Generators Playground

Y’all please take the time to help out this friends family to get help and relocated out of Gaza.

Nick Cooper has brought this to my attention and we are working on efforts to make this happen. If you can find it in your heart to help than please do.

Thanks and many blessings to you.

Helping my family leave Gaza to escape the war, organized by Al Farra We all seen what’s been happening with the war on the Gaza Strip and saw child… Al Farra needs your support for Helping my family leave Gaza to escape the war

Hey I’m gonna be teaching can control classes for this rusto fest coming up next month and I hope you all can make it. Bring your kids and family/friends! I’ll see you on 5pm s mark your calendars 🖤🦙💯

Spray Paint Workshop | HTX ART Intro to Spray Paint with artists Bao Pham

This is gross incompetence and I never imagined it would be this bad. The government is failing so hard that it’s almost impossible to keep up with.

Are you paying attention yet?

“They're trying to build a prison
They're trying to build a prison
They're trying to build a prison for you and me
Oh, baby, you and me” -

This introspective view of the world is worth seeing.

Big ups to the CAMH

Take a peek behind-the-scenes into the world of .

To make her films, Strafer often employs both dolls and human actors, reflecting her interest in the ways that dolls, masking, and other types of stand-ins can serve equally as archetypes of identity, objects of projection, and surrogates or doubles for real people. Periodically, human or silicone hands enter the frames to wipe a doll’s tear with Q-tips, or to caress and reposition it, simultaneously suggesting care, control, and containment.

In a recent interview with BOMB Magazine, Strafer opens up about her artistic style and choice of direction:

“Interchangeability is important to me: between actors and then between dolls and actors. Dolls are a practical decision, a way to make stuff with less people. I'm also attracted to them on an intuitive level. It's fun, and it feels childlike. Play is really important. I don't want to think too much while I’m working, but I do very intensely scrutinize all my decisions before and after making. Interchanging real and fake people is a storytelling device; and since most of the stories are autobiographical, I'm making decisions to take myself out of it as much as possible, because I don't want someone to see my work and think, “Oh, my God. This thing happened to Jordan.” I want them to think, “Oh, God. People are terrible.” I would rather someone think about the symbols in the work. Or, “What is up with this woman’s rash?” “Why are they on a tacky luxury air ambulance?” I would rather the autobiographical aspect be secondary.

Jordan Strafer: Trilogy will open to the public on Thursday, July 27 from 6–9PM.

For more information about this exhibit, visit: camh.org/event/jordan-strafer-trilogy/

We believe no one in our community should go hungry & to support our motto, Free Food Distribution happens twice a month at India House. Join us for the upcoming one. Know more: https://www.indiahouseinc.org/community-support/food-distribution/

Same thing happened to summer street 🧐

big ups for keeping up with new events through Pangea Project

coming soon

welp i guess while we’re waiting for things to pop off w/ the new Pangea Project Presents on October 3rd i should keep everyone up to date with set times and bands for this sunday.

Slow and steady but this ones a word of mouth kinda thing cause we wanted to be more hush during Covid times, as well as being mindful of others.

please follow on instagram for more leads 😊🤫🥳

s/0 to Boombox Taco 🌮 for all his support and the southmorehouse presents ppl for the .

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