Ralph Pucci International
a design and art gallery with spaces in New York, Miami, Los Angeles and London
02/07/2024
Blurring the lines between furniture and sculpture, the Scarp Console transcends mere utility by inviting viewers to consider the beauty of the objects surrounding them.
The Scarp Console is pictured with the Outward Candlestick by and the Terra Side Table by .
27/06/2024
The Occhi Table Lamp was initially crafted as a clay sculpture, an abstract form that explores the effects of negative space. This piece exemplifies the dynamism of our (sculpture studio), with the textures of thumbprints and carving tools distinctly visible on its surface.
Discover the full collection of furniture and lighting made in-house at 44 West 18th Street in New York.
24/06/2024
The Scarp Table
With an earthen aesthetic inspired by the creative heroes of the RALPH PUCCI (sculpture studio), the Scarp Table shows the full capabilities of our Manhattan-based artisans, from modeling in clay and plaster to mold-making and hand-laying mosaic tiles, among other skills.
At the link in bio, discover the full collection of furniture and lighting made in-house at 44 West 18th Street in New York.
19/06/2024
“The New York gallerist, who has been an active force in the city’s creative scene since the 1970s, operates his eponymous furniture and lighting gallery from an unbelievable penthouse loft in the heart of Manhattan’s Flatiron district…A visit to the unprecedented space, its home since 1992, underscores just how unique the RALPH PUCCI enterprise is.”
The Fugue #1 Lamp as seen at 44 West 18th Street in New York.
Words: for
Photography:
17/06/2024
“Regeneration After The Ashes,” a collection of paintings by Spencer Fung.
was inspired to paint a series of abstract strokes honoring natural regeneration after his visceral reaction to the aftermath of forest fires. Dynamic loops suggest the rise and fall of energy, the connectivity between roots and foliage, and the concept of regeneration itself. The series reflects the growth cycle and time passing in the changing environment.
Fung connects to the land by adapting discarded natural elements into creative materials. His black and dark grey palette is reminiscent of the charcoal and ash remnants of burnt woodlands, and he self-mixes pigment with chalk, ash, and ink.
Fung’s paintings are paired with Stefan Bishop’s Ring Console and Richard Meier Light’s Intersection Chandelier. Bishop, too, is inspired by the land, having grown up in the woods of Southern Oregon, while the Intersection Chandelier contrasts with clean lines derived from architecture and industry.
12/06/2024
A familial passion for craftsmanship.
Chris Lehrecke’s latest exhibition is a celebration of the trees that are local to his studio in the Hudson Valley. “Even after 40 years of making furniture with wood of all kinds, I continue to be inspired by its beauty and variations,” he says. “I do not shy away from trees with defects and character. Maybe as I grow older, I feel more connected to the imperfections.”
His work is shown alongside sculptures by his son, August Lehrecke. Using ancient basket weaving techniques and reeds, August has created a series of three-dimensional sculptural pieces that float above the tree-based furniture like clouds.
Works by Chris and August Lehrecke are on view at 44 West 18th Street in New York.
10/06/2024
We are thrilled to unveil August Lehrecke’s series of three-dimensional sculptures now on view in New York.
Son of longtime PUCCI artist Chris Lehrecke, August continues his family’s passion for craftsmanship rooted in natural materials by working with reeds. He shapes them into sculptures through ancient basket-weaving techniques. Reflecting on his upbringing, he shares, “Growing up in the woods, immersed in my dad’s artistry, cultivated my curiosity and wonder about the natural world from early on.”
04/06/2024
Fine art photographer Antoine Bootz presents “Swimming Lesson”, a series of painterly photographs depicting the movements of a lone swimmer in an ink-blue ocean, printed with archival inkjet on Hahnemuelle paper.
Bootz’s vivid photographs are complemented by the minimal, sculptural shapes of Lee F. Mindel’s “Veritas” collection of furniture and lighting.
“Swimming Lesson” is now on view at 44 West 18th Street in New York.
31/05/2024
“I wanted to create paintings that revealed an intimate energy, and color, to me, represents energy,” Rebecca Moses explains. “There are no lines. I wanted the patterns just to bleed into each other…So by using color and print, I’m creating these mythical-like gardens around these girls and this kind of very intimate energy, whether it’s flirtatious, or joyful, sexual or sensual, or teasing.”
“Bohemian Gardens” is on view at 44 West 18th Street in New York through September.
28/05/2024
Presenting “Bohemian Gardens,” a new exhibition of paintings by Rebecca Moses.
A series of female portraiture, Moses’ masterful use of color transforms the collection’s large-scale canvases into a kaleidoscope of hues, reminiscent of a lush garden of intricate print motifs. The works feature a world where the boundaries between reality and fantasy blur, where vibrant colours dance in harmony, and where sensuality intertwines with the beauty of nature.
Now on view at 44 West 18th Street in New York through September.
23/05/2024
Presenting “Beautiful Imperfections: A Celebration of Flawed Woods” by Chris Lehrecke
Synonymous with Lehrecke’s work designing and building furniture from woods of all kinds, the collection is a celebration of the trees local to his home and studio in the Hudson Valley.
With more than 40 years in furniture making, Lehrecke’s move to the Hudson Valley area some 28 years ago intensified a fascination and appreciation for the trees indigenous to this area. Building long and close relationships with local loggers and sawyers, Lehrecke has worked with many of the varied woods over the years – collecting and drying the wood at his home workshop and studio.
The new collection brings to the forefront woods often underappreciated in the commercial world due to their rarity and propensity to suffer from disease – walnut, ash, catalpa and maple – creating a series of tables, shelving systems, screens and turned pedestals.
Now on view at 44 West 18th Street in New York.
21/05/2024
Last night in New York celebrating new exhibitions by Xavier Lust, Rebecca Moses, Chris Lehrecke, August Lehrecke, Antoine Bootz and Spencer Fung.
Thank you to our incredible artists and to our clients, friends and family for your support.
Photography by Alycia Kravitz.
20/05/2024
“The Alchemist” by Xavier Lust opens tonight in New York.
Trained as an industrial designer, Lust began to shape collectible limited-edition designs in 2006 and is now recognized for his singular talent for bending metal sheets without a mold. “The Alchemist” series highlights his command of curves in any material, including the new realm of finely lacquered wood.
16/05/2024
Presenting the Alchemist Bar by .
His new body of work continues to focus on materiality and artisan workmanship while exploring a new medium: finely lacquered wood.
The exterior of the Alchemist Bar appears to be gold but its name cleverly reveals its more humble origins by referencing the medieval study of transforming matter. Further surprises await as the doors open to a well-lit interior, ideal for showcasing all the accouterments needed to craft the perfect cocktail.
“The Alchemist” by Xavier Lust opens in New York on Monday, May 20th.
13/05/2024
The opening of ‘Presence’ featuring works by and .castro in Miami.
Thank you to everyone who joined us for an evening dedicated to celebrating the arts. The exhibition features an outdoor sculpture installation by John Koga and a limited-edition photograph by Juan Pablo Castro.
Dance Now! Miami created original choreography inspired by our Miami gallery, and the troupe highlighted different vignettes throughout the space culminating with an outdoor performance.
06/05/2024
(presence) a new Spotify playlist created by Dance Now! Miami.
To celebrate the grand opening of John Koga’s new sculpture installation at our Miami gallery, Dance Now! Miami has created site-specific choreography inspired by the works and will perform to this soundtrack at the opening reception on May 8th.
The performance highlights RALPH PUCCI’s ongoing commitment and passion for integrating art in all of its forms.
Visit the link in bio to listen.
01/05/2024
We are thrilled to unveil PRESENCE, a new outdoor installation in Miami by .
Based in Honolulu, sculptor and painter John Koga’s work ranges from small paintings to large sculptures and environmental installations. Koga’s latest outdoor installation at the RALPH PUCCI (miami) gallery features cut stone sculptures stacked vertically and horizontally, showcasing Koga’s interest in form and art’s connection to the Earth.
John Koga says of the installation: “My relationship with these stones starts with a connection to form. I like to celebrate nature’s bold beauty by cutting and restacking the form in a standing or sitting position. Once positioned the stones reconnect to earth and the stillness and quiet begin. We become present together.”
The opening reception for PRESENCE is on May 8th and will feature new photography by .castro and a special performance by
29/04/2024
(as seen by) Antoine Bootz
Antoine Bootz, known for his captivating photography, applies his creative vision to the work of Lee F. Mindel, FAIA, for our latest (as seen by) series which invites artists to interpret another’s work using different artistic mediums.
“Veritas,” the Plasterglass collection created by Mindel, assimilates diverse cultural and geographic references including 20th-century ceramicists, architectural details from around the globe, and even the natural beauty of Sweden and Finland’s topography. He distills these elements into a body of work characterized by organic forms, hand-sculpted textures, and thoughtful use of color.
Bootz emphasizes the distinct forms of the “Veritas” collection by juxtaposing the pieces with elements of abstract art such as shapes, colors, and gestural marks. His approach ultimately reveals the deliberate purity of Mindel’s collection.
1. The Archipelago Sconces
2. The Santorini Console
3. The Giverny Coffee Table
4. The Vallauris Light Sculpture
5. The Rialto Bench
6. The Double Take 5 Mirror
7. The Giverny Coffee Table
26/04/2024
Geometric Sconces by Patrick Naggar
Naggar’s work often celebrates purity of form and the power of color to transform an object’s character. The Geometric Sconces reference the mathematical study of shapes and space, sparking a dialogue between the realms of science and art.
24/04/2024
An icon reimagined.
The Amalfi Chair by was a revelation when it debuted in 2016. The distinctive curves, not-quite-smooth texture, and matte finish elevated outdoor furniture beyond the teak and rattan offerings that dominated the market and introduced a piece that blurred the lines between function and sculpture.
Though it was originally conceived for outdoor use, it continues to be embraced indoors as well. We are thrilled to announce that the Amalfi Chair is now available in vibrant orange and custom colors.
22/04/2024
Elizabeth Garouste in our New York (sculpture studio)
During her artist-in-residency, Garouste crafted a new collection modeled first in plaster and clay before being cast in our proprietary Plasterglass material. She worked with our Master Sculptor to incorporate bold colors and even a new material—mosaic—into the free-flowing forms.
“This collection is very special. It’s in plasterglass,” Garouste said. “The highlight is really the material. You can shape and model it how you want, like clay or bronze. It’s not plaster, which is very fragile. It’s reinforced for durability, but it maintains the look of plaster, which everybody appreciates, and has the ability to take color beautifully.”
20/04/2024
The intersection of arts: dancers perform original choreography on Elizabeth Garouste’s Double Tom Table at our recent Los Angeles opening.
Our presentations effortlessly blend various artistic mediums to foster inspiration and further explore a body of work. A jazz note might spark curiosity about an art piece, while a graceful movement could evoke a newfound appreciation for a particular form.
Photo credit:
Choreography:
Dancers:
@ _la.fin_
palomino
12/04/2024
“She has an original mind and it’s her language —fun, fantastic, surreal, whimsical— all the things she’s touched on in her decades-long career,” says Ralph Pucci. Each piece in Elizabeth Garouste’s new exhibition is rooted in the decorative arts tradition while still breaking with conventional aesthetics.
10/04/2024
Marjorie Salvaterra; ‘Swinger 1’, 2023
Included in the artist’s latest exhibition in Los Angeles, ‘Swinger 1’ captures a brief moment when time is suspended and, for a split second, the subject is motionless before gravity exerts its pull once more.
Salvaterra’s photographs explore the intricacies of not knowing what lies ahead, though she urges the viewer to seek solace in the present amid the constant motion of beginnings and endings.
“Almost Spring” is now on view at 1025 N. McCadden Place in Los Angeles.
04/04/2024
“aquarius” by Elizabeth Garouste opens tonight in Los Angeles.
We are thrilled to unveil the iconic artist’s latest creative endeavor: a sanctuary far from the tumult of the world and the frenzy of a busy city. The tableau depicts an underwater universe where silence and mystery reign supreme, realized through large-scale exterior and interior murals along with furniture and lighting in striking colors and organic shapes.
01/04/2024
“Almost Spring” by opens on Thursday, April 4th in Los Angeles.
In her latest series of photographs, Salvaterra delves into the intricacies of uncertainty, capturing those moments of being betwixt and between, unsure of what lies ahead. The presence of fear often shadows the unknown, mingling with impatience as we eagerly await guidance or a sign. Yet, amidst this uncertainty, there’s a chance to find solace—a hiatus from the constant motion of beginnings and endings. In the ethereal hues of whites and soft tones, “Almost Spring” invites us to pause, to simply exist, and to embrace the tranquility of the present moment.
01/04/2024
“Almost Spring” by opens on Thursday, April 4th in Los Angeles.
In her latest series of photographs, Salvaterra delves into the intricacies of uncertainty, capturing those moments of being betwixt and between, unsure of what lies ahead. The presence of fear often shadows the unknown, mingling with impatience as we eagerly await guidance or a sign. Yet, amidst this uncertainty, there’s a chance to find solace—a hiatus from the constant motion of beginnings and endings. In the ethereal hues of whites and soft tones, “Almost Spring” invites us to pause, to simply exist, and to embrace the tranquility of the present moment.
27/03/2024
First look: Elizabeth Garouste’s forthcoming exhibition “Aquarius” at RALPH PUCCI Los Angeles.
Opening next week on April 4th, the show will include large-scale exterior and interior murals along with ten works in Plasterglass and upholstery that reflect the uniquely creative mind of the artist.
Garouste shares, “This collection is a combination of imagination and functionality. It is special because it was developed in the atelier at the [New York] gallery. I was able to come to the site to work on the forms, and the models, like they were sculptures...I wanted my collection to play with colors and even to introduce a new material: mosaic. I’ve always loved putting color in my objects and furniture to bring joie de vivre into the home.”
21/03/2024
The Lustre Candy by .
Van der Straeten weaves a sense of playfulness into his work without compromising integrity or substance, as evidenced by the limited edition Lustre Candy made of bronze rings, multi-colored glass plates, and crystal. Meticulously assembled by small ateliers in France, the exuberance of the piece belies its careful construction. “I make a lot of sketches in my notebook and at one point I wanted something more colorful, joyful, and dynamic, hence the theme,” Van der Straeten explains.
18/03/2024
The Cristalloide Console and Paper Clip Sconces by .
Honored as part of France’s Mobilier National collection and placed in the Élysée Palace, the Cristalloide Console is emblematic of Van der Straeten’s talents for innovation and flawless ex*****on. A special application ensures that color diffracts effortlessly throughout the piece, while the disordered blocks are seemingly in motion: on the precipice of falling or floating as if by magic.
Works on view at our Miami gallery located at 550 NW 28th Street in Wynwood.
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