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LINEARAMA Architects

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LINEARAMA is a creative hub for research in architecture and design. Founded in Genoa and managed by Gabriele Molfetta and Selene Vacchelli.

LINEARAMA is a creative hub of different interests joined together to achieve ideas; It’s an architecture, a design, and a research lab, as well as the effort of two Italian Architects who provide their own artistic and technical capability for the drawing up and the realization of projects and professional advice. LINEARAMA, through the intersection of different attitudes and qualities, reaches a

The ceramic experience: two counters designed as miniature buildings

01/12/2023

Thanks for sharing Domus ! 🤩
Thanks Giulia Ricci !🤩

DAS MINSK Kunsthaus in Potsdam

LINEARAMA Architects + Valter scelsi

Photo by: Francesca Iovene

The ceramic experience: two counters designed as miniature buildings The project for the collective spaces of Das Minsk Kunsthaus in Potsdam, Germany, includes two counters clad with local ceramics and a particular design approach.

09/11/2023

Il Genovese Boccadasse is featured right now on AIT.
LINEARAMA Architects + Valter Scelsi⁠
photos: Anna Positano Photography + Gaia Cambiaggi ⁠
Il Genovese - Boccadasse⁠⁠

Aus unserem aktuellen Newsletter

Ligurisches Restaurant in Genua von LINEARAMA Architects und Valter Scelsi

Bunte Häuser, Fischerboote im Meer und eine Strandpromenade – Genuas Stadtteil Boccadasse bildet gleichzeitig die Umgebung und die Inspirationsquelle des Take-away-Restaurants „Il Genovese“.

https://ait-xia-dialog.de/ait-neuigkeiten/ligurisches-restaurant-in-genua-von-linearama-architects-und-valter-scelsi/

14/12/2022

Design illustration, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
[...]Three main elements were designed to articulate simple, clean spaces: two counters conceived as “small-scale buildings,” visually connected by an abstract composition of the staircase background. ⁠⁠⁠⁠
+ for ⁠⁠⁠⁠
.of.mapping .ny

12/12/2022

Cafébar HEDWIG, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] Upstairs, the cafeteria counter projects the memory of a black-and-white photograph of the former terrace restaurant “Minsk” into the present.⁠ [...] It can even reach the proportions of a whole extended tiny neighborhood, reminiscent of the endless balconies of the sinuous Genoese neighborhood of Forte Quezzi.⁠⁠⁠⁠
+ for ⁠
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ceramics by ⁠⁠⁠⁠

09/12/2022

Cafébar HEDWIG (detail), DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] We revived the rounded corner details of the original project by reinterpreting them geometrically with a newly-designed 3D-shaped section that changes and evolves along its length.⁠⁠⁠⁠
+ for ⁠
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ceramics by ⁠⁠⁠⁠

05/12/2022

Cafébar HEDWIG (detail), DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] Starting from the stairhead: its appearance immediately brings back the memory of the shapes and metallic sounds of the iconic Italian Arlecchino and Settebello locomotives or, way before them, of the half-column-shaped starting point of the Pecile’s wall at the Villa Adriana in Rome.⁠⁠⁠⁠
+ for ⁠
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ceramics by ⁠⁠⁠⁠

02/12/2022

Cafébar HEDWIG, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...]To enable the perception of the new counter as a small-scale urban block, we designed an open space that becomes endless thanks to the mirror placed in the upper part of the staircase wall. We introduced this key element to double, de facto, the visual impression of the space with the help of the 45-degree angled lighting system.⁠⁠⁠⁠
+ for ⁠
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ceramics by ⁠⁠⁠⁠

01/12/2022

Cafébar HEDWIG, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] It dives symmetrically into the void that divides the two floors. It replicates itself in the big mirror that, infinite in⁠
space and time, stands upon the “contemporary ceramic tapestry” designed for the existing blank wall.⁠⁠⁠⁠
+ for ⁠
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ceramics by ⁠⁠⁠⁠

29/11/2022

Cafébar HEDWIG, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] The cafeteria's backside is not only a simple staircase void but more of an elaborate stage setting⁠.⁠⁠⁠⁠
+ for ⁠
ceramics by ⁠⁠⁠⁠

28/11/2022

Satircase wall, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...]With its dense, unique pattern, with its reddish and sepia hues, the wall is the medium through which the past steps into the present, projecting the History of the new DAS MINSK Kunsthaus in Potsdam into the future.⁠⁠⁠⁠
+ for ⁠
ceramics by ⁠⁠⁠⁠

24/11/2022

Satircase wall, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...]The new pixelated surface aims to deconstruct the original wallpaper from the old GDR building by Karl-Heinz Birkholz and Wolfgang Müller and to visually break down the large staircase backstage. While doing so, it also formally connects the two new counters - the one from the bookshop on the ground floor and the one from the upstairs cafeteria.⁠⁠⁠⁠
+ for ⁠
ceramics by ⁠⁠⁠⁠

23/11/2022

Foyer desk, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠⁠
+ for ⁠⁠⁠⁠

22/11/2022

Foyer desk (detail), DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠⁠
+ for ⁠⁠⁠⁠

18/11/2022

Foyer desk (detail), DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...]When we look at the foyer desk and its corner details, they quickly remind us of the typical corner solutions of a Modernist building, with that perceptual jump able to highlight all the elements that made buildings what they are.⁠⁠⁠⁠
+ for ⁠
ceramics by ⁠⁠⁠⁠

17/11/2022

Foyer desk, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠⁠
Photo: ⁠
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[...] We can recognize the sequence of elements composing the facades as they chase after each other under an elegant metal grid that holds everything together and rises from the skirting obtained by designing a precise scan of tapered elements.⁠⁠⁠⁠
+ for ⁠
ceramics by ⁠⁠⁠⁠

15/11/2022

Foyer desk, DAS MINSK Kunsthaus in Potsdam, 2022. © LINEARAMA + Valter Scelsi⁠ .⁠ Photo: @francescaiovene ⁠.⁠ […] Three different main elements, then, intended to induce a “leap-of-scale” in perception and to engage an entire world of analogies generated from each of our diverse cultural backgrounds. .⁠ .⁠ .⁠ @linearamaarchitects + @opusmetrico for @dasminsk ceramics by @hedwig_bollhagen .⁠ .⁠ .⁠ #dasminsk #kunsthaus #museum #potsdam #berlin #linearama #linearamaarchitects #opusmetrico #hedwigbollhagen #interiordesign #gdrdesign #architecture #architektur #archilovers #architecturephotography #ceramics #keramik #tiles

07/02/2022

LINEARAMA Architects updated their information in their About section.

06/02/2022

bibliocicletta01 keeps running! Today on Il Secolo XIX

Oggi Il Secolo XIX parla di noi!

Goodmorning Genova
Istituto Comprensivo Rapallo-Zoagli
Croce Bianca Rapallese
Carlo Bagnasco Sindaco a Rapallo
LINEARAMA Architects

08/02/2021

il Genovese Boccadasse out now on 📖.⁠
Thank you for making us even more proud of our work!⁠ Great text by 🙌⁠⁠
featuring: 👍 ⁠⁠
photos: + ⁠📸⁠⁠
client: ⁠ 🍴⁠⁠

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Who We are.

LINEARAMA is a creative hub of different interest joined together to achieve ideas; It’s an architecture, a design and a research lab, as well as the effort of two Italian Architects who provide their own artistic and technical capability for the drawing up and the realization of projects and professional advice.

LINEARAMA, through the intersection of different attitudes and qualities, reaches a unique vision that encloses many perspectives of the design process or, in general, of the design culture.

LINEARAMA research and uses a representation method that, loyal to its name, wants to experience the effectiveness of image simplicity, tool and vehicle of concepts, ideas and visions that should always be widely interpreted.

LINEARAMA comes to life in a particular historical context where architecture often finds its reason of being in representation, where the hypertrophy of the visual medium, if poor of a clear theoretical support, can’t coincide with the essence of the project and where the rampant glamorization of the image can turn ideas away from their possible real counterpart.
This glamorization, in its positive meaning, always supported by the same quality and attention in the whole design process and not only during the construction of an image, is the suitable language for the architecture storytelling, through which it can draw its effectiveness and charm and can make possible what still doesn’t exist. The overstated realization of the contemporary hyper-realistic-images often brings to the opposite result and quite always ends into a self-representative, sterile and lifeless frame. As sons of the digital era, our approach to tech-tools is always oriented to the genuine and not-faked communication of projects.
Glamorization commensurate with narration, representation not as purpose, but just as a medium. To imagine means describing visions, in other words, is to provide proposals for a probable future.