Instantly Distant

Fresh jams on YouTube

https://www.youtube.com/watch?v=5PFREciRbmg

Drambo Jam 012 | 120 BPM, techno, Alteza, DubStation, AUM, GlitchCore, iPad, Launch Control XL I hope you enjoy this chord-driven techno jam. TSign up to my newsletter for production tips and download links to samples, field recordings and songs: http:...

https://youtu.be/3wEYu8t3y7M

iPad Live Jam 037 | Dub techno [Faderfox UC4, Drambo, Factory, Turnado, Looperator] Sign up to my newsletter for download links to samples, field recordings and songs: http://tinyletter.com/instantlydistantBandcamp: https://instantlydistant....

https://www.youtube.com/watch?v=DlLYgU3qyrk

iPad Live Jam 025 | [LaunchControl XL, AUM, Drambo, Turnado, Zeeon, Continua] w/ remix pack Want to remix this? Check my Bandcamp for a pack including audio of the stems from each separate channel: https://instantlydistant.bandcamp.com/album/live-ja...

https://twitter.com/fevered_shiva/status/1321928427591602183?s=21

Instantly Distant on Twitter “Here’s a cheeky live sketch from a recent session. The Mutable Instruments Shruthi-1 is sequenced by Rozeta Bassline, the audio is sent back into the iPad to be be processed by Dubstation and Cloud Stratmosphere. Lots of fun to sweep the filter as the Rozeta sequence mutates... https://t.co/NdE...

Latest live jam, featuring some slices of wisdom from Terence McKenna.

https://youtu.be/59-t67vFeXY

iPad Live Jam 013 [LaunchControl XL, AUM, Drambo, Rozeta, Mozaic, Loniarics, Lagrange] Back after a short break. Lots more groovy live jams on the way. Sign up to my newsletter for production tips and download links to samples, field recordings...

Drambo and miRack are incredible tools which open up a world of possibilities for iOS producers.

Here’s a short tutorial on how to set up parameter locks in Drambo to control modules in MiRack.

https://youtu.be/JKF0UiLfIPo

How To Use Drambo’s Parameter Locks to Control miRack This is a tutorial which shows you how to use parameter locks in Drambo to control a synth in miRack. In the example, we are controlling a percussive sequenc...