Aboriginal Art Galleries

One of our favourites from Kathleen Petyarre 🙌🏼
Kathleen Petyarre was born Kweyetwemp in c.1940 in the remote spinifex country of Atnangker, which lies some 275 kilometers (170 miles) north-east of Alice Springs in the Northern Territory of Central Australia.
Kathleen Petyarre belonged to the Anmatyerr clan group and speaks Eastern Anmatyerr with English as a second language.
During childhood Kathleen Petyarre traveled around her vast homelands of some 200 square kilometers (125 square miles) with her father, mother, siblings and extended family, according to the seasonal availability of bush foods and water. From this early age, Petyarre learnt to understand land navigation and acquired the knowledge of the spatial history of her country.
Kathleen Petyarre, her daughter Margaret, and her sisters later settled at Iylenty (Mosquito Bore) near Utopia Station and it was during this time that Kathleen Petyarre became one of the key women involved in the successful claim for the freehold title that lead to the 1979 formal hand-over of the Utopia lease back to its traditional custodians.
Kathleen Petyarre, together with her brothers and sisters have custodial rights of the Arnkerrth Dreaming (Mountain Devil Lizard), together with Its associated narrative, which is referenced in all works of Kathleen Petyarre. Kathleen Petyarre’s Dreamtime ancestor Arnkerrth, Moloch horridus is a small timid agamid lizard that inhabits the desert plains and sand ridges around Atnangker country, changing colour according to its environment, like true chameleon.
The enormity of the journeys of Arnkerrth can be felt in the remarkable paintings of Kathleen Petyarre, revealing to the viewer an insight into the endless beauty of her desert world.

Kathleen Petyarre passed away in November, 2018.

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Featured artworks
First. Artist: Janet Long Nakamarra
Second. Artist: Debra McDonald Nangala
Third. Artist: Dora Mpetyane

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Tarisse King 🙌🏼
https://aboriginalartgalleries.com.au/artwork/12505-jik-the-sun?artistsid=420

Debra McDonald Nangala
Mulga Tree Root, 2024
Acrylic on linen
102 x 122 cm
40 x 48 in

Uwalki Watiya Tjuta

Mitjili Naparrula Story, painted by New Custodian Debra Nangala.

The painting depicts watiya tjuta (trees). The Aboriginal men use the wood from these trees to make spears, artefacts and ceremonial objects associated with mens business.

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New Arrival 🙌🏼
Debra McDonald Nangala
Acrylic on linen
120 x 120 cm
47 x 47 in

Uwalki Watiya Tjuta

Mitjili Naparrula Story, painted by New Custodian Debra Nangala.

The painting depicts watiya tjuta (trees). The Aboriginal men use the wood from these trees to make spears, artefacts and ceremonial objects associated with mens business.


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Artist. Janet Long Nakamarra 🖌️
Medium. Acrylic on canvas 🎨
Size. 44 x 47 cm 📏
17 x 19 in
Price. AUD $495
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Janelle Stockman
Acrylic on linen Acrylic
120 x 90 cm
47 x 35 in
The inspiration for this work comes from observing the rich colours of native Australian flowers, vegetation, sandhills, landscapes and earth in Central Australia.
Janelle also used her work to express her feelings, thoughts and emotions, painting how she felt
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Abie Loy Kemarre
Awelye, 2003

Acrylic on linen
60 x 90 cm
24 x 35 in

Awelye is the word for women’s ceremonies and refers specifically to the designs applied to a women’s body as part of a ceremony. This spiritual and meditative performance reflects the nurturing role of women in Aboriginal society and is never done in the presence of men.

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Artist in focus: Colin Jones
A phenomenal artist and a truely inspirational person. It’s such a privilege to share Colin’s art & stories. See his full collection on our website. It’s a real treat for your eyes.

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Artist in focus Sarrita King 👏🏼
See our full collection of Sarrita work on our website

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🙌🏼 Nellie Marks New Arrivals 🎉

A shout out to my desert sisters Janet and her family👌🏼. Appearing on website soon. O

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It’s not too late to purchase a gift voucher. We can email it across to you within no time. Ready for tomorrow 🎁

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Rachael Nambulla

Pencil Yam Dreaming, 2023

Acrylic on canvas
90 x 94 cm
35 x 37 in

This artwork depicts the Pencil Yam in its early stages of maturity. The Pencil Yam is a staple source of bush food and when fully grown is gathered by the women from Utopia in central Australia in the Northern Territory.

The Pencil Yam is often in women's ceremonies. Through body painting, song lines and dance cycles the women pay homage to the spirit of the yam plant to ensure its perpetual germination and survival for the generations to come.

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Abie Loy Kemarre

Awelye, 2003

Acrylic on linen
60 x 90 cm
24 x 35 in

Awelye is the word for women's ceremonies and refers specifically to the designs applied to a women's body as part of a ceremony. This spiritual and meditative performance reflects the nurturing role of women in Aboriginal society and is never done in the presence of men

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👌🏼Hand carved By senior elder Uncle Charlie Binge (Northern NSW) Kamilario tribe.
Uncle Charlie grew up in Northern NSW on Toomelah mission. He is one of the last people to have gone through lore and ceremony as has been part of Kamilaroi culture for 1000s of years.

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We absolutely LOVE Ethan James Kotiau’s Work. These new arrivals will be on our website over the next couple of days with full details 🙌🏼

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New Arrival 👏🏼

Bundjalung Sean
My Country, 2023

Acrylic on canvas
60 x 90 cm
24 x 35 in

"This painting shows our country, the coastal and inland Aboriginal communities. The circles represent family groups and clans with tracks that show their connection to other Aboriginal groups within the nation." Bundjalung Sean

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We’re super excited to have received new paintings by the very talented Linda Smith Penangke. Check them out on our website or pop in to our Gallery for a close look. Linda was selected as a finalist in the NAIDOC art poster competition 2022 and the FAB art award 2023. Her work is simply outstanding.

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Love seeing our paintings in their forever homes. Check out these two spectacular pieces at the coffee shop /foyer of Charter Hall. One Martin Place. They absolutely complete the space and will be enjoyed by so many. Great selection 🙌🏼👏🏼

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Sarrita King

Wet Season Ancestors

Acrylic on linen
139 x 70 cm
55 x 28 in

Sarrita’s “Ancestors” paintings, are layered with dots. Markings made on the land over thousands of years can be seen entangled with patterns covering the land today, such as sand hills, flora and paths made by humans and animals. Beneath the land are the waterways which have been virtually constant over time feeding the land, the flora, fauna and humans. These are the same waterways that supplied our ancestors which are now one with the land.

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This stunning painting by ‘Mitjili Napurrula’ has found its forever home at Sydney’s Cepella Hotel, voted No.1 best Hotel brand . Thank you for sharing this shot with us.
Swipe to see a few other available artworks by Mitjili 🙌🏼

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It was so nice to see my old friend and so nice for him@to come with such amazing artwork as always. Love you brother you’re a legend ❤️
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Just stunning

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Spectacular Sydney shot

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Jeannie Mills Pwerl 👏🏼
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Stunning 👏🏼
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Art would make a terrific gift

Fire Stick Dreaming, 2022

Acrylic on linen
52 x 175 cm
20 x 69 in

Kurun’s works represent the development of contemporary Aboriginal abstract art. While his paintings are often not clear at first glance, the stories they portray begin to reveal themselves through colour, line and space. This painting represents a fire sticks. Kurun Warun has depicted this as a reflection of himself and in isolation.

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