MUD

🥙MUD GRUB brought to you by Brit

Brit, She/they, is a versatile artist working on Kaurna land, seamlessly transitioning between creative pursuits.
Known for their resourceful and self taught approach to cooking, Brit excels at transforming simple, fresh ingredients into flavourful dishes. Drawing inspiration from diverse cultures, Brit enjoys adapting recipes to ensure inclusivity for all. With expertise in vegetarian, vegan, gluten-free, and low FODMAP diets, Brit crafts meals tailored to diverse dietary needs.
Food is Brit’s love language, described as a ‘need to feed,’ emphasising community and connection through meals that bring people together.

Pic by Ariya Gabell

Image description: Brit is smiling and holding a vegan turkey, standing in her kitchen wearing an orange top and green pants.

August 29
Rewind Sound and studios
$15 / $20 doors; $9 plate

⚡⚡We are super excited to announce that I Hold The Lion's Paw will be collaborating with two incredible company artists from the Australian Dance Theatre, Sebastian Geilings and Patrick O'Luanaigh.

🖼️ About Sebastian and Patrick:

🐦‍⬛ Sebastian (He/Him) is a movement artist, teacher, and choreographer living and working on Kaurna Yarta. Sebastian has worked with multiple companies and independent collaborations throughout Aotearoa (New Zealand) and so called ‘Australia’, and is currently a company artist with Australian Dance Theatre. His practice centres around somatic inquiry to access healing, sustainability, and q***r expression.

🪿 Patrick O’Luanaigh (he/him) is a dance artist who grew up in Melbourne/Naarm and is now based on Kaurna country. After graduating from the Victorian College of the Arts with a Bachelor in Fine Arts (Dance) in 2022, he joined the Australian Dance Theatre as a company artist. Choreographically, he is in an ongoing investigation with liminal spaces, magic, and guns.

📅 August 29th, 2024�
📍 Rewind Sound and Studios, Welland
🎟️ Tickets: $20 / $15 (pre-order in bio)

🌠 A World of Rhythm- WORKSHOP 🌠
A workshop exploring the concepts and strategies of polyrhythm-cross rhythm and odd time meters. Presented by drummer/composer/improvisor Ronny Ferella


📅 August 29th, 2024, 4pm - 6pm
📍 Rewind Sound and Studios
🎟️ Tickets: $10 (free with a ticket to the gig, link in bio)

During his three decades of playing and teaching Ronny has had a continuous fascination with
rhythm; how and why it operates in different musical worlds.
During this 2-hour workshop he will explain the concepts and application of poly rhythm, cross
rhythm and odd time meters & how these musical phenomena appear in folk, jazz and pop music

He will also share a step by step practical approach towards developing and applying these concepts in any musical situation. This will be a hands-on workshop so feel free to bring an instrument or just soak in the ideas and conversation.

MUD Presents: 

𝑰 𝑯𝒐𝒍𝒅 𝒕𝒉𝒆 𝑳𝒊𝒐𝒏’𝒔 𝑷𝒂𝒘 (𝑵𝒂𝒂𝒓𝒎)

We are super excited to be presenting I Hold the Lion’s Paw!!
These mavericks have been producing some of the best experimental & improvised musical/multi-disciplinary experiences around the country for the last few years. Mmmmhhhmm!!

🌠 About IHLTP:
Conjuring the spirit and twisted funk of Miles Davis’ On the Corner, filtered through the lens of Ornette Coleman’s Prime Time and Jon Hassell’s Fourth World, I Hold the Lion’s Paw is a wild sonic ride that feels simultaneously familiar and like nothing you’ve ever heard.
The brainchild of ARIA nominated trumpeter-producer Reuben Lewis, Lion’s Paw will guide you through an immersive world of electro-ambience, grungy afro-grooves and psychedelic jazz. This is music as assemblage, using the stage as a laboratory whilst practicing post-production sorcery in realtime!

Links to their music and more in bio

 📅 August 29th, 2024
📍 Rewind Sound and Studios, Welland
🎟️ Tickets: $20 / $15

We are pleased to partner with Rewind Sound and Studios for this event. They are an artist-led initiative in Adelaide’s inner west, provisioning wonders for the arts community. 






🤲 Joining in wondrous support is Thea Martin aka. Short Snarl

💫 Thea Martin is a violinist, teaching artist, writer and composer living on Kaurna Land. Their artistic practice is rooted in a commitment to the activation of individual and community agency, to uncover and construct sonic meaning through the processes of multiple creativities.

💿 In June 2024, they released 4-track EP, Gossamer Songs via capslock records under the moniker 'short snarl'. Gossamer Songs is a meandering amble through lofi resonances; lyrically and sonically embracing the power of intimacy through fragility.
You can find it on bandcamp!!

Accompanying Thea will be Sam Wilson and V Marsoupolous
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5000 adl

--This Thursday--July 18

✨Presenting Mara Schewerdtfeger, composer and curator based in Eora / Sydney.

🔭Her practice investigates how we co-inhabit environments with their rich array of interactions, "playing with perspective and memory to ask how we might consolidate a ‘sense of place’". She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces.

📅 July 18, 2024; Doors at 7pm
📍 Ancient World, Conrad Lane
🎟️ $20 / $15 at the door

Photo:
Poster:
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🌞 New Time + Added Line-up 🌞

📅 July 6th @ 4pm - 7pm
📍Ern Malley, Stepney
🎟️ $20 on the door

🌟 We are super excited to announce that the Composer-In-Residence performance event has an expanded format!!
Welcoming Tarntanya's finest working poet and activist, Tadhg Porter-Cameron, and undisciplined Naarm-based artist and vocalist Tina Stefanou....and who knows who else might join...

🪜 The event will have two brackets:
1. Demonstration of the work in development
2. Improvisations informed by Franklin's compositional praxis with guest comrades

There are many great shows on that night (Check out Helen Svoboda at ) so we have decided to make ours a delicious, warm afternoon event. See you there!!

📷 Photo of Tina Stefanou by Sam Roberts

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MUD READING GROUP 02
LIMINAL COMMONS

Join our monthly reading group to delve into "Liminal Commons" by Angelos Varvarousis, a compelling study of how short-lived commoning projects serve as crucial modern rituals for navigating and instigating societal change in times of crisis.

Happening on the last Sunday of each month.

The group will be facilitated by MUD's creative director, Constantine (Kosta) Stefanou.

Register your interest by emailing [email protected] or DM with your email

If you can't afford the book but want to be involved, we can help out.

🔭🔭🔭Presenting 𝙈𝙖𝙧𝙖 𝙎𝙘𝙝𝙬𝙚𝙧𝙙𝙩𝙛𝙚𝙜𝙚𝙧 (Eora/Sydney), Mara has a delicious new album coming out later this year with Pure Space, so we thought, until then we should throw a gig in Adelaide for her!
For this show, we are pleased to be returning to Adelaide's spiritual home of experimental culture at Ancient World.

With support from Thea Martin (Short Snarl)

📅 July 18, 2024; Doors at 7pm
📍 Ancient World, Conrad Lane
🎟️ $20 / $15 at the door

✨About Mara:
Mara Schwerdtfeger is a composer and curator based in Eora Sydney. She plays the viola and collaborates with her laptop to create live performances and recorded pieces for film, dance, and gallery spaces. Informed by interactions and perspectives within environments, her work questions the coexistence and understanding between those who inhabit them.
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🖼️ :
📷 :

🎵 Join Us for a Free Community Workshop! 🎵

📅 July 4th
🕕 6pm - 8pm
📍 Ern Malley, Stepney

Get an insider’s look into the art of composition with MUD's Composer-in-Residence, Joseph Franklin! Explore his creative process, writing for extended techniques, affirmative composition and more.

🌟 Special Guest: Maverick cellist David Moran will join us, offering a rare opportunity to learn from both composer and performer! Yeehaaw!

✨The workshop is open to all, whether you're a budding composer, a seasoned musician, a seasoned salad, a music enthusiast, or a rare type of fungus.

🎤 Hosted by the darlings at Sound Stream

Proudly supported by the City of Norwood, Payneham and St Peters

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🪐Final Spotlight🪐

With the requisite permission from the South Australian Authority of Dance Floor Affairs (SAADFA), renowned producer, Strict Face, will be presenting a 3-hour-long set with the promise of getting to the bottom of it all.

🌠 About Strict Face:
When recently quizzed on his sound, Adelaide-based producer/DJ Strict Face likened his process of producing music to checking the readiness of pasta by throwing them against a wall. Except, instead of testing whether a fettuccino is 'al-dente' enough, he throws snare drums and hand percussion instruments down stairwells to time where each instrument falls within a 4-bar pattern.
He co-runs the SLG International imprint, has released music on NLV Records and has been bestowed the 'seal of approval' by people as disparate as notorious dubstep practitioner Skrillex and Dekmantel Festival favourite Lena Willikens. Studious followers of MUD will also know him as a closely-involved committee member of the institution known as duck! Radio.

📅 June 21, 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 at the door (link in bio)

🚀SIXTH ARTIST SPOTLIGHT🚀

Celina is the sort of strange that you want to be best friends with!
Her movement practice is intimate, unnerving, and brutal—think junk-lady crossed with an estuary oracle.

✨ About Celina
Celina Hage is an Australian/Norwegian performing artist, choreographer and movement practitioner who has worked with various dance organisations and independent artists globally. She completed her studies at the Western Australian Academy of Performing Arts and the Salzburg Experimental Academy of Dance. As a maker, her body of co-choreographed works have been presented by STRUT Dance (AU), FRINGE World Festival (AU) and Multimadeira (PT). Her practice is rooted in collaboration and immersion, with a focus on energetic exchanges between bodies, nature, and space.

📅 June 21, 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 at the door (link in bio)

🌞FIFTH SPOTLIGHT🌞

Part music, part ritual, part fortune-telling, Seashell Music will bring you into greater alignment, helping you to discover what parts of you should indeed collapse, what ambitions are tied to the co**se of a crumbling empire that has roosted for too long in your spinal fluids

🐚 Seashell Music:
𝘛𝘩𝘳𝘦𝘦 𝘥𝘦𝘴𝘤𝘦𝘯𝘥𝘢𝘯𝘵𝘴 𝘰𝘧 𝘢𝘯𝘤𝘪𝘦𝘯𝘵 𝘴𝘵𝘢𝘳𝘳𝘺 𝘭𝘢𝘯𝘥𝘴 𝘩𝘢𝘷𝘦 𝘣𝘦𝘦𝘯 𝘴𝘦𝘯𝘵 𝘰𝘯 𝘢 𝘯𝘰𝘣𝘭𝘦 𝘲𝘶𝘦𝘴𝘵 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘤𝘰𝘴𝘮𝘰𝘴 𝘵𝘰 𝘴𝘵𝘶𝘥𝘺 𝘵𝘩𝘦 𝘱𝘭𝘢𝘯𝘦𝘵 𝘌𝘢𝘳𝘵𝘩. 𝘛𝘩𝘦 𝘤𝘰𝘭𝘭𝘦𝘤𝘵𝘰𝘳𝘴 𝘰𝘧 𝘧𝘰𝘳𝘨𝘰𝘵𝘵𝘦𝘯 𝘴𝘰𝘶𝘯𝘥𝘴 𝘤𝘩𝘶𝘳𝘯 𝘵𝘩𝘦𝘪𝘳 𝘥𝘦𝘷𝘪𝘤𝘦𝘴 𝘵𝘰 𝘮𝘪𝘮𝘪𝘤 𝘢𝘯𝘥 𝘳𝘦𝘧𝘭𝘦𝘤𝘵 𝘵𝘩𝘦𝘪𝘳 𝘰𝘣𝘴𝘦𝘳𝘷𝘢𝘵𝘪𝘰𝘯𝘴, 𝘶𝘯𝘬𝘯𝘰𝘸𝘪𝘯𝘨𝘭𝘺 𝘮𝘢𝘯𝘪𝘧𝘦𝘴𝘵𝘪𝘯𝘨 𝘱𝘰𝘳𝘵𝘢𝘭𝘴 𝘵𝘰 𝘯𝘦𝘸 𝘸𝘰𝘳𝘭𝘥𝘴.

📅 June 21, 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 at the door (link in bio)

🌊FOURTH ARTIST' SPOTLIGHT🌊

Pairing up for an obliterating performance are two of Adelaide's most highly regarded musicians and performers, vocalist Lauren Henderson and drummer Stephen Neville.

About two months ago, I proposed a performance concept to Stephen, to which his response was something like, "f**k, alright, let me sit with that for a week". mmmmmm, very excited to see what these two sweet gems have in store!

✨About Lauren:
Lauren Henderson is an Adelaide-based singer, composer, actor, educator and mother of two beautiful boys. A versatile musician known for her eclectic tastes in jazz, R&B/soul/hip hop, folk, music theatre and pop, she has had the pleasure of working with artists such as The Idea of North, Joe Chindamo, Nelson Dialect, Matthew Sheens, James Muller, Gian Slater, Michelle Nicolle, Anita Wardell, Anna Goldsworthy, Robyn Archer and The Lost and Found Orchestra (creators of STOMP!). Lauren currently lectures in jazz voice at The Elder Conservatorium in Adelaide and is passionate about helping people find their voice.

✨About Stephen:
Stephen Neville has been making loud and quiet sounds on the drums for many years. He likes to talk about the drums to people who sometimes listen in the jazz department at Adelaide University. He also likes to play the drums to people who sometimes listen with people who consistently listen. Stephen has recorded and performed nationally and internationally with some of the finest musicians in Adelaide and Australia. While this is nice, he takes more pride in calling them friends. He considers himself very lucky to be presenting a short set of improvised sounds with the incredible Lauren Henderson.

📅 June 21, 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 at the door (link in bio)

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⚡THIRD ARTIST SPOTLIGHT ⚡

The first time I saw Wes's work, he made a PowerPoint presentation about power points in his house. Somehow, it was the most electrifying talk I've ever attended.

A truly multi-disciplinary artist with a deep instinct for the absurd, Wes has been shaping something very real on the South Coast to share with us all.

✨ About Wes:
Wesley Tyson Maselli, known as WesThePants, is a multi-disciplinary visual artist, performer, curator, facilitator, and writer based on the South Coast, an hour from Adelaide. His work provocatively explores tradition, tropes, transcendence, and the absurd. Wes has been Studio Manager at Mangkaja Art Centre in the Kimberly and Tjarlirli Arts in the Western Desert. Recently, he has focused on his own practice while passionately facilitating community art projects. Notably, Wes completed a residency with the City of Onkaparinga, where he used mnemonics to recall the first 1000 digits of π.

📅 June 21st 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 at the door (link in bio)

🛎️ SECOND ARTIST SPOTLIGHT 🛎️

What can only be described as having the bourgeoisie shaking in their glutes,
Tadhg Porter-Cameron–known simply as the person that wealthy society would prefer didn't exist–will be presenting a series of new spoken word performances on the collapse of western supremacy, but ofcourse.

✨ About Tadhg:
Born and based in Kaurna Yarta, Tadhg Porter-Cameron is a poet, troublemaker, and anti-colonial race traitor of Scottish, Irish, and English descent. His art dives deep into love, life, trauma, and society, always from a loud and unapologetically political standpoint. Tadhg's work reflects the everyday struggles of the proletariat; influenced by Patrick Schneeweis and the haunting echoes of Adelaide's liminal spaces. Fun fact: Tadhg's favorite Coles is the Kurralta Park Coles.

🗓 June 21st 2024
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 online, $25 on the door (link in bio)

🚨 ONE WEEK AWAY 🚨

MUD: COLLAPSE: IMPROVISING UTOPIA
✨ First Artist' Spotlight✨

Join us for an evening of experimental sound and performance arts featuring the incredible David Moran and Jazmine Deng.

[[Ruinous bodies across altered resonances]] hmmmmmmm...

✨ About David:
David Moran, an acclaimed Australian cellist, specializes in exploratory music. As a member of the Lucerne Festival Contemporary Orchestra (2022-24) and ULYSSES Ensemble’s 2023 formation, David has enchanted audiences across Australia. His ensemble, Moirai, is lauded for its seamless blend of historic and modern melodies. He was a Freedman Fellowship Nominee (2022) and Chamber Music Adelaide’s Young Performer of the Year (2020).

✨ About Jazmine:
Jazmine Deng explores cultural meaning through multi-media installations and performative practices. An Adelaide Central School of Art graduate, her work challenges everyday political culture. Jazmine has performed at Nexus Arts, Rewind Sound and Studios, and Arthur Art Bar, and is a member of The Bait Fridge. Recently, she performed in Tina Stefanou’s Dance The War of Proximity at the Adelaide Biennale (2024).

🗓 21st of June
📍 The Queens Theatre, Playhouse Lane
🎟️ $20 presale - $25 on the door (link in bio)
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🎶 Composer in Residence Performance 🎶

Join us at the Ern Malley bar on July 6th, featuring MUD's Composer-in-Residence, Joseph Franklin (Naarm).
Presenting the work in development + solo and duo, prepared and improvised performances by:

🌟 Performers

- David Moran (cello)
- Joseph Franklin (contrabass)
- Gabriella Smart (electric cristal)

📅 Date: July 6th
🕖 Time: 7pm start
🎟️ Tickets: $20

About the Composer in Residence program:
MUD’s new Composer-in-Residence Pilot Program seeks to empower working-class composers and address their underrepresentation in the Australian new music scene.

Hosted in Tarntanya/Adelaide from June 23 to July 7, this initiative will feature Naarm/Melbourne-based composer Joseph Franklin, who will take up creative residence at bar Ern Malley, and write for David Moran on solo cello.

The program will include a community workshop and performance of the work in development, as well as a zine publication.

Proudly supported by the City of Norwood, Payneham & Stepney, and in partnership with Soundstream, this pilot aims to become an annual residency series in 2025, continuously elevating working-class voices and fostering new Australian repertoire.

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NEW PROGRAM ANNOUNCEMENT

MUD’s new Composer-in-Residence Pilot Program seeks to empower working-class composers and address their underrepresentation in the Australian classical and new music scene.

Hosted in Tarntanya/Adelaide, from June 23 to July 7, Naarm/Melbourne-based composer and bassist Joseph Franklin will take up residency in the front bar at Ern Malley, transforming the under-utilised daytime space into his creative studio, where Franklin will develop a new piece for solo cello, performed by David Moran.

Proudly supported by the City of Norwood, Payneham & Stepney, and in partnership with Soundstream, this pilot aims to become an annual residency series open to national applicants in 2025; continuously elevating working-class voices and, fostering new Australian repertoire.

About the composer:
Joseph Franklin is a composer and bassist from Gunaikurnai country, in regional Australia. His compositional practice is wide-ranging and combines notated and improvised modalities, drawing from experimental music, sound art, instrument design, and interweaving a distinctive approach to instrumentality.

Joseph has composed for the Melbourne Symphony Orchestra, Tasmanian Symphony Orchestra, Flinders Quartet, Australian Youth Orchestra, Geist Quartet, and The Music Box Project, among others. In 2024, Joseph's debut solo contrabass guitar album, a thousand tiny mutinies, was released via Nice Music label.
Later this year, he will undertake a PhD in Music Composition at Penn University in Philadelphia.
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𝙈𝙐𝘿: 𝙄𝙢𝙥𝙧𝙤𝙫𝙞𝙨𝙖𝙩𝙞𝙤𝙣 𝙖𝙣𝙙 𝙀𝙭𝙩𝙚𝙣𝙙𝙚𝙙 𝘿𝙤𝙢𝙖𝙞𝙣𝙨 hath returned!!

Marking our third anniversary, we delve into the themes of collapse and renewal; commemorating the Pylos Massacre, the crushed submarine billionaires, and the everyday mundanity of living through the fall of western supremacy.

"ᴘᴀʀᴛɪᴇꜱ ᴀɴᴅ ꜰᴇᴀꜱᴛꜱ ᴀʀᴇ ʟᴇɢɪᴛɪᴍᴀᴛᴇ ꜱᴘᴀᴄᴇꜱ ꜰᴏʀ ᴋɴᴏᴡʟᴇᴅɢᴇ ᴇxᴄʜᴀɴɢᴇ. ᴛʜᴇʏ ᴀʀᴇ ʀᴇᴄɪᴘʀᴏᴄᴀʟ ꜱᴘᴀᴄᴇꜱ ꜰᴏʀ ɴᴇᴡ ɪᴍᴀɢɪɴᴀʀɪᴇꜱ ᴀɴᴅ ꜱʜᴀʀᴇᴅ ᴄᴏᴍᴍᴏɴꜱ. ᴘᴀʀᴛɪᴇꜱ ɪɴᴛᴇʀʀᴜᴘᴛ ᴛʜᴇ ʙɪɴᴀʀʏ ᴏꜰ ᴛʜᴇ ᴘʀɪᴠᴀᴛᴇ ᴀɴᴅ ᴘᴜʙʟɪᴄ ꜱᴘʜᴇʀᴇꜱ, ʀɪᴛᴜᴀʟɪꜱɪɴɢ ᴀɴᴅ ᴠᴀʟᴏʀɪꜱɪɴɢ ᴏᴜʀ ᴄᴏᴍᴍᴜɴɪᴛɪᴇꜱ ᴏꜰ ᴘʀᴀᴄᴛɪᴄᴇ.

ɪꜰ ᴡᴇ ᴀʀᴇ ɢᴏɪɴɢ ᴛᴏ ꜱᴜʀᴠɪᴠᴇ ᴛʜᴇ ʀᴜɪɴᴏᴜꜱ ᴍᴀʀᴄʜ ᴏꜰ ʟᴀᴛᴇ-ꜱᴛᴀɢᴇ ᴄᴀᴘɪᴛᴀʟɪꜱᴍ ᴡᴇ ᴍᴜꜱᴛ ᴍᴀᴋᴇ-ʀᴇᴀᴅʏ ᴛʜᴇ ꜱᴏᴄɪᴀʟ ᴀɴᴅ ᴄᴜʟᴛᴜʀᴀʟ ʀᴇʟᴀᴛɪᴏɴꜱ ɪɴ ᴡʜɪᴄʜ ᴀ ɴᴇᴡ ꜱᴏᴄɪᴇᴛʏ ᴄᴀɴ ᴛʜʀɪᴠᴇ, ᴀɴᴅ ꜰᴏʀ ᴛʜᴀᴛ ᴛᴏ ʜᴀᴘᴘᴇɴ, ᴡᴇ ᴍᴜꜱᴛ ʜᴀᴠᴇ ᴀ ᴛᴀꜱᴛᴇ ᴏꜰ ɪᴛ ꜰɪʀꜱᴛ."

𝙏𝙝𝙚 𝙘𝙚𝙡𝙚𝙗𝙧𝙖𝙩𝙞𝙤𝙣 𝙛𝙚𝙖𝙩𝙪𝙧𝙚𝙨 𝙡𝙞𝙫𝙚-𝙢𝙪𝙨𝙞𝙘, 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙛𝙧𝙤𝙢 𝙎𝙩𝙚𝙥𝙝𝙚𝙣 𝙉𝙚𝙫𝙞𝙡𝙡𝙚 𝙖𝙣𝙙 𝙇𝙖𝙪𝙧𝙚𝙣 𝙃𝙚𝙣𝙙𝙚𝙧𝙨𝙤𝙣, 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙖𝙧𝙩 𝙗𝙮 𝙅𝙖𝙯𝙢𝙞𝙣𝙚 𝘿𝙚𝙣𝙜 𝙖𝙣𝙙 𝙘𝙚𝙡𝙡𝙞𝙨𝙩 𝘿𝙖𝙫𝙞𝙙 𝙈𝙤𝙧𝙖𝙣, 𝙥𝙤𝙚𝙩𝙧𝙮 𝙛𝙧𝙤𝙢 𝙏𝙖𝙙𝙜𝙝 𝙋𝙤𝙧𝙩𝙚𝙧 𝘾𝙖𝙢𝙚𝙧𝙤𝙣, 𝙥𝙚𝙧𝙛𝙤𝙧𝙢𝙖𝙣𝙘𝙚 𝙛𝙧𝙤𝙢 𝘾𝙚𝙡𝙞𝙣𝙖 𝙃𝙖𝙜𝙚, 𝙞𝙣𝙨𝙩𝙖𝙡𝙡𝙖𝙩𝙞𝙤𝙣𝙨 𝙛𝙧𝙤𝙢 𝙎𝙚𝙖𝙨𝙝𝙚𝙡𝙡 𝙈𝙪𝙨𝙞𝙘, 𝙒𝙚𝙨 𝙏𝙝𝙚 𝙋𝙖𝙣𝙩𝙨, 𝙖𝙣𝙙 𝙥𝙧𝙤𝙙𝙪𝙘𝙚𝙧, 𝙎𝙩𝙧𝙞𝙘𝙩𝙛𝙖𝙘𝙚.

Presale: $20 (link in bio)
On the door = $25

𝗠𝗨𝗗 𝗮𝗰𝗸𝗻𝗼𝘄𝗹𝗲𝗱𝗴𝗲𝘀 𝘁𝗵𝗲 𝗼𝗻𝗴𝗼𝗶𝗻𝗴 𝗶𝗹𝗹𝗲𝗴𝗮𝗹 𝗰𝗼𝗹𝗼𝗻𝗶𝗮𝗹 𝗽𝗿𝗼𝗷𝗲𝗰𝘁 𝗼𝗳 𝘀𝗼-𝗰𝗮𝗹𝗹𝗲𝗱 𝗔𝘂𝘀𝘁𝗿𝗮𝗹𝗶𝗮 𝗮𝗻𝗱 𝗮𝗹𝗹 𝘁𝗵𝗲 𝗵𝗼𝗿𝗿𝗼𝗿𝘀 𝗶𝘁 𝗰𝗮𝗿𝗿𝗶𝗲𝘀 𝗼𝘂𝘁 𝗵𝗲𝗿𝗲 𝗮𝗻𝗱 𝗮𝗯𝗿𝗼𝗮𝗱 𝗶𝗻 𝘁𝗵𝗲 𝗺𝗮𝗶𝗻𝘁𝗲𝗻𝗮𝗻𝗰𝗲 𝗼𝗳 𝗘𝗺𝗽𝗶𝗿𝗲. 𝗙𝘂𝗰𝗸 𝗮𝗹𝗹 𝗳𝗼𝗿𝗺𝘀 𝗼𝗳 𝗘𝗺𝗽𝗶𝗿𝗲; 𝗙𝗿𝗲𝗲 𝗣𝗮𝗹𝗲𝘀𝘁𝗶𝗻𝗲, 𝗦𝘂𝗱𝗮𝗻, 𝗖𝗼𝗻𝗴𝗼, 𝗧𝗵𝗲 𝗨𝘆𝗴𝗵𝘂𝗿𝘀, 𝗥𝗼𝗵𝗶𝗻𝗴𝘆𝗮...𝗔𝗹𝘄𝗮𝘆𝘀 𝘄𝗮𝘀 𝗮𝗻𝗱 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗔𝗯𝗼𝗿𝗶𝗴𝗶𝗻𝗮𝗹 𝗟𝗮𝗻𝗱.

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ᑕOᒪᒪᗩᑭᔕE, ᑕOᒪᒪᗩᑭᔕE, ᑕOᒪᒪᗩᑭᔕE!
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘢 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘦?
𝘞𝘩𝘢𝘵 𝘪𝘴 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘪𝘯𝘨 𝘪𝘧 𝘤𝘪𝘷𝘪𝘭𝘪𝘴𝘢𝘵𝘪𝘰𝘯 𝘯𝘦𝘷𝘦𝘳 𝘦𝘹𝘪𝘴𝘵𝘦𝘥?

𝘈 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘪𝘴 𝘢𝘯 𝘦𝘯𝘥𝘪𝘯𝘨, 𝘪𝘴 𝘢 𝘣𝘦𝘨𝘪𝘯𝘯𝘪𝘯𝘨, 𝘪𝘴 𝘢 𝘵𝘰𝘸𝘦𝘳 𝘧𝘢𝘭𝘭𝘪𝘯𝘨? 𝘍𝘰𝘳𝘦𝘵𝘰𝘭𝘥, 𝘐 𝘵𝘰𝘭𝘥 𝘺𝘰𝘶 𝘴𝘰.

𝘊𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘪𝘴 𝘢 𝘸𝘢𝘨𝘦 𝘴𝘭𝘢𝘷𝘦, 𝘢 𝘥𝘳𝘶𝘯𝘬 𝘊𝘌𝘖, 𝘢 𝘮𝘪𝘭𝘭𝘪𝘰𝘯 𝘣𝘰𝘯𝘦𝘴 𝘣𝘶𝘳𝘪𝘦𝘥 𝘶𝘯𝘥𝘦𝘳 𝘳𝘶𝘣𝘣𝘭𝘦, 𝘢 𝘥𝘰𝘰𝘮𝘦𝘥 𝘱𝘪𝘭𝘭𝘰𝘸, 𝘢 10-𝘮𝘪𝘯𝘶𝘵𝘦 𝘦𝘮𝘢𝘯𝘤𝘪𝘱𝘢𝘵𝘪𝘯𝘨 𝘱𝘰𝘰, 𝘢 𝘯𝘦𝘸 𝘭𝘰𝘷𝘦𝘳, 𝘢 𝘲𝘶𝘪𝘦𝘵 𝘮𝘢𝘴𝘵𝘶𝘳𝘣𝘢𝘵𝘪𝘰𝘯.

𝘛𝘩𝘦𝘳𝘦 𝘪𝘴 𝘵𝘰𝘰 𝘮𝘶𝘤𝘩 𝘩𝘪𝘴𝘵𝘰𝘳𝘺 𝘣𝘦𝘪𝘯𝘨 𝘮𝘢𝘥𝘦 𝘵𝘰 𝘣𝘦 𝘱𝘶𝘵 𝘪𝘯𝘵𝘰 𝘣𝘰𝘰𝘬𝘴. 𝘈𝘯𝘥 𝘴𝘰𝘮𝘦𝘩𝘰𝘸, 𝘵𝘩𝘪𝘴 𝘪𝘴 𝘢𝘭𝘭 𝘵𝘰𝘰 𝘰𝘳𝘥𝘪𝘯𝘢𝘳𝘺. 𝘊𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘯𝘦𝘷𝘦𝘳 𝘦𝘯𝘥𝘪𝘯𝘨, 𝘵𝘩𝘦 𝘮𝘶𝘯𝘥𝘢𝘯𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘥𝘦𝘤𝘭𝘢𝘳𝘢𝘵𝘪𝘷𝘦. 𝘛𝘩𝘦 𝘮𝘦𝘥𝘪𝘵𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘯𝘶𝘤𝘭𝘦𝘢𝘳 𝘸𝘢𝘳𝘩𝘦𝘢𝘥𝘴 𝘴𝘵𝘰𝘳𝘦𝘥. 𝘈 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘪𝘴 𝘵𝘩𝘦 𝘮𝘪𝘴-𝘶𝘴𝘦𝘥, 𝘵𝘩𝘦 𝘴𝘦𝘭𝘧-𝘤𝘢𝘳𝘦𝘥, 𝘵𝘩𝘦 𝘴𝘭𝘰𝘸𝘭𝘺... 𝘢𝘱𝘱𝘳𝘰𝘢𝘤𝘩𝘪𝘯𝘨... 𝘳𝘢𝘨𝘦.

𝘈 𝘤𝘰𝘭𝘭𝘢𝘱𝘴𝘦 𝘪𝘴 𝘔𝘜𝘋'𝘴 𝘶𝘯𝘰𝘧𝘧𝘪𝘤𝘪𝘢𝘭 𝘵𝘩𝘪𝘳𝘥 𝘣𝘪𝘳𝘵𝘩𝘥𝘢𝘺.
𝘑𝘶𝘯𝘦 21𝘴𝘵 The Queens Theatre