Tomorrow Maybe

Commissioned Performance, Screenshot 委約表演 - 《截圖》

During their residency at Eaton HK, July Weber continue their research around performing for and with non-human entities - focus on confronting(dancing) with our fears, through establishing and switching between different “fear-characters”, develop a sort of somatic schizophrenia and investigate into possible therapeutic and creative aspects of a physical dialogue with our fears. July is also collaborating with musician Makita in constructing a performative album of electronic soundscapes for different summoned fears.

在意識節藝術家駐留期間，July Weber 繼續進行其與非人類實體一起表演的研究 — 專注於面對（跳舞）我們的恐懼，通過建立和切換不同的“恐懼化身”，發展出一種軀體精神分裂症，藉此研究與恐懼進行身體對話，以獲得治療效果和發展創意的可能性。July 亦將與音樂家 Makita 合作，製作一張描繪不同恐懼的電子音景專輯。

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Public Talk: In Collision of Dance and Sculpture
DEC 10 7-9:00PM @ 1/F Kino
Artists: July Weber ()
Ticketing: link in bio

Dance x Music Improv: FightClub
DEC 16, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber (), Makita (), Michael Chan (.chan) , Gold Mountain (), Lawrence Lau (), Joseph Lee (), Andy Lee (), Paula Wong (), Manna Cheng (.m.n) , Hoi-ling () from Unlock Dancing Plaza ()
Ticketing: link in bio

Performance: Screenshots
DEC 22, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber (), Makita ()
Ticketing: link in bio

Archive Exhibition: Screenshots
DEC 23 - JAN 01 @ 4/F Tomorrow Maybe
Artists: July Weber ()
Ticketing: link in bio

Residency Period
DEC 6 - DEC 24
Artists: July Weber ()

FightClub is a new episode of the series of events by the same name by July Weber, where dancers, musicians and visual artists are invited to test out different formats of improvisation. Every time a certain chance-operation is involved which creates unexpected encounters. The plattform started in an off-space in Berlin Wedding and continued into different environments. In this new iteration, Weber will experiment improvisation with dancers from Unlock Dancing Plaza and musicians Michael Chan, Gold Mountain and Lawrence Lau.

《FightClub》是 July Weber 的同名系列的新版本，邀請舞者、音樂家和視覺藝術家測試不同形式的即興創作，每次都會涉及某種偶然的操作，從而產生意想不到的遭遇。這個平台始於柏林威丁，並繼續延伸到不同的環境。 在這次新的迭代中，Weber 將與不加鎖舞踊館舞者和音樂家Michael Chan, Gold Mountain, 劉曉江一起即興表演。

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Public Talk: In Collision of Dance and Sculpture
DEC 10 7-9:00PM @ 1/F Kino
Artists: July Weber ()
Ticketing: link in bio

Dance x Music Improv: FightClub
DEC 16, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber, Makita (), Michael Chan (.chan) , Gold Mountain (), Lawrence Lau (), Joseph Lee (), Andy Lee (), Paula Wong (), Manna Cheng (.m.n) , Hoi-ling () from Unlock Dancing Plaza ()
Ticketing: link in bio

Performance: Screenshots
DEC 22, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber (), Makita ()
Ticketing: link in bio

Archive Exhibition: Screenshots
DEC 23 - JAN 01 @ 4/F Tomorrow Maybe
Artists: July Weber ()
Ticketing: link in bio

Residency Period
DEC 6 - DEC 24
Artists: July Weber ()

July Weber: In Collision of Dance and Sculpture

Dance, choreography, visual art, curating, set design – July Weber’s work is situated at the intersection of different formats, approaches and techniques, that inform and influence each other. In this panel, Weber will present his on-going practice in colliding dance and sculpture together.
This talk in conducted in English

July Weber: 舞蹈與雕塑碰撞之間

舞蹈、編舞、視覺藝術、策展、佈景設計 — July Weber 的作品處於不同形式、方法和技術的交叉點 — 在這個小組中，Weber 將展示他正在進行融合舞蹈和雕塑的藝術實踐。
座談將以英語進行

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Public Talk: In Collision of Dance and Sculpture
DEC 10 6:30 - 8:30PM @ 1/F Kino
Artists: July Weber ()
Ticketing: link in bio

Dance x Music Improv: FightClub
DEC 16, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber, Makita, Michael Chan (.chan) , Gold Mountain (), Lawrence Lau (), dancers from Unlock Dancing Plaza ()
Ticketing: link in bio

Performance: Screenshots
DEC 22, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber (), Makita
Ticketing: link in bio

Archive Exhibition: Screenshots
DEC 23 - JAN 01 @ 4/F Tomorrow Maybe
Artists: July Weber ()
Ticketing: link in bio

Residency Period
DEC 6 - DEC 24
Artists: July Weber ()

From November 2023 to January 2024, Eaton HK will be hosting the Consciousness Festival, a three-month celebration of interdisciplinary exploration into the frontiers of consciousness. As part of the festival, award-winning German choreographer/dancer and visual artist July Weber () has been invited to be the residency artist. Weber will bring a series of programs about confronting fears to the festival, including a new commissioned performance, dance x music improvisation, archive exhibition, and public talk.

Public Talk: In Collision of Dance and Sculpture
DEC 10 6:30 - 8:30PM @ 1/F Kino
Artists: July Weber ()
Ticketing: link in bio

Dance x Music Improv: FightClub
DEC 16, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber, Makita, Michael Chan (.chan) , Gold Mountain (), Lawrence Lau (), dancers from Unlock Dancing Plaza ()
Ticketing: link in bio

Performance: Screenshots
DEC 22, 7 - 9PM @ 4/F Tomorrow Maybe
Artists: July Weber (), Makita
Ticketing: link in bio

Archive Exhibition: Screenshots
DEC 23 - JAN 01 @ 4/F Tomorrow Maybe
Artists: July Weber ()
Ticketing: link in bio

Residency Period
DEC 6 - DEC 24
Artists: July Weber ()

𝕁𝕦𝕞𝕡𝕚𝕟𝕘 𝔽𝕣𝕒𝕞𝕖𝕤 𝟚𝟘𝟚𝟛 - 𝔼𝕩𝕡𝕒𝕟𝕕𝕖𝕕 𝕊𝕡𝕒𝕔𝕖: ℝ𝕖(ℙ𝕝𝕒𝕪) 跳格𝟚𝟘𝟚𝟛 - 擴展的空間：《重（構）/再（演）》

Featuring Artists 特邀藝術家: Melati Suryodarmo (), Xavier Le Roy
Co-curators 共同策劃: Elysa Wendi (), Curator of ‘Jumping Frames 跳格香港國際舞蹈影像節’ and Joseph Chen King-yuen (), Director of Culture, Eaton HK「跳格」策展人葉奕蕾及香港逸東酒店文化總監陳敬元

Exhibition 展覽
🗓️ 13.9.2023 - 6.10.2023
🕣 7:30pm
📍 Tomorrow Maybe, 4/F Eaton HK

Performance Lecture 𝑼𝑵𝑷𝑨𝑪𝑲𝑬𝑫 𝑵𝒐. 1: 𝑳𝒐𝒗𝒆 講座式展演
Melati Suryodarmo
🗓️ 12.9.2023
🕣 7:30pm
📍 Tomorrow Maybe, 4/F Eaton HK

Lecture Performance 𝑷𝙧𝒐𝙙𝒖𝙘𝒕 𝒐𝙛 𝙊𝒕𝙝𝒆𝙧 𝘾𝒊𝙧𝒄𝙪𝒎𝙨𝒕𝙖𝒏𝙘𝒆𝙨 講座式展演
Xavier Le Roy
🗓️ 13.9.2023
🕣 7:30pm
📍 Kino, 1/F Eaton HK

Dialogue 1. Performance as Archive: The Living Body 對談1. 表演性檔案: 當下的身體
Speakers 講者
Melati Suryodarmo, Performance Artist 行為藝術家 (Indonesia 印尼)
Xavier Le Roy, Dance Artist 舞蹈藝術家 (France 法國)
Moderator 主持人
Ozge Ersoy (), Senior Curator, Asia Art Archive 亞洲藝術文獻庫資深策展人 (Hong Kong 香港)
🗓️ 13.9.2023
🕣 11:00am
📍 Kino, 1/F Eaton HK

Observing and discussing the archival methods and strategies of two seminal artists working across expanded performance-making, Re(Play) probes at the notion of re-enactment and the documentary impulse across the works of Dance artist Xavier Le Roy and Performance artist Melati Suryodarmo.

Over the course of the exhibition, which takes place under the Expanded Space sidebar of Jumping Frames 2023, Le Roy and Suryodarmo reflect on the entwined relationship of their artistic and life journeys through re-stagings of earlier pieces and concepts that reveal the tensions and connections between language, body, objects, and images.

《重（構）/再（演）》通過觀察和梳理表演藝術與行為藝術的文獻存檔和重演方法中，探討了舞蹈藝術家Xavier Le Roy和行為藝術家Melati Suryodarmo作品中重演概念和紀實衝動。Le Roy和Suryodarmo以不同方法記錄和重演自己早期的藝術作品和概念，反身地表達他們的創作過程與生命歴程交錯的關係，展現言語、身體、物件及影像之間的張力及關聯。

'-'_ ꩜ 𝘞𝘦𝘭𝘤𝘰𝘮𝘦 >_< 𝘛𝘢𝘬𝘦 𝘢 𝘚𝘦𝘢𝘵 𝘞𝘩𝘦𝘳𝘦𝘷𝘦𝘳 (𝘤𝘳𝘪𝘯𝘨𝘦𝘷𝘪𝘣𝘪𝘯𝘨 𝘰𝘯 𝘢 𝘥𝘰𝘸𝘯𝘸𝘢𝘳𝘥 𝘴𝘱𝘪𝘳𝘢𝘭) ꩜ _'-'
歡迎光臨矛盾漩渦>_<
13 Aug—3 Sep 2023
Opening Reception 展覽開幕: 13 Aug, 4-6pm
Venue 地點: Tomorrow Maybe, 4/F Eaton HK

A rhetorical delusion or heartfelt self-affirmation, “Welcome >_< Take a Seat Wherever (cringevibing on a downward spiral)” explores the emotive language of Gen Z as well as implications of being terminally online in a confusing, almost pathologized, schizophrenic state.

Taking humour as a point of departure, the exhibition looks into the why’s and how’s of memetic irony: why do these devices share an affinity among Gen Z, and how are these memes—in Dawkins’ terms and in a contemporary vernacular—disseminated? In an era where ironic expression is indistinguishable from sincere belief, meme makers conflate ‘based’ with ‘cringe’, readers take comedic scripts as half-truths. The virtual versus actual has become obsolete. So have art and memes that slowly morph into one another.

In true Derridean fashion, the exhibition plays with ellipses and clashes in meaning, langage, visual cultures, and clichés. As savvy gurus and prophets of microtrend cycles, cores and lores, the artists draw inspiration from their mediated realities. They make sense of their subjectivity—in the age of deepfakes, meta-irony, memes as cultural artefacts, hyper-referentiality—through video, sculpture, painting, installation, exe file, and appropriated design image-objects.

是次展覽「歡迎光臨矛盾漩渦 >__

Two Readings by A.3.Lingo and Sunday Lai
萊連與黎朗生雙個展：兩則閱讀

Two Readings by A.3.Lingo and Sunday Lai bring together dual artistic practices that interpret the signs in our world through painting and video. Through meditation, Lingo paints records of her visions drawn from rural surroundings. Through observation, Lai makes digital recordings of momentary alignment in urban settings. In reading coincidence as signal and narrative, they make magic with the material offered by Hong Kong.

萊連與黎朗生的雙個展《兩則閱讀》匯集了她們的雙重藝術實踐，通過繪畫和錄像詮釋了我們世界中的符號。 萊連以鄉郊環境為靈感，繪畫了她冥想而生的心像。黎朗生對城市環境進行觀察，將當中的瞬間序列以數碼記錄。在我們這個時代的精神中，內在和外在變得糾纏在一起，以至於定義變得模糊。 在解讀巧合為信號與敘事的過程中，他們以香港作為素材創造魔法。

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Two Readings 兩則閱讀
Artists藝術家：A.3.Lingo萊連、Sunday Lai黎朗生
Curator策展人：Hera Chan陳思穎
8/7-6/8/2023
Opening開幕: 5-8pm, 8/7/2023

TAKE ME TO THE RIVER, DRAW ME A STAR

Solo Exhibition by Law Yuk Mui
3 Jun - 2 Jul 2023
11am-9pm
Tomorrow Maybe

Opening Reception
3 Jun 2023
Artists: Law Yuk Mui, Lam Yip

Improvised Cinema
2-4pm

Artists Talk
4-5pm
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Take me to the River, Draw me a Star 為藝術家羅玉梅個人展覽，為香港逸東酒店於2023年地球月活動 Ways of Water 期下的節目。 Ways of Water 旨在探索香港的水道的生態與文化，審視於本地水域中動植物群和人類所面臨的威脅，從中了解和欣賞它們之間複離而微妙的共生關係。展覽由羅氏測繪與水體相關的記憶發展至推想丈量天象與地貌而生的宇宙觀：基於對新界河郊的田野考察的舊作延伸，羅氏以重演一場求雨祭祀回顧了香港歷史上的食水危機[1]與揭示中國古代的星體崇拜，亦通過摹製科學文獻重構不同時間與空間概念的差異與想像。

羅玉梅的創作常常透過水體勾勒香港的地理。從＜維多利亞之東＞中對消失的海域的追溯，到＜那傳來浪潮的方向>裡對海上遷移的勾勒，水體在她的作品中既是描繪香港地貌及地緣政治的重要元素，亦是映照個體記憶、身份與情感結構的流動晶體。(＜河上沒有人唱歌＞展覽圖錄，So Much Water 節選，瞿暢撰）

Take me to the River, Draw me a Star 羅氏以 1963 年及 2023 年構想一個重疊的時空[2]，用「製圖」—— 繪製地圖和星圖作為手法，摹仿丶重塑丶推想先人們與神氏溝通與星體交流的經驗種種，並將展覧空間劃分為三個區域：1963、1963/2023 和2023。

1963：羅氏抽取了其舊作＜河上沒有人唱歌＞的雙頻同步錄像作品＜雩祭＞[3]（2021） 中「步罡踏斗」[4]一幕—— 用河卵石排列出道教作法儀式中，禮拜星斗，召請神靈的步法與動作；與她邀請朋友以電腦軟件摹造位於上水華山的求雨石碑，以及她朋友上山考察石碑時巧遇的聲境，重新構成三頻錄像裝置。

1963/2023: 羅氏以網絡軟件 sky & telescope，輸入上水華山的經度 (longitude)和緯度 (latitude)；並分別設定年份時間為1963年6月2日下午2時，以及2023年6月3日下午2時。軟件以運算的方式輸出兩張星圖 (star chart) 。羅氏以「電影現場」(Improvised Cinema) —— 行為表演的方式，製作一個重疊又帶點偏差的北半球星空。此區同時展出她臨摹敦煌星圖(705-710)的星譜。

2023 : 羅氏臨摹了三張於1888年1898年和1901年繪製， 以北極為中心的星型世界地圖，並邀請他四歲的兒子以他喜愛的「填色」手法參與製圖。此區同時展出由她與兒子製作的星體「瑪特廖什卡」[5] (Nesting Globes)。

法國地理學家，無政府主義者雅克·埃利澤·雷克呂斯 (Elisée Reclus) 認為「歷史只是時間上的地理，正如地理只是空間上的歷史。」(Geography is nothing other than history in space, and history is geography over time.) [6]

Take me to the River, Draw me a Star 在摹造歷史與時空的過程中製造偏差，又從這些不確定性 ，試圖推想/展開未知 (unknown) 無知 (ignorance) 的新世界。

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[1] 1963年夏季恰逢乾旱，香港的降雨量嚴重不足，當時各水塘儲水量只夠全港人口用43日 ，供水量極為緊張。港府實施了一次比一次嚴格的制水措施：1963年6月時實施最嚴格措施，為每4天供水一次，每次4小時。
[2] 在干支紀年法的循環下，1963年與2023年同屬癸卯年，為一個循環的第40年。干支紀年法是中国傳統曆法的紀年方法，干支是十天干與十二地支的合稱，有說是基於古人對北斗星的觀察而發明的計序系統。干支經顺序相配正好為六十對，因此，六十年為一周期，周而復始，稱為一甲子。
[3] 在＜雩祭 ＞，羅氏依照《香港工商日報》及《北區風物志》的記載，模仿了1963年香港的一場民間求雨儀式。《香港工商日報》記錄了上水鄉村的二百餘名婦女於梧桐河畔的華山山頂設壇求雨。報道指「先是在石碑前，插下一棵青翠綠竹，碑前供奉丶三牲禮品菓物，及六桶清水，繼而敲起銅鑼皮鼓，口中唸唸有詞，有時以手作勢，哀求上蒼早降甘霖，不時則口含一啖清水，時飲時噴。」
- 香港工商日報，1963年6月3日。
[4] 步罡踏斗是道教齋醮儀式組成中常用的儀式，「罡」指天罡,「斗」指斗宿，兩者均指北斗星。步罡踏斗是在按一定的規定和程式在上面行走，步跡呈現北斗星的形狀分佈圖，宛如踏在北斗星上禮拜。
[5] 瑪特廖什卡為俄羅斯套娃的別名（俄語：матрёшка），是俄羅斯特產木製玩具，一般由多個一樣圖案的空心木娃娃一個套一個組成，一般在六個以上。

NEW PESSIMISM: TROPICAL FRONTIER

Exhibition by Natasha Tontey and Riar Rizaldi
19 Mar - 30 Apr 2023
11am-9pm
Tomorrow Maybe

Opening + Performance
Date: 19 Mar 2023
Opening Reception: 7pm - 9pm
Venue: Tomorrow Maybe
Performance by Wahono (DIVISI62): 9-10pm
Venue: Music Room

Screening + Talk
Date: 31 Mar 2023
Time: 7pm-9pm
Venue: Kino
RSVP: https://www.eventbrite.hk/e/new-pessimism-tropical-frontier-screening-artist-talk-tickets-576957875537?aff=ebdsoporgprofile

Residency:
Date: 16 Mar - 5 Apr 2023

More info:

New Pessimism: Tropical frontier brings together a selection of works by Natasha Tontey and Riar Rizaldi, both artists from Indonesia. Natasha Tontey is a multidisciplinary artist and designer who has recently been listed as a ‘Future Great 2023’ by ArtReview. Her works have been shown in transmediale (Berlin), Auto Italia (London), Leeum Museum of Art (Seoul) and so forth, and are now showing at the Singapore Biennale 2022. Riar Rizaldi is an award winning artist and filmmaker. His works have been shown at various international film festivals including Locarno, IFFR, Viennale and so forth, as well as at the Centre Pompidou Paris, Istanbul Biennial and Venice Architecture Biennale.

For the last 10 years, Natasha Tontey and Riar Rizaldi have explored and investigated the notion of horror, terror, and bad taste in popular culture through a series of moving image practices. Their interest in observing and dissecting social, technological, and ecological issues is rooted in the landscape and social dynamic of Indonesia. Growing up consuming campy horror cinema in the 80s and 90s, science-fiction pulp literature, ghost stories, the underground scene, Indonesian soap operas, and engaging with social changemakings and indigenous movements, Natasha and Riar transform the codes of b-grade media and popular culture to generate fiction and narrative where ecological and social issues are dissected in an abstract and sometimes bad taste way. Recently, they label their work as a ‘new style of pessimism.’ A term they use to describe their artistic practice and pessimism towards the social and ecological situation in Indonesia—and also the world.

Feature a cross-section of works produced between 2017 and present, New Pessimism: Tropical frontier reflects the artists’ ongoing commitment to exploring the aesthetic of refusal, the campiness of social dilemma, and the horror imagery of social ecology in the tropical frontier.

Eaton HK is collaborating with FutureTense to present The FutureTense Exhibition 2023 in Tomorrow Maybe during 11-26 Feb 2023. The exhibition will showcase award-winning and selected works from entries across Asia, including Japan, South Korea, Taiwan, China, and Hong Kong with outstanding qualities.

Eaton HK 與未來時態將合作在2023年2月11至26日於Tomorrow Maybe呈現未來時態展覽 2023。本次展覽將展示由多名國際藝術家組成的評審團挑選出來的FutureTense Awards得獎以及入圍作品，作品分別來自日本、韓國、台灣、中國大陸和香港等地，呈現國際新媒體藝術的嶄新發展。

FutureTense Exhibition 2023 未來時態展覽 2023

Date 日期: 11-26.2.2023
Time 時間: 11am-9pm
Venue 地址: Tomorrow Maybe, 4/F, Eaton HK

Featured Artists 參展藝術家名單 ：
Andrey CHUGUNOV
Kazuomi ESHIMA and Masahiko TAKEDA
Wenqian GAO
Shaun HU
Sunjeong HWANG
Artem KONEVSKIKH, Eli JOTEVA, Provides NG, Ya NZI
Peijing MOU

Chenwei CHIANG
Crystal DA and Jingcheng XIE
Mengen HUANG
Junsoo KIM
Qiyuan LIANG, Yanqi WANG, and Yeheng ZHOU
Gyuchul MOON and Sunjeong HWANG
Shuoyu ZHAN, Chenghao HE, Songtao MA, Guanyun YE
Danni ZHENG
Danni ZHENG and Suting HAN

THEN/NOW

Photo Exhibition by Kary Kwok 郭家賜個人攝影展
Record Launch by The Magus Project James Banbury 唱片發布會

Produced & Released by 主辦：Eaton HK
Produced & Released by 製作及發行：Silk Road Sounds

Part 1 Exhibition 展覽第一部分
Date 日期: 26.01.23 - 01.02.23
Time 時間: 11am - 9pm
Venue 地點: Tomorrow Maybe, 4/F, Eaton HK, 380 Nathan Rd, Jordan 香港逸東酒店 4樓Tomorrow Maybe

Part 2 Exhibition 展覽第二部分
Date 日期: 03.02.23 - 19.02.23
Time 時間: 11am - 10pm
Venue 地點: Foodhall, LG, Eaton HK, 380 Nathan Rd, Jordan 香港逸東酒店LG美食廣場

Opening Reception 開幕式：
26.01.23 // 19:00 - 23:00
Live Performance by 現場音樂表演： James “The Magus Project”Banbury, Rec Mirage Arne Venema
RSVP: [email protected] YETI OUT

The '90s, a beautiful time of self-expression, late night dancing and DIY fashion.

Enter THEN / NOW - an exhibition by Hong Kong photographer Kary Kwok and record release by British rave producer James "The Magus Project" Banbury.

THEN / NOW features 25 photos shot on 35mm at 1995's Alternative Miss World Competition in London where Kary puts the audience in the subject and looks at how they use "outfits' ' as a form of unique expression. In addition, installations and documentaries delve into the audio-visual THEN / NOW project that takes form as an 8-track vinyl record released on independent Hong Kong label Silk Road Sounds. The vinyl features original productions revived from James Banbury's 1992 techno/breaks moniker, alongside remixes from West London brokenbeat producer Wheelup, Hong Kong experimental producer ASJ, Berlin’s Knox-Om-Pax, and acid/jungle specialist Rec Mirage.

The audio-visual partnership by both Kary and James highlights the nocturnal and nostalgic energy of the yesteryears, especially in parties at the likes of Kinky Gerlinky, Taboo, The Wag Club, Heaven, and The Brain.

The project explores how music, art and fashion can be imaginative tools to address political and social issues under the then Margaret Thatcher regime - a time when fantasy, love and clubbing provided escapism to the throbbing underlying social issues that Britain was facing.

Kary’s photos will be on display from 26 January to 1 February at Tomorrow Maybe in its entirety. Attendees are invited on the opening evening to partake in scribbling and writing over the images, merging the past with the present in continuation of club culture’s DIY fashion. Segments of the newly graffitied images will then be cut out, re-framed and displayed in the Foodhall as part two of the THEN / NOW exhibition display from 3 to 19 February.

90 年代是自我表達、深夜舞蹈和 DIY 時尚的美好時光 — 由香港攝影師郭家賜及英國銳舞製作人 James“The Magus Project”Banbury合作的視聽計劃THEN / NOW，重現Kinky Gerlinky、Taboo、The Wag Club、Heaven 和 The Brain 等傳奇派對當中的夜間和懷舊能量，探索音樂、藝術和時尚如何作為富想像力的工具，緩解當時戴卓爾政權下政治和社會問題 — 在那個時代，幻想、愛情和夜店為英國面臨的潛在社會問題提供了逃避現實的窗口。

THEN / NOW 展示郭氏於1995 年在倫敦的另類世界小姐大賽中，以 35mm 鏡頭拍攝的 25 張照片，讓觀眾一探當年的參賽者如何以「打扮」作為一種獨特的表達。此外，香港的獨立唱片廠牌 Silk Road Sounds 為是次計劃發行8軌黑膠唱片，深入探討 THEN / NOW 項目。唱片包含James Banbury於1992年以Techno/Break製作人名號推出的原創作品，並邀請西倫敦Broken beat製作人Wheelup、香港實驗製作人 ASJ 及柏林的 Knox-Om-Pax 和 Acid/Jungle 專家 Rec Mirage 參與製作全新混音作品。

郭氏的照片將於1月26日至2月1日於 Tomorrow Maybe完整展出。開幕夜邀請觀眾於圖像上塗鴉和書寫，將過去與現在融合，延續俱樂部文化的 DIY 時尚精神。經塗鴉的圖像將被剪下、重新裝裱並在2月3日至2月19日於美食廣場展示，作為 THEN / NOW 展覽展示的第二部分。

Tomorrow Maybe at Eaton HK will host GROUNDING a collaborative exhibition with Sample Magazine and Lettercult from 10 December 2022 until 2 January 2023.

The multimedia exhibition is based on the contents of SAMPLE’s ISSUE 27 “E pur si muove” and ISSUE 28 “Terra Forma”. Artists Lazarus Chan Long Fung, Winnie Yan Wai Yin, Wong Winsome Dumalagan, and Tang Kwong San have been commissioned to create new artworks under the theme of GROUNDING.

Following a geology visit to Hong Kong’s Port the artists considered the ground and the Earth as a whole, using the experience to explore their thought processes before and after an imaginary landing on an alien planet, and make the initial experience of encountering a new land tangible again. Located in the North of Tap Mun, Port Island is a ‘red island’ with a distinctive landscape filled with reddish-brown conglomerate and siltstone. The four artists collected rocks and sands from the uninhabited island, observing history through the warping and cracking of rock strata to imagine the transformation of the land. The show’s themes consider the project of starting a new life on an exotic planet.

人類對外太空一直存在各種猜測與幻想，對異星生活充滿憧憬，冀盼有天能看到別於地球的風景。Eaton HK將聯同雙月刊的香港文藝評論雜誌《Sample樣本 》和Lettercult在2022年12月10日至2023年1月2日舉行以着陸異星為題的展覽。

《Sample 樣本》分別在第二十七期〈星際旅行手冊〉及第二十八期〈異星生活指南〉探討移居異星，並將主題延伸至是次展覽。是次計劃邀請陳朗丰、忻慧妍、黃慧心、鄧廣燊四位藝術家進行創作。藝術家登陸異星般的赤洲，重新探討人類如何從頭理解一片新的土地。

赤洲是塔門以北的一個島嶼，遍佈獨特的褐紅色礫岩和粉砂岩，亦被譽為「海上丹霞」。四位藝術家偕同地質學者到訪赤洲，於無人島上撿拾沙石，從岩層的擠壓塌陷觀察深層歷史，想像陸地的生成與變異。面對未知，每人也採取不同方式理解，不論是以科學為本或親身體驗，或是一段模擬，一次回首，一截實驗，一場歷險，也能增加我們對異地的認知，並指引往後的勘探查察。

四位藝術家借助赤洲之旅的考察經驗，將各自以視覺藝術的方式，探討着陸異星之前之後的思想歷程，再次摸索對土地的初始理解。思考異星，等同回顧地球。異星上開展新生活的計劃促使我們重新思考外星和地球關係，反思人類在地球該如何自處。

Event Details 活動詳情 ➜
facebook.com/events/1150694989203842/
samplemaghk.com/grounding2022
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Grounding Exhibition
Opening: 3 Dec 2022 19:00
Date: 3 Dec 2022 - 2 Jan 2023
Time: 11:00 - 21:00
Location: 4/F Tomorrow Maybe
Artists: Lazarus Chan Long Fung, Winnie Yan Wai Yin, Wong Winsome Dumalagan, and Tang Kwong San

着陸異星 展覽
開幕：2022年12月3日 19:00
日期：2022年12月3日 - 2023年1月2日
時間：11:00 - 21:00
地點：4/F Tomorrow Maybe
藝術家：陳朗丰、鄧廣燊、忻慧姸、黃慧心

Artist Sharing sessions
Date : 10 December 2022 (Sat)
Time: 16:00 - 17:00
Location: 1/F Kino
Host: Joris Wu (Sample Magazine Editor) & Yuen Nga Chi (Sample Magazine Project Coordinator)
Speaker: Lazarus Chan Long Fung, Tang Kwong San, Winnie Yan Wai Yin, Wong Winsome Dumalagan

藝術家分享會
日期：2022年12月10日（星期六）
時間：16:00 - 17:00
地點：1/F Kino
主持：胡文釗 （《Sample 樣本》編輯）& 袁雅芝 （《Sample 樣本》項目統籌 ）
講者：陳朗丰、鄧廣燊、忻慧姸、黃慧心

Seminar
The Cosmic and the Hyperlocal: Social Design as a Fable
Date : 10 December 2022 (Sat)
Time: 19:00 - 20:30
Location: 1/F Kino
Capacity: 30 – 40 ppl
Admission Fee: $100
Host: Earnest Ip (Sample Magazine Editor-in-Chief)
Speaker: Mr Chan Kam Fai (Teaching Fellow of Social Design, PolyU)

研討會
比宇宙更遠的地方：一則社會設計寓言
日期：2022年12月10日（星期六）
時間：19:00 - 20:30
地點：1/F Kino
名額：30-40人
費用：$100
主持：葉梓誦 (《Sample 樣本》總編輯 )
講者：陳錦輝 (理大社會創新設計專任導師)

A Retour to Earth - Cosmotechnics Book Club
Pre-activity: The Ister Screening and Sharing
Date: 15 December 2022 (Thur)
Time: 19:00 - 22:00
Location: 1/F Kino
Admission Fee: Free of charge

夢回地球—宇宙技術讀書會
前置活動 - The Ister 播映及映後分享
日期：2022年12月15日（星期四）
時間：19:00 - 21:00
地點：1/F Kino
費用全免

Cosmotechnics Book Club
Date: 17 December 2022 (Sat)
Time: 15:00 - 17:00
Location: 4/F Music Room
Deposit: $80 (Return after attending event)
Speaker: Cosmo-technics Book Club (Holok & Sarah Lee)

宇宙技術讀書會
日期：2022年12月17日（星期六）
時間：15:00-17:00
地點：4/F Music Room
按金：$80 （出席活動後退回）
講者：宇宙技術讀書會 (陳可樂 & 李思華)

Ungrounding Reading Group
Date: 18 December 2022 (Sun)
Time: 15:00 - 17:00
Location: 4/F Music Room
Deposit: $80 (Return after attending event)
Speaker: Ernest Ip (Sample Magazine Editor-in-Chief)

開掘地下讀書會
日期：2022年12月18日（星期日）
時間：15:00 - 17:00
地點：4/F Music Room
按金：$80 （出席活動後退回）
講者：葉梓誦 (《Sample 樣本》總編輯 )

Guided Tour
Session 1
Date: 11 December 2022 (Sun)
Time: 16:00 English Session; 17:00 Chinese Session

Session 2
Date: 18 December 2022 (Sun)
Time: 16:00 English Session; 17:00 Chinese Session

導賞團
第一節
日期：2022年12月11日（星期日）
時間：16:00 英文；17:00 中文

第二節
日期：2022年12月18日（星期日）
時間：16:00 英文；17:00 中文

Thank you all for joining us at the opening last Thursday!

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𝗝𝘂𝗺𝗽𝗶𝗻𝗴 𝗙𝗿𝗮𝗺𝗲𝘀 𝟮𝟬𝟮𝟮 𝗘𝘅𝘁𝗲𝗻𝗱𝗲𝗱 𝗦𝗽𝗮𝗰𝗲: 𝗕𝗼𝗱𝘆 𝗗𝗶𝘀-𝗼𝗿𝗱𝗲𝗿𝗲𝗱
跳格國際舞蹈影像節2022 擴展的空間: 破裂重序

𝗗𝗮𝘁𝗲: 1 Sep - 2 Oct 2022
𝗩𝗲𝗻𝘂𝗲: Tomorrow Maybe
𝗖𝗼-𝗽𝗿𝗲𝘀𝗲𝗻𝘁𝗲𝗿: City Contemporary Dance Company & Eaton HK
𝗣𝗮𝗿𝘁𝗶𝗰𝗶𝗽𝗮𝘁𝗶𝗻𝗴 𝗔𝗿𝘁𝗶𝘀𝘁𝘀: Ray LC (Hong Kong), Joey Holder (UK), Jun Bokyung (Korea), Jun Hyejoo (Korea), Tsui Hou-lam (Hong Kong), Tung Wing-hong (Hong Kong), Omsk Social Club (Germany)

The title of the Jumping Frames Expanded Space 2022 Edition, “Body-dis-ordered” is a tangent coined out from the festival main theme this year: Body Non Body. The exhibition explores the dysfunction of both human body and the mechanical/ algorithmic system, and how they collide with each other in the language of video, installation and performance.

In a collective contemplation to re-organise embodied memories and body order, the inherited system and independence between bodies, subjectivities, politics, place, and movement, what emerges through the works in this collection proposes a certain engagement to access possible unfamiliar flow in which our body’s own reaction and participation gives shape to the experience.

「擴展的空間」乃跳格從電影院延伸至展覽空間的單元，將身體與影像的關係重新調配置。本年度展覽名為《身體越界 / 破裂重序》，嘗試探索身體與機器、數碼系統等的破裂失序，並如何通過錄像、裝置及表演藝術來接連與聯繫。

在共同尋覓索與省思的過程中，我們重構身體的記憶與秩序，借此回應眼下分崩離析的世界。展覽內的作品或逾越身體與機器邊界、或破除身體的固態想像，皆展示了身體與政治、地方、主體及律動等相互依存又各自獨立的關係，引向畸零的異流，由我們各種微小的反應及參與，形塑獨一無二的經驗。

Thank you all for joining us for .Platform 's ‘Fluidity and Impermanence’ on 22-24 Jul!
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platform #3 ‘Fluidity and Impermanence’

Date 日期: 22-24.7.2022
Venue 地點 : Tomorrow Maybe, 4/F, Eaton HK, 380 Nathan Road, Kowloon 九龍彌敦道380號香港逸東酒店4樓Tomorrow Maybe
Co-presenter 共同呈獻 : Tomorrow Maybe, Per.Platform
Participating artists 參與藝術家: Glo CHAN 陳卓甄, Xiyong CHAN 陳熙鏞, Kenneth CHOI Yat Ming 蔡逸明, Yifan HE 何伊凡, Chi Wing HO 何知穎, Yuki KOBAYASHI 小林勇輝, Tracy KWOK 郭曉嵐, Jimmy LAU Hoi Ho 劉海浩, LIAO Jiaming 廖家明, Jing PANG 彭靖, Liz PONG 龐莉, Tsz Wai PUN 潘子懷, Towako SANO 佐野桃和子, Ice WONG Kei Suet黃姬雪, , Issac WONG 黃康迪, Vivian WONG Wing Lam 王穎琳, Siu Fong YEUNG 楊小芳, Monique YIM 嚴穎嘉
Website 網站: https://tomorrowmaybe.hk/fluidity-%26-permanence

Per.Platform #3 ‘Fluidity and Impermanence 流動與無常’
Co-presented by Tomorrow Maybe & Per.Platform 共同呈獻

Date 日期: 22 - 24 Jul 2022
Venue 地點: Tomorrow Maybe, 4/F Eaton HK

Participating artists 參與藝術家:
Glo CHAN 陳卓甄, Xiyong CHAN 陳熙鏞, Kenneth CHOI Yat Ming 蔡逸明, Yifan HE 何伊凡, Chi Wing HO 何知穎, Yuki KOBAYASHI 小林勇輝, Tracy KWOK 郭曉嵐, Jimmy LAU Hoi Ho 劉海浩, LIAO Jiaming 廖家明, Jing PANG 彭靖, Liz PONG 龐莉, Tsz Wai PUN 潘子懷, Towako SANO 佐野桃和子, Ice WONG Kei Suet 黃姬雪, Issac WONG 黃康迪, Vivian WONG Wing Lam 王穎琳, Siu Fong YEUNG 楊小芳, Monique YIM 嚴穎嘉

Co-presented by Tomorrow Maybe and Per.Platform, the 3-days event ‘Fluidity and Impermanence’ explore the notions on questions regarding the material, space, time, body, gender roles and sexual identity, relating them to the fluidity and impermanence nature of performance art, and body as the main medium in the creative process.

Intended to show the diversity and open-endedness of live art, Fluidity and Impermanence investigates the action of artists as artistic expression and engages audience participation in the creative process. The selected proposals from the open call encompass diverse forms of performances, including participatory art, endurance art, lecture performance, performative installation, etc. 18 artists from various backgrounds, such as performance art, theatre, visual art, and media art, will showcase performances from ephemeral (30 mins) to durational (5 hours) specifically situated in the gallery setting of Tomorrow Maybe. On the last day of the festival, there will be a 5-hour group improvisation by 8 local artists, resulting from a performance art workshop led by co-founder of Per.Platform, Florence Lam.

Two performance artists from Japan Yuki Kobayashi and Towako Sano will be the artist-in-residents in Eaton HK from mid July to August. During their residency in Eaton HK, the two artists will share their practice and exchange ideas with local artists, in addition to presenting their performance pieces in ‘Fluidity and Impermanence’. Monique Yim and Yuki Kobayashi will also be providing mentorships for the artists in the show.

Tomorrow Maybe 與 Per.Platform 攜手呈獻的「流動與無常」，透過行為藝術，探索物質、空間、時間、身體、性別角色和性別認同等概念多變而無常的特質。

「流動與無常」旨在展示現場藝術的多元性與開放性，並審視藝術家的行為作為藝術表現，同時讓觀眾參與創作過程。活動從公開徵集的創作之中精心挑選不同形式的展演，涵蓋參式藝術、耐力藝術、講座式展演、和表演裝置。來自行為藝術、戲劇、視覺藝術和媒體藝術等領域，18位藝術家將會在 Tomorrow Maybe 的藝廊空間進行短時間（三十分鐘）至長時間（五小時）的展演。在活動的最後一天，八位本地藝術家將會攜手進行五小時的集體即興創作，展示由 Per.Platform 聯合創辦人 Florence Lam 主持的行為藝術工作坊之成果。

兩位日本行為藝術家小林勇輝（Yuki Kobayashi）和佐野桃和子（Towako Sano）會由7月中至9月初成為Eaton HK的駐場藝術家，他們將與本地藝術家互相分享創作經驗和交流心得，同時呈獻為「流動與無常」創作的演出。藝術家嚴穎嘉和小林勇輝亦會擔任藝術家的導師。

Thank you all for coming to Specters: solo exhibition by Luke Casey’s opening last week, and the tour + brunch with artist yesterday and today, hope you enjoyed the show! 🧙🏻🧝🏻‍♂️🧚🏻‍♂️