MEMPHISMEMPHIS

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯⁠
⁠
𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺⁠
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Georg Pinteritsch⁠
𝘐𝘮 𝘎𝘢𝘳𝘵𝘦𝘯, 2023⁠
Risograph Zine,⁠
13 × 9 cm⁠
Edition of 27 + 7 AP⁠
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EUR 111⁠
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In the risograph zine 𝘐𝘮 𝘎𝘢𝘳𝘵𝘦𝘯, Georg Pinteritsch translates a collection of pencil drawings created in sketchbooks on the subject of the pleasure garden into a booklet with monochrome risographs and practical illustrations.

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯⁠
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𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺⁠
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Edgar Lessig
𝘚𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘯𝘥 𝘱𝘩𝘰𝘯𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘳𝘦𝘦 𝘮𝘶𝘴𝘪𝘤
𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨𝘴 𝘢𝘯𝘥 𝘰𝘯𝘦 𝘋𝘪𝘥𝘥𝘭 𝘮𝘰𝘶𝘴𝘦, 2023
Cell phone, charger, charging cable, transparent passport photo cover, cut Diddl sheet, 3 digital music recordings
Dimensions variable
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Edition of 8
Unique character
EUR 250
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With 𝘚𝘦𝘤𝘰𝘯𝘥 𝘩𝘢𝘯𝘥 𝘱𝘩𝘰𝘯𝘦 𝘸𝘪𝘵𝘩 𝘵𝘩𝘳𝘦𝘦 𝘮𝘶𝘴𝘪𝘤
𝘳𝘦𝘤𝘰𝘳𝘥𝘪𝘯𝘨𝘴 𝘢𝘯𝘥 𝘰𝘯𝘦 𝘋𝘪𝘥𝘥𝘭 𝘮𝘰𝘶𝘴𝘦, Edgar Lessig evokes memories of the past, refers to the obsolescence of objects and the change in trends and invites us to reflect on speculative mechanisms through individualised revaluation of mass products.

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯⁠
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𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺⁠
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Vana Kostayola⁠
𝘉𝘰𝘥𝘺-𝘈𝘵-𝘙𝘪𝘴𝘬 𝘎𝘢𝘮𝘦, 2023⁠
Card game⁠
36 playing cards, box, signed instructions⁠
approx. 8 × 13 x 4 cm⁠
Edition of 35 + 5 AP⁠
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EUR 125⁠
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Body-At-Risk Game is a game in a literal sense: in the unique role-playing experience developed by Vana Kostayola from the setting of her exhibition Democratic Excercises - Body at Risk, unpleasant situations are created with "victims and aggressors" who fight each other.

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯⁠
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𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺⁠
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Sophie Dvořák⁠
𝘛𝘩𝘦 𝘍𝘢𝘶𝘭𝘵 𝘌𝘥𝘪𝘵𝘪𝘰𝘯, 2023⁠
Plaster, Ink, Spraypaint⁠
15 x 10 x 2,5 cm⁠
Edition von 10⁠
Unikatcharakter⁠
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EUR 390⁠
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In The Fault Edition, a series of model-like topographies in small format, Sophie Dvořák thematises the fluid state of constant change and the interplay between landscape and map, fact and fiction.

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯⁠
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𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺⁠
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Nikos Arvanitis⁠
𝘵𝘢𝘱 𝘵𝘢𝘱 𝘵𝘢𝘱 𝘵æ𝘱 𝘵𝘢𝘱 𝘬𝘳𝘢𝘬, 2023⁠
Pencil on Fabriano Rosaspina White220 gr, 60% cotton, hot pressed ⁠
20×50 cm⁠
Edition of 8 + 2 AP Unikatcharakter⁠
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EUR 310 unframed⁠
EUR 430 framed⁠
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Nikos Arvanitis' pencil drawing tap tap tap tæp tap krak is based on a work of the same name for the light box on the façade of Kunstraum Memphis, which uses phonetic notation to depict the sounds caused by raindrops and breaking or falling branches.

𝗠𝗲𝗺𝗽𝗵𝗶𝘀 𝗘𝗱𝗶𝘁𝗶𝗼𝗻𝗲𝗻 𝟮𝟬𝟮𝟯

𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 - 𝟮𝟵.𝟭𝟮.𝟮𝟬𝟮𝟯
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟭𝟮.𝟭𝟮.𝟮𝟬𝟮𝟯 𝟯 𝗽𝗺

We are very delighted to announce this year's versatile Memphis Editions by Nikos Arvanitis, Sophie Dvořák, Vana Kostayola, Edgar Lessig and Georg Pinteritsch and to celebrate the presentation on 12 December 2023 between 3 and 8 pm with you.�� By purchasing Christmas presents this year, we would like to encourage you to directly support young artists and the activities of Kunstraum Memphis. The limited editions are now available via e-mail or in our website, with the proceeds benefiting the artists and Kunstraum Memphis in equal parts.

!

𝗕é𝗮𝘁𝗿𝗶𝗰𝗲 𝗕𝗮𝗹𝗰𝗼𝘂⁠
𝗣𝗼𝗿𝘁𝗲𝘂𝗿𝘀 𝗲𝘁 𝗣𝗲𝗶𝗻𝘁𝘂𝗿𝗲𝘀⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗞𝗹𝗮𝘂𝘀 𝗦𝗽𝗲𝗶𝗱𝗲𝗹⁠

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻⁠ 𝘃𝗶𝗲𝘄𝘀⁠

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟴.𝟭𝟭. – 𝟱.𝟭𝟮.𝟮𝟬𝟮𝟯⁠

1. exhibition view

2. exhibition view

3. Recent Painting #13 (Claude Rutault définitions / méthodes, edited by Intelligence Service Productions, Paris, 1981, p. 27), 2023
Black ink, rainwater, tea, China ink, graphite pencil, methyl cellulose paste and 100% Kozo Japanese paper on coated wove paper
29,3 x 21cm

4. & 8. Porteur #14 (Untitled, Laura Lamiel, early work), 2020
Slate powder, glass
ø 3,6 cm x 30 cm

5. Recent Painting #3 (Agnes Martin,
dir. Lynne Cooke, edited by Yale University Press, 2012,
p. 35), 2023
Colored inks, rainwater, dust, watercolor, wheat starch paste and 100% Kozo Japanese paper on coated wove paper
25,3 x 18,9 cm

6. Porteur #19 (Untitled, France Valliccioni), 2020
Synthetic material, glass
ø 3.6 cm h. 30cm

7. Porteur #10 (16th century Pietà, Germany), 2020
Polychromed linden wood, glass
ø 3,6 cm x 30 cm

9. exhibition view

𝗕é𝗮𝘁𝗿𝗶𝗰𝗲 𝗕𝗮𝗹𝗰𝗼𝘂⁠
𝗣𝗼𝗿𝘁𝗲𝘂𝗿𝘀 𝗲𝘁 𝗣𝗲𝗶𝗻𝘁𝘂𝗿𝗲𝘀⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗞𝗹𝗮𝘂𝘀 𝗦𝗽𝗲𝗶𝗱𝗲𝗹⁠
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴⁠
𝟳.𝟭𝟭.𝟮𝟬𝟮𝟯,𝟭𝟵:𝟬𝟬⁠
⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟴.𝟭𝟭. – 𝟱.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
⁠
Béatrice Balcou (*1976, France) lives and works in Brussels. In performances, sculptures and installations, she creates situations offering innovative exhibition rituals that invite us to contemplate our understanding of time and how we look at things – in particular works of art. Homing in on attentiveness to the materiality of the artwork and the behaviour of the viewer, she investigates the perceived value of art and the role assigned to it by our contemporary lifestyles.

𝗕é𝗮𝘁𝗿𝗶𝗰𝗲 𝗕𝗮𝗹𝗰𝗼𝘂⁠
𝗣𝗼𝗿𝘁𝗲𝘂𝗿𝘀 𝗲𝘁 𝗣𝗲𝗶𝗻𝘁𝘂𝗿𝗲𝘀⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗞𝗹𝗮𝘂𝘀 𝗦𝗽𝗲𝗶𝗱𝗲𝗹⁠
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴⁠
𝟳.𝟭𝟭.𝟮𝟬𝟮𝟯,𝟭𝟵:𝟬𝟬⁠
⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟴.𝟭𝟭. – 𝟱.𝟭𝟮.𝟮𝟬𝟮𝟯⁠
⁠
Béatrice Balcou (*1976, France) lives and works in Brussels. In performances, sculptures and installations, she creates situations offering innovative exhibition rituals that invite us to contemplate our understanding of time and how we look at things – in particular works of art. Homing in on attentiveness to the materiality of the artwork and the behaviour of the viewer, she investigates the perceived value of art and the role assigned to it by our contemporary lifestyles.

.is Editions at Outside In exhibition BestOFF Kunstuniversität Linz

𝗚𝗲𝗼𝗿𝗴 𝗣𝗶𝗻𝘁𝗲𝗿𝗶𝘁𝘀𝗰𝗵⁠
𝗝𝘂𝘀 𝘀𝘁𝘂𝗱𝗶𝗲𝗿𝗲𝗻 𝗳ü𝗿'𝗻 𝗩𝗮𝘁𝗲𝗿⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗔𝗹𝗲𝘅𝗮𝗻𝗱𝗲𝗿 𝗪ö𝗿𝗮𝗻⁠
⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻⁠ 𝘃𝗶𝗲𝘄𝘀⁠
⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟲.𝟵. – 𝟲.𝟭𝟬.𝟮𝟬𝟮𝟯⁠
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In terms of content, Georg Pinteritsch plays with symbolic motifs and existentialist questions, taking into account social and technological developments and the associated changes in forms of perception. The starting point for the exhibition „Jus studieren für‘n Vater“ was the confrontation with social demands and norms and the resulting feeling of being constantly overwhelmed in the course of self-optimisation processes in order to be able to live up to them.⁠
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1. cover⁠
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2. 𝘖.𝘛., 2022⁠
Ceramics, wood, metal⁠ ⁠
154x2,5x15 cm each⁠
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𝘛𝘺𝘤𝘩𝘦, 2021⁠
Ink, marker, coloured⁠ pencil on paper on wood⁠
22x27 cm⁠
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𝘓𝘖𝘝𝘌𝘙𝘚 5 (𝘛𝘳𝘦𝘯𝘬𝘸𝘢𝘭𝘥𝘦𝘳),⁠ 2023⁠
Ink, marker, coloured⁠ pencil on paper on wood⁠
20x20,5 cm⁠
⁠
𝘜𝘕𝘛𝘌𝘙𝘉𝘈𝘜, 2023⁠
Wood⁠
104x114x13 cm⁠
⁠
3. 𝘛𝘺𝘤𝘩𝘦, 2021⁠
Ink, marker, coloured⁠ pencil on paper on wood⁠
22x27 cm⁠
⁠
4. 𝘖.𝘛., 2022⁠
Ceramics, wood, metal⁠
154x2,5x15 cm each⁠
details ⁠
⁠
5. 𝘓𝘖𝘝𝘌𝘙𝘚 5 (𝘛𝘳𝘦𝘯𝘬𝘸𝘢𝘭𝘥𝘦𝘳)⁠, 2023⁠
Ink, marker, coloured⁠ pencil on paper on wood⁠
20x20,5 cm⁠
⁠
6. 𝘖.𝘛., 2022⁠
Pencil on paper + frame⁠
15x10 cm⁠
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7. 𝘖.𝘛., 2022⁠
Pencil on paper + frame⁠
15x10 cm⁠
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8. 𝘗𝘢𝘵𝘦𝘳𝘢 𝘮𝘪𝘵 𝘜𝘕𝘛𝘌𝘙𝘉𝘈𝘜⁠, 2023⁠
Ceramics, wood, vinyl⁠ acetate copolymer dispersion⁠
67x21x23 cm⁠
⁠
𝘒𝘯𝘪𝘦𝘣𝘢𝘯𝘬, 2023⁠
Linen fabric, wood, foam⁠
326x34x18 cm⁠
⁠
9. 𝘗𝘢𝘵𝘦𝘳𝘢 𝘮𝘪𝘵 𝘜𝘕𝘛𝘌𝘙𝘉𝘈𝘜⁠, 2023⁠
Ceramics, wood, vinyl⁠ acetate copolymer dispersion⁠
67x21x23 cm⁠
⁠
10. 𝘖𝘐𝘓 (𝘦𝘮𝘱𝘵𝘺), 𝘷𝘪𝘯𝘦𝘨𝘢𝘳,⁠ 𝘴𝘢𝘭𝘵 (𝘦𝘮𝘱𝘵𝘺), 2023⁠
Ink, marker, coloured⁠ pencil on paper on wood⁠
19x22,5 cm

𝗚𝗲𝗼𝗿𝗴 𝗣𝗶𝗻𝘁𝗲𝗿𝗶𝘁𝘀𝗰𝗵⁠
𝗝𝘂𝘀 𝘀𝘁𝘂𝗱𝗶𝗲𝗿𝗲𝗻 𝗳ü𝗿'𝗻 𝗩𝗮𝘁𝗲𝗿⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗔𝗹𝗲𝘅𝗮𝗻𝗱𝗲𝗿 𝗪ö𝗿𝗮𝗻⁠
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴⁠
𝟱.𝟵.𝟮𝟬𝟮𝟯,𝟭𝟵:𝟬𝟬⁠
⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟲.𝟵. – 𝟲.𝟭𝟬.𝟮𝟬𝟮𝟯⁠
⁠
“𝘐𝘯 𝘤𝘦𝘳𝘵𝘢𝘪𝘯 𝘴𝘪𝘵𝘶𝘢𝘵𝘪𝘰𝘯𝘴, 𝘰𝘶𝘵 𝘰𝘧 𝘢 𝘤𝘦𝘳𝘵𝘢𝘪𝘯 𝘶𝘯𝘦𝘢𝘴𝘪𝘯𝘦𝘴𝘴, 𝘐 𝘬𝘯𝘦𝘦𝘥 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘧𝘳𝘢𝘨𝘮𝘦𝘯𝘵𝘴, 𝘴𝘤𝘶𝘧𝘧𝘦𝘥 𝘧𝘳𝘰𝘮 𝘵𝘪𝘤𝘬𝘦𝘵𝘴 𝘰𝘳 𝘣𝘪𝘭𝘭𝘴. 𝘛𝘩𝘦𝘺 𝘢𝘳𝘦 𝘪𝘯 𝘮𝘺 𝘱𝘰𝘤𝘬𝘦𝘵𝘴 𝘢𝘯𝘥 𝘐 𝘸𝘢𝘳𝘱 𝘵𝘩𝘦𝘮 𝘪𝘯 𝘢 𝘸𝘢𝘺, 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦 𝘱𝘢𝘳𝘵𝘪𝘤𝘭𝘦𝘴 𝘵𝘢𝘬𝘦 𝘯𝘦𝘸 𝘧𝘰𝘳𝘮𝘴. 𝘍𝘪𝘯𝘢𝘭𝘭𝘺 𝘐 𝘳𝘰𝘭𝘭 𝘵𝘩𝘦𝘮 𝘪𝘯𝘵𝘰 𝘴𝘮𝘢𝘭𝘭 𝘣𝘢𝘭𝘭𝘴 𝘢𝘯𝘥 𝘴𝘵𝘢𝘳𝘵 𝘰𝘷𝘦𝘳 𝘢𝘨𝘢𝘪𝘯. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘩𝘢𝘱𝘱𝘦𝘯𝘴 𝘶𝘯𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴𝘭𝘺, 𝘥𝘦𝘵𝘢𝘤𝘩𝘦𝘥 𝘧𝘳𝘰𝘮 𝘢𝘯𝘺 𝘫𝘶𝘥𝘨𝘦𝘮𝘦𝘯𝘵. 𝘞𝘩𝘦𝘯 𝘐 𝘣𝘦𝘤𝘰𝘮𝘦 𝘢𝘸𝘢𝘳𝘦 𝘰𝘧 𝘵𝘩𝘪𝘴 𝘢𝘤𝘵𝘪𝘷𝘪𝘵𝘺, 𝘐 𝘰𝘧𝘵𝘦𝘯 𝘦𝘹𝘢𝘮𝘪𝘯𝘦 𝘵𝘩𝘦 𝘰𝘣𝘫𝘦𝘤𝘵𝘴 𝘵𝘩𝘢𝘵 𝘸𝘦𝘳𝘦 𝘱𝘳𝘰𝘥𝘶𝘤𝘦𝘥. 𝘔𝘰𝘴𝘵𝘭𝘺 𝘵𝘩𝘦𝘺 𝘢𝘳𝘦 𝘢𝘯𝘯𝘰𝘺𝘪𝘯𝘨 𝘴𝘢𝘶𝘴𝘢𝘨𝘦𝘴 𝘵𝘩𝘢𝘵 𝘐 𝘵𝘩𝘳𝘰𝘸 𝘴𝘰𝘮𝘦𝘸𝘩𝘦𝘳𝘦. 𝘐'𝘮 𝘪𝘯𝘵𝘦𝘳𝘦𝘴𝘵𝘦𝘥 𝘪𝘯 𝘵𝘩𝘪𝘴 𝘶𝘯𝘤𝘰𝘯𝘴𝘤𝘪𝘰𝘶𝘴 𝘤𝘳𝘦𝘢𝘵𝘪𝘷𝘦 𝘢𝘴𝘱𝘦𝘤𝘵, 𝘸𝘩𝘪𝘤𝘩 𝘐 𝘤𝘰𝘯𝘴𝘵𝘢𝘯𝘵𝘭𝘺 𝘵𝘳𝘺 𝘵𝘰 𝘦𝘮𝘶𝘭𝘢𝘵𝘦 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘳𝘰𝘤𝘦𝘴𝘴 𝘰𝘧 𝘥𝘳𝘢𝘸𝘪𝘯𝘨. 𝘐 𝘴𝘵𝘢𝘺 𝘣𝘦𝘩𝘪𝘯𝘥 𝘢𝘯𝘥 𝘧𝘰𝘤𝘶𝘴 𝘰𝘯 𝘥𝘦𝘵𝘢𝘪𝘭𝘴. 𝘋𝘦𝘵𝘢𝘪𝘭𝘴 𝘵𝘩𝘢𝘵 𝘢𝘳𝘦 𝘱𝘶𝘵 𝘵𝘰𝘨𝘦𝘵𝘩𝘦𝘳 𝘵𝘰 𝘢 𝘸𝘩𝘰𝘭𝘦 𝘵𝘩𝘳𝘰𝘶𝘨𝘩 𝘮𝘺 𝘪𝘯𝘵𝘦𝘳𝘷𝘦𝘯𝘵𝘪𝘰𝘯."⁠
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1. Militärkunst mit Blumenrahmen, marker, coloured pencils, ink on paper, on wood, 2021⁠
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2. Maennerportal, wood, ceramics, lacquer, 2020⁠
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3. H**e Babylon, markers, coloured pencils, ink on paper, on wood, rubber frame, 2021⁠
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4. LOVERS2, markers, coloured pencils on paper, 2021⁠
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5. Maria, metal, wood, plastic, satin, 2022 ⁠
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Georg Pinteritsch⁠
*1986⁠
2008 – 2015 Art University of Linz: fine arts / painting and graphics⁠
works in Vienna Austria⁠
www.georgpinteritsch.com⁠of.plow

𝗚𝗲𝗼𝗿𝗴 𝗣𝗶𝗻𝘁𝗲𝗿𝗶𝘁𝘀𝗰𝗵⁠
𝗝𝘂𝘀 𝘀𝘁𝘂𝗱𝗶𝗲𝗿𝗲𝗻 𝗳ü𝗿'𝗻 𝗩𝗮𝘁𝗲𝗿⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗔𝗹𝗲𝘅𝗮𝗻𝗱𝗲𝗿 𝗪ö𝗿𝗮𝗻⁠
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴⁠
𝟱.𝟵.𝟮𝟬𝟮𝟯,𝟭𝟵:𝟬𝟬⁠
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𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻 ⁠
𝟲.𝟵. – 𝟲.𝟭𝟬.𝟮𝟬𝟮𝟯⁠
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“𝘖𝘯𝘤𝘦 𝘦𝘹𝘱𝘭𝘢𝘯𝘢𝘵𝘪𝘰𝘯𝘴 𝘢𝘯𝘥 𝘪𝘯𝘴𝘵𝘳𝘶𝘤𝘵𝘪𝘰𝘯𝘴 𝘩𝘢𝘷𝘦 𝘣𝘦𝘦𝘯 𝘨𝘪𝘷𝘦𝘯, 𝘰𝘯𝘤𝘦 𝘵𝘩𝘦 𝘳𝘪𝘨𝘩𝘵 𝘪𝘯𝘴𝘪𝘨𝘩𝘵 𝘩𝘢𝘴 𝘣𝘦𝘦𝘯 𝘪𝘮𝘱𝘢𝘳𝘵𝘦𝘥, 𝘧𝘪𝘳𝘴𝘵 𝘤𝘰𝘮𝘦 𝘳𝘦𝘮𝘪𝘯𝘥𝘦𝘳𝘴, 𝘵𝘩𝘦𝘯 𝘱𝘶𝘯𝘪𝘴𝘩𝘮𝘦𝘯𝘵𝘴, 𝘢𝘯𝘥 𝘦𝘷𝘦𝘯 𝘵𝘩𝘦𝘴𝘦 𝘴𝘩𝘰𝘶𝘭𝘥 𝘣𝘦𝘨𝘪𝘯 𝘸𝘪𝘵𝘩 𝘵𝘩𝘦 𝘮𝘪𝘭𝘥𝘦𝘳 𝘰𝘯𝘦𝘴. 𝘖𝘯𝘦 𝘥𝘰𝘦𝘴 𝘯𝘰𝘵 𝘪𝘮𝘮𝘦𝘥𝘪𝘢𝘵𝘦𝘭𝘺 𝘵𝘢𝘬𝘦 𝘵𝘩𝘳𝘦𝘦 𝘮𝘰𝘳𝘱𝘩𝘪𝘯𝘦 𝘱𝘰𝘸𝘥𝘦𝘳𝘴, 𝘣𝘶𝘵 𝘣𝘦𝘨𝘪𝘯𝘴 𝘸𝘪𝘵𝘩 𝘰𝘯𝘦, 𝘢𝘯𝘥 𝘪𝘧 𝘵𝘩𝘪𝘴 𝘥𝘰𝘦𝘴 𝘯𝘰𝘵 𝘩𝘦𝘭𝘱, 𝘰𝘯𝘦 𝘥𝘰𝘦𝘴 𝘯𝘰𝘵 𝘵𝘢𝘬𝘦 𝘵𝘩𝘳𝘦𝘦, 𝘣𝘶𝘵 𝘧𝘪𝘳𝘴𝘵 𝘵𝘸𝘰.”⁠
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Oppel Karl: Das Buch der Eltern, 1877⁠
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The examination of emptiness is a central topic in the works of Georg Pinteritsch. He deals with the tense relationship in which abstracted bodies, passages and loose objects enter into a distorted environment and barren landscape. Pinteritsch combines aesthetics and the symbolic gesture of the medieval woodcut with strictly geometric lines. The works tell of strange rituals and unnamed places, in which an invisible order is inherent and which are held together by a network of line and form constructions.⁠
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In terms of content, Georg Pinteritsch plays with symbolic motifs and existentialist questions, taking into account social and technological developments and the associated changes in forms of perception. The starting point for the exhibition "Jus studieren für'n Vater" was the confrontation with social demands and norms and the resulting feeling of being constantly overwhelmed in the course of self-optimisation processes in order to be able to live up to them.⁠
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In the short prose text "Kleine, scheinheilige Welt", published to accompany the exhibition, the author and essayist Alexander Wöran explores the questions arising in this context about various forms of hypocrisy, the constitution of punishment in general and the exploration of the balance between punishment and fe**sh.

𝗙𝗹𝗼𝗿𝗮 𝘃𝘀 𝗙𝗮𝘂𝗻𝗮, ⁠
𝗡𝗶𝗸𝗼𝘀 𝗔𝗿𝘃𝗮𝗻𝗶𝘁𝗶𝘀⁠, ⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗘𝗹𝗲𝗻𝗶 𝗠𝗶𝗰𝗵𝗮𝗲𝗹𝗶𝗱𝗶 & 𝗘𝘃𝗶 𝗡𝗮𝗸𝗼𝘂⁠
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𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻⁠ 𝘃𝗶𝗲𝘄𝘀⁠
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𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟴.𝟰. – 𝟮𝟯.𝟱.𝟮𝟬𝟮𝟯⁠
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Ιs there still time, within the midst of the sixth extinction, to reweigh our anthropocentric view of the natural world?⁠
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Nikos Arvanitis sets out a series of symbolic gestures and unexpected reversals to accent the inscriptions of nature in the multiple manifestations of anthropogenic invasiveness. A jungle of concrete devours the forest, the landscape becomes a billboard, the natural soundscape is synthesized by memory-based human imitation performance. Α watchtower resembling those in Hymettos mountain, one of the last forest reserves of Athens, is rescaled and reconstructed as a hybrid listening and viewing device - a subtle reminder that our positions are determined through constraints, our conceptions are fixed. Arvanitis amplifies the anthropocentric view to question it and invites the viewer/listener to participate in an open meaning-making process. Will their individual perception be challenged or attested?⁠
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Nikos Arvanitis (*1979, Athens/Greece) studied at the Academy of Fine Arts, Vienna/Austria at the Athens School of Fine Arts, Athens/Greece (Erasmus scholarship) and at the MFA course "Public Art and new artistic Strategies" at the Bauhaus University of Weimar/Germany with scholarships from the DAAD (German Academic Exchange Service) and the A. S. Onassis Public Benefit Foundation. His artistic and research work focuses on themes, which consider the structures and possibilities of public space indwelling, the aesthetic perception in contemporary society, the construction of collective identities and the concept of the globalized, spectacular, but also institutional mass culture. His work has been exhibited in international contexts, including the 2nd Les Ateliers de Rennes - Biennial d'Art Contemporain/Rennes, the 2nd Athens Biennial/Athens, Locust Projects/Miami, Townhouse Gallery of Contemporary Art/Cairo, BWA Wroclaw⁠
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𝘍𝘭𝘰𝘳𝘢 𝘷𝘴 𝘍𝘢𝘶𝘯𝘢, 𝘕𝘪𝘬𝘰𝘴 𝘈𝘳𝘷𝘢𝘯𝘪𝘵𝘪𝘴, 2023

𝗙𝗹𝗼𝗿𝗮 𝘃𝘀 𝗙𝗮𝘂𝗻𝗮, ⁠
𝗡𝗶𝗸𝗼𝘀 𝗔𝗿𝘃𝗮𝗻𝗶𝘁𝗶𝘀⁠, ⁠
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗘𝗹𝗲𝗻𝗶 𝗠𝗶𝗰𝗵𝗮𝗲𝗹𝗶𝗱𝗶 & 𝗘𝘃𝗶 𝗡𝗮𝗸𝗼𝘂⁠
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𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟳.𝟰.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬 ⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟴.𝟰. – 𝟮𝟯.𝟱.𝟮𝟬𝟮𝟯⁠

" Is there still time, within the midst of the sixth extinction, to reweigh our anthropocentric view of the natural world? Nikos Arvanitis .arvanitis.35 sets out a series of symbolic gestures and unexpected reversals to accent the inscriptions of nature in the multiple manifestations of anthropogenic invasiveness.⁠,, (by Eleni Michaelidi & Evi Nakou)⁠
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Evi Nakou is a musician, sound artist and project facilitator with a particular focus on experimental music, improvisation, and transdisciplinary arts practices. She has worked as a tutor and academic mentor for the Guildhall School of Music and Drama (UK), as Head of Learning and Participation Department of the Greek National Opera (GR), the Junge Deutsche Oper Berlin (DE), as well as an artistic consultant for Athens Epidaurus Festival (GR). evi is a co-founder of the music ensemble Breakfast Club quartet. She is currently based in Kypseli, Athens. ⁠
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Eleni Michaelidi is an art historian and curator. Her practice follows a transdisciplinary approach, with a strong focus on the concept of urgency in political theory and contemporary art. She has previously collaborated with the DESTE Foundation, the Bergen Assembly, the Athens School of Fine Arts and the Academy of Fine Arts Leipzig. Eleni was 2018 Curator in Residence at the Salzburger Kunstverein and currently holds a curatorial fellowship at the Museum of Contemporary Art Leipzig. She lives and works in between Athens and Berlin.

𝗗𝗲𝗺𝗼𝗰𝗿𝗮𝘁𝗶𝗰 𝗘𝘅𝗲𝗿𝗰𝗶𝗰𝗲𝘀 – 𝗕𝗼𝗱𝘆 𝗮𝘁 𝗥𝗶𝘀𝗸
𝗶𝗻 𝗰𝗼𝗹𝗹𝗮𝗯𝗼𝗿𝗮𝘁𝗶𝗼𝗻 𝘄𝗶𝘁𝗵 𝗩𝗮𝗻𝗮 𝗞𝗼𝘀𝘁𝗮𝘆𝗼𝗹𝗮

𝗮𝘀 𝗽𝗮𝗿𝘁 𝗼𝗳 𝘁𝗵𝗲 𝗲𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻
𝗢𝗻 𝘁𝗵𝗲 𝗡𝗲𝘄. 𝗩𝗶𝗲𝗻𝗻𝗲𝘀𝗲 𝗦𝗰𝗲𝗻𝗲𝘀 𝗮𝗻𝗱 𝗕𝗲𝘆𝗼𝗻𝗱
𝗮𝘁 𝗕𝗲𝗹𝘃𝗲𝗱𝗲𝗿𝗲 𝟮𝟭, 𝗩𝗶𝗲𝗻𝗻𝗮

𝘄𝗶𝘁𝗵
𝗝𝗮𝘀𝗸𝗮𝗿𝗮𝗻 𝗔𝗻𝗮𝗻𝗱, 𝗦𝗶𝗺𝗼𝗻𝗮 𝗙𝗲𝗿𝗿𝗮𝗿, 𝗧𝗵𝗼𝗺𝗮𝘀 𝗙𝗿𝗮𝗻𝗸,
𝗖𝗵𝗿𝗶𝘀𝘁𝗼𝗽𝗵 𝗥𝗼𝘁𝗵𝗲𝗻𝗯𝘂𝗰𝗵𝗻𝗲𝗿, 𝗣𝗮𝘀𝗰𝗮𝗹 𝗧𝗵𝗶𝗺𝗼𝘁𝗵𝗲𝗲

𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻
𝟳.𝟰. – 𝟮𝟭.𝟱.𝟮𝟬𝟮𝟯

The project Democratic Exercises – Body at Risk explores different identities and notions such as ‘permissibility’, ‘tolerance’ and ‘prohibition’, identification with victims/aggressors, and ‘the other‘ as something that destabilizes our identity. The Democratic Exercises grow with more participants and interactions, moving from Linz to Vienna, on to Geneva and Athens.

Our slogan “Be a Warrior. Expand.” offers space for personal and collective projections. Who is fighting? Which fight is worth fighting? The truth is not to be found, but to be reinvented.

As part of the exhibition About the New. Viennese Scenes and Beyond in Belvedere 21 video documentations of the two performative workshops presented in Linz and Vienna are on view.

1) Ü𝘣𝘦𝘳 𝘥𝘢𝘴 𝘕𝘦𝘶𝘦- 𝘞𝘪𝘦𝘯𝘦𝘳 𝘚𝘻𝘦𝘯𝘦𝘯 𝘶𝘯𝘥 𝘥𝘢𝘳ü𝘣𝘦𝘳 𝘩𝘪𝘯𝘢𝘶𝘴 – 𝘛𝘦𝘪𝘭 1, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨, 𝘱𝘩𝘰𝘵𝘰 𝘣𝘺 𝘑𝘢𝘬𝘰𝘣 𝘋𝘪𝘦𝘵𝘳𝘪𝘤𝘩

2) Ü𝘣𝘦𝘳 𝘥𝘢𝘴 𝘕𝘦𝘶𝘦- 𝘞𝘪𝘦𝘯𝘦𝘳 𝘚𝘻𝘦𝘯𝘦𝘯 𝘶𝘯𝘥 𝘥𝘢𝘳ü𝘣𝘦𝘳 𝘩𝘪𝘯𝘢𝘶𝘴 – 𝘛𝘦𝘪𝘭 1, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨, 𝘱𝘩𝘰𝘵𝘰 𝘣𝘺 𝘑𝘢𝘬𝘰𝘣 𝘋𝘪𝘦𝘵𝘳𝘪𝘤𝘩

3) Ü𝘣𝘦𝘳 𝘥𝘢𝘴 𝘕𝘦𝘶𝘦- 𝘞𝘪𝘦𝘯𝘦𝘳 𝘚𝘻𝘦𝘯𝘦𝘯 𝘶𝘯𝘥 𝘥𝘢𝘳ü𝘣𝘦𝘳 𝘩𝘪𝘯𝘢𝘶𝘴 – 𝘛𝘦𝘪𝘭 1, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨, 𝘱𝘩𝘰𝘵𝘰 𝘣𝘺 𝘦𝘚𝘦𝘓.𝘢𝘵 - 𝘓𝘰𝘳𝘦𝘯𝘻 𝘚𝘦𝘪𝘥𝘭𝘦𝘳

4) Ü𝘣𝘦𝘳 𝘥𝘢𝘴 𝘕𝘦𝘶𝘦- 𝘞𝘪𝘦𝘯𝘦𝘳 𝘚𝘻𝘦𝘯𝘦𝘯 𝘶𝘯𝘥 𝘥𝘢𝘳ü𝘣𝘦𝘳 𝘩𝘪𝘯𝘢𝘶𝘴 – 𝘛𝘦𝘪𝘭 1, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨, 𝘱𝘩𝘰𝘵𝘰 𝘣𝘺 𝘦𝘚𝘦𝘓.𝘢𝘵 - 𝘓𝘰𝘳𝘦𝘯𝘻 𝘚𝘦𝘪𝘥𝘭𝘦𝘳

5) Ü𝘣𝘦𝘳 𝘥𝘢𝘴 𝘕𝘦𝘶𝘦- 𝘞𝘪𝘦𝘯𝘦𝘳 𝘚𝘻𝘦𝘯𝘦𝘯 𝘶𝘯𝘥 𝘥𝘢𝘳ü𝘣𝘦𝘳 𝘩𝘪𝘯𝘢𝘶𝘴 – 𝘛𝘦𝘪𝘭 1, 𝘰𝘱𝘦𝘯𝘪𝘯𝘨, 𝘱𝘩𝘰𝘵𝘰 𝘣𝘺 𝘦𝘚𝘦𝘓.𝘢𝘵 - 𝘓𝘰𝘳𝘦𝘯𝘻 𝘚𝘦𝘪𝘥𝘭𝘦𝘳

𝗙𝗹𝗼𝗿𝗮 𝘃𝘀 𝗙𝗮𝘂𝗻𝗮, 𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗘𝗹𝗲𝗻𝗶 𝗠𝗶𝗰𝗵𝗮𝗲𝗹𝗶𝗱𝗶 & 𝗘𝘃𝗶 𝗡𝗮𝗸𝗼𝘂

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟳.𝟰.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟴.𝟰. – 𝟮𝟯.𝟱.𝟮𝟬𝟮𝟯

1. 𝘛𝘸𝘦𝘭𝘷𝘦 𝘏𝘰𝘶𝘳𝘴 / 𝘚𝘵𝘢𝘵𝘦𝘮𝘦𝘯𝘵𝘴 (𝘐,𝘐𝘐,𝘐𝘐𝘐,𝘐𝘝), 𝘸𝘢𝘵𝘦𝘳 𝘣𝘢𝘴𝘦𝘥 𝘦𝘯𝘢𝘮𝘦𝘭 𝘱𝘢𝘪𝘯𝘵 𝘰𝘯 𝘸𝘰𝘰𝘥, 2019 (𝘱𝘩𝘰𝘵𝘰: 𝘈𝘭𝘪𝘯𝘢 𝘓𝘦𝘧𝘢)

2. 𝘛𝘸𝘦𝘭𝘷𝘦 𝘏𝘰𝘶𝘳𝘴 / 𝘌𝘷𝘪𝘥𝘦𝘯𝘤𝘦𝘴, 𝘴𝘪𝘭𝘪𝘤𝘰𝘯, 𝘤𝘰𝘭𝘰𝘶𝘳 𝘱𝘪𝘨𝘮𝘦𝘯𝘵𝘴, 𝘴𝘵𝘺𝘳𝘰𝘧𝘰𝘢𝘮, 𝘸𝘰𝘰𝘥, 𝘪𝘳𝘰𝘯, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘸𝘢𝘵𝘦𝘳 𝘣𝘢𝘴𝘦𝘥 𝘦𝘯𝘢𝘮𝘦𝘭 𝘱𝘢𝘪𝘯𝘵, 𝘥𝘪𝘮𝘦𝘯𝘴𝘪𝘰𝘯𝘴 𝘷𝘢𝘳𝘪𝘢𝘣𝘭𝘦, 2019 (𝘱𝘩𝘰𝘵𝘰: 𝘈𝘭𝘪𝘯𝘢 𝘓𝘦𝘧𝘢)
3. 𝘛𝘸𝘦𝘭𝘷𝘦 𝘏𝘰𝘶𝘳𝘴 / 𝘈𝘶𝘥𝘪𝘵𝘰𝘳𝘪𝘶𝘮, 𝘪𝘳𝘰𝘯, 𝘸𝘰𝘰𝘥, 𝘸𝘢𝘵𝘦𝘳 𝘣𝘢𝘴𝘦𝘥 𝘦𝘯𝘢𝘮𝘦𝘭 𝘱𝘢𝘪𝘯𝘵, 𝘥𝘪𝘮𝘦𝘯𝘴𝘪𝘰𝘯𝘴 𝘷𝘢𝘳𝘪𝘢𝘣𝘭𝘦, 2019 (𝘱𝘩𝘰𝘵𝘰: 𝘈𝘭𝘪𝘯𝘢 𝘓𝘦𝘧𝘢)

4. 𝘏𝘢𝘱𝘱𝘺 𝘌𝘯𝘤𝘰𝘶𝘯𝘵𝘦𝘳, 𝘢𝘶𝘥𝘪𝘰 𝘱𝘭𝘢𝘺, 𝘥𝘶𝘳𝘢𝘵𝘪𝘰𝘯: 22’ 53‘‘ 𝘢𝘯𝘥 3𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘴𝘤𝘶𝘭𝘱𝘵𝘶𝘳𝘢𝘭 𝘰𝘣𝘫𝘦𝘤𝘵, 𝘱𝘭𝘢, 𝘸𝘰𝘰𝘥, 𝘦𝘯𝘢𝘮𝘦𝘭 𝘱𝘢𝘪𝘯𝘵, 2018

5. 𝘛𝘩𝘦 𝘳𝘦𝘴𝘪𝘥𝘶𝘦 𝘵𝘩𝘢𝘵 𝘳𝘦𝘮𝘢𝘪𝘯𝘴 𝘢𝘴 𝘢 𝘮𝘦𝘮𝘰𝘳𝘺 𝘰𝘧 𝘤𝘰𝘯𝘵𝘢𝘤𝘵, 16 𝘸𝘢𝘵𝘦𝘳𝘤𝘰𝘭𝘰𝘶𝘳𝘴, 9 𝘳𝘢𝘥𝘪𝘰 𝘵𝘳𝘢𝘯𝘴𝘮𝘪𝘴𝘴𝘪𝘰𝘯𝘴, 𝘗𝘶𝘣𝘭𝘪𝘤𝘢𝘵𝘪𝘰𝘯 / 𝘔𝘢𝘯𝘶𝘢𝘭. 𝘋𝘦𝘵𝘢𝘪𝘭, 𝘱𝘦𝘯𝘤𝘪𝘭 𝘢𝘯𝘥 𝘸𝘢𝘵𝘦𝘳𝘤𝘰𝘭𝘰𝘶𝘳𝘴 𝘰𝘯 𝘱𝘢𝘱𝘦𝘳, 2017

6. 𝘞𝘩𝘢𝘵 𝘏𝘢𝘱𝘱𝘦𝘯𝘦𝘥 𝘈𝘴 𝘐 𝘞𝘦𝘯𝘵 𝘢𝘯𝘥 𝘞𝘩𝘦𝘳𝘦 𝘐 𝘞𝘦𝘯𝘵, 𝘚𝘰𝘶𝘯𝘥 𝘐𝘯𝘴𝘵𝘢𝘭𝘭𝘢𝘵𝘪𝘰𝘯 𝘢𝘯𝘥 𝘉𝘦𝘯𝘤𝘩, 𝘸𝘰𝘰𝘥, 𝘪𝘳𝘰𝘯, 𝘊𝘢𝘯𝘵𝘦𝘦𝘯 𝘰𝘧 𝘵𝘩𝘦 𝘍𝘪𝘳𝘴𝘵 𝘊𝘦𝘮𝘦𝘵𝘢𝘳𝘺 𝘰𝘧 𝘵𝘩𝘦 𝘊𝘪𝘵𝘺 𝘰𝘧 𝘈𝘵𝘩𝘦𝘯𝘴, 2016 (𝘱𝘩𝘰𝘵𝘰: 𝘈𝘭𝘪𝘯𝘢 𝘓𝘦𝘧𝘢)

Nikos Arvanitis (*1979, Athens/Greece) studied at the Academy of Fine Arts, Vienna/Austria at the Athens School of Fine Arts, Athens/Greece (Erasmus scholarship) and at the MFA course "Public Art and new artistic Strategies" at the Bauhaus University of Weimar/Germany with scholarships from the DAAD (German Academic Exchange Service) and the A. S. Onassis Public Benefit Foundation. His artistic and research work focuses on themes, which consider the structures and possibilities of public space indwelling, the aesthetic perception in contemporary society, the construction of collective identities and the concept of the globalized, spectacular, but also institutional mass culture. His work has been exhibited in international contexts, including the 2nd Les Ateliers de Rennes - Biennial d'Art Contemporain/Rennes, the 2nd Athens Biennial/Athens, Locust Projects/Miami, Townhouse Gallery of Contemporary Art/Cairo, BWA Wroclaw Galeria Awangarda/Wroclaw, Bâtiment d'Art Contemporain Le Commun/Geneva.

𝗙𝗹𝗼𝗿𝗮 𝘃𝘀 𝗙𝗮𝘂𝗻𝗮,
𝗡𝗶𝗸𝗼𝘀 𝗔𝗿𝘃𝗮𝗻𝗶𝘁𝗶𝘀,
𝘄𝗶𝘁𝗵 𝗮 𝘁𝗲𝘅𝘁 𝗯𝘆 𝗘𝗹𝗲𝗻𝗶 𝗠𝗶𝗰𝗵𝗮𝗲𝗹𝗶𝗱𝗶 & 𝗘𝘃𝗶 𝗡𝗮𝗸𝗼𝘂

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟳.𝟰.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟴.𝟰. – 𝟮𝟯.𝟱.𝟮𝟬𝟮𝟯

Is there still time, within the midst of the sixth extinction, to reweigh our anthropocentric view of the natural world? Nikos Arvanitis sets out a series of symbolic gestures and unexpected reversals to accent the inscriptions of nature in the multiple manifestations of anthropogenic invasiveness. A jungle of concrete devours the forest, the landscape becomes a billboard, the natural soundscape is synthesized by memory-based human imitation performance. Α watchtower resembling those in Hymettos mountain, one of the last forest reserves of Athens, is rescaled and reconstructed as a hybrid listening and viewing device - a subtle reminder that our positions are determined through constraints, our conceptions are fixed. Arvanitis amplifies the anthropocentric view to question it and invites the viewer/listener to participate in an open meaning-making process. Will their anthropocentric perception be challenged or attested?

1) 𝘍𝘭𝘰𝘳𝘢 𝘷𝘴 𝘍𝘢𝘶𝘯𝘢, 𝘕𝘪𝘬𝘰𝘴 𝘈𝘳𝘷𝘢𝘯𝘪𝘵𝘪𝘴, 𝘥𝘦𝘵𝘢𝘪𝘭, 2023

Nikos Arvanitis (b. 1979, Athens, GR) studied at the Academy of Fine Arts, Vienna, A and at the MFA course "Public Art and new artistic Strategies" at the Bauhaus University of Weimar, DE with scholarships from the DAAD and the A. S. Onassis Public Benefit Foundation. He received the first prize on the "ZeitGenosse Schiller" competition for public art, Weimar, DE, 2005, was nominated for the „5th DESTE Prize“ of the DESTE Foundation, Athens, GR, 2007, and received the 2nd Prize of the Spyropoulos Foundation Award, Athens, GR, 2009.

𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀⁠
⁠
𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁: 𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯⁠
⁠
𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮⁠
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸⁠
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮⁠
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀⁠
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀⁠
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶⁠
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀⁠
& 𝗼𝘁𝗵𝗲𝗿𝘀⁠

1) 𝘞𝘢𝘵𝘦𝘳𝘮𝘦𝘭𝘰𝘯 𝘛𝘪𝘮𝘦, 𝘸𝘪𝘵𝘩 𝘙𝘰𝘣𝘦𝘳𝘵𝘢 𝘎𝘪𝘨𝘢𝘯𝘵𝘦, with Roberta Gigante, 2012 This multi formatted photography series reflects on the history of the watermelon fruit in Palestine and its forced transformation into a symbol of resistance.

2) 𝘚𝘰𝘳𝘵𝘪𝘦𝘴, 2014, video, photographed fragments of artworks are read by a group of people revolving around an exhibition; Atlas, Suites. A polyphonic body of words serves as a subtext and partition that is then transduced into related or seemilingly disconnected spaces, institutions or neighborhoods. Sorties is an anagram of Stories. Comissioned by Arno Gisinger, Georges Didi-Huberman and Beirut Art Center.

3) 𝘚𝘈𝘈 – 𝘴𝘰𝘧𝘵 𝘸𝘦𝘢𝘳, 2022, sourcing from the Swiss Art Awards data base and designers - SAA is a simili-brand that imagines a booth in which the digital content of the participating artists to the award since its inception is digested into a ghostly identity.

4) 𝘚𝘸𝘦𝘢𝘵 𝘗𝘰𝘦𝘮𝘴, 2020, a series of A4 poems written during the pandemic and in the sauna.

5) 𝘞𝘩𝘺 𝘥𝘪𝘥 𝘺𝘰𝘶 𝘵𝘢𝘬𝘦 𝘮𝘺 𝘸𝘢𝘵𝘤𝘩 2013, borrowing its title from Tarkovski’s Stalker first uttered sentence, this multi-media installation describes, in both a nostalgic and prophetic gaze, the city of Brussels and its outskirts through the dismantling of advertisement imageries and machineries.

Working under different spells, spellings and formations, Lore D Selys is an artist, researcher and educator working collaboratively with words, lenses, multi-definitions of space, their users and inhabitants. She currently teaches a seminar on language and collaborative practices at the Royal Art Academy in Brussels.

𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀⁠
⁠
𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁: 𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯⁠
⁠
𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮⁠
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸⁠
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮⁠
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀⁠
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀⁠
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶⁠
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀⁠
& 𝗼𝘁𝗵𝗲𝗿𝘀⁠

1) 𝘜𝘯 𝘤𝘶𝘦𝘯𝘵𝘰 𝘥𝘦 𝘉𝘢𝘴𝘶𝘳𝘢, dinner Performance with Sandra Teitge
MUAC, Mexico City, 2017, Photo: Wiley Hoard

2) 𝘐𝘮 𝘚𝘪𝘦𝘥𝘭𝘦𝘳𝘵𝘢𝘭 - 𝘕𝘰 𝘷𝘢𝘭𝘦 𝘥𝘦 𝘊𝘰𝘭𝘰𝘯𝘰, Mixed media, LED Panel
commissioned for A casa é sua, Paço Imperial Rio de Janeiro
Foto: Rafael Adorján (120)

3) 𝘈 𝘵𝘢𝘭𝘦 𝘰𝘧 𝘵𝘳𝘢𝘴𝘩 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯𝘴, 𝘨𝘢𝘳𝘣𝘢𝘨𝘦 𝘳𝘪𝘷𝘦𝘳𝘴 𝘢𝘯𝘥 𝘮𝘪𝘨𝘳𝘢𝘵𝘰𝘳𝘺 𝘣𝘪𝘳𝘥𝘴
𝘥𝘪𝘯𝘯𝘦𝘳, Performance with Sandra Teitge, commissioned by Sharjah Biennial 13, Beirut, 2017, Photos: Marwan Tahtah

4) 𝘈 𝘵𝘢𝘭𝘦 𝘰𝘧 𝘵𝘳𝘢𝘴𝘩 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯𝘴, 𝘨𝘢𝘳𝘣𝘢𝘨𝘦 𝘳𝘪𝘷𝘦𝘳𝘴 𝘢𝘯𝘥 𝘮𝘪𝘨𝘳𝘢𝘵𝘰𝘳𝘺 𝘣𝘪𝘳𝘥𝘴
𝘥𝘪𝘯𝘯𝘦𝘳, Performance with Sandra Teitge, commissioned by Sharjah, Biennial 13, Beirut, 2017, Photos: Marwan Tahtah

5) 𝘈 𝘵𝘢𝘭𝘦 𝘰𝘧 𝘵𝘳𝘢𝘴𝘩 𝘔𝘰𝘶𝘯𝘵𝘢𝘪𝘯𝘴, 𝘨𝘢𝘳𝘣𝘢𝘨𝘦 𝘳𝘪𝘷𝘦𝘳𝘴 𝘢𝘯𝘥 𝘮𝘪𝘨𝘳𝘢𝘵𝘰𝘳𝘺 𝘣𝘪𝘳𝘥𝘴
𝘥𝘪𝘯𝘯𝘦𝘳,Performance with Sandra Teitge, commissioned by Sharjah, Biennial 13, Beirut, 2017, Photos: Marwan Tahtah

Franziska Pierwoss lives and works in Berlin as an artist in the fields of performance and installation. In her work, she stages site-specific installations and prompts unexpected encounters in which radical forms of dialogue occur between actors with different standpoints and backgrounds. She studied at the Hochschule für Grafik und Buchkunst Leipzig and at the Lebanese University Beirut.
Her work has been shown at Sharjah Biennial 13, Fast Forward Festival Athens, Jameel Arts Centre and Halle 14 Leipzig. For many years she has been collaborating with Sandra Teitge in performances on waste management and has been developing tools to support ecologically sustainable working methods in arts & culture.

𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀⁠

𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁: 𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯⁠
⁠
𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮⁠
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸⁠
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮⁠
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀⁠
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀⁠
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶⁠
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀⁠
& 𝗼𝘁𝗵𝗲𝗿𝘀⁠

1) 𝘚𝘩𝘢𝘳𝘱 𝘉𝘰𝘥𝘪𝘦𝘴 𝘉𝘭𝘶𝘯𝘵 𝘔𝘪𝘯𝘥𝘴, 2021, conversation with Setareh Shahbazi

2) 𝘋𝘰𝘸𝘯 𝘉𝘺 𝘵𝘩𝘦 𝘗𝘪𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘛𝘩𝘳𝘰𝘢𝘵, 2022, sonic testimonial

3) 𝘈 𝘜𝘯𝘪𝘷𝘦𝘳𝘴𝘦 𝘕𝘰𝘵 𝘔𝘢𝘥𝘦 𝘧𝘰𝘳 𝘜𝘴, 2019, performance with Khyam Allami (photo credit: Johanne Issa)

4) 𝘗𝘢𝘳𝘢𝘥𝘰𝘹𝘪𝘤𝘢𝘭 𝘔𝘰𝘷𝘦𝘮𝘦𝘯𝘵, 2022-ongoing, research

5)1978-2021 open-ended, choreography

Born in Beirut in 1978, Yalda Younes came to dance by chance, to yoga by injuries, and to sound by way of breath. She trained in flamenco with Israel Galvan in Seville, in electronic arts at ESEC in Paris, and in yoga philosophy and therapy at the Krishnamacharya Yoga Mandiram in Chennai. Currently residing in Berlin, she experiments with self-taught, intuitive methods across different mediums, with visceral listening remaining the anchor point of her creative relationships with the world.

𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀

𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁: 𝗝𝗮𝗺𝗮𝗹 𝗔𝗹 𝗠𝗮𝗹𝗮𝗮𝗸

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯

𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀
& 𝗼𝘁𝗵𝗲𝗿𝘀

1) 𝘛𝘩𝘦 𝘳𝘰𝘰𝘧, 2022, Lidar sketch by Aya Abdallah

2) 𝘛𝘦𝘢𝘳𝘴-𝘛𝘶𝘣𝘦𝘴-𝘎𝘭𝘢𝘴𝘴, 2016, Sculptural and photographical experiments with Jamaal El Malaak affects and infrastructural properties

3) 𝘛𝘩𝘦 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨 𝘥𝘪𝘢𝘨𝘳𝘢𝘮𝘴, 2023, Diagrams for the Jamaal Al Malaak workshops designed by Aya Abdallah

4) 𝘛𝘩𝘦 𝘴𝘦𝘵, 𝘸𝘢𝘭𝘭𝘴, 𝘸𝘪𝘯𝘥𝘰𝘸𝘴 & 𝘧𝘭𝘰𝘰𝘳𝘴, 2021, The collapse of imageries and perceptions into one. Video montage by Aya Abdallah

5) 𝘋𝘪𝘢𝘨𝘳𝘢𝘮 3, 2023, An abstracted diagram of desires and fluids being flushed all at once by Nadim Choufi

Jamal Al Malaak is an entity that took the shape of a building in the late 60's in Mar Mikhael, Beirut. Their interest revolves around questions of locality and virtuality, collective story-telling, infra and para space-making, taking it self as a point of view and departure for historical and speculative endeavours. It is currently sensed through, and deveveloped by Aya Abdallah, Lore D Selys, Monica Basbous, Nadim Choufi and Junior Sfeir amongst many others.

𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀

𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁(𝘀): 𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮⁠

𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯

𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀
& 𝗼𝘁𝗵𝗲𝗿𝘀

1) Mutaradim متردّم, Beirut never dies بيروت ما بتموت, vinyl album front cover, 2023⁠
⁠
2) Mutaradim متردّم, vinyl album back cover & disk side A, 2023⁠
⁠
3) Mutaradim متردّم, vinyl album cover, disk side B, 2023⁠

Siska was born in Beirut, Lebanon, and currently lives and works in Berlin. He holds a Master's degree in Film and Audiovisual Arts from the Lebanese Academy of Fine Arts in Beirut. Siska's work explores personal and collective memories of social and political narratives. Additionally, Siska has produced and performed music as part of the Lebanese hip-hop group Kitaa Beirut قطاع بيروت.

Felix is a musician, producer and artistic educator from Berlin. He is part of the Duo Lonski & Classen that has released several albums and extensively toured across Europe and Japan. Since almost 20 years Felix is an active voice in the independent music scene of Berlin, curating events that combined different artistic approaches and disciplines as well as running a record label and studio named OSTHAFEN.
During the past years, Felix Claßen and Siska have collaborated on a variety of artistic and cultural educational projects. They have conducted the pirate radio project Piraten Radio in different schools in Berlin and abroad. Together they released an album called Mutaradim مُتَرَدِّمْ in 2022, the first joint release by Siska-K6 & Felix Claßen that explores the tension between experimental electronic club music and Arabic-language rap. Through the four recorded pieces, they evoke repressed memories, link historical background noise, and negotiate content from their independent artistic projects and curatorial practices.

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𝗿𝗲𝗱𝗲𝗲𝗺 رديم 𝗮𝘁 𝗠𝗲𝗺𝗽𝗵𝗶𝘀⁠
⁠
𝗙𝗲𝗮𝘁𝘂𝗿𝗲𝗱 𝗔𝗿𝘁𝗶𝘀𝘁: 𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮⁠
⁠
𝗢𝗽𝗲𝗻𝗶𝗻𝗴 𝟮𝟴.𝟯.𝟮𝟬𝟮𝟯, 𝟭𝟵:𝟬𝟬⁠
𝗘𝘅𝗵𝗶𝗯𝗶𝘁𝗶𝗼𝗻: 𝟮𝟵.𝟯. – 𝟮𝟮.𝟰.𝟮𝟬𝟮𝟯⁠
⁠
𝗭𝗲𝗶𝗻𝗮 𝗛𝗮𝗻𝗻𝗮⁠
𝗝𝗮𝗺𝗮𝗮𝗹 𝗘𝗹 𝗠𝗮𝗹𝗮𝗮𝗸⁠
𝗠𝘂𝘁𝗮𝗿𝗮𝗱𝗶𝗺 – 𝗙𝗲𝗹𝗶𝘅 𝗖𝗹𝗮ß𝗲𝗻 & 𝗦𝗶𝘀𝗸𝗮⁠
𝗙𝗿𝗮𝗻𝘇𝗶𝘀𝗸𝗮 𝗣𝗶𝗲𝗿𝘄𝗼𝘀𝘀⁠
𝗟𝗼𝗿𝗲 𝗗 𝗦𝗲𝗹𝘆𝘀⁠
𝗦𝗲𝘁𝗮𝗿𝗲𝗵 𝗦𝗵𝗮𝗵𝗯𝗮𝘇𝗶⁠
𝗬𝗮𝗹𝗱𝗮 𝗬𝗼𝘂𝗻𝗲𝘀⁠
& 𝗼𝘁𝗵𝗲𝗿𝘀⁠
⁠
⁠
1) 𝘕𝘦𝘷𝘦𝘳 𝘭𝘪𝘷𝘦 𝘵𝘸𝘪𝘤𝘦 , 2013, Video performance installation, Zeina Hanna with Emmanuelle Santos and Céline Larrère, Berlin, lmpulstanz Vienna, Linien, Kunsthaus Dresden, Tanztage Sophiensaele Berlin, Antistatic Festival, Red House Sofia,⁠ Picture by Sven Hagolani⁠
⁠
2) 𝘜𝘯𝘥𝘦𝘳_𝘊𝘰𝘷𝘦𝘳, 2019, Performance, Zeina Hanna with Julia Rodríguez, Miriam Jakob & Darko Dragičevic, Montag Modus Klimata #4, Flutgraben e.V Berlin⁠, Picture by Zeina Hanna⁠
⁠
3) 𝘚𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘵𝘩𝘦𝘺 𝘭𝘰𝘰𝘬𝘦𝘥 𝘭𝘪𝘬𝘦 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘴𝘰𝘮𝘦𝘵𝘪𝘮𝘦𝘴 𝘭𝘪𝘬𝘦 𝘣𝘶𝘪𝘭𝘥𝘪𝘯𝘨𝘴, 2022, Performance, Zeina Hanna with Tatiana eldahdah and Vera Pulido supported by Senate department for culture and Europe & Partners in Craft, Practicing Futures While Grieving in Eight Movements, Klosterruine Berlin⁠
⁠
Zeina Hanna is a Lebanese artist living in Berlin since 2010. Her work focuses on artistic research⁠ in the field of performing arts and on the way poetics and policies intertwine in the context of⁠ making art today. Zeina leans toward collaborative works and the use of different media. She uses⁠ choreography as a tool for making and observing the intrinsic relations between form and content,⁠
playing with dynamics between guided and generated attention.