Mayoral

Painter, poet, and publisher, Chordà is a pioneer in the visual expression of the female body, female sexuality, and the experience of maternity. The MACBA presents the exhibition “Mari Chordà... and Many Other Things,” dedicated to the artist’s work, curated by Teresa Grandas and co-produced by MACBA and MAMT.

We are delighted to contribute to this exhibition by consigning five of the artist’s works. This enables us to participate in the presentation of Chordà’s art at this cultural institution. Furthermore, we were honored to sell two of her pieces to MACBA during the exhibition we organized at our Barcelona gallery in 2022.

🗓️ Until 12.01.2025.
📍 Museum of Contemporary Art of Barcelona, Barcelona.

—
Pintora, poeta i editora, Chordà és una pionera en l’expressió visual del cos femení, la sexualitat femenina i l’experiència de la maternitat. El MACBA presenta l’exposició “Mari Chordà... i moltes altres coses”, dedicada a l’obra de l’artista, comissariada per Teresa Grandas i coproduïda pel MACBA i el MAMT.

Estem molt agraïts de poder contribuir a aquesta exposició consignant cinc obres de l’artista. Això ens permet participar en la presentació de l’art de Chordà en aquesta institució cultural. A més, vam tenir l’honor de vendre dues de les seves obres al MACBA durant l’exposició que vam organitzar a la nostra galeria de Barcelona el 2022.

🗓️ Fins al 12.01.2025.
📍 Museu d’Art Contemporani de Barcelona, Barcelona.

…

As Luis Pérez-Oramas mentioned on Joaquín Torres-García in the article in the catalogue published by the MoMA (2016), “His toys were figures of infancy made by an artist fascinated by the infancy of forms. They also marked the infancy of his sculptural practice, and as such would lead to a number of similarly anthropomorphic works”.

‘Our North is the South’ is the first monographic exhibition devoted to Joaquín Torres-García by the Mayoral gallery, displaying a selection of 17 pieces, including oil paintings, drawings and toys, produced between 1917 and 1937.

🗓️ Until 9.06.
📍 Consell de Cent 286, Barcelona.

—
Tal y como escribió Luis Pérez-Oramas en el artículo del catálogo que publicó el MoMA (2016): «Los juguetes —figuras de niñez en un artista fascinado por la niñez de las formas— también fueron, para él, la niñez de su escultura, y como tal, generarán un repertorio similarmente antropomorfo».

“Nuestro norte es el sur” es la primera monográfica que la galería Mayoral dedica a Joaquín Torres-García, que recoge una selección de 17 piezas, entre óleos, dibujos y juguetes, realizadas entre 1917 y 1937.

🗓️ Hasta el 6.09.
📍 Consell de Cent 286, Barcelona.

—
Tal i com va escriure Luis Pérez-Oramas sobre Joaquín Torres-García en l’article del catàleg que publicà el MoMA (2016): «Els joguets —figures d’infantesa en un artista fascinat per la infantesa de les formes— també foren, per a ell, la infantesa de la seva escultura, i com a tal, generaran un repertori similarment antropomorf».

“El nostre nord és el sud” és la primera monogràfica que la galeria Mayoral dedica a Joaquín Torres-García, que recull una selecció de 17 peces, entre olis, dibuixos i joguets, realitzades entre 1917 i 1937.

🗓️ Fins al 6.09.
📍 Consell de Cent 286, Barcelona.

…

Come visit Alícia Vogel’s last must-see exhibition at MAYORAL, ‘How to Fold a Parachute’, running until September 7th as part of Art Nou.

🗓️ Until 7.09.
📍 Consell de Cent 286, Barcelona.

—

Veniu visitar l’última exposició d’Alícia Vogel a MAYORAL, “How to Fold a Parachute”, oberta fins al 7 de setembre en el marc d’Art Nou.

🗓️ Fins el 7.09.
📍 Consell de Cent 286, Barcelona.

…

“During the day, we unconsciously look for the lost images of dreams and that is why, when we find an image that resembles an image from a dream, we think we know it already and say that just seeing it makes us dream.”

Salvador Dalí

Come visit “Rêve: Surréalisme et révoltede l’esprit”, an exposition by MAYORAL Paris based on the Sogni/Dreams project that Francesco Bonami and Hans Ulrich Orbist produced during the 1999 Venice Biennale.

🗓️ Until 5.07.
📍 36 Avenue Matignon, Paris.

—

« Au cours de la journée, nous recherchons inconsciemment les images perdues de nos rêves et c’est pourquoi, lorsque nous trouvons une image qui ressemble à une image issue d’un rêve, nous pensons déjà la connaître et disons que le simple fait de la voir nous fait rêver. »

Salvador Dalí

Venez visiter « Rêve: Surréalisme et révolte de l’esprit », une exposition par MAYORAL Paris basée sur le projet Sogni/Dreams que Francesco Bonami et Hans Ulrich Orbist ont produit lors de la Biennale de Venise en 1999.

🗓️ Jusqu’au 5 juillet.
📍 36 Avenue Matignon, Paris.

#

And after landing, what’s next? What happens when we have already fallen and nothing spectacular has happened? Has anything changed?

With a raw but delicate outlook and a firm yet shaky stroke, Vogel works with the power of tension and its limits or fissures.

Mayoral presents ‘How to Fold a Parachute,’ a solo show by Alícia Vogel, on Wednesday, June 26, at 7 PM in the context of Art Nou.

📅 26.6.24 at 7PM
📍 Consell de Cent 286, Barcelona

—

I després d’aterrar, què? Què passa quan ja hem caigut i aquí no ha passat res d’espectacular? Ha canviat alguna cosa?

Amb una mirada crua però delicada i un traç ferm i alhora tremolós, Vogel treballa amb el poder de la tensió i els seus límits o fissures.

Mayoral presenta “How to Fold a Parachute”, una exposició individual d’Alícia Vogel el proper dimecres 26 de juny a les 19 h en el marc d’Art Nou

📅 26.6.24 a les 19h
📍 Consell de Cent 286, Barcelona

…

Últim dia per visitar “Rastrejar l’oblit” al nostre espai contemporani de Barcelona, una exposició que reuneix obres de Sandra Gamarra, José Carlos Martinat i Francisco Taka Fernández.

🗓️Fins el 18.06.
📍Consell de Cent 286, Barcelona.

—

Last day to visit “Retracing Oblivion” in our contemporary space in Barcelona, an exhibition that brings together works by Sandra Gamarra, José Carlos Martinat and Francisco Taka Fernández.

🗓️Until 18.06.
📍Consell de Cent 286, Barcelona.

Sandra Gamarra ()
José Carlos Martinat ()
Francisco Taka Fernández ()

…

Últims dies per visitar “Rastrejar l’oblit” al nostre espai contemporani de Barcelona, una exposició que reuneix obres de Sandra Gamarra, José Carlos Martinat i Francisco Taka Fernández.

Fins el 18.06.

Sandra Gamarra (), Querían brazos y llegamos personas XVI, 2022, oli i òxid de ferro sobre tela, 120 x 100 cm.

—

Last days to visit “Retracing Oblivion” in our contemporary space in Barcelona, an exhibition that brings together works by Sandra Gamarra, José Carlos Martinat and Francisco Taka Fernández.

Until 18.06.

Sandra Gamarra (), Querían brazos y llegamos personas XVI, 2022, oil and iron oxide on canvas, 120 x 100 cm.





Sandra Gamarra ()

José Carlos Martinat ()

Francisco Taka Fernández ()

…

On view Art Basel 2024
Booth E11 · Hall 2.0
11-16.06.2024

Eduardo Chillida · Salvador Dalí · Juana Francés · Manolo Millares · Joan Miró · Antonio Saura · Antoni Tàpies · Joaquín Torres García · Fernando Zóbel

Photos: Antonio Mollo (.ch)
…

We are pleased to announce our participation in , booth E11.

From June 11th to 16th, Mayoral will be presenting a selection of historic works by , , , , , , , , and .

Image 1: Jacques Prévert standing before Femme et oiseau V/X and other works from the series at Galerie Maeght, Paris in 1961. The monumental triptych Bleu I, II, III (1960-61) was also exhibited.
Image 2: Hierros de temblor III exhibited in the 29th Venice Biennale, 1958. Archivio Storico della Biennale di Venezia - ASAC, Fototeca, Arti visive. Photo: © Giacomelli.
Image 3: Cuadro 96 exhibited during New Spanish Painting & Sculpture at The Museum of Modern Art in 1960. © MoMA Archives, New York. Photographs by George Barrows Detail of the work.

Mayoral presents in its Barcelona space the first monographic exhibition devoted to Joaquín Torres-García (Montevideo, 1874-1949), displaying a selection of 17 pieces, including oil paintings, drawings and toys, produced between 1917 and 1937.

was a painter, sculptor, writer, theorist and professor recognized worldwide as a canonical figure of , He was the first to link the principles of European constructivism and geometric abstraction to pre-Columbian art, a completely innovative and unique approach at that time. The artist contributed hugely to the aesthetic and mental decolonization, as regards artistic influences and tastes, of Latin America.

Courtesy of the Joaquín Torres-García succession.

🗓️ “Our North is the South”, 6.6 - 6.9.2024
📍 Consell de Cent 286, Barcelona
-—
Mayoral presenta al seu espai de Barcelona la primera exposició monogràfica dedicada a Joaquín Torres-García (Montevideo, 1874-1949), amb una selecció de 17 peces, entre pintures a l’oli, dibuixos i joguines, realitzades entre 1917 i 1937.

va ser un pintor, escultor, escriptor, teòric i professor reconegut a nivell mundial com una figura canònica de l’ , va ser el primer a vincular els principis del constructivisme europeu i l’abstracció geomètrica a l’art precolombí, un art completament innovador i únic. enfocament en aquell moment. L’artista va contribuir enormement a la descolonització estètica i mental, pel que fa a influències i gustos artístics, d’Amèrica Llatina.

Cortesia de la successió Joaquín Torres-García.

🗓️ “El nostre nord és el sud”, 6.6 - 6.9.2024
📍 Consell de Cent 286, Barcelona

‘RETRACING OBLIVION’, is currently exhibited at our contemporary space located in Barcelona

👉“Rastrejar l’oblit” exposa l’obra de Francisco Taka Fernández, Sandra Gamarra i José Carlos Martinat, tres artistes que se serveixen de la pintura per mostrar i qüestionar les formes dominants de coneixement i estructures de poder que perpetuen l’opressió i la desigualtat al llarg de la història. “Si bé cadascun d’ells té una aproximació diferent al fet pictòric, una característica comuna és la manera de tractar la superfície en tant que un espai on s’acumulen capes i atmosferes en les que allò visible és tan important com allò invisible.” escriu Miguel Ángel López, autor del text que introdueix l’exposició, comissariada per l’equip Mayoral.

👉 “Rastrear el olvido” expone la obra de Francisco Taka Fernández, Sandra Gamarra y José Carlos Martinat, tres artistas que se sirven de la pintura para mostrar y cuestionar las formas dominantes de conocimiento y estructuras de poder que perpetúan la opresión y la desigualdad a lo largo de la historia. “Si bien cada uno tiene una aproximación distinta a lo pictórico, una característica común es la forma de tratar la superficie como un espacio en donde se acumulan capas y atmósferas en las que lo visible es tan importante como lo invisible.” escribe Miguel Ángel López, autor del texto que introduce la exposición, comisariada por el equipo Mayoral.

👉‘Retracing Oblivion’ presents the works of Francisco Taka Fernández, Sandra Gamarra and José Carlos Martinat, three artists who employ painting to showcase and question dominant forms of knowledge and power structures that perpetuate oppression and inequality throughout history. ‘Although each of them has a different approach to the pictorial, one common feature is the way of treating the surface as a space which accumulates layers and atmospheres in which the visible is as important as the invisible.’ writes Miguel Ángel López, the author of the introductory text for the exhibition, curated by Mayoral team.

Cinthia Marcelle (Belo Horizonte, Brasil, 1974) treballa amb les formes col·lectives del poder. Per això acostuma a treballar amb col·lectius (pagesos, activistes, músics o personal de museus), amb els quals organitza intervencions coreografiades que analitzen processos de treball i sistemes jeràrquics. “Na Batalha de Maria” (2003) és la documentació material i fotogràfica d’una performance en què l’artista representava a Maria Magdalena. Al ritme de la capoeira interpretada pel grup Eu Sou Angoleiro, s’alliberava dels panots portuguesos que li retenien les cames tirant-los contra la paret i acabava fent el pi, oferint una nova perspectiva del món.

📍Consell de Cent 286
🗓️Fins el 10 de maig

Cinthia Marcelle (Belo Horizonte, Brasil, 1974) trabaja con las formas colectivas del poder. Por eso suele trabajar con colectivos (campesinos, activistas, músicos o personal de museos), con los que organiza intervenciones coreografiadas que analizan procesos de trabajo y sistemas jerárquicos. “Na Batalha de Maria” (2003) es la documentación material y fotográfica de una performance en la que la artista representaba a María Magdalena. Al ritmo de la capoeira interpretada por el grupo Eu Sou Angoleiro, se liberaba de las piedras portuguesas que le retenían las piernas tirándolas contra la pared y acababa haciendo el pino, ofreciendo una nueva perspectiva del mundo.

Cinthia Marcelle (Belo Horizonte, Brazil, 1974) works with collective forms of power. That is why she often works with collectives ( farmers, activists, musicians or museum staff), with whom she organizes choreographed interventions that analyze work processes and hierarchical systems. “Na Batalha de Maria” (2003) is the material and photographic documentation of a performance in which the artist portrayed Mary Magdalene. To the rhythm of capoeira performed by the group Eu Sou Angoleiro, she freed herself from the Portuguese stones that restrained her legs by throwing them against the wall and ended up doing a headstand or the “banana tree” pose, offering a new perspective of the world.

La obra de Pia Camil (México D.F., 1980) explora la tensión entre lo personal y comunitario. La instalación “Bara Bara Bara” (2017) rinde homenaje a la revolucionaria performance de Lygia Pape “Divisor” (1968), que unía a los individuos en una experiencia compartida creando un tejido colectivo. El título es la abreviatura de barato, lo que llaman los vendedores de los tianguis, y emula el toldo de estos mercados al aire libre característicos de México. Deconstruyendo camisetas producidas en América Latina, vendidas a los USA y devueltas a los mercados de segunda mano de la ciudad de México, Camil llama la atención sobre los mecanismos de la globalización y las fronteras de las rutas comerciales.
📍Consell de Cent 286
🗓️Until May 10th

The work of Pia Camil (Mexico City, 1980) explores the tension between the personal and the communal. The installation ‘Bara Bara Bara Bara’ (2017) pays homage to Lygia Pape’s revolutionary performance ‘Divisor’ (1968), which united individuals in a shared experience by creating a collective artwork. The title is an abbreviation of ‘barato’ (cheap in Spanish), as referred to the shout of street market vendors, as it emulates the awnings of these characteristic open-air markets in Mexico. Deconstructing T-shirts produced in Latin America, sold in the USA and returned to the second-hand markets of Mexico City, Camil draws attention to the mechanisms of globalization and the boundaries of commercial routes.

L’obra de Pia Camil (Mèxic D.F.,1980) explora la tensió entre allò personal i comunitari. La instal·lació “Bara Bara Bara” (2017) ret homenatge a la revolucionària performance de Lygia Pape “Divisor” (1968), que unia als individus en una experiència compartida tot creant un teixit col·lectiu. El títol és l’abreviatura de barat, el que criden els venedors dels tianguis, i emula el tendal d’aquests mercats a l’aire lliure característics de Mèxic. Desconstruint samarretes produïdes a Amèrica Llatina, venudes als USA i retornades als mercats de segona mà de la ciutat de Mèxic, Camil crida l’atenció sobre els mecanismes de la globalització i les fronteres de les rutes comercials.

L’exposition « Rêve » est actuellemente exposée dans notre galerie à Paris.

De Dalí et Miró à Ponç et Tàpies en passant par Picabia, Calder, Domínguez et Hugnet, cette exposition se propose d’explorer la place occupée par les rêves dans le processus créatif des artistes de l’après-guerre, leur ouverture aux différents états de la perception de la conscience et leurs tentatives pour traduire en peinture ou en mots les rêves éveillés.
“Rêve” est la continuation de “The Space of Dreams” réalisée en 2017 à la galerie de Barcelone à partir du projet Sogni/Dreams que Francesco Bonami et Hans Ulrich Obrist ont réalisé pendant la Biennale de Venise de 1999.

🗓️Exposé jusqu’au 5 juillet

PARIS
📍36 Avenue Matignon

Currently on view “Rêve” at our gallery in Paris.

From Dalí and Miró to Ponç and Tàpies via Picabia, Calder, Domínguez and Hugnet, this exhibition aims to delve into the place dreams occupy in the creative process of artists in the post war period, their openness to the diferent states of the observing conscience and their attempts to capture waking dreams in paint or words.
“Rêve” is a continuation of ‘The Space of Dreams’, produced in 2017 at the Barcelona gallery and based on the Sogni/Dreams project that Francesco Bonami and Hans Ulrich Obrist produced during the 1999 Venice Biennale.

Actualment s’exposa “Rêve” a la nostra galeria de París.

Des de Dalí i Miró fins a Ponç i Tàpies passant per Picabia, Calder, Domínguez i Hugnet, aquesta exposició pretén endinsar-se en el lloc que ocupen els somnis en el procés creatiu dels artistes en el període de postguerra, la seva obertura als diferents estats de la consciència observadora i els seus intents de plasmar somnis despertadors en pintura o paraules.
“Rveve” és una continuació de “The Space of Dreams”, que es va duu a terme el 2017 a la galeria de Barcelona i basada en el projecte Sogni/Dreams que Francesco Bonami i Hans Ulrich Obrist van produir durant la Biennal de Venècia del 1999.

Lock-in of Intellectuals at Montserrat, Barcelona, 1970.

The Montserrat lock-in, which unfolded on December 12, 13, and 14 in 1970, emerged as a powerful demonstration against the Burgos trials and witnessed the active participation of prominent artists and intellectuals. This historical event symbolizes a pivotal moment in Spanish history when voices of dissent and creative minds converged to stand against injustice.

Author: F. Català-Roca.
© Fons Fotogràfic F. Català-Roca - Arxiu Històric del COAC

Currently on view - "Tàpies i Miró. Nous venons d'un silence (We Come From a Silence)" at Mayoral Paris.

In the exhibition’s curatorial statement, discusses the peculiarities of the commitment that Tàpies and Miró acquired in a country governed by an authoritarian regime, and how this was interpreted in their work: “They were both committed to a practice of art which went beyond aesthetic boundaries and became an ethical benchmark”.

👉🏻 On dislplay until December 23

PARIS
📍36 Avenue Matignon

Currently on view - "Tàpies i Miró. Venim d'un silenci (We Come From a Silence)" at Mayoral Barcelona.

presents a dual exhibition featuring Tàpies and Miró, offering a glimpse into the reconstruction of the aesthetic — a subtle but powerful symbol of political resistance.
They were therefore two artists who, although belonging to different generations, were characterized by a complex and fascinating modernity as a result of their experience of the Franco dictatorship.

BARCELONA
📍Consell de Cent 286

Photos by:

On the occasion of the 130th anniversary of the passing of Joan Miró (1893-1983) and the centenary of the birth of Antoni Tàpies (1923-2012), we are pleased to announce our next exhibition that will bring the work of these two artists into dialogue for the first time in Paris and Barcelona.

The exhibition, curated by , former director of the , will showcase a diverse range of artworks spanning various formats and artistic periods. That aims to highlight the significant influences that both artists exerted throughout their distinguished careers.

BARCELONA
👉🏻Tuesday 10th October at 18:00h
📍Consell de Cent 286

PARIS
👉🏻Tuesday 17th October at 18:00h
📍36 Avenue Matignon

Unlocking Jordi Alcaraz's Studio.

Explore the world of Jordi Alcaraz, the force behind the magnetic pieces featured in our exhibition in Barcelona, "Gnòmon", on display until October 6th.

Through the lens of the prolific photographer Jean Marie del Moral, we can immerse into a unique perspective of Alcaraz's creative sanctuary.

We're happy to share Antoni Tàpies' inaugural retrospective in Brussels, hosted by - Centre for Fine Arts, in collaboration with and curated by Manuel Borja-Villel, the director of .

Until January 7, you can immerse yourself in the world of the influential Catalan artist and explore the evolution of his unique style. “Antoni Tàpies. The Practice of Art” highlights his extensive and prolific career through a relentless fascination for diverse themes and objects. This exploration led him to abandon the notion of painting as an illusionary medium and manifest it as an impenetrable surface.

As we mark the centenary of Antoni Tàpies' birth, we invite you to join us in celebrating this iconic artist's enduring legacy.
📣 Stay updated for our upcoming exhibition calendar.

Within the , is happy to announce the opening season with a solo show by ; "gnòmon" that will open on Thursday, September 14th at 18:00h.

In this exhibition, the artist aims to explore the concept of time by manipulating it, both expanding and contracting it, to capture its various dimensions from the fleeting moments to its universal essence.

Jordi Alcaraz takes as his point of departure the gnomon, the simple but essential blade of any sundial, in order to return to the issue of time and give it shape: expand and contract it, so as to capture from the magic of the moment to its universal nature.

See you tomorrow at
📍Consell de Cent 286, Barcelona

We are pleased to invite you to the opening of our new exhibition "Post Picasso", in Paris, September 7 at 6 pm.

Through the lens of contemporary figurative painting, the exhibition presents a wide range of approaches characterized by the works of six artists from diverse backgrounds, exploring and reinterpreting the artistic legacy of Pablo Picasso.

We look forward to seeing you all at
📍36, Avenue Matignon, Paris

Currently on view "La radicalité à l’œuvre" at Mayoral Paris

Mayoral is delighted to announce its summer group exhibition, showcasing a selection of works by post-war artists who, in their individual ways, embraced a radical approach in their creative processes: Eduardo Chillida, Jean Dubuffet, Manolo Millares, Joan Miró, Antoni Tàpies, Maria Helena Vieira da Silva, and Fernando Zóbel.

Plan your visit until July 29th, 2023

Currently on view "La radicalité à l’œuvre" at Mayoral Paris

Mayoral is delighted to announce its summer group exhibition, showcasing a selection of works by post-war artists who, in their individual ways, embraced a radical approach in their creative processes: Eduardo Chillida, Jean Dubuffet, Manolo Millares, Joan Miró, Antoni Tàpies, Maria Helena Vieira da Silva, and Fernando Zóbel.

Plan your visit until July 29th, 2023

presenta aquest dissabte 3 de juny d'11 a 14 h, al Gran Teatre del Liceu de Barcelona , una instal·lació a la Sala dels Miralls "1 Sardana de 3 fantasmes".
"Els traços de Marria Pratts sovint tenen la forma de fantasmes. Hi ha vegades que obren uns braços curts, i d'altres que s'abracen en parelles, tot i que fa la sensació que continuen vivint en soledat... Ara bé, aquests fantasmes de Marria Pratts, malgrat el posat patètic, estan a un pas de ser monuments ... Si pensem que el monument no és únicament un lloc per concentrar la mirada en l'espai públic, sinó el lloc des del qual mirar i situar-se en aquest espai públic, els fantasmes són les figures ideals... Cal imaginar-los com escultures en les quals pots entrar, aixecant-los una mica i treure'ls a passejar, com si fossin gegants." Extracte del text de
Fotografia de Dani Pujalte

presenta este sábado 3 de junio de 11 a 14 h, en El Gran Teatre del Liceu de Barcelona , una instalación en la Sala de los Espejos “1 Sardana de 3 fantasmas”.
“Los trazos de Marria Pratts a menudo tienen la forma de fantasmas. Hay veces que abren unos brazos cortos, y otras que se abrazan en parejas, aunque da la sensación de que continúan viviendo en soledad…Ahora bien, estos fantasmas de Marria Pratts, a pesar de su ademán patético, están a un paso de ser monumentos… Si pensamos que el monumento no es únicamente un lugar para concentrar la mirada en el espacio público, sino el lugar desde el cual mirar y situarse en este espacio público, los fantasmas son las figuras ideales …Hay que imaginarlos como esculturas en las que entrar, levantarlos un poco y sacarlos a pasear, como si fueran gigantes.” Extracto del texto de
Fotografía de Dani Pujalte

presents this Saturday, June 3 from 11 am to 2 pm, at El Gran Teatre del Liceu de Barcelona , an installation in the Hall of Mirrors "1 Sardana of 3 ghosts".

Rafa Macarrón & Mayoral at TEFAF New York

We are very excited to be part of New York again!
Come visit us at stand 309 and discover our selection of modern and contemporary art with pieces by Picasso, Miró, Dalí, Chagall, Macarrón, Cortright, De Francesco, Arjen and Vilella.

Until 16/05/2023

Currently on view "Dalí. Ultralocal / Ultraglobal" at Mayoral Paris

This exhibition, organized in collaboration with Chus Martínez, presents six works rediscovering Salvador Dalí’s (1904 - 1998) artistic universe. The exhibition evokes the indissoluble relationship that links the artist to his native land and which impregnates his work: the rocks at Cadaqués and Port Lligat cove inspired the main environment of his artistic universe. It also demonstrates the Catalan artist’s attachment to Paris and the United States.

Plan your visit through May 28th, 2023

Currently on view "Saura en el seu context" at Mayoral Barcelona

This exhibition, organized in conjunction with Enrique Juncosa, presents six iconic works by Antonio Saura (1930-1998), one of the most important Spanish artists of the 20th century, in dialogue with six pieces by artists who were his contemporaries: Eduardo Chillida, Juana Francés, Manolo Millares, Joan Miró, Antoni Tàpies, and Manolo Valdés.

Plan your visit through June 10th, 2023