Venice Curatorial Course

Just one week to go 💪🏽

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VCC 2024 SPEAKERS.

ELEONORA ANTONIADOUis.on

Eleonora Antoniadou is an educator, design researcher and practitioner. She is the founder and director of the architecture practice-Superside Studio and part of the collective “Space Girls”. She is an active researcher at the Royal College of Art focusing on emerging design practices as an interdisciplinary approach towards a new hybrid pedagogical methodology for architecture education. Since 2012 she is an architecture educator, with teaching experience in several Universities, holding the position of Senior lecturer.Due to her interdisciplinary background, she is also involved in Fashion education and Curatorial Studies as a visiting Lecturer. Over the years she organised and participated in several workshops, exhibitions, conferences and architectural competitions with various distinctions and her work was exhibited at the 16th and 17th Venice Architecture Biennale. She is in close contact with industry and practicing Architecture since 2009. In 2020 she was appointed by the Hellenic Institute of Architecture as a Young emerging architect.

Setting up 💪🏽

VCC 2024 - stay tuned! ✨

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VCC 2024 opening soon ✨✨✨

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Must see while in Venice, and around Venice Art Biennale
✨✨✨

venice curatorial course is an international curatorial program bringing together professionals, students and researchers from all over the globe in a network of curators, artists, collectors, art dealers and experienced people related to the art world.

the program includes studio visits and the chance of meeting relevant figures in the venetian contemporary art reality. venice curatorial course gives the students the chance to gain practice and theoretical knowledge to be able to face and respond with success to the opportunities of developing a career as a curator.

STARTING JULY 1st. ✨

VCC 2024

www.venicecuratorialcourse.com
[email protected]

Starting soon ✨

www.venicecuratorialcourse.com
[email protected]

💥VCC- venice curatorial course is an international curatorial program bringing together professionals, students and researchers from all over the globe in a network of curators, artists, collectors, art dealers and experienced people related to the art world.

the course methodology ranges from specific theoretical lectures to a practical approach, composed by discussions and debates strongly focused on what the students need to know to develop in a professional way the role of curators. we will work together in conceiving, structuring and setting up a real project, encouraging and reinforcing specific skills that have to be considered such as: structuring and developing concepts, writing and speaking in public, among other specific workshops. relevant figures as well as a financial approach to the work will also be considered in order to cover a global vision of what a curator needs to take into account when curating a project.

the program includes studio visits and the chance of meeting relevant figures in the venetian contemporary art reality. venice curatorial course gives the students the chance to gain practice and theoretical knowledge to be able to face and respond with success to the opportunities of developing a career as a curator.

✨ STARTING SOON: July 1st ✨

VCC 2024

Do you have any questions on our upcoming program?
Drop us a line or reach us at 👇🏽

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Summer is coming ☀️

See you all very soon!
Summer course starting 👉🏽 July 1st.

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🔥 OPENING SOON 🔥

VCC 1-26 July, 2024

stay tuned!
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BORDADORAS DE ISLA NEGRA ♥️

Bordadoras de Isla Negra was a group of self-taught women who, between 1967 and 1980, embroidered brightly coloured textiles that vividly tell the story of daily life in this coastal village in Chile. The creation of Bordadoras de Isla Negra was organised by Eduardo Martinez Bonati, the artistic advisor to the Third Session of the United Nations Conference on Trade and Development (UNCTAD III). It was assembled in a record time of 275 days, with the work of thousands of workers, architects, craftsmen, and artists, and was inaugurated on April 3, 1972. The task was to create a textile that would enter into an aesthetic dialogue with the building constructed as the UNCTAD III headquarters and which would be recognised as the work of the people. The intimate, fragmentary, and paused construction of these textiles, embroidered with brightly coloured wools, is fundamental to understanding their strength and expressive freedom in a locally inherited craft. The characters are real and recognisable inhabitants of Isla Negra, including Pablo Neruda hunting butterflies. This enormous textile was embroidered from individual cloths with different environments, all of which were joined together to form a cross section of Chile, from the sea to the Andes. The embroidery was stolen and disappeared in September 1973, after the Pinochet dictatorship had taken over the building as its centre of operations. It reappeared in August 2019 and is today once more reintegrated in the building.

This is the first time the work of Bordadoras de Isla Negra is presented at Biennale Arte.

‘Country’ is the term used by First Nations to describe the land that spiritually connects Indigenous Australians. It is a word that encompasses not just the vast rugged terrain beneath their feet, but the water, the customs, the laws that govern, and the collective memories that stretch back 65,000 years through tribal songlines.

‘Our country is a very big story,’ wrote the Waanyi author Alexis Wright in her novel Carpentaria; and it is this concept of place, in which history and myth are interwoven, that Archie Moore explores in his exhibition kith and kin in the Australia Pavilion at the 60th Venice Biennale.
The artwork, which won the Golden Lion for Best National Participation, is political and deeply personal. Moore is of the Bigambul and Kamilaroi nations, whose lands are in south-west Queensland and New South Wales. An account of the impact of genocidal conquest on Australia’s Indigenous population, kith and kin is part of an ongoing narrative by the artist that combines reportage, folklore and science fiction to articulate the long-denied fact of Aboriginal sovereignty.

Born in 1970, Moore grew up in one of only two Indigenous families living on the edge of a town in rural Queensland. His father, a socialist labourer who had British heritage, encouraged his art; his Aboriginal mother had very little education. It was a tough, lonely upbringing. Moore experienced racism at school and found refuge at home in TV and science fiction.

As with all good political art, Moore has brought the whole world into the picture. ‘The tree includes every person on the planet,’ he says, ‘because we all have a common ancestor.’

VCC 2024 👉🏽 1-26 July, 2024.

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🔥🔥🔥🔥 FINAL DAYS TO APPLY 🔥🔥🔥🔥

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Biennale di Venezia

Join us this summer in Venice.
🔥FINAL DAYS TO APPLY 🔥

Venice Art Biennale us officially open 🔥🔥

Art facade at Central Pavilion by MAHKU

The Huni Kuin Artists Movement (MAHKU)was officially founded in 2013 after several university drawing workshops were held in the upper Rio Jordão region, Brazil, near the Peru border.

In the large mural created for the façade of the Central Pavilion, MAHKU has painted the story of kapewë pukeni (the alligator bridge). The myth describes the passage between the Asian and American continents through the Bering Strait. In order to cross it, the humans found an alligator who offered to carry them across the Strait on its back in exchange for food. However, as they crossed, animals became increasingly scarce and the humans ultimately resorted to hunting a small alligator, betraying the trust of the large one, who submerged itself beneath the sea. Thus originated the separation between different people and places. This myth underscores MAHKU and its members as the producers and products of passages between distant contexts and territories, connecting the visible aspects of their art to the invisible nature of their visions, through the association and translation between traditional village practices and the parameters and conventions of the art world.

This is the first time the work of MAHKU is presented at Biennale Arte.

APPLICATIONS CLOSING SOON 🔥🔥🔥

VCC 1-26 July, 2024

Join us!

IVAN ARGOTE - La Biennale

BIENNALE DI VENEZIA

OPENING 🔥

FOREIGNERS EVERYWHERE

🔥 FINAL WEEKS TO APPLY 🔥 | Don’t miss out!

VCC 2024 | 1-26 July.

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FINAL WEEKS TO APPLY 🔥🔥🔥🔥🔥🔥

Deadline is 👉🏽 APRIL 30

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Deadline yo apply is 30 April.
Join us !

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Richard Serra
Venice Biennale, 2001.

♥️

SPEAKERS

GASTON RAMIREZ
Born in Tepic, Mexico, Gaston has a degree in Visual Arts at the Guadalajara University in Mexico, and an specialization on Visual Arts at the Faculty of Design and Arts of IUAV University in Venice, Italy. Since 2003 he has been active in numerous exhibitions between Europe, Asia and America. He has received several international awards and scholarships in the field of visual arts and has collaborated with internationally renowned artists such as Olafur Eliasson, Marjetica Potrc, Antonì Muntadas, Rafael Lozano-Hemmer, Tania Bruguera among others. Since 2006 he has been teaching assistant Tania Bruguera and Marjetica Potrc at IUAV in Venice. In 2007 he is the manager for the production of the first ever Mexican pavilion and from 2009 to 2013 became Commissioner for the Mexican Pavilion at the Venice Biennale. He collaborates with different institutions and companies in the production and development of cultural events and contemporary art exhibitions as an artist, producer and curator. Gaston lives and works between Mexico and Italy.

Join us this summer around the Venice Biennale.

VCC 2024 👉🏽 1-26 July.

Application deadline is 30 April.

Join us!

www.venicecuratorialcourse.com
[email protected]