Theater Erasmus+

Buongiorno a tutti, condivido con voi brutte notizie delle formazioni francesi in mestieri dell'arte : ci sono state parecchie riforme dopo delle quali le ore dedicate al laboratorio sono state dimuinite drasticamente. Tra quelle formazioni, quelle di costumista e di scultore per la scena teatrale che avevano inviato il progetto Theater Erasmus +.
Se i giovanni non avranno più il livello requisito alla fine degli studi, che succederà a loro, e ai mestieri che hanno scelto di imparare ?
Ora tutte le scuole, insegnanti, studenti, ma anche i professionisti del settore si tanno sollevando. Aiutate ci firmando e facendo girare la petizione che vi condivido.
Grazie del cuore !

Signez maintenant 👉 Préserver l'Excellence des formations en métiers d'art en France Il manque encore 384 signatures !

They're talking about us ...

T.H.E.A.T.E.R. Erasmus+: in mostra le opere del progetto di formazione teatrale dei giovani Portalegiovani del Comune di Firenze : notizie, informazioni e servizi su Firenze e hinterland fiorentino

Artworks made during the T.H.E.A.T.E.R. Erasmus+ Project on display at Spazio Nota till 22 April 2019.

Photo by Manzini



THEATER is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Fondazione Spazio Reale
Teatro della Pergola
Ensaama
European Youth Network for Creativity and Innovation

"Scenography and Stage Costumes in twentieth-century European Theatre: A Selective Overview" is the fruit of research conducted during the T.H.E.A.T.E.R. project.

It can be downloaded free of charge at https://www.erasmustheater.eu/en/platform/scenography-and-stage-costumes-twentieth-century-european-theatre-selective-overview/

Theater Erasmus+ is a project by:
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
Ensaama

Today's press conference marks the end of a long road.
Thank you for coming so numerous.
Thank you to all staff members that have worked with love and care to make this project succeed.
Thanks to all those who have helped us get this far.
Last but not least: thank to all young students participating in this Erasmus+ project ... get home safely and good luck with your future!

The exhibit "Sketches of instant art: live Masterclass and exhibition about arts and crafts” will stay open at Spazio Nota till 22 April 2019

Ph. Manzini

Theater Erasmus+ is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
Ensaama
European Youth Network for Creativity and Innovation

Save The date! Venerdì 22 marzo alle 11:30 presso Spazio NOTA si terrà la conferenza conclusiva del progetto T.H.E.A.T.E.R.
Vi aspettiamo!

Everything is pretty much done, we're just working out the final details for the last project exhibit!

22 March 2019
at Spazio Nota, Florence
11:30 AM

We waiting you!

Theater Erasmus+ is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
Ensaama
European Youth Network for Creativity and Innovation

Masks, mannequins, wings … the lab is filling up with curious creatures!
No cause for alarm: it'll all become clear in a few days, stay tuned!

Theater Erasmus+ is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
ENSAAMA Olivier de Serres
European Youth Network for Creativity and Innovation

"Papier-mâché and gilding: ancient techniques for new scenic elements" is the title of the ongoing Masterclass 4.
But what kind of something are they working on?
Follow us and find out all work progress!

Theater Erasmus+ is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
ENSAAMA Olivier de Serres
European Youth Network for Creativity and Innovation

Bulgarian students: arrived ✅
French students: arrived ✅
Italian students: arrived ✅
Photo-op: done ✅

So let's get the masterclass started!

Theater Erasmus+ is a Project by
Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
ENSAAMA Olivier de Serres
European Youth Network for Creativity and Innovation

They're talking about us in the new "Quaderni della Pergola" magazine.
Thanks Adela Gjata for the nice piece you wrote!

Associazione Osservatorio Mestieri d'Arte - Oma
Teatro della Pergola
Fondazione Spazio Reale
Ensaama
European Youth Network for Creativity and Innovation

Read the full article entitled "Il teatro nel nome di Erasmo" here https://issuu.com/teatrodellapergola4/docs/quaderni_21_ok_per_issu?fbclid=IwAR3BvvZXbephC4va6F0zAk8zFD_sAhXQT7L8iD6LTw4QSHyodXZacvn5u74

The countdown to the final stage of the T.H.E.A.T.E.R. Erasmus+ Project has really begun!
The last masterclass entitled “Papier-mâché and gilding: ancient techniques for new scenic elements” will begin at Spazio Nota (Florence, IT) next Sunday...stay tuned!

Associazione Osservatorio Mestieri d'Arte - Oma
Fondazione Spazio Reale
Teatro della Pergola
Ensaama
European Youth Network for Creativity and Innovation

“Black Panther” is making history at the 2019 Academy Awards.
The superhero film yesterday became the first of the Marvel franchise to win one of the coveted Oscar trophies, as Ruth E. Carter accepted the award for Best Costume Design.
To really nail the movie's visual style, Carter and her team were encouraged by the director Ryan Coogler to take a deep dive into African culture. For instance, the costumes worn by the Dora Milaje (Wakanda's answer to the Secret Service) were inspired by the fashions of mixed African cultures.
Carter herself also made Oscars history, becoming the first African-American woman to receive the Best Costume Design award.

We want to share the passing of the creative director Lagerfeld on February 19, 2019, in Paris.
He was one of most influential and iconic designer of The 21st century with a special passion for theatrical costumes

PILLS OF STAGE COSTUME'S HISTORY

Alexandre Benois was one of the greatest protagonist of Diaghilev’s ballets. His most famous production is Petrushka (1911, Théâtre du Châtelet), set to the music of Igor Stravinsky, with themes and motifs from Russian folklore: ‘under a cobalt blue sky and in front of a citron yellow barn, for the common people in the ballet corps I envisioned clothing with faded tones – sand-blue, rust-coloured, earthen and olive drab – to provide a stark contrast to the clothing of the three puppets: Karsavina in a white dress with red and blue hems, Nijinsky in a white, large-necked tunic with orange hems over trousers with cedar green and orange lozenges, and Orlov in a green and silver tunic with cobalt blue sleeves over large orange trousers and green boots, and a green and silver turban adorned with a scintillating white and silver feather’.

Today and tomorrow are the open daoors in the ensaama !
http://ensaama.net/site/
We're waiting for all the people who are in Paris those days.
Thanks a lot to the students of
DMA matériaux de synthèse,
DNMADE spectacle,
DSAA métiers d'art.

Sicily bets on theaters. Many funds and a call for hundreds of buildings.

See more on https://www.artribune.com/arti-performative/teatro-danza/2019/01/la-sicilia-scommette-sul-teatro-tanti-fondi-e-un-bando-per-centinaia-di-edifici/?utm_source=Newsletter%20Artribune&utm_campaign=50a88238d9-&utm_medium=email&utm_term=0_dc515150dd-50a88238d9-153940101&ct=t%28%29&goal=0_dc515150dd-50a88238d9-153940101

We're setting up The next Masterclass, The last - but not least - of our Erasmus+ Project, that will take place from 17 to 23 March 2019 in Florence at Spazio Nota

Stay tuned! 🎭

Associazione Osservatorio Mestieri d'Arte - Oma Teatro della Pergola Ensaama Fondazione Spazio Reale European Youth Network for Creativity and Innovation

EXPERIMENTAL AND AVANT-GARDE THEATER

August 1967
"THE SEA CONCERT"
The painter Edward Krasiński stood on a dais partially submerged in water a few metres away from the beach, and conducted the sea waves. While performing this concert he was dressed in a black tailcoat and had his back to the audience sitting in deck chairs.

THEATER AND HAUTE COUTURE

1965
Notre-Dame de Paris

Ballet first presented on December 11, 1965 at the Palais Garnier (Paris)
Choregrapher: Roland Petit
Costumes: Yves Saint Laurent
Set Design: René Allio
Music: Maurice Jarre

"When Roland Petit and I were working on Notre-Dame de Paris, we never dreamed that this ballet would still be performed at the Opéra de Paris thirty years later. It was a success as soon as it was created, and today it is a classic, at once in terms of modernity, invention, and imagination. I wanted the costumes to have the same colors as the cathedral’s stained glass windows, and I drew on Mondrian for Phoebus’s costume. I tried to reflect the timeless youthfulness of the choreography. I was inspired by the courtroom judges, the shady movements of the Court of Miracles, Frollo’s distress, Quasimodo’s moving tenderness, like a fresco from the Middle Ages".

Yves Saint Laurent, September 1996.

THEATRE AND HAUTE COUTURE

1924

LE TRAIN BLEU

GABRIELLE CHANEL CREATES THE JERSEY COSTUMES FOR THE BALLET “LE TRAIN BLEU”, PERFORMED AT THE THÉÂTRE DES CHAMPS-ÉLYSÉES IN PARIS BY SERGE DIAGHILEV’S BALLETS RUSSES. THE LIBRETTO IS BY JEAN COCTEAU, THE SCORE BY DARIUS MILHAUD, THE SETS BY HENRI LAURENS, AND THE STAGE CURTAIN BY PABLO PICASSO.

Bernardo Bertolucci has died this morning at his home in Rome. He was 77

“The Last Emperor,” an adaptation of the autobiography of China’s last imperial ruler, Pu Yi, swept the 1987 Oscars, winning every category in which it had been nominated, including best picture, best costume design and best art direction. With it, Bertolucci became the first and only Italian to win the Oscar for best director.
“The Last Emperor” is among the movies that have won the most Academy Awards and was also the first Western epic about China made with the Chinese government’s cooperation.

EXHIBITIONS
In the year of Viennese Modernism celebrations, the Theatermuseum of Vienna presents the stage creations of Vienna Secession co-founder Koloman Moser.
The designs on display clearly highlight the multifacetedness of the artist whose creations range from graphic design, arts and craft, interiors, set and exhibition design to painting.

Applications, Koloman Moser and the Stage | Scenography Today The Theatermuseum of Vienna honors the stage creations of this universal artist on the occasion of the 2018 celebrations of the Viennese Modernism.

“The Costume Designer gives the clothes to the actor, the actor gives the character to the director, and the director tells the story” (Deborah Nadoolman Landis)

Deborah has created iconic costumes throughout her career, such as the fedora and jacket of Indiana Jones, the "college" sweatshirt worn by John "Bluto" Blutarsky, and Michael Jackson's red jacket in Thriller. In addition to many Drama-Logue Awards for her theater designs, she was nominated for an Academy Award in 1988 for Coming to America.

COSTUMES FOR OSCAR
Casanova
Director: Federico Fellini
Costume designer: Danilo Donati
Federico Fellini e Danilo Donati reinterpretano il Settecento amplificando il gusto per l'esagerazione e per il grottesco dello stile rococò. Le già eccessive mode del tempo vengono enfatizzate e talvolta persino trasfigurate in funzione critica. Il costume è fondamentale per la costruzione, anche in chiave psicologica, del personaggio.

Abito maschile in tre pezzi composto da marsina, gilet e pantalone. Marsina in faille di seta rosa ricamata con applicazioni su crine, di soutache e ciniglia rosa. Gilet in taffetà cangiante rosa. Pantalone moiré rosa. Jabot e cadute ai polsi in pizzi argento e nastri di raso rosa.

In occasione della presentazione della fiction Rai “I Medici. Lorenzo il Magnifico”, tenutasi in Palazzo Medici Riccardi, sono stati esposti i costumi di scena realizzati dal costumista Alessandro Lai presso le Sale del percorso museale e la Sala del Caminetto.
In mostra fino al 31 ottobre 2018
http://www.palazzomediciriccardi.it/project/gli-abiti-de-i-medici-in-mostra-a-firenze/