Purvi Patel-Art revivalist of textiles and handiworks

Harde and Pitambari, resplendent in the vivid palette of Indian summers, intricately showcase mochi embroidery and nomadic motifs, imparting a revitalizing essence to the fabric.

Within the realm of textile design, a nuanced comprehension encompasses patterns, colors, aesthetics, motif placement, and a discerning sensibility. Purvi Patel, wielding an impressive portfolio of over 50,000 singular designs cultivated over a span of four decades, champions the significance of single-piece design.

This artistic odyssey harmonizes meticulous research with deft ex*****on across the spectrum of colors, styles, cuts, patterns, and motifs. Banjara transcends the mere act of reimagining, affording a heightened narrative to the vestments of wandering tribes, thereby elevating the discourse on clothing and attire.



Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

From 29th February 4.00 Pm
1st March @ Gaurang's kitchen Hydrabad.

The genesis of the sartorial endeavor lies in the meticulous assembly of textile fragments, akin to the intricacies of a jigsaw puzzle, drawing inspiration from the resplendent tapestry of textiles found within the hallowed precincts of Ahmedabad’s heritage sites.

This sustainable ethos, which germinated over three decades ago, has given birth to the Banjara collection—a symphony of exquisite embroideries sourced from diverse regions, executed with a discerning eye toward minimizing wastage in the intricate tapestry of garment construction. Each piece, requiring a substantial investment of time and labor, stands as a testament to an unwavering commitment to the fusion of sartorial elegance and sustainable practices, steeped in the rich textile heritage of Ahmedabad.

Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

The genesis of the sartorial endeavor lies in the meticulous assembly of textile fragments, akin to the intricacies of a jigsaw puzzle, drawing inspiration from the resplendent tapestry of textiles found within the hallowed precincts of Ahmedabad’s heritage sites. This sustainable ethos, which germinated over three decades ago, has given birth to the Banjara collection—a symphony of exquisite embroideries sourced from diverse regions, executed with a discerning eye toward minimizing wastage in the intricate tapestry of garment construction. Each piece, requiring a substantial investment of time and labor, stands as a testament to an unwavering commitment to the fusion of sartorial elegance and sustainable practices, steeped in the rich textile heritage of Ahmedabad



Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

In the realm of design intervention, infusing pious thoughts and divinity into crafts and textiles creates a sacred synergy. Each stitch or weave becomes a prayer, resonating with spiritual energy. By incorporating sacred elements, such as symbols or motifs with cultural significance, these creations transcend mere aesthetics, becoming vessels of cultural reverence and divine inspiration. The textile then becomes more than a piece of fabric; it transforms into a tapestry of sacred narratives, weaving together spirituality and craftsmanship.



Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

In the captivating midnight blue of Kalamkari, adorned with antique silver kasab, the saga of the Rabari community unfurls beneath the expansive open sky, resonating with crescent moons and vibrant desert craft melas. The Rabari epitomize a nomadic existence marked by pastoralism, distinctive traditions, and vibrant rituals. Their opulent attire and jewelry not only symbolize cultural identity but also stand as a testament to exceptional craftsmanship. Commemorating the triumph of light over darkness, the reverence for the moon god Chandra during the full moon encapsulates the eternal cycle of life, death, and rebirth.

Rustic Potli from our Banjara collection, adorned with delicate hand embroidery. A treasure trove of tradition and elegance.

The choice to wear colorful and maximalist garments by the Rabari community is deeply rooted in their cultural traditions, often associated with exuberance and vitality. Bright colours also help individuals stand out in vast barren landscapes.

But to be “Banjara” is a feeling. It is the sheer joy of viewing the world through a kaleidoscope of emotions in vivid hues and glistening through the journey of life. - Purvi Patel

Embark on a journey through Kantha Embroidery, where each stitch tells a narrative of the artisan’s creativity, devotion, and love for craft.

Originating from the Jessore District, this Khadi Muslin Jamdani kurta is adorned with miniature mirrors and rectangular-shaped Kantha—a contemporary symphony of colors and a visual diary of indigenous joy, bridging the gap between tradition and today’s chic style, where every thread whispers a tale of heritage and artistry.

Note: Our pieces are made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Or purchase at exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

Enveloped in a symphony of rustic hues and adorned with miniature mirrors along the Cambodian Ikat yolk and Nomadic motifs, thoughtfully researched, this Kurta reflects the essence of olden folk tales and heritage of the Rabari community. Also seen on nomadic women who pair it with silver jewelry, shimmering under the sun and casting a spectacle of light with every graceful move. A vibrant vermilion red Ikat infuses vitality into tradition serving as a cultural tapestry, woven into every thread of this resplendent kurta.

Note: Our pieces are made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Or purchase at exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

Embrace the a fusion of tradition and contemporary flair. Reviving traditional cuts and patterns, this ripe mango yellow saree embodies the vibrant heritage of the “Rabari” community, an ethnic group from Rajasthan, Gujarat, Haryana, Punjab, Sindh and Balochistan province. Enriched with contemporary miniature mirrors with a confluence of Kasuti embroidery, Mochi embroidery and Sindh kadai embroidery where each thread weaves a story of traditional torans and nomadic patterns with every drape.

Note: Our pieces are made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

Embrace the a fusion of tradition and contemporary flair. Reviving traditional cuts and patterns, this ripe mango yellow saree embodies the vibrant heritage of the “Rabari” community, an ethnic group from Rajasthan, Gujarat, Haryana, Punjab, and Sindh and Balochistan province. Enriched with contemporary miniature mirrors and Cambodian Ikat silk yolk, each thread weaves a story of traditional torans and nomadic patterns with every drape.

Note: Our pieces are made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Exhibition by .in &

29th Feb’24 | 04:00pm to 8:00pm
1st March’24 | 10:00am to 8:00pm
📍
Plot No.1147, Road Number 59, Jubilee Hills, Hyderabad 500033

Blending Lac and madder dyes, this textile represents a meticulously researched revival of heritage embroideries from India's royal courts. Each stitch intricately narrates age-old tales of craftsmanship, manifesting as a visual poetry of precision in the form of Mochi embroidery with Marodi. This artistic endeavor serves as a testament to passion, pride, and the preservation of antiquated values that have profoundly shaped India's artisanal history. Rooted in the epochs of Raja’s and Nawabs, the Marodi with mochi, , aari zar embroidery styles adorned the regal attire of yore. The Arkham-colored unstitched kanchuli, is a distinguished collector's piece, finds its place within a curated collection for Hunar Paramparik. This textile seamlessly intertwines history and artistry, resonating with the resplendent legacy of Indian hand skills.

Note: This is a single piece curation, made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

"Chintz, the pinnacle of South India's textile artistry." This assemblage of exquisite artistry, intricate hand embroidery, and masterful craftsmanship draws its inspiration from the nation's illustrious past. Leveraging the artisanal mastery honed through generations and the profound cultural diversity of the region, Indian painted and printed fabrics have firmly etched their place as highly coveted commodities in the Indian Ocean trade much before the arrival of East Indian trade companies. The Dutch embraced it and the subsequent trade companies decimated it at all levels of European society. Even centuries after its ascimiliation, its influence can still be felt in European aesthetics.

With a sense of responsibility towards the crafts community, the skilled craftsmanship should be preserved and treasured with complete freshness and purity, making 'Made in India' stories popular. The collection of fine art and skillful embroidery is created for sales at hunaar paramparik and few pieces are for viewing at Sutra santati Ngma Mumbai by Purvi Patel and her team of karigars in Bangalore.

Note: This is a single piece curation, made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Imbued with bespoke opulence, our designs eloquently embrace the nuanced beauty of human imperfection through meticulously crafted intricacies, an array of stitches, and adorned with antique embellishments upon Maheshwari fabric. This distinctive fusion of tradition and avant-garde innovation exemplifies a discerning approach to sustainable craftsmanship, ushering forth a discernible paradigm shift in the realm of design. Drawing profound inspiration from the historical connotations of costume as a manifestation of societal stature, our creations are an embodiment of the aesthetic lauded in early Indian literary discourse, particularly extolling the sartorial elegance of women.

The metamorphosis from the antiquated Kanchuli to the contemporary choli, etymologically rooted in the ancient term "kanchuka," encapsulates an enduring odyssey of artistic refinement. This transition unfolds a timeless narrative, intricately weaving together a tapestry of colors and ornamental crafts that resonate with the tapestry of textile history. Delve into our designs to partake in the exquisite interplay of tradition and modern expression, where each creation stands as a testament to the enduring allure of cultural narratives.

Note: This is a single piece curation, made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Juxtaposing jewel, emerald, and bejeweled tones, Mochi embroidery emerges as a nuanced synthesis inspired by Mughal paintings, encapsulating the essence of femininity and cultural design language. This intricate craft seamlessly intertwines sagacity, profound style, and the joy derived from meticulous labor, skillfully weaving threads to compose an opulent aesthetic tableau. Sage green serves as the nuanced canvas, embodying a profound continuity from ancient Central Asian trade routes to the 14th-century migration of the Mochi community.

The captivating allure of intricate styles not only draws attention but also mirrors a shared design lexicon across the needlework traditions of Central and South Asia. Rooted in history, the Mochi community, traditionally bespoke shoemakers to royalty, imparts a unique imprint on the craft, with men intricately incising stitches and women adorning fabrics with the finesse of traditional ari embroidery. Nurtured by the Royal Court of Kutch, Sindh embroidery by Mochi artisans becomes a hallmark tradition in select regions of Gujarat, seamlessly melding distinct design styles and motif culture. The narrative gains further depth with the infusion of folklore and patterns from the Indie-Genius region, crafting a compelling tapestry that narrates the saga of craftsmanship and migration.

Note: This is a single piece curation, made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Distinctive weaving centers were devoted to each royal family, leading the team to uncover the refined sanctuaries of their royal ateliers. Upon transporting these meticulously curated collections to Ahmedabad, opulent royal costumes emerged, boasting gold and silver embroidery, intricate brocades, and a mesmerizing interplay of patterns. The timeless essence of Indian attire, enriched with elaborate jewelry from head to toe, seamlessly became an integral facet of these regal ensembles. Within the Mumbai collection, the choli stands as a testament to sophistication, adorned with marodi and miniature mirrors that gracefully enhance the bandhej style, capturing a resplendent, bejeweled allure. Rooted in a profound comprehension of colonial history, the collection pays homage to discerning connoisseurs, intertwining confidence, elegance, and power, eloquently embodied by the profound black hues meticulously chosen to elevate each piece.

Note: This is a single piece curation, made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

Commending the regal and stately Bombay Presidency, Parsi embroidery from the 1950s harmoniously converges with nomadic artistry. Bombay, an opulent hub, epitomizes the sartorial elegance of the 1950s, with art meticulously reenvisioned and intricately woven to exude exquisite craftsmanship.

In the 1940s, Gara embroidery drew inspiration from Chinese tapestries via the Silk Route, masterfully intertwining conventional motifs from Kutch’s verdant and Jat communities into the refined designs of the 1940s Bombay Presidency.

Note: This is a single piece curation made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

The legacy of Kutch embroidery traces its origins to the 16th & 17th centuries when migrants from Afghanistan, Greece, Germany, Iran, and Iraq enriched Gujarat with diverse embroidery styles. This art was primarily a pursuit of women, crafting clothing and heirlooms. Passed through generations.

Kutch embroidery is distinguished by its rectangular motifs adorned with miniature mirrors, resembling glistening diamonds, imparting a touch of sophistication to the borders. It epitomises the essence of Indian culture and craftsmanship finesse.

Inspired by the Indo-Chinese influence on Chintz design.The 1978 journal from MEG England, the Museum Ethnographic Group (MEG), is a distinguished international assembly of curators, conservators, educators, scholars, and artists. Chintz fabric, cherished by the British for almost three centuries, is renowned for its intricate floral motifs and the harmonious blend of Indian and Chinese aesthetics. The Ivory Gaji stands as a pinnacle of this fusion, bestowing sophistication and allure to any setting.

This refined textile finds its origins in floral designs from diverse cultures, spanning Egyptian, Roman, Greek, and Chinese influences. The fusion of Indian, English, and Chinese styles in Chintz gave rise to a golden age in European exploration and the textile trade, ushering in a flourishing period of ornate gowns and robes.

Note: This is a single piece curation made to order.
☎️ +91 9591966758 (WhatsApp/Call) for all enquiries.

"Kim Khwab," a Persian-origin word, means "dreams" intricately woven into floral patterns. Its interpretations are perhaps more applicable to floral patterns in ancient times. In India, "Kim Khwab" means "cloth of gold" in Vedic literature.

This design is inspired by patterns of interlaced lines and floral brocades and rosettes in Arabic style. A rosette is a decorative pattern that became popularized, notably by the English earl of Dotset, Richard. He spent his entire fortune on the roses in his wardrobe and took special pride in his collection of rosettes made of gold lace.

Here, we have translated dream interpretations into embroidery, creating a dreamy collection of thoughts.

In frame

In skilled, weathered hands, slender needles shine like slivers of light. The golden thread resurrects an era of craftsmanship, each precise stitch a tale from India's heritage. Hand embroidery, once a source of pride, now fades.

Purvi Patel, a Bangalore-based researcher, presents 45 exquisite, time-intensive creations—a testament to passion and pride. These stitches are so fine that a magnifying glass unveils their stories. Reviving old-fashioned values, we resurrect embroidery's diverse forms, a homage to the skilled artisans of the 18th and 19th centuries

In frame

In skilled, weathered hands, slender needles shine like slivers of light. The golden thread resurrects an era of craftsmanship, each precise stitch a tale from India's heritage. Hand embroidery, once a source of pride, now fades.

Purvi Patel, a Bangalore-based researcher, presents 45 exquisite, time-intensive creations—a testament to passion and pride. These stitches are so fine that a magnifying glass unveils their stories. Reviving old-fashioned values, we resurrect embroidery's diverse forms, a homage to the skilled artisans of the 18th and 19th centuries

Exploring Gujarat's Mochi embroidery, a traditional craft rooted in the region, featuring intricate stitching on vibrant red Gaji fabric. Men cut stitches while women fill them with ari embroidery. Originating in Kutch and Sindh, this craft dates back to the 14th century when Kutch rulers fostered it. Bhuj was once a thriving center, now with only a few families left amidst historical relics. Mochi artisans created silk Satin garments and accessories with detailed flora and fauna motifs. Unfortunately, the 20th century saw a decline in this craft. Today, their collections are displayed in renowned museums. Inspired by Persian and Mughal influences, Mochi embroidery differs from regional styles. Mistaken for local work, their unique designs and ex*****on remain distinguishable.