Spazio Nuovo

De convergentie van de verschillende artistieke visies van Juan Baraja, Dan Hallman en Giuseppe Lo Schiavo creëert een boeiende dialoog in de wereld van hedendaagse kunst .
Baraja’s verhaal verkent de menselijke interactie met de natuur en de industrie, waarbij hij de balans vindt tussen zelfvoorziening, globalisatie, en de wereldwijde markt. Geïnspireerd door de geothermische experimenten in IJsland, verdiept Baraja zich in utopische idealen en hun botsing met de werkelijkheid – geïnspireerd door de ambitie van het IJslandse bananenteeltproject. Zijn werk zet aan tot nadenken over menselijke inspanningen te midden van tegenspoed, en nodigt kijkers uit om het samenspel tussen ambitie en milieu beperkingen te verkennen.
Hallman nodigt de toeschouwer uit door middel van foto’s, schilderijen, en tekeningen om dieper te graven, om de fijne kneepjes te verkennen die onder het oppervlakte liggen. Zijn kunst nodigt kijkers uit om verder te kijken dan het tastbare, om de essentie van herinneringen te vangen, vastgelegd in gepixelde pracht.
Ook Lo Schiavo’s baanbrekende benadering van synthetische fotografie overstijgt de conventionele discipline, wiens onderzoek vaak een post-humaan verhaal en het poëtische gebruik van technologie en wetenschap presenteert.
Een rode draad verweeft hun kunst: een afwijking van conventionele onderwerpen. Zowel Hallman als Lo Schiavo laten de teugels van het verhaal los en stellen de toeschouwer in staat om het terrein van betekenis en relevantie te navigeren. In deze gedeelde ethos bloeit de intrinsieke waarde van interpretatie, aangezien elk stuk een vat wordt voor individuele perceptie, een canvas waarop persoonlijke verhalen zich ontvouwen. Bovendien onderstreept hun gebruik van geavanceerde technieken een wederzijdse toewijding om de grenzen van artistieke expressie te verleggen.
Deze convergentie van visies biedt een reis door verbeelding en existentiële complexiteiten, en verdiept ons begrip van de menselijke conditie.

UNSEEN
September 19-22, 2024
Westegas, Amsterdam

Going Yellow! Riccardo Ajossa at work, obtaining unique botanical pigments from varied fruits and flowers

“There are other Americas, but they are on Florida Street, Juan Baraja points out with this wonderful series, with this project that is at once multiple and univocal, diverse and compact. Because his journey along Florida Avenue seemed like an iter through the entire country, a classic road trip, as if, just like Whitman contained multitudes, the avenue contained in itself the nuances and borders of this country that is truly a continent. A country that, as we see in some of the photos, is still to be done, under construction, and that encompasses the urban and the rural, the elegant and the trashy, the commercial and the residential….” Miguel Albero.

Recently exhibited at the , ‘s Florida Avenue series (2021) is currently available at in Rome.

We are thrilled to confirm our upcoming participation in UNSEEN from September 19-22, 2024.

On this occasion we will be showing new works by Juan Baraja, Dan Hallman and Giuseppe Lo Schiavo.

Giuseppe Lo Schiavo, Jupiter and the Ocean, 2024, 148,5x110 cm, Edition of 8

In Dan Hallman’s “Pared Pintada” series there is no digital manipulation in the photographs. They are all made in found locations and created in-camera using long exposures with camera movement in a painterly way.

Hallman goes back to his technical darkroom training at Parsons New York stating: “If I could not achieve the image in the camera and dark room, I will not exhibit it”.

For the creation of this series, the artist is taking inspiration from legendary Minimalism painters including Bruce Nauman, Anne Truitt and Ellsworth Kelly to invoke a visual of Minimalist painting manifested in photographic form.
Hallman says: “I am inspired by taking something that is in front of you, manipulating it into my reality, creating art from something others would find mundane just walking by. I am blurring the lines of what you see and creating what is not there”.

(b. 1974, United States) Pared Pintada, 86x130 cm at from September 19-22, 2024

Matías Ercole’s work is distinguished by a profound exploration of the drawing’s ability to reveal what would otherwise remain invisible. In his most recent works, the artist focuses on the analysis of ñlight as the core of his conceptual system: the works reflect the experience of dystopian and surreal geographies through the intricate exploration of the identity, body and iconographic aspects of light itself.
Presented as a prominent element, the sun is a fundamental and enigmatic presence whose symbolism is intertwined with the artist’s cultural roots. Ospite induces the viewer to probe the understanding of the concept of hospitality by raising questions about the relationship between the sun and the scene: is the sun hosted by the landscape or, conversely, is the landscape hosted by its light? In fact, Ospite also evokes the concept of the corporeity of the sun itself, exploringbthe problem of its identity as a non-unique form: marking its syncretic traits, it investigates it through Latin American, European and other cultural codes.

Saturday at the gallery

Spazio Nuovo is pleased to present Ospite, a new exhibition by artist Matías Ercole (Buenos Aires; 1987). This site-specific project offers viewers the opportunity to explore Ercole’s artistic vision, which brings together scratched works in ink and wax on canvas paper in dialogue with the architecture of the room itself.
By using space and light in an innovative way, the artist invites the viewer to explore their perceptions and to engage with multiple worldviews and the complexity of experience.

The Artist Is Present at

Juan Baraja’s narrative embarks on a profound exploration of the intricate relationship between humanity and its environment, where the threads of nature and industry are intricately woven into the fabric of existence. Through his lens, Baraja navigates the delicate balance between self-sufficiency and the expansive reach of global markets, offering viewers a poignant reflection on the complexities of modern existence.

At the heart of Baraja’s artistic vision lies a deep-seated fascination with Iceland’s geothermal experiments, an ambitious endeavor that epitomizes mankind’s relentless pursuit of innovation and progress. Drawing inspiration from this crucible of exploration, Baraja delves into the realms of utopian ideals, where dreams of sustainable living and harmonious coexistence with nature collide with the stark realities of contemporary society.

His photographic series Experimento Banana delves into an ongoing agricultural endeavor where bananas continue to thrive in the Icelandic soil nurtured by the warmth of geothermal embrace.

Artworks in order:
ST_06, 2014 (Edition: 5+1 P.A., 156x125 cm)
ST_10, 2014 (Edition: 5+1 P.A., 60x50 cm)
ST_07, 2014 (Edition: 5+1 P.A., 50x60 cm)
ST_17, 2014 (Edition: 5+1 P.A., 90x110 cm)
ST_03, 2014 (Edition: 5+1 P.A., 110x142 cm)
ST_15, 2014 (Edition: 5+1 P.A., 40x50 cm)

MAY 2024 WALLPAPER* /

We are delighted to share the cover for May 2024 Wallpaper* photographed by Beppe Brancato— in Milan.

In a set made of Marsotto’s classic Roman travertine and topped with Pompeiian red or raw Sienna this issue is rich with classical and neo-classical art from the 17th, 18th and 19th centuries as well as modern and contemporary works. Key to this story is Barcelona-based artist Sergio Roger— who reinterprets and subverts iconic elements of historic Roman art, by using antique linen in place of stone.

The May issue is on newsstands from today!
Creative Direction: Vinson&Co ()
Photography: Beppe Brancato
(2): Bas-Relief I (2023) by Sergio Roger; mixed media and plant-dyed antique linen. Courtesy of Spazio Nuovo Contemporary Art.

ANNOUNCEMENT / We are delighted to announce a new collaboration with the artist Juan Baraja—!

Baraja’s keen eye captures the interplay between human experiences and constructed environments, delving deep into the emotional resonance of each space. With meticulous composition and a profound understanding of light, he brings forth a unique perspective that transcends mere representation.

From now on, you will find his captivating artworks featured in our exhibitions, fairs, and beyond. Join us as we embark on a journey into Baraja’s meticulously crafted atmospheres, where every detail invites contemplation and discovery.

Welcome to Spazio Nuovo.

The development of new technologies and the digital ecosystem has expanded our ability to explore reality by replicating it or generating completely new realities.
There is now a hybridization between reality and virtuality; this does not diminish the value of the physical world but rather opens it up to new perspectives.
Art has the ability to transform and subvert reality, presenting it as a critical reinvention tool of modern times.

The development of new technologies and the digital ecosystem has expanded our ability to explore reality by replicating it or generating completely new realities.
There is now a hybridization between reality and virtuality, this does not diminish the value of the physical world but rather opens it up to new perspectives.

Art has the ability to transform and subvert reality, presenting it as a critical reinvention tool of modern times.
For the artist, reality is not a fixed concept but rather a fluid and fragile phenomenon which is experienced subjectively, influenced by both cultural and biological components.

These works are presented as photographs of the virtual space, exploring the possibilities of creating the illusion of a window (both metaphorical and literal) onto a new reality.
Specifically, these photorealistic 3D works are created with cutting-edge software designed to simulate reality and an anamorphic perspective that enhances their immersive nature.


The Ocean (polyptych)
2023
Fine art print on archival cotton paper
148,5x120 cm each

Camilla Borghese, 11:04 . Rome, 2010, fine art giclée print on Hahnemühle cotton’paper, 110x135 cm, edition of 5 + 1 AP

Sergio Roger’s work is rooted in his life-long fascination with visual representations of beauty in ancient civilizations, especially the Graeco-Roman era and its modern counterparts. The artist reinterprets and subverts iconic elements of art history to allow us to break free from preconceived ideas about ancient civilizations. The medium of subversion is the array of materials he employs: where there was marble, he resorts to natural textile fibers.
Each of Sergio Roger’s works is unique and is created from the finest textiles, which mostly date back to the early 20th century: the artist himself carefully sources these materials from antique shops. Selected fabrics include antique linen and raw silk which bring history and soul into his work.
Through his opus, Roger invites us to deconstruct our preconceived vision of the past and to reflect on the permanence and idealism associated with traditional art.

🗓️

Urban Fragments di Marina Paris—.l.paris è un capitolo indimenticabile di riflessione artistica.

Attraverso una analisi acuta della stratificazione architettonica e del tessuto urbano, l’artista ha utilizzato il collage fotografico come medium espressivo sapendo cogliere l’essenza del frammento e trasformando quest’ultimo in un simbolo di trasformazione e rinascita.

Realizzati con immagini prese dalla sua raccolta privata, i collage permettono all’artista di scompaginare, ribaltare e riordinare nuovamente la geografia delle immagini secondo un rituale compositivo che opera per svuotamento e compensazione, sottrazioni ed aggiunte, ricordo e dimenticanza.

08. 05. 2024 / SAVE THE DATE

Spazio Nuovo è lieta di annunciare Ospite, la nuova mostra dedicata all’artista Matias Ercole— (Buenos Aires, 1987).

Nella visione che il disegno possa rendere visibile ciò che normalmente sfugge alla percezione, Ercole ha dedicato i suoi ultimi lavori alla esplorazione della luce come asse centrale del suo universo artistico. Approfondendo gli aspetti identitari, corporali e iconografici della luce attraverso la storia, i saperi arcaici e il dialogo tra diverse geografie e territori, l’artista vuole inserirsi nel paesaggio come narratore e interprete.

Artwork: Renacimiento (2023). Ink and wax on paper on canvas; 20x20 cm.

🗓️

Un viaggio affascinante attraverso la mostra Parentele Di Terra di . Questa esposizione ci ha immersi in un mondo di connessioni inaspettate, dalle antiche attrezzature rurali del Veneto agli artefatti delle remote comunità Yanomami e Q’ero.

Le fotografie, le sculture ceramiche e le piante spontanee sono qui metaforicamente fuse in una installazione che riflette sull’essere radicati al suolo letteralmente e metaforicamente. Ogni oggetto diventa un attivatore di relazioni umane e sociali, trasformandosi in nuovi corpi che dialogano tra loro testimoniando processi interculturali e migratori. Sulle pareti si stagliano i fantasmi delle appropriazioni culturali e materiali operate dai musei rivelando il principio della colonialità che permea ancora l’organizzazione del sapere museale.

Parentele Di Terra ha presentato un vero e proprio esempio laboratoriale per ripensare l’antropologia—e i suoi lasciti—alla luce di una pratica artistica decoloniale.

Siamo molto felici di tornare ad per celebrare il 50º anniversario della prima fiera d’arte in Italia e una delle più antiche in Europa.

In questa occasione presentiamo alcuni lavori da una serie recente di Marco Maria Zanin ().
Nella tradizione Taoista, il WU CHI è il vuoto primordiale, il mare di energia che continuamente crea e ricrea l’universo. Una forza creatrice feconda, un moto di costante erosione e creazione che coinvolge la natura quanto l’umano, creando spazi vuoti che si preparano ad accogliere nuove forme di vita.
Marco Maria Zanin ne ritrova i segni sulle rocce di granito scolpite dal mare sull’Isola di Caprera (Sardegna). In un desiderio di rinascita, in ascolto del moto ondoso interiore e di una fecondità intrinseca alle forze della terra che rivelano una propria sacralità, l’artista appoggia all’interno dei vuoti creati dal mare e dal vento frammenti di rocce staccate—anche esse lavorate dall’energia degli elementi naturali.

Marco Maria Zanin, WU I (2022); stampa fine art su carta cottone, 100x80 cm, edizione di 5 + 2 AP.

We are thrilled to return to the Netherlands for the 25th edition of . Our booth showcases a focused presentation of new works by and with unique approaches to sculpture, painting and photography

Art Rotterdam / Booth 51
February 1-4, 2024


Wednesday 31 January 
VIP Preview: 12.00 p.m. – 4.00 p.m.
Opening: 4.00 p.m. – 9.00 p.m.
By invitation only

Thursday 01 / Sunday 04 February
11.00 a.m. – 7.00 p.m.

Giuseppe Lo Schiavo, At the ocean 2, 2023, fine art print on archival cotton paper, 148,5x110 cm, Edition of 8

Sergio Roger’s work is rooted in his life-long fascination with visual representations of beauty in ancient civilizations, especially the Graeco-Roman era and its modern counterparts. The artist reinterprets and subverts iconic elements of art history to allow us to break free from preconceived ideas about ancient civilizations. The medium of subversion is the array of materials he employs: where there was marble, he resorts to natural textile fibers.
Each of Sergio Roger’s works is unique and is created from the finest textiles, which mostly date back to the early 20th century: the artist himself carefully sources these materials from antique shops. Selected fabrics include antique linen and raw silk which bring history and soul into his work.
The technical mastery and the complex elaboration of his textile sculptures are reflected in every stitch and detail. His works are born from the deep investigation of ancestral craft techniques, which are approached with a renewed and contemporary vision, and, at the same time, honor the story behind each fiber and its role throughout history. Antiquity is the main source of inspiration for the artist. Roger questions our perception of the past and describes History as a field that must be revisited with a critical eye. He sees archeology as a field of study replete with fiction and its own personal mythology, given that it was first extensively codified and practiced in the 19th century, right at the peak of colonialism. Thus it imposed a Euro-centric vision on our way of interpreting the past.
Through his opus, Roger invites us to deconstruct our preconceived vision of the past and to reflect on the permanence and idealism associated with traditional art.

Aldo Chaparro is a Mexican artist whose work focuses on the use of sculpture and painting to explore form in post-industrial ways. He currently lives and works between Mexico City, Los Angeles, Madrid and Lima. Chaparro explores form through void, matter and the human body using quick processes to transform prefabricated materials into unique objects. Using elements commonly used for construction, he creates forms in balance by manipulating and subtracting matter. Soon at with

Il 23 Gennaio, Riccardo Ajossa, artista e professore presso l’Accademia di Belle Arti di Roma () ha ricevuto il prestigioso “Encomio per il contributo alla promozione culturale all’estero” da parte di Yu In Chon, Ministro della Cultura, dello Sport e del Turismo della Repubblica di Corea. Su 36 centri culturali, il governo coreano ha voluto riconoscere il notevole contributo dell’artista alla promozione della carta tradizionale coreana hanji, avvenuto con l’insegnamento della produzione di questa e con l’apertura di varie mostre dedicate ad essa—fra cui Hanji Unfolded presso Spazio Nuovo.id

Il WU CHI nella tradizione Taoista è il vuoto primordiale, il mare di energia che continuamente crea e ri- crea l’universo. Una forza creatrice feconda, un moto di costante erosione e creazione che coinvol- ge la natura quanto l’umano, creando spazi vuoti che si preparano ad accogliere nuove forme di vita.
Marco Maria Zanin ne ritrova i segni sulle rocce di granito scolpite dal mare sull’Isola di Caprera, in Sardegna. In un desiderio di rinascita, in ascolto del moto ondoso interiore e di una fecondità intrinseca alle forze della terra, che rivela una propria sacralità, appoggia all’interno dei vuoti creati dal mare e dal vento, frammenti di rocce staccate, anch’esse lavorate dall’energia degli elementi naturali. E riconosce nelle rocce, tracce delle energie femminili e maschili coinvolte nel processo di costante morte e rinascita.

WU XXI, 2022, stampa fine art su carta cottone, 120x150 cm, edizione di 5 + 2 AP

Event, fact, artistic product: Riccardo Ajossa ‘s works arise from the fusion of these terms and manifest in a sensitive tridimensionality that enraptures the curiosity of the mind. Through a precise methodical approach the artist aims at recovering the movement and secrets of the ancient art of Korean paper making, better known as Hanji, thus engaging in a work that mixes the anthropological value with the artistic one.

Riccardo Ajossa, A kind of quietude N* 13 e N* 12, 2023, colore naturale estratto da sambuco virato con i sali di rame su carta coreana Hanji artigianale, 197x88 cm cad

Thank you, !!