the economy.

It is vital that the CHNMS cover the largest possible contiguous boundaries. We support designation of the Initial Boundary Alternative with the Gaviota Coast Extension (Sub-Alt 5b). Including the waters offshore Point Buchon, Morro Bay, Cayucos, and Cambria will close the California Central Coast’s biodiversity protection gap between Monterey Bay and Channel Islands National Marine Sanctuaries. This will protect the only eelgrass bed in a 300-mile stretch of coast; many historic Chumash sites, including Lisamu’ (Morro Rock); numerous protected marine mammals and shorebirds; the highest population of Southern Sea otters on the California coast; several State Marine Conservation Areas; and the kelp forests and rocky intertidal habitats considered to be some of the most diverse and abundant in the world.

The Draft Environmental Impact Statement acknowledges that all other alternatives would reduce the significant beneficial effects on biological resources provided by the Initial Boundary Alternative. All other alternatives would increase the vulnerability of those resources to adverse impacts that the Initial Boundary Alternative would prohibit or mitigate. The Initial Boundary Alternative is expected to result in long-term beneficial impacts on local residents (including low-income and minority populations), as well as on the health and well-being of children.

We support equitable inclusion of all Central Coast Tribes in collaborative management. All sanctuary stakeholders will benefit from Indigenous input. The CHNMS is an opportunity to advance environmental justice efforts. Equitable collaborative management must be open to all Tribal groups interested in participating. This can best be accomplished with a Tribal Sanctuary Advisory Council made up of interested Tribal Groups. NOAA’s Tribal collaboration should be facilitated by a qualified Tribal Liaison.

Sanctuary education and community outreach should partner with area schools to increase education and access to the ocean for local communities. Programs should focus on both ocean ecology and Tribal history and culture. Outreach should be multilingual and multicultural, and prioritize underserved communities, such as the inland communities of Guadalupe and Santa Maria. We urge development of research programs that address the impacts of climate change, encourage community science, and elevate the use of Traditional Ecological Knowledge (TEK) to enhance ecosystem-based management. The Sanctuary should teach the benefits of protecting our ocean and planet and promote the spirit of stewardship that is exemplified by the culture and history of the original Chumash caretakers.

We support regulations to protect Rodriguez Seamount. The seamount provides critical habitat for extremely biodiverse marine life that needs strong and permanent protection against damaging activities such as deep sea mining and other threats. The seamount has special national significance that warrants special protections through sanctuary designation. Once damaged, fragile seamount ecosystems may not recover in our lifetime.

While a source of renewable energy, Offshore Wind (OSW) farms will have environmental impacts on habitat, wildlife, and water quality. California’s first OSW projects adjacent to the sanctuary should be planned and sited to avoid or mitigate impacts to sensitive marine areas and species and important cultural resources. The National Marine Sanctuary Program should work closely with state and federal partners, OSW companies, Tribes, and community members to ensure future OSW is developed in the most environmentally and culturally responsible manner.

Please act to protect our coasts via the Initial Proposal for the Chumash Heritage National Marine Sanctuary.

https://chumashsanctuary.org/public-comment/ -180-410

Photos from Christina McPhee's post 24/10/2023

You have violated an area protected by a security system leave immediately (Teorema 30) , 2010

113 x 213 cm

Photos from Christina McPhee's post 23/10/2023

Red Springs
2023

18/10/2023

“any of the following acts committed with intent to destroy, in whole or in part, a national, ethnical, racial or religious group, as such: killing members of the group; causing serious bodily or mental harm to members of the group; deliberately inflicting on the group conditions of life calculated to bring about its physical destruction in whole or in part; imposing measures intended to prevent births within the group; [and] forcibly transferring children of the group to another group".

Videos (show all)

La quen náay Liz Medicine Crow and Jonathan Kreiss-Tomkins join X̱ʼunei to look back on the spring of 2014 when they wor...
Shigeko Kubota (a fantasy homage)From the Japanese Women of Fluxus at the Japan Society NYC
Ann Carlson and inkBoatThese Are the Ones We Fell AmongAt the new Nimoy Theatre in Westwood
https://www.theguardian.com/us-news/2023/oct/01/morro-bay-indigenous-tribes-excluded-marine-sanctuary-noaa-californiaBut...
Helena Arahuete at @adamuseum ! Installation is 💯
Help support during this NOAA public comment period, now through 25 October 2023.  #chumashheritagenationalmarinesanctua...
Study on this day. From Joan’s collection Hyperboreal (2013 winner of the Donald Hall Prize For Poetry) #joannaviyukkane...
Tiny clip from Carbon Song Cycle, 45 minute performance for voice and electronics, chamber ensemble, and expanded cinema...
A tiny clip from”Biospheres” - a song in the Carbon Song Cycle - 2 more performances tomorrow 08.26 …
Rehearsing with our brilliant ensemble at the #exploratorium in SF for #carbonsongcycle - first performance tonight 08.2...