Hill Gallery

We are open today from 12pm – 5:30pm.  
 
IMAGE:
 
𝗔𝗺𝗲𝗿𝗶𝗰𝗮𝗻 𝗳𝗹𝗮𝗴 𝗯𝗼𝘅 𝘄𝗶𝘁𝗵
𝗥𝗲𝗺𝗼𝘃𝗮𝗯𝗹𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗶𝗰 𝗖𝗿𝗼𝘀𝘀
c. 1930-40’s
Wood, paint, leather, glass
Case: H 20 x W 19 x D 4, inches
Cross: H 16 x W 15, D 4, inches
(inside view)

𝗛𝗢𝗟𝗜𝗗𝗔𝗬 𝗪𝗘𝗘𝗞 𝗛𝗢𝗨𝗥𝗦:
CLOSED: Thursday & Friday, July 4th & 5th
OPEN: Saturday, July 6th
 
IMAGE:
 
𝗔𝗺𝗲𝗿𝗶𝗰𝗮𝗻 𝗙𝗹𝗮𝗴 𝗕𝗼𝘅 𝘄𝗶𝘁𝗵
𝗥𝗲𝗺𝗼𝘃𝗮𝗯𝗹𝗲 𝗘𝗹𝗲𝗰𝘁𝗿𝗶𝗰 𝗖𝗿𝗼𝘀𝘀
c. 1930-40’s
Wood, paint, leather, glass
Case: H 20 x W 19 x D 4, inches
Cross: H 16 W 15 x D 4, inches
 

The Hill Gallery will be closed today in honor of Juneteenth. The gallery will reopen on Thursday with regular hours.
 
IMAGES:
 
𝗔𝗟𝗟𝗜𝗘 𝗠𝗖𝗚𝗛𝗘𝗘
𝘍𝘢𝘤𝘦 𝘖𝘧𝘧, 1989
Oil, Acrylic, Pigments on Canvas
Canvas: H 20 x W 16, inches
Frame: H 22 x W 18, inches
 

Check out this whimsical & quirky 𝟭𝟵𝟲𝟬’𝘀 𝗙𝗹𝗮𝗴 𝗖𝗵𝗮𝗶𝗿 from New Hampshire. Created out of hand carved wood featuring female silhouette on either side with red heeled pumps as feet.
 
IMAGES:

𝟭𝟵𝟲𝟬’𝘀 𝗙𝗹𝗮𝗴 𝗖𝗵𝗮𝗶𝗿
New Hampshire Origin
Hand carved wood, fabric, found materials,
carved female silhouette sides, red pumps base
H 44 x W 21 x D 22, inches
 
Inquiries: [email protected]
 

𝗘𝗫𝗧𝗘𝗡𝗗𝗘𝗗| 𝘑𝘰𝘩𝘯 𝘋𝘶𝘧𝘧: 𝘞𝘦𝘥𝘨𝘦𝘴+ will be on view until through June 22, 2024. Stop by the gallery to see John’s early fiberglass wedges & urethane/resin sculptures from the 1980’s-2018. The works are surprisingly light, buoyant, and perfectly at home against the wall or floor.
 


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Hill Gallery will be closed Saturday, May 25 for Memorial Day and will reopen Tuesday May 28th with regular hours.

Check out 𝘑𝘰𝘩𝘯 𝘋𝘶𝘧𝘧: 𝘞𝘦𝘥𝘨𝘦𝘴+ on our website. Link in bio.
Gallery Hours: Tues - Saturday, 12pm - 5:30pm
 


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We are deeply saddened by the loss of abstract painter Katherine Porter, whose massive bright & cacophonous canvases reveal a highly personal expressionism. Rest in peace. 🙏
 
Pictured: Katherine Porter, 𝘈 𝘊𝘭𝘰𝘤𝘬 𝘪𝘯 𝘌𝘷𝘦𝘳𝘺 𝘏𝘰𝘶𝘴𝘦
1983, Oil on Canvas, 79 x 97, inches
 

Stop by and view our current exhibition:

𝗝𝗼𝗵𝗻 𝗗𝘂𝗳𝗳: 𝗪𝗲𝗱𝗴𝗲𝘀+
 
These sculptures are surprisingly light, buoyant, and perfectly at home hovering against the wall. John Duff draws attention to the spaces within his sculptures by either slicing open their fiberglass shells to reveal interiors or by allowing the translucency of the fiberglass to admit light into the inner spaces.
 
 
 

Frank Stella. An influential titan of minimalist and post painterly abstract art has passed. Rest in peace. 🙏

Pictured: Frank and Tim Hill sharing a laugh in NYC during the 80’s.

On view: 𝙀𝙙𝙜𝙚 𝙩𝙤 𝙀𝙙𝙜𝙚| group exhibition:

• • •
IMAGE:

𝗝𝗢𝗛𝗡 𝗧𝗢𝗥𝗥𝗘𝗔𝗡𝗢,
𝘎𝘰𝘭𝘥 𝘋𝘪𝘢𝘮𝘰𝘯𝘥 𝘛𝘶𝘮𝘣𝘭𝘦, 2023
 
Gold leaf on wood
1. H 9 x W 13 D 9, inches
2. H 8.5 x 13 x D 8.5, inches
3. H 8 x W 12 x D 8.5, inches
4. H 7.5 x W 11 x 7.5, inches
Signed & dated verso
• • •
 
𝗝𝗢𝗛𝗡 𝗧𝗢𝗥𝗥𝗘𝗔𝗡𝗢 (b. 1941, Flint, Michigan) earned his BFA from
the Cranbrook Academy of Art and his MFA from Ohio State
University, where he studied perception as it relates to painting. He has lived in New York City since 1968. He has worked in painting, sculpture, and printmaking. He’s best known for utilizing faceted gems in a variety of mediums and methods in order to create “movement-oriented perception” in his works.
 
Torreano’s work has been exhibited internationally at museums and galleries, including the Whitney Museum of American Art, NY; The Museum of Modern Art, NY; Museum of Contemporary Art, IL; The Detroit Institute of Arts, MI, and the Corcoran Gallery of Art, Washington, D.C. He has received a Guggenheim Fellowship and grants from the National Endowment for the Arts and the New York State Council of the Arts. Torreano was the Professor of Studio Art at New York University, now retired. He also taught at NYU Abu Dhabi as well as the school’s sites in Florence and Venice.

Now on view:  𝘌𝘥𝘨𝘦 𝘵𝘰 𝘌𝘥𝘨𝘦 group exhibition:
 
LEFT:
𝗦𝗮𝗻𝗱𝗿𝗼 𝗖𝗵𝗶𝗮, 𝘚𝘢𝘯 𝘍𝘢𝘮𝘪𝘭𝘦
1983
Oil paint on mounted paper
H 81 x W 69, inches
 
 
RIGHT:
𝗠𝗲𝗹 𝗥𝗼𝘀𝗮𝘀, 𝘝𝘢𝘮𝘰𝘴 𝘉𝘪𝘦𝘯
2013
Oil on Panel
H 42 x W 72, inches
Signed & dated verso
 
 
𝗦𝗮𝗻𝗱𝗿𝗼 𝗖𝗵𝗶𝗮 Born in Florence, Italy, in 1946, Sandro Chia studied at the Istituto d’Arte and then at the Accademia di Belle Arti in Florence. In a career spanning five decades, some of the exhibition milestones include the Biennale of Paris, San Paolo and three different iterations of the Venice Biennale. Sandro Chia paints in an expressionistic, loosely figurative style emphasizing form and color. His work is included in the following museums including the Museum of Modern Art, New York, NY, Stedelijk Museum, Amsterdam, The Art Institute of Chicago, Chicago, Il, Museum of Fine Arts, Boston, MA, and the New Orleans Museum of Art, New Orleans, LA to mention a few.
 
𝗠𝗲𝗹 𝗥𝗼𝘀𝗮𝘀 was born in Des Moines, Iowa, in 1950.  He earned a B.F.A. from Drake University, Des Moines in 1972 and an M.F.A. in painting from Tyler School of Art, Philadelphia, in 1975. Mel is a professor with the James Pearson Duffy Department of Art and Art History, Wayne State University, Detroit, Michigan where he has served on the faculty since 1976. His paintings and drawings are included in numerous private and corporate collections including the Chemical Bank, New York, NY, Detroit Institute of Arts, Detroit, MI, Carnegie/Mellon Institute, Pittsburgh, PA, Southeast Banking Corporation, Miami, FL, and the National Museum of American Art, Smithsonian Institute, Washington, DC.

Katherine Porter’s 𝘈 𝘊𝘭𝘰𝘤𝘬 𝘪𝘯 𝘌𝘷𝘦𝘳𝘺 𝘏𝘰𝘶𝘴𝘦, now on view in our latest exhibition 𝘌𝘥𝘨𝘦 𝘵𝘰 𝘌𝘥𝘨𝘦.
 
𝗞𝗔𝗧𝗛𝗘𝗥𝗜𝗡𝗘 𝗣𝗢𝗥𝗧𝗘𝗥
𝘈 𝘊𝘭𝘰𝘤𝘬 𝘪𝘯 𝘌𝘷𝘦𝘳𝘺 𝘏𝘰𝘶𝘴𝘦, 1983
Oil on Canvas
H 79 x W 97, inches

Katherine Porter’s painting, 𝘈 𝘊𝘭𝘰𝘤𝘬 𝘪𝘯 𝘌𝘷𝘦𝘳𝘺 𝘏𝘰𝘶𝘴𝘦, has naturally recognizable focus, such as, city buildings, saw blades, stars, sun & braided wire. Such images carry a rich resonance of specific association; however, the picture does not have an iconographic scheme. Instead, these objective references have an almost heraldic presence, hovering between abstraction & figuration, gaining compositional interest from the ambiguity. 
 
Katherine Porter was born in Cedar Rapids, Iowa in 1941. She received her B.A. degree from Colorado College in 1963 and studied at Boston University. Porter received an honorary doctorate from Colby College in 1982 and an honorary doctorate from Bowdoin College in Maine in 1992.Her paintings have been exhibited worldwide in both major galleries & museums. Her work is in the permanent collections of the Detroit Institute of Arts, MI; the Metropolitan Museum of Art, NY; theMuseum of Modern Art, NY; the Whitney Museum of American Art, NY; the Solomon Guggenheim Museum, NY; Museum of Fine Arts in Boston, MA; High Museum of Art, GA; Philadelphia Museum of Fine Arts, PA, the Parrish Art Museum, NY, and the Walker Art Museum, MN, among many others.
 
Porter is recognized for the combinations of colors, geometries, and symbols she uses to comprise her compositions: circles, triangles, rectangles, squares interposed with lines, spirals, arcs, scaffolds, and matrices all of which coalesce on her surfaces to emanate an unmistakable aura of spirited force and generative energy. These elements combine to produce a charismatic beauty that emanates from their complex authenticity for which she is known.

Tomorrow is the final day of the 2024 in NYC! Come see us in Booth C-13.
stopped by today and gave the coveted “double thumbs” to RALPH FASANELLA’s (1914-1997)
Ferry Inn, Thursday Night, 1984

Oil on Canvas
H 50 x W 70, inches
Signed & Dated

Come visit us at the 2024 in Booth C-13.
Located at the Metropolitan Pavilion in NYC.
February 29 - March 3rd.
Vernissage: Thursday, February 29, 6-9 PM

Pictured: RALPH FASANELLA (1914-1997), Baseball, Holy Cow, 1996
Oil on Canvas, 26 x 30, inches Signed & dated lower right.

Enjoying the blue vibes of Elliott Green’s 𝘊𝘰𝘯𝘤𝘦𝘱𝘵𝘪𝘰𝘯. Stop by & check out this work and others in our 𝘞𝘪𝘯𝘵𝘦𝘳 𝘎𝘳𝘰𝘶𝘱 Exhibition.
 
 
𝗘𝗟𝗟𝗜𝗢𝗧𝗧 𝗚𝗥𝗘𝗘𝗡
𝘊𝘰𝘯𝘤𝘦𝘱𝘵𝘪𝘰𝘯., 2020
Oil on Linen
H 20 x W 16, inches
Signed & dated verso
 
 
 

Now on view 𝘚𝘵𝘢𝘯𝘥𝘪𝘯𝘨 𝘚𝘦𝘭𝘧 𝘗𝘰𝘳𝘵𝘳𝘢𝘪𝘵 by 𝗦𝗜𝗦𝗧𝗘𝗥 𝗚𝗘𝗥𝗧𝗥𝗨𝗗𝗘 𝗠𝗢𝗥𝗚𝗔𝗡 (𝟭𝟵𝟬𝟬-𝟭𝟵𝟴𝟬).
 
Stop by Tuesday – Saturday
12pm – 5:30pm
 
⚪️ ⚪️ ⚪️ ⚪️ ⚪️ ⚪️

Image:
 
𝗦𝗜𝗦𝗧𝗘𝗥 𝗚𝗘𝗥𝗧𝗥𝗨𝗗𝗘 𝗠𝗢𝗥𝗚𝗔𝗡 (𝟭𝟵𝟬𝟬-𝟭𝟵𝟴𝟬)
𝘚𝘵𝘢𝘯𝘥𝘪𝘯𝘨 𝘚𝘦𝘭𝘧 𝘗𝘰𝘳𝘵𝘳𝘢𝘪𝘵
Oil paint & Ink on paper
Paper: H 6.75 x W 3, inches
Frame: H 14 x W 10.75, inches
Signed lower right
 
 ⚪️ ⚪️ ⚪️ ⚪️ ⚪️ ⚪️


    
   

Wishing everyone a Happy Thanksgiving. The Gallery will be closed Friday 11/24.
 
We will be open on Saturday 11/25 with regular hours. Stop by & check out our current exhibition: 𝗔𝗥𝗧| 𝗙𝗼𝗹𝗸-𝗢𝘂𝘁𝘀𝗶𝗱𝗲𝗿| 𝗔𝗥𝗧.
 
𝗜𝗠𝗔𝗚𝗘:
 
𝗥𝗔𝗟𝗣𝗛 𝗙𝗔𝗦𝗔𝗡𝗘𝗟𝗟𝗔 (𝟭𝟵𝟭𝟰-𝟭𝟵𝟵𝟳)
𝘎𝘳𝘰𝘷𝘦 𝘚𝘵𝘳𝘦𝘦𝘵 𝘍𝘪𝘳𝘦𝘱𝘭𝘢𝘤𝘦,, 1941
Oil on Canvas
19.5 x 29.5, inches
Signed & dated upper right

𝗔𝗥𝗧 |𝗙𝗼𝗹𝗸-𝗢𝘂𝘁𝘀𝗶𝗱𝗲𝗿| 𝗔𝗥𝗧 has been extended to December 2nd. This exhibition brings together a group of over 30 exceptional objects of folk, outsider, & vernacular art.
 
Gallery hours:
Tuesday – Saturday: 12pm – 5:30pm
 



art

By popular demand we are extending our 𝗔𝗥𝗧| 𝗙𝗢𝗟𝗞-𝗢𝗨𝗧𝗦𝗜𝗗𝗘𝗥| 𝗔𝗥𝗧 exhibition to December 2nd.

Stop by & view the hand-carved Patriotic Eagle Plaque by George Stapf (1862-1958).

Tues-Sat, 12-5pm

𝗚𝗲𝗼𝗿𝗴𝗲 𝗦𝘁𝗮𝗽𝗳 (𝟭𝟴𝟲𝟮-𝟭𝟵𝟱𝟴) was a carpenter & carver from Harrisburg, PA best known for carving large, stylized eagles for government buildings, Civil War Veteran’s halls, and commissioned work. Born in Columbia, PA in 1862, Stapf was the son of a German engineer. At some point he moved to Lancaster city where he opened a confectionery & made candy. He was so successful in this venture that he sold his caramel recipe to Milton Hershey.
 
Around 1890 he left the candy business behind & moved to Harrisburg, where he with his brother, John, opened a carpentry business. They built houses & buildings with George specializing in spiral staircases. George, began to carve eagles in the 1890’s, to supplement his income over the winter months, working in his shop behind his home. 
 
⚪️  ⚪️  ⚪️  ⚪️  ⚪️
 
IMAGE:
 
𝗚𝗘𝗢𝗥𝗚𝗘 𝗦𝗧𝗔𝗣𝗙 (𝟭𝟴𝟲𝟮-𝟭𝟵𝟱𝟴)
Patriotic Eagle Plaque
Harrisburg, Pennsylvania
ca. 1900-1920
White pine, original
gold leaf, & painted
decoration
H 25 x W 34, inches

Now on view now in our 𝗔𝗥𝗧| 𝗙𝗼𝗹𝗸-𝗢𝘂𝘁𝘀𝗶𝗱𝗲𝗿| 𝗔𝗥𝗧 group exhibition.

Fall Gallery Hours: Tues – Sat, 12- 5:30pm
 
In this newly discovered trade sign for David Danner, a three dimensionally carved hand holds an ink pen that dramatically extends beyond the parameters of the oval plaque. Below this demonstration of skill, a laurel wreath holds a circular glazed aperture with calligraphic inscription describing Danner’s occupations. This trade sign is clever in its self-referential formula in advertising both woodcarving and pen drawing the artist demonstrates his abilities in both mediums within one sign. The hand and pen are finely carved bringing to life the calligraphic abilities mentioned in the ink-on-paper medallion. It’s near perfect and un-weathered condition indicates that it was used for display indoors, likely in the studio of the maker.
 
David Danner, Jr. (1844-1950) was born to farmer David Danner, Sr. (1808-1877) and Mary Young (1813-1899) of Lawrence Township, Stark County, Ohio, and married Nancy Lentz (1849-1910) also of Stark County. He is described in the 1904 genealogical survey, Old Landmarks of Stark County, Ohio as an agriculturalist and generous supporter of Canal Fulton’s Presbyterian Church. Additionally, census data lists his occupation as farmer up to the 1910 report, in which his occupation is listed as “odd jobs.” This change appears to coincide with the dating of the trade sign, and the possible need to advertise his abilities for hire.
 
𝗜𝗠𝗔𝗚𝗘:
 
𝗗𝗔𝗩𝗜𝗗 𝗗𝗔𝗡𝗡𝗘𝗥 (𝟭𝟴𝟰𝟰–𝟭𝟵𝟱𝟬)
Trade Sign for Woodcarving
& Pen Drawing
Canal Fulton, Ohio
1909
Walnut, tinned iron, glass,
brass screws, original paint
H 11 x W 17 x D 6 3⁄4, inches

Paper medallion under glass inscribed in ink: “𝘞𝘰𝘰𝘥 𝘊𝘢𝘳𝘷𝘪𝘯𝘨/ 𝘢𝘯𝘥 / 𝘗𝘦𝘯 𝘋𝘳𝘢𝘸𝘪𝘯𝘨/ 𝘉𝘺 𝘋𝘢𝘷𝘪𝘥 𝘋𝘢𝘯𝘯𝘦𝘳 / 𝘊𝘢𝘯𝘢𝘭 𝘍𝘶𝘭𝘵𝘰𝘯, 𝘖𝘩𝘪𝘰 / 1909.”
 

Feeling the fall vibes. Don’t miss our 𝗔𝗥𝗧| 𝗙𝗼𝗹𝗸-𝗢𝘂𝘁𝘀𝗶𝗱𝗲𝗿 |𝗔𝗥𝗧 exhibition on view now.
 
𝗜𝗠𝗔𝗚𝗘:
 
H. GUILFORD
𝘊𝘢𝘵 𝘚𝘦𝘢𝘵𝘦𝘥 𝘰𝘯 𝘢 𝘖𝘯𝘦-𝘈𝘳𝘮𝘦𝘥 𝘙𝘰𝘤𝘬𝘦𝘳
Alleghany County, New York
1884
Oil on Artist Board
21 x 17-1/2 inches
Signed lower right: 𝘏. 𝘎𝘶𝘪𝘭𝘥𝘧𝘰𝘳𝘥/ 1884
 
Combining charm and precise ex*****on, this ranks among the great examples of an
American folk portrait of a cat. The white cat with black spots is seated on a red-draped paint-decorated “𝘉𝘰𝘴𝘵𝘰𝘯- 𝘵𝘺𝘱𝘦” rocker. Testament to the artist’s attention to accuracy is the hole in the back post where the missing left arm would have been attached. The bright yellow eyes, gesturing raised paw, and spot on the nose impart personality and an air of mischief to this beloved family pet.
 
A possible identification for the artist may be Harriet Guilford, the daughter of Charles Guilford (1833- 1913) and Mary Jane Guilford (1837-1904), who was born in the town of Cuba, Allegany County, New York, on March 16 1861. She was married to Coy Winthrop Hendryx in 1886, and by 1900 the couple was living in Dowaigic, Cass County, Michigan, where she died in 1953.

𝗙𝗢𝗟𝗞  𝗔𝗥𝗧  𝗢𝗨𝗧𝗦𝗜𝗗𝗘𝗥
Opening Reception Tomorrow:
Saturday, October 7th
12-5pm
 
We look forward to seeing you this Saturday for the opening of 𝘍𝘰𝘭𝘬  𝘈𝘳𝘵  𝘖𝘶𝘵𝘴𝘪𝘥𝘦𝘳, group exhibition featuring selections of unique rare weathervanes,  Bill Traylor (c. 1853-1949), Martín Ramírez (1885-1963), figures, gameboards, paintings & drawings.
 
𝗜𝗠𝗔𝗚𝗘:
 
PRANCING HORSE WEATHERVANE
Boston, Massachusetts
c. 1850
Molded copper, iron, traces of original patina
H 29 x W 50.5 x D 5.5, inches
 
[SOLD]

The Hill Gallery will be closed Saturday, September 2nd and will reopen on Tuesday, September 5th with regular business hours.
 
Have a great weekend!
 
Image:
 
𝗥𝗔𝗟𝗣𝗛 𝗙𝗔𝗦𝗔𝗡𝗘𝗟𝗟𝗔 (𝟭𝟵𝟭𝟰-𝟭𝟵𝟵𝟳)
𝘖𝘳𝘨𝘢𝘯𝘪𝘻𝘪𝘯𝘨 𝘊𝘰𝘮𝘮𝘪𝘵𝘵𝘦𝘦 (𝘍𝘪𝘴𝘩𝘦𝘳 𝘉𝘶𝘪𝘭𝘥𝘪𝘯𝘨)
1989
Oil on Linen
29.5 x 37.5, inches (framed)
Signed & dated lower right.
 

Tadaaki Kuwayama
(March 2, 1932-August 18, 2023)
 
It is with great sadness that we share the news of the passing of the artist Tadaaki Kuwayama.
 
Kuwayama’s achievement and influence in the American Minimalist movement was vast, quickly gaining notoriety after his move to the United States alongside wife and fellow artist, Rakuko Naito, in 1958. Establishing himself as an active member of the avant-garde in New York, Kuwayama was befriended by Kenzо̄ Okada, Sam Francis, Donald Judd, Dan Flavin, and Frank Stella. His first solo show was held at Green Gallery in 1961, run by art dealer Richard Bellamy. Kuwayama’s striking work was included in many landmark exhibitions, such as 𝘝𝘰𝘳𝘮𝘦𝘯 𝘷𝘢𝘯 𝘥𝘦 𝘒𝘭𝘦𝘶𝘳 (New Shapes of Color), Stedelijk Museum, Amsterdam, Netherlands and 𝘚𝘺𝘴𝘵𝘦𝘮𝘪𝘤 𝘗𝘢𝘪𝘯𝘵𝘪𝘯𝘨, the emblematic exhibition organized by art critic Lawrence Alloway at the Guggenheim, both in 1966. He has been the subject of countless solo and group exhibitions around the world, and his work is included in the collections of institutions such as the Guggenheim Museum, New York, the San Francisco Museum of Modern Art, the Foundation for Constructivist, Concrete and Conceptual Art in Zürich, and the National Museum of Modern Art in Tokyo. His contributions to painting at large cannot be understated, as he investigated space, color, and surface in new and enlightening ways. Kuwayama did not simply create paintings, but works that command presence, contemplation, and awe. In his words, “I wanted to make pure art without history.”
 
To say he will be missed does not fully capture the depth of this loss to the art world and to those who were lucky to know and love him. We are extending our heartfelt condolences to his beautiful family, friends, wife and life partner, Rakuko, at this time.

The gallery will close at 4pm this Saturday, August 5th. We will be open for regular hours next week.
Stop by to view Kimono: 1910 – 1950's. Exhibition closes on August 19th.
 
Gallery Hours:
Tuesday - Saturday: 12pm - 5:30pm

𝗜𝗠𝗔𝗚𝗘𝗦:
 
𝟭) 𝗠𝗘𝗜𝗦𝗘𝗡 𝗛𝗔𝗢𝗥𝗜 (𝗦𝗵𝗼𝗿𝘁 𝗝𝗮𝗰𝗸𝗲𝘁)
Japan
ca 1910 – 1950’s
Meisen Silk, plain weave, Stencil-printed warp & weft
 
Top: H 28 x W 50.5 inches
Bottom: H 37 x W 50.5 inches
 
Exhibition View:
 
𝟮) 𝗠𝗘𝗜𝗦𝗘𝗡 𝗦𝗨𝗠𝗠𝗘𝗥 𝗞𝗜𝗠𝗢𝗡𝗢
Japan
ca 1910 -1950’s
Meisen Silk, plain weave
Stencil-printed warp & weft.
 

Currently on view at the Hill Gallery, Kimono: 1910-1950. A curated selection of colorful vintage Japanese Meisen Silk Kimono’s & Haori’s (short jackets).

Tuesday - Saturday: 12-5:30pm

EXHIBITION IMAGE:

Meisen Kimono
1910-1950
Meisen silk, plain weave,
stencil-printed warp & weft.
H 62 x W 50.5 in

Join us tomorrow Saturday, July 15, 1pm-5pm for the opening of 𝙆𝙄𝙈𝙊𝙉𝙊: 1910-1950 an exhibition of vintage Japanese Kimono’s & Haori’s (short jackets)
 
𝗞𝗜𝗠𝗢𝗡𝗢
Japan
1910-1950s
Meisen silk, plain weave, stencil-printed warp & weft
H 62 in x W 50.5 in

Thank you to everyone who attended the fantastic Artist Talk last Saturday. A special thank you goes out to our Moderator Michelle Perron. 🙌
 
🎧 Listen to the conversation between Michelle Andonian & Ann Delisi on WDET - 𝘈𝘯𝘯 𝘋𝘦𝘭𝘪𝘴𝘪’𝘴 𝘌𝘴𝘴𝘦𝘯𝘵𝘪𝘢𝘭 𝘔𝘶𝘴𝘪𝘤 (Link in Bio – Ep 6/24/23, timestamp 59:50)
 
𝗟𝗢𝗦𝗧|𝗙𝗢𝗨𝗡𝗗: 𝗠𝗶𝗰𝗵𝗲𝗹𝗹𝗲 𝗔𝗻𝗱𝗼𝗻𝗶𝗮𝗻 & 𝗛𝘂𝗻𝘁𝗲𝗿 𝗠𝘂𝗹𝗱𝗼𝗼𝗻 has been extended until July 8th.
 

Stop by, cool off whilst viewing our latest exhibition,
𝘓𝘖𝘚𝘛 | 𝘍𝘖𝘜𝘕𝘋: 𝘔𝘪𝘤𝘩𝘦𝘭𝘭𝘦 𝘈𝘯𝘥𝘰𝘯𝘪𝘢𝘯 & 𝘏𝘶𝘯𝘵𝘦𝘳 𝘔𝘶𝘭𝘥𝘰𝘰𝘯.
 
Our summer hours are:
Tuesday-Saturday: 12pm – 6pm
 
𝗜𝗠𝗔𝗚𝗘:
Installation view of Michelle Andonian’s 𝘋𝘦𝘲𝘶𝘪𝘯𝘥𝘳𝘦 𝘊𝘶𝘵 photographs.
 

Thank you to the artists & everyone who came out to the opening on Saturday. So many great moments & encounters.

LOST | FOUND: Michelle Andonian & Hunter Muldoon is on view through June 30th.