ReRe Motion Design
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Always working indefatigably to abide by the principles of reaching joy through creating things. Ein Netzwerk von unabhängigen Talenten. Stets neugierig.
2014 gründet der Motion Designer Stefan Fitzner das Videoproduktionslabel Release me, I'm Restless | Motion Design. Von SoundtüftlerInnen bis hin zu AnimationskünstlerInnen. Alle in ihrem Anspruch vereint, qualitativ herausragende Bildwelten zu erschaffen. In Projekten arbeitet Stefan Fitzner mit Werbegenturen, Musikstudios, Bands, Unternehmern und anderen Kreativen Köpfen zusammen, welche diese P
Very proud to be part of the digital visual effects team for the award-winning horror short film "Red Velvet" by the incredibly talented Simon! Red Velvet was born out of our shared societal anxieties of the pandemic, the mystery of an airborne illness that we struggle to understand, years of being inspired by the works of Rod Serling, and the great 'what if' questions. //
We are thrilled to unveil the visual identity for Clariant’s worldwide employee survey, "Our Voice". This engaging design beckons everyone to participate in the survey of a leading company in speciality chemistry, where employees can share their insights, opinions, and expertise to further Clariant's vision of . Once again, we're honored to collaborate with Clariant's Brand Reputation Team and HR Team. Check out our project page: https://bit.ly/cla-ourvoice //
Thrilled to collaborate with Global Logistics Projects and Patrik Eckert , showcasing the journey of a heavy transport operation! Explore the mesmerizing logistics feat from truck to ship on the Rhine River, captured in the heart of the night. //
Another amazing year in the books!.💥 While looking back on an intense and enriching 2023, we thank our clients, friends, collaborators and all the creative minds we had the privilege to work with. 🙏 //
Starting officially into the new year! 2023 has been a blast and the next 12 months will be inspired by change. To more creative projects and successful teamwork! 2024 here we come! //
"In the spirit of Alain Resnais' "Je t'aime, je t'aime", "What Remains" delves into the enigma of time, charting an affecting tale of loss and love through its brilliant narrative progression. The music video harkens back to the aesthetic eloquence of Jean-Luc Godard's "Alphaville," bringing a unique blend of futuristic noir and emotional resonance to its storyline." / We are blown away by such a critique of our work. Sensei Tokyo FilmFest we take a bow. 🙏 Thank you! 先生ありがとう //
We are massively honoured to be nominated in 3 categories and ultimately awarded "Best Original Song" out of over 1000 films at the Sensei Tokyo FilmFest ! This goes out to LIONLION and again to all the wonderful people who support us! 先生ありがとう //
Best Music Video Artist for LIONLION "What Remains" at MAGMA! We are absolutely honored! 💥🙏 //
LIONLION "What Remains" wins Best Music Video at MAGMA! We are delighted! 💪💥 //
Absolutely blown away! LIONLION "What Remains" wins its first awards in 2023! Thank you MAGMA! //
Massively excited to continue our journey in 2023 with LIONLION and "What Remains". Thank you MAGMA for the incredible recognition! Stay tuned! //
Massively excited to be part of this! "Red Velvet" will be released soon in the US 🇺🇸
Another beautiful work by director Blake Simon, producer Jared Firewatch Selcer. Edited by Sharpy. As always we had a blast creating visual effects for these wonderful lads. 💪 //
Happy to have created this litle bijou for Clariant. We hope everyone enjoyed their day with that special someone. // //
SALVATION Pt. II | Together with the fantastic director Sharpy we had the pleasure to create the title credits for SALVATION by Josh Jones & Trevor Kidd 💥 Check it out! https://bit.ly/SALVATION_JJTK //
SALVATION Pt. I | Together with the fantastic director Sharpy we had the pleasure to create the title credits for SALVATION by Josh Jones & Trevor Kidd 💥 Check it out! https://bit.ly/SALVATION_JJTK //
A review on an amazing 2022 💥 In the past year we enjoyed a medley of awesome projects and enriching collaborations. Many thanks to our clients, partners and friends who had been an all-around supportive and a creative force. 🙏 Here is to a brilliant 2023! //
2022 has been a absolute fantastic year! ✨ We want to thank all our partners and clients for their wonderful collaboration. It has been a joy working with you 💪 To more creative projects and successful teamwork! 2023 here we come! //
Happy Holidays to all friends, partners and clients! Enjoy your well deserved days off and recharge your batteries. ❄️ //
COLLISION IV
We love to create quality NFTs! Non fungible tokens are now available on OpenSea to trade with ETH/WETH. http://bit.ly/rere_motiondesign_ntfs //
It has been an awesome journey! LIONLION "What Remains" traveled the world and we are absolutely flabbergasted and still feel more than honoured about the appreciation we received! Two dozen festivals and countless screensings later we arrived at the final festival and we've come home with 🏆🏆🏆🏆🏆 awards at the Golden Giraffe International Film Festival in Nice 🇫🇷. The third award for DOP Jonathan Steil. Amazing! Thanks to the jury and a massive thanks to LIONLION and all the crew members! It has been a fantastic ride! //
COLLISION III
We love to create quality NFTs! Non fungible tokens are now available on OpenSea to trade with ETH/WETH. https://bit.ly/rere_motiondesign_ntfs //
We are taking part im the annual program 💥 Thanks 🙏🏻 .lemur LIONLION
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, and the “Union” film crew are now included to GLIFF yearly programme- as three most strongest works in January 2022 programme. Congratulations!
It finally arrived! What an amazing award. Thank you RED Movie Awards for the incredible acknowledgment! Best annual Music video. We are truly honored! Thanks to all the crew and LIONLION for the hard work. Merci beaucoup à tous! Watch „What Remains“ on bit.ly/lionlion-whatremains //
COLLISION II
We love to create quality NFTs! Non fungible tokens are now available on OpenSea to trade with ETH/WETH. Link in Bio. //
COLLISION I
We love to create quality NFTs! Non fungible tokens are now available on OpenSea to trade with ETH/WETH. Check out https://releasemeiamrestless.com/ntf-portals-of-transition
//
Once again an absolute joy to work with 🙌 This time creating an animation for Earth Day 2022 on April 22nd //
DEPARTURE
We love to create quality NFTs! Non fungible tokens are now available on OpenSea to trade with ETH/WETH. Check out https://releasemeiamrestless.com/ntf-portals-of-transition
//
Extremely honoured that “What Remains” is selected for the annual event! 🇫🇷 Encore une fois, merci beaucoup! //
・・・
Here they come! Six best of the best in our January - February 2022 programme. This works are now on to the annual event. Now it’s 12 places covered, 24 more to come!
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We are restless.
2014 gründet der Motion Designer Stefan Fitzner das Videoproduktionslabel Release me, I'm Restless | Motion Design. Ein Netzwerk von unabhängigen Talenten.
Von SoundtüftlerInnen bis hin zu AnimationskünstlerInnen. Alle in ihrem Anspruch vereint, qualitativ herausragende Bildwelten zu erschaffen. In Projekten arbeitet Stefan Fitzner mit Werbegenturen, Musikstudios, Bands, Unternehmern und anderen Kreativen Köpfen zusammen, welche diese Philosophie teilen und genauso vom Bewegten Bild fasziniert sind. Ob Kurzfilme, Trailer, Imagefilme oder Titelsequenzen. Stets neugierig. Immer rastlos.
https://www.behance.net/Motionscientist
https://www.twine.fm/restlessmotion
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Televizioni “FIRST Channel” filloi transmetimin më 28 Nëntor 2011 si projekt në vazhdën e aktiviteteve televizive të produksionit “Valiant”.
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