Kristof De Clercq gallery

GERMAN STEGMAIER
'BILDER'
Until 24 November 2024

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

GERMAN STEGMAIER
'BILDER'
Until 24 November 2024

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Current Exhibition:

GERMAN STEGMAIER
'BILDER'
Until 24 November 2024

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 1991_2022, oil on plywood, 36,5 x 41 cm | Kristof De Clercq gallery | 2506 | GS123

At the upcoming Art Antwerp Art Fair (2 – 15 December 2024) we will show exciting new small works by Dutch maestro Klaas Kloosterboer.

Send us a PM to obtain a list of available works.

Klaas Kloosterboer is a prominent Dutch artist known for his dynamic and experimental approach to art. His work, often multidisciplinary, explores the tension between abstraction and action, influenced by movements like Fluxus and Zero. Kloosterboer’s art is a physical experience, engaging in a cycle of construction, destruction, and reconstruction, challenging the boundaries between two-dimensional and three-dimensional forms. He tests and reinvents his primary medium, painting, with each creation, pushing it to its limits to discover new expressions and forms. Kloosterboer’s innovative practices have been showcased internationally, marking him as a significant figure in contemporary Dutch art.

His work is included in Rijksmuseum Amsterdam, Centraal Museum Utrecht, Stedelijk Museum Amsterdam, Dordrechts Museum, Museum Boijmans van Beuningen, Museum Voorlinden, Fries Museum, LAM Museum Lisse, Museum Beelden aan Zee, SCHUNCK, Textielmuseum, FENIX Landverhuizersmuseum Rotterdam and Kröller-Müller Museum.

Image:
Klaas Kloosterboer, 24141, 2024, oil on linen, 45 x 40 cm

Current Exhibition at the Gallery:

GERMAN STEGMAIER
'BILDER'
Until 24 November 2024

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 2008_09_10_11_23, pencil on paper (glued), 28 x 34,3 cm | Kristof De Clercq gallery | 2442 | GS164

Current Exhibition:

GERMAN STEGMAIER
'BILDER'
Until 24 November 2024

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 2023, oil on canvas, 60 x 60 cm | Kristof De Clercq gallery | 2550 | GS137

Delighted to see the powerful 2016 film 'Every Day Words Disappear' by the highly acclaimed Belgian artist Johan Grimonprez (b. 1962) included in the exhibition 'Love is Louder' at BOZAR, Brussels (). The exhibition is curated by Zoe Gray ()

In these turbulent political times, Johan Grimonprez's "Every Day Words Disappear" feels more relevant than ever. Grimonprez creates a powerful meditation on love's role in politics, weaving together political philosopher Michael Hardt's insights with fragments from Godard's dystopian "Alphaville."

The work poses a radical question: What if we built our political systems on love instead of fear? 500 years after Machiavelli advised princes to rule through fear, Grimonprez challenges us to imagine an alternative. In a world where fear-driven media shapes our reality, this visionary piece feels like a necessary antidote.
Drawing parallels between Godard's fictional Alphaville—where words of love are forbidden—and our own society, Grimonprez creates a haunting commentary on our current political landscape. As we witness increasing polarization and fear-based rhetoric worldwide, his work reminds us of the urgent need to rediscover and reinvent the language of collective care and political affection.

Image:
Installation view of 'Every Day Words Disappear', a film by Johan Grimonprez, part of the exhibition 'Love is Louder', Bozar, Brussels, 2024| Kristof De Clercq gallery photo by: We Document Art

We're open Today on November 1st. Welcome!

German Stegmaier's (b. 1959) work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 1999, oil on canvas, 130 x 134 cm | Kristof De Clercq gallery | 0064 | GS124

Extra proud to share this stellar review in De Tijd (.tijd), one of Belgium's most prestigious newspapers, covering Peter Morrens' explosive solo exhibition 'OEEEEEEUUUUVVRE' at Museum M (.leuven)!

The show, curated by Eva Wittocx (.wittocx), transforms the entire museum space into an immersive artistic experience, reaching all the way to the ceiling with contemplative rest areas for visitors. A masterful total artwork that showcases hundreds of pieces in an innovative dialogue with the space itself.

When a quality newspaper like De Tijd dedicates a full-page review, you know something special is happening in the Belgian art scene!

At the upcoming Art Antwerp Art Fair (2 – 15 December 2024) we will show exciting new small works by Dutch maestro Klaas Kloosterboer. Send us a PM to obtain a list of available works.

Klaas Kloosterboer is a prominent Dutch artist known for his dynamic and experimental approach to art. His work, often multidisciplinary, explores the tension between abstraction and action, influenced by movements like Fluxus and Zero. Kloosterboer’s art is a physical experience, engaging in a cycle of construction, destruction, and reconstruction, challenging the boundaries between two-dimensional and three-dimensional forms. He tests and reinvents his primary medium, painting, with each creation, pushing it to its limits to discover new expressions and forms. Kloosterboer’s innovative practices have been showcased internationally, marking him as a significant figure in contemporary Dutch art.

His work is included in Rijksmuseum Amsterdam, Centraal Museum Utrecht, Stedelijk Museum Amsterdam, Dordrechts Museum, Museum Boijmans van Beuningen, Museum Voorlinden, Fries Museum, LAM Museum Lisse, Museum Beelden aan Zee, SCHUNCK, Textielmuseum, FENIX Landverhuizersmuseum Rotterdam and Kröller-Müller Museum.

Image:
Klaas Kloosterboer, Untitled (24145), 2024, oil paint on linen, 40x30cm

Opening
Today, Sunday 27 October 2024:

GERMAN STEGMAIER
'BILDER'

We are pleased to announce the fourth exhibition of German artist German Stegmaier (b. 1959) at our gallery. This landmark show presents a comprehensive survey of Stegmaier's artistic journey over the past 25 years, offering visitors a unique opportunity to explore the evolution and depth of his practice.

German Stegmaier's work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 2023_24, oil on canvas, 60 x 60 cm | Kristof De Clercq gallery | 2584 | GS139

We are pleased to announce the fourth exhibition of German artist German Stegmaier (b. 1959) at our gallery. This landmark show presents a comprehensive survey of Stegmaier's artistic journey over the past 25 years, offering visitors a unique opportunity to explore the evolution and depth of his practice.

German Stegmaier's work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 2021, concrete, 11,3 x 20 x 8 cm (unique)

We are pleased to announce the fourth exhibition of German artist German Stegmaier (b. 1959) at our gallery. This landmark show presents a comprehensive survey of Stegmaier's artistic journey over the past 25 years, offering visitors a unique opportunity to explore the evolution and depth of his practice.

German Stegmaier's work is characterized by its subtle complexity and meticulous attention to form, line, and space. Through his minimalist approach, Stegmaier creates compositions that invite contemplation and reward careful observation. This exhibition showcases a carefully curated selection of pieces that highlight the artist's consistent yet ever-evolving aesthetic sensibility. Spanning a quarter-century of creative output, the exhibition features drawings, paintings, and sculptures that exemplify Stegmaier's distinctive visual language.

German Stegmaier's works are held in numerous prestigious collections worldwide, including the Stedelijk Museum in Amsterdam, the Netherlands; Staatliche Museen zu Berlin – Kupferstichkabinett and Deutscher Bundestag in Berlin, Germany; Kunstmuseum Bonn and Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland in Bonn, Germany; Museum Kunstpalast in Düsseldorf, Germany; Kupferstichkabinett in Dresden, Germany; Deutsche Bank in Frankfurt, Germany; Teylers Museum in Haarlem, the Netherlands; Busch Reisinger Museum at Harvard University in Cambridge, USA; Hirose Collection in Hiroshima, Japan; Bayerische Staatsgemäldesammlungen, Pinakothek der Moderne and Staatliche Graphische Sammlung in Munich, Germany; Chabot Museum in Rotterdam, the Netherlands; Saarlandmuseum in Saarbrücken, Germany; Stedelijk Museum in Schiedam, the Netherlands; Staatsgalerie in Stuttgart, Germany; Graphische Sammlung Albertina in Vienna, Austria; and Kunsthaus Zurich in Switzerland.

Image:
German Stegmaier, Untitled, 2023, varnish on zinc sheet, bicycle inner tube , 50 x 50 x 11 cm

Last chance to visit...
Today, Sunday, 2 - 6 pm, at the gallery in Ghent, Belgium:

Jeff McMillan
'Under the pavement the soil is dreaming of grass'
Until 6 October 2024
Kristof De Clercq gallery, Ghent, Belgium

McMillan hangs his monochrome oil paintings on an exterior studio wall overlooking his vegetable garden, where they remain for several years exposed to weather and pollution, and become subject to the daily lives of snails, birds, and even urban foxes. Nature in all its messy unpredictability is as much the creator of the work as the artist himself. McMillan has spoken of waiting years for each painting to evolve until they become ‘ripe’ or ready to be exhibited, a recognition of the symbiosis of culture and nature.

What’s more, the paintings are images of passing time. McMillan’s work raises the question: What happens when we just let things be?

McMillan’s work is held in private and public collections in Europe and the United States including TATE (London), the Whitworth Art Gallery (Manchester), San Antonio Museum of Art (Texas) and Museum Voorlinden (the Netherlands).

Image:
Jeff McMillan, Untitled (Faded Red H-227), 2018-2023, oil on linen, 63 x 52 cm | Kristof De Clercq gallery | Stephen White & Co., London | JMM184


1 w

Last chances to visit...
this Saturday and Sunday, 2 - 6 pm, at the gallery in Ghent, Belgium:

Jeff McMillan
'Under the pavement the soil is dreaming of grass'
Until 6 October 2024
Kristof De Clercq gallery, Ghent, Belgium

McMillan hangs his monochrome oil paintings on an exterior studio wall overlooking his vegetable garden, where they remain for several years exposed to weather and pollution, and become subject to the daily lives of snails, birds, and even urban foxes. Nature in all its messy unpredictability is as much the creator of the work as the artist himself. McMillan has spoken of waiting years for each painting to evolve until they become ‘ripe’ or ready to be exhibited, a recognition of the symbiosis of culture and nature.

What’s more, the paintings are images of passing time. McMillan’s work raises the question: What happens when we just let things be?

McMillan’s work is held in private and public collections in Europe and the United States including TATE (London), the Whitworth Art Gallery (Manchester), San Antonio Museum of Art (Texas) and Museum Voorlinden (the Netherlands).


1 w

Jeff McMillan
'Under the pavement the soil is dreaming of grass'
Until 6 October 2024
Kristof De Clercq gallery, Ghent, Belgium

McMillan hangs his monochrome oil paintings on an exterior studio wall overlooking his vegetable garden, where they remain for several years exposed to weather and pollution, and become subject to the daily lives of snails, birds, and even urban foxes. Nature in all its messy unpredictability is as much the creator of the work as the artist himself. McMillan has spoken of waiting years for each painting to evolve until they become ‘ripe’ or ready to be exhibited, a recognition of the symbiosis of culture and nature.

What’s more, the paintings are images of passing time. McMillan’s work raises the question: What happens when we just let things be?

McMillan’s work is held in private and public collections in Europe and the United States including TATE (London), the Whitworth Art Gallery (Manchester), San Antonio Museum of Art (Texas) and Museum Voorlinden (the Netherlands).

Image:
Jeff McMillan, Untitled (Green / With Foxes H-224), 2021-2024, oil on linen, 50 x 48 cm (framed_61 x 57 cm) | Kristof De Clercq gallery | photo: Stephen White & Co., London

Jeff McMillan
'Under the pavement the soil is dreaming of grass'
Until 6 October 2024
Kristof De Clercq gallery, Ghent, Belgium

McMillan hangs his monochrome oil paintings on an exterior studio wall overlooking his vegetable garden, where they remain for several years exposed to weather and pollution, and become subject to the daily lives of snails, birds, and even urban foxes. Nature in all its messy unpredictability is as much the creator of the work as the artist himself. McMillan has spoken of waiting years for each painting to evolve until they become ‘ripe’ or ready to be exhibited, a recognition of the symbiosis of culture and nature.

What’s more, the paintings are images of passing time. McMillan’s work raises the question: What happens when we just let things be?

McMillan’s work is held in private and public collections in Europe and the United States including TATE (London), the Whitworth Art Gallery (Manchester), San Antonio Museum of Art (Texas) and Museum Voorlinden (the Netherlands).

Image:
Jeff McMillan, Untitled (Small Blue Square H-217), 2020-2024, oil on linen, 31 x 31 cm | Kristof De Clercq gallery | Stephen White & Co., London | JMM187