BluArt

Lizzy Neon Yellow
150 × 100cm
Acrylic, spray paint and gold leaf on canvas
First displayed in 2012 on the streets of London, “Lizzy Vuitton” is undoubtedly the most popular piece of Endless artwork among collectors and fans and continues to be one of the artists’ most iconic works today. Much of Endless’ ideas are derived from social observations, with topics such as branding, advertising, wealth and religion featuring heavily throughout his work. Lizzy Vuitton was born from Endless’ desire to create an artwork which combines his admiration of Queen Elizabeth Il with his “Brand Worship” mantra, referencing his observations within popular culture. Having regarded The Queen as “the ultimate fashion icon” and “a brand in her own right”, Endless created an artwork in celebration of her Majesty’s lengthy reign, with a nod to her much-loved royal styling. Endless has experimented with designs and styles, with his most popular iteration depicting the Queen making a humorous tongue-poke gesture. In contrast to the original regal portrait, this references the British punk movement, which Endless is also known for bringing to life across other artworks. The neon colouring in this unique version delivers a playful and bold feeling, encapsulating the unwavering energy of the late monarch.
Endless has created this piece using a combination of free hand painting with acrylic, stencils with spray paint and gold leaf, with a varnish sealant.

🖼️ contact ➡️ [email protected] 🧑‍🎨

ENDLESS KARL CAMERA
2019
100 x 150 cm
Acrylic and spray paint with diamond dust on canvas
Endless often depicts the designer fashion icon, Karl Lagerfeld in his works and in many street art pieces. After spotting his work on the streets of Amsterdam, the Karl Lagerfeld team reached out to Endless and kick started a series of projects, ending November 2019 with the launch of a capsule clothing collection. Endless believes that Karl is one of the key creatives of our time and the sheer amount that he managed to achieve in his lifetime should be respected, recognised and praised. The piece also ties in with Endless’ ‘brand worship’ ethos, demonstrating the way fashion, brands and celebrity culture is worshiped in modern society almost as a new era religion. Endless has created this piece using a detailed hand-cut stencil with spray paint and the writing in the background has been coated with diamond dust.

contact ➡️ [email protected]

JELENA VUITTON
2021
180cm x 120cm
Acrylic and spray paint on canvas
created this original artwork on canvas as part of his 2021 exhibition, ‘Endless In Montenegro’.
The painting reveals a depiction of Jelena Of Montenegro, also referred to as Queen Elena of Italy - the daughter of King Nicholas I of Montenegro and his wife, Queen Milena, who was Queen of Italy from 1900 until 1946, as wife of Victor Emmanuel III. Endless has modernised the portrait by adorning the Queen’s regal clothing in a branded print, similarly to his popular ‘Lizzy Vuitton’ portrait, referencing the adoration of brands in modern society. Endless created this piece with spray and acrylic paint and the use of hand-cut stencils.
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Rent or lease a collection of VICTOR VASARELY (1906-1997). Part of entitled “Modular Sculptures” recounts the scientific poetics of the naturalised french hungarian artist as well as the universalist ideals that guide his painting practice of Kinetic Art.
Vasarely prepares models and preliminary drawings to scale - which the artist called “Programming”.
The patterns then generate waves of light that modulate the surface and shimmer before the viewer. The grids themselves deform and create small depressions or protuberances that increase the size of the surface.
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For details contact [email protected]

Leasing Solutions of BluArt Collections.
Our team would love to give the opportunity of Art Leasing solutions as an alternative to purchasing art for your business.
It is an alternative solution to buying artwork.
Through art leasing, as the name suggests, artwork like paintings, drawings, lithographs, photographs, etc. can be taken on rent for an agreed duration of time.
An amendable agreement is signed to take the artwork on lease for a defined period of time. It is an attractive offer for offices, hubs, homes, and all places that constantly alter with their interiors.
Art leasing thus becomes a cost-effective and practical option.
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Soluzioni Leasing di BluArt Collezioni.
Il nostro team desidera offrire l’opportunità di soluzioni di Art Leasing come alternativa all’acquisto di opere d’arte per la vostra azienda.
Si tratta di una soluzione alternativa all’acquisto di opere d’arte.
Attraverso il leasing di opere d’arte, come suggerisce il nome, è possibile prendere in affitto opere d’arte come dipinti, disegni, litografie, fotografie, ecc. per un periodo di tempo concordato.
Viene firmato un contratto modificabile per prendere in affitto l’opera d’arte per un periodo di tempo definito. Si tratta di un’offerta interessante per instituiti di cultura, di crediti, centri d’affari, case e tutti i luoghi che cambiano costantemente i loro interni.
Il leasing artistico diventa così un’opzione conveniente e pratico.

An extraordinary selection of more than 250 works by Joan Mirò.
Rent or lease a collection of Miró, a key figure in XX century art, leaving on it an indelible and universally
recognised mark with his almost seventy years of ceaseless activity.
One of Surrealism leading personalities, he expressed his genius through a range of media, such as painting, drawing, etching, sculpture and pottery, as well as monumental art and theoretical texts.

Mimmo Paladino
“Stupor Mundi”
Material screen printing, etching and collage in gold leaf and carborundum leaf, in 42 colors
cm 103 x 175
framed cm 110 x 182
Print run 50 pieces
Signed by the artist in the lower right

BluArt is delighted to present the work “Stupor Mundi” in conjunction of celebrating the 50th anniversary of Arte Fiera Bologna with Mimmo Paladino at Palazzo Boncompagni exhibiting his works in the splendid 16th-century spaces of the palace that was once the residence of Pope Gregory XIII.

An all-round artist, Paladino has successfully measured himself with multiple creative languages. In 1980, as part of the Venice Biennale, the art critic Achille Bonito Oliva proposed the Transavanguardia artistic current, which included Paladino, Chia, Clemente and Cucchi.

SPAZIO E MEMORIA
28 Gennaio > 3 Marzo 2024

Marialuisa Tadei
Marcello Vigoni

“Il Giardino Bianco”
Via Garibaldi 1814, Venezia

Marialuisa Tadei
Blue sodalite
cm 45 x 39 x 80h
2019
“I try to combine the forms of nature and the anatomy of the human being so that they become mystical; to create a mystical anatomy, with reference to both human nature and nature itself.
I wish to bring to contemporary art and its audience an awareness of another dimension, a dimension that goes beyond the material and mundane.”
Marialuisa Tadei
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“Cerco di coniugare le forme della natura e l’anatomia dell’essere umano affinché diventino mistici; di creare un’anatomia mistica, con riferimento sia alla natura umana sia alla natura stessa.
Io desidero portare all’arte contemporanea e al suo pubblico la consapevolezza di un’altra dimensione, una dimensione che va oltre a quella materiale e mondana.”
Marialuisa Tadei
For more info
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Marialuisa Tadei
Moon flower / Fiore di Luna
2019, alabaster
cm 50×25×90h

Achille Bonito Oliva in a critical text dedicated to Tadei, he emphasises that the vibration is the movement that the artist develops to get closer to the inner place.
From this place, nature is not far away; on the contrary, it lives in unison on the same wavelength, made up of expansion and contraction, of subtle tremors that prevent major events but constitute the temporal polarities, and for this reason invisible, within which the small events of birth and death take place.
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Achille Bonito Oliva In un testo critico dedicato a Tadei, sottolinea che la vibrazione è il movimento che l’artista sviluppa per avvicinarsi al luogo interiore.
Da questo luogo la natura non è lontana, anzi essa vive all’unisono sulla stessa lunghezza d’onda, fatta di espansione e contrazione, di sottili tremiti che impediscono grandi eventi ma costituiscono le polarità temporali, e per questo invisibili, entro cui avvengono i piccoli eventi della nascita e della morte.

info ➡️ [email protected]

MARIALUISA TADEI
Hearthbeat II, 2022
White onyx
cm 34 x 32 x 50h

“Marialuisa Tadei’s visual imagination brings to mind pure feelings and the simple but profound pleasures of every day: it is a discourse far from the screams of violence, one which speaks quietly of friendship and serenity.
“Luxury, tranquillity and delight”, said Matisse, words which bring all his values into our chaotic modern world. The artist’s great merit is that which makes us understand that peace for our hearts can be found in the balance between spirituality and sensuality.”
Pierre Restany
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“L’immaginazione visiva di Marialuisa Tadei richiama all’ordine dei sentimenti puri e delle gioie semplici e certamente profonde del quotidiano: un discorso lontano dagli urli della violenza, amichevoli sussurri di serenità e di pace. “Lusso, calma e voluttà” direbbe Matisse.
La metafora prende tutto il suo valore nel nostro mondo caotico di oggi. Il grade merito dell’artista è quello di farci capire che la pace del cuore risiede nell’equilibrio fra spiritualità e sensualità.”
Pierre Restany

For more details [email protected]

Bluart Gallery presents Marcel Duchamp's 'Le Grand Verrè’ collection, in conjunction with the exhibition of the artist at the Peggy Guggenheim Collection in Venice.

Collection of 30 art works in different sizes and limited editions represent the Machine and the Case, lay bare the real body of the world framed by Error; the great protagonist of Duchamp's Le Grand Verrè.
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Discover BluArt’s Extensive Limited Edition Collection; Our portfolio includes pieces from renowned artists such as Mimmo Paladino, Mario Schifano, Tino Stefanoni, Sandro Chia, Salvo, Giuseppe Chiari, Giosetta Fioroni, Bernd Zimmer, Stefan Szcezny and many others. Furthermore, we offer the opportunity to purchase limited editions from art masters like Jean Miró, Marc Chagall, Marino Marini, Alexander Calder, Paul Delvaux, Alex Katz, Peter Halley, Donald Baechler and many more.

Francisco GOYA. Dreams and fury of a visionary.
The exhibition presented here follows in a remarkably complete fashion the entire span of Goya's life.
In the D'après Velazquez series (1778-82) the artist pays tribute to his master with eleven extraordinary etchings.
The second series are the Caprichos, completed in 1798. Rooted in Enlightenment rationality, these exceptional plates nevertheless prefigure more modern anxieties and irrationalities. Goya's satire uncovers the evils, prejudices and deceits of the Spain of his times, which are the same evils, prejudices and deceits of any society.
The exhibition includes also the famous The Disasters of War, a set of aquatints begun in 1810 and completed in 1823. The series, inspired by the napoleonic invasion of Spain, condemns every war as an act of brutality and devastation. Also included is the wonderful La Tauromaquia
(1814-15), a primeval fight between life and death, not set in mythological times, but amongst the bullfighting in Spanish villages. The exhibition ends with Los Disparates, a series of prints created by Goya between 1815 and 1818. This set is a rip in the artist's soul, through which breaks that same irrationality and mania, which will revolutionise Western art, becoming one of its defining themes up to the XX century.

Rent or lease an art collection by
Fernand Léger
Le Cirque, 1950
75 lithographs
17 3/10 × 13 2/5 in | 44 × 34 cm
Edition number 120/300

One of the great livres des peintres of the twentieth century.

"Cirque is Leger's master graphic work, a compendium of 34 color lithographs and 29 in black.
The text is Léger's own and his themes are the circus and the countryside; from these touchstones of his inspiration Léger extracts the principles of his art and his life. There can be no doubt that Cirque stands as his testament" (Saphire p. 98).

Only a few of Léger's images in this wonderful volume found their way into his painted compositions, however, two primary exceptions exist: and they happen to be two of Léger's finest paintings from his late period: La Grande Parade, 1954, at the Solomon R. Guggenheim Collection and Homage à Louis David, 1949, at the Centre Georges Pompidou.

DISINGANNO
Francesco Queirolo, 1753-54.
The sculptural group depicts a man freeing himself from sin, represented by the net into which the Genoese artist poured all his extraordinary skill. A winged genie, who bears a small flame on his forehead, the symbol of human intellect, helps the man to free himself from the tangled mesh, while pointing to the globe at his feet, the symbol of worldly passions; resting on the globe is an open book, the Bible, a sacred text but also one of the three 'great lights' of Freemasonry.

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DISINGANNO
Francesco Queirolo, 1753-54.

“L’ultima pruova ardita, a cui può la scultura in marmo azzardarsi”
Giangiuseppe Origlia

Tale monumento ha, non a caso, una simbologia ricca e complessa. Il richiamo al contrasto tra luce e tenebre, evocato dall’allegoria principale nonché dal bassorilievo (con la frase “Qui non vident videant”) e dai passi biblici incisi nel libro aperto, appare un chiaro riferimento alle iniziazioni massoniche, in cui l’iniziando entrava ritualmente bendato per poi aprire gli occhi alla nuova luce della Verità custodita dalla Loggia. Bellissima la dedica composta da Raimondo, in cui la vita del padre viene posta a immortale esempio della “fragilità umana, cui non è concesso avere grandi virtù senza vizi”.

Immergetevi nella potenza travolgente e nell'armonia formale delle opere di Tommaso Bet. Come osserva Giovanni Granzotto nel suo penetrante saggio, Bet plasma il suo genio sia attraverso strutturazioni figurative, che vanno dal lievemente alterate al fortemente distorte, sia dando vita a pezzi in cui la rottura simbolica e l'iconografia lasciano spazio all'emergere vibrante della massa-materia pittorica. È come un urlo silenzioso, un richiamo poetico che risona attraverso le distese dell'arte contemporanea, pronto a toccare ogni angolo di esso. Siete pronti a lasciarvi coinvolgere?

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Dive into the overwhelming power and formal harmony of Tommaso Bet's works. As Giovanni Granzotto observes in his insightful essay, Bet molds his genius through figurative structures, ranging from mildly altered to heavily distorted, as well as bringing to life pieces where the symbolic rupture and iconography give way to the vibrant emergence of the pictorial mass-matter. It's like a silent scream, a poetic call that resonates across the expanse of contemporary art, ready to touch every corner of it. Are you ready to be captivated?

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Nel 2008, l'artista Robert Indiana ha immortalato la parola "HOPE" in un'immagine simbolica. Questa parola non solo emana luce, ma indica anche una strada verso un mondo più luminoso. Notate come la lettera "O" sia inclinata in avanti? Ci spinge ad avere fiducia in un futuro migliore e pacifico. 🌍✨ Indiana ha generosamente donato tutti i ricavati di quest'opera per la campagna presidenziale di Barack Obama attraverso il Democratic National Committee. Celebriamo l'International Hope Day, sostenendo la visione di Indiana di un mondo pervaso dalla speranza.

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In 2008, the artist Robert Indiana captured the word "HOPE" in a symbolic image. This word not only radiates light but also points the way to a brighter world. Have you noticed how the letter "O" leans forward? It encourages us to trust in a better and peaceful future. 🌍✨ Indiana generously donated all proceeds from this artwork to Barack Obama's presidential campaign through the Democratic National Committee. Let's celebrate International Hope Day, supporting Indiana's vision of a world filled with hope.

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Mr. Brainwash, alias Thierry Guetta, è un autentico provocatore nell'universo dell'arte di strada. Si cimenta con audacia nel reimmaginare immagini provenienti dal vasto mondo della cultura pop e dalla ricca storia dell'arte, trasformandole in serigrafie e sculture di squisita ironia. I suoi lavori, arricchiti da testi vivaci e un'iconografia unica, evidenziano la sua inclinazione per i graffiti e mettono in discussione i canoni dell'arte tradizionale. Pronti a immergervi nel suo mondo ribelle e colorato?

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Mr. Brainwash, also known as Thierry Guetta, is a genuine provocateur in the world of street art. He boldly reimagines images from the vast realm of pop culture and the rich history of art, transforming them into serigraphs and sculptures of exquisite irony. His works, adorned with vibrant texts and unique iconography, highlight his predilection for graffiti and challenge the norms of traditional art. Are you ready to dive into his rebellious and colorful world?

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Damien Hirst | Skull Spin Painting | 2009

Size: 50 x 71 cm / 19.7 x 28 inch
Material: Vellum paper punched
Technique: Acrylic paint, Spin Art
Other: signed on front, signature stamped on verso, embossing.

Spin art is a technique in which the paint is first applied and then the canvas is rapidly rotated. Thus, depending on the duration and speed of rotation, a random color distribution is achieved.

Exclusive artworks by Damien Hirst available now 👉 explore the sale🔥🔥
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Nell'espressionismo pittorico di Tommaso Bet, la lotta eterna tra bene e male assume le sfaccettature di una schizofrenia esistenziale. Un ritratto intenso e profondo che supera le aspettative del manga, ci catapulta in un universo di verità parallela. È un percorso nel quale le opere di Bet ci invitano a imbarcarci, un percorso che si fa strada tra le inquietudini. E come l'artista rivela senza mezzi termini, “D’altro canto - provo anche molta soddisfazione quando uno spettatore subisce l’effetto repulsivo proprio della crudezza di alcuni effetti, in quel momento il re è nudo”.

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In the expressionist painting of Tommaso Bet, the eternal struggle between good and evil takes on the facets of existential schizophrenia. An intense and profound portrait that exceeds the expectations of manga, catapulting us into a universe of parallel truth. It is a journey that Bet's works invite us to embark upon, a path that winds its way through disquiet. And as the artist reveals without mincing words, “On the other hand - I also feel a lot of satisfaction when a viewer experiences the repulsive effect of the rawness of some effects, at that moment the king is naked”.

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Affinché non ci siano ombre di incertezza, Tommaso Bet ha affermato senza mezzi termini: “Ma se devo parlare di seduzione, da pittore, sicuramente guardo alla sacralità materica di Nitsch, non certo all’effettismo di pitture figurative figlie di un proiettore”. Nel mondo artistico di Bet, il proiettore assume un ruolo totalmente diverso. Lui, come autentico creatore d'arte, illustra una verità unica attraverso le sue opere.

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In order to leave no room for ambiguity, Tommaso Bet stated unequivocally: “But if I have to talk about seduction, as a painter, I certainly look to the material sanctity of Nitsch, not certainly to the effectism of figurative paintings offspring of a projector”. In the artistic realm of Bet, the projector takes on a role that is entirely different. He, as a bona fide creator of art, portrays a unique truth through his work.

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“Ho paura della mancanza di empatia tra le persone, del fatto che tutto abbia veramente un prezzo e della mercificazione dei valori umani, quando uomini eseguono ordini contro altri uomini come fossero macchine senza coscienza. La commozione è l’unica speranza per ritrovare l’umanità, ed oltre che dal dramma, può essere attivata della bellezza della scoperta, dalla musica e dall’immagine appunto”. Ecco perché le opere di Tommaso Bet risuonano così profondamente. Il suo raffigurare la verità agisce come un esorcismo contro la bruttezza che ci circonda, un dono prezioso che un artista veramente moderno può offrirci.

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"I fear the lack of empathy among people, the fact that everything truly has a price and the commodification of human values, when men carry out orders against other men as if they were machines without conscience. Emotion is the only hope to rediscover humanity, and beyond drama, it can be triggered by the beauty of discovery, music, and image indeed." This is why Tommaso Bet's works resonate so deeply. His depiction of truth acts as an exorcism against the ugliness that surrounds us, a precious gift that a truly modern artist can offer us.

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🎨 La BluArt Gallery è orgogliosa di rivelare la sua esclusiva collezione di 32 ceramiche di Picasso, un'esposizione in parallelo con “La volontà di Picasso” presso la Disseny Hub Barcelona . 🖼️

Queste ceramiche uniche, realizzate tra il 1950 e il 1969, rappresentano l'incrocio perfetto tra l'artigianato e le belle arti, un eco dell'antica cultura medievale e dell'Arts and Crafts di William Morris.

Non perdere l'opportunità di aggiungere queste straordinarie opere alla tua collezione. 🌟 Contattaci a [email protected] o clicca sul link nella nostra bio per scoprire di più. ℹ️

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🎨 The BluArt Gallery is proud to unveil its exclusive collection of 32 ceramics by Picasso, a parallel exhibition with “The Will of Picasso” at the Disseny Hub Barcelona . 🖼️

These unique ceramics, created between 1950 and 1969, represent the perfect intersection between craftsmanship and fine arts, echoing the ancient medieval culture and the Arts and Crafts movement of William Morris.

Don't miss the opportunity to add these extraordinary works to your collection. 🌟 Contact us at [email protected] or click on the link in our bio to discover more. ℹ️

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Esplora la nostra esclusiva collezione di 32 ceramiche di Picasso alla BluArt Gallery. Queste opere, risalenti al 1950-1969, oltrepassano il confine tra artigianato e belle arti, evocando l'antica cultura medievale. È un'opportunità unica per arricchire la tua collezione. Contattaci su [email protected] o clicca sul link in bio per scoprire di più. 👆

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Explore our exclusive collection of 32 Picasso ceramics at BluArt Gallery. These works, dating back to 1950-1969, transcend the boundary between crafts and fine arts, evoking ancient medieval culture. It's a unique opportunity to enrich your collection. Contact us at [email protected] or click on the link in bio to find out more. 👆