G Dan Mitchell Photography

Rethinking some things about FB today. Daily post at my "gdanmitchell" account here and FULL text posts and photographs at my website: https://www.gdanmitchell.com/. See you there?

G Dan Mitchell Photography G Dan Mitchell, photographer and visual opportunist. Posting daily photographs since 2005, along with articles, reviews, news, and ideas.

Sunset, Wildfire Haze. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees in Yosemite wilderness sunset light made colorful by wildfire smoke.

This is one more in the series of photographs I made during a few moments of intensely colorful light one late-season evening in the Yosemite backcountry. The physical location (high, with a clear line of sight to the western horizon) and the presence of wildfire smoke created intensely colorful light just as the sun set. It was one of those exhilarating photographic experiences when something quite unusual happens, but it is so transitory that one must act quickly and photograph almost without conscious thought. I was working quickly, relying on instinct, and trying to respond intuitively to the landscape and the changing light. (Having a lot of prior landscape photography under one’s belt helps a lot in situations like this!0

I suspect that the light in the photograph looks almost unreal. It seemed that way to me at the time, too! In this photograph the hazy quality of the atmosphere is more apparent — take a look between the darker trees and toward the more distant granite slope, where details are muted by this glowing haze.

View, discuss, and more: https://www.gdanmitchell.com/2021/10/03/sunset-wildfire-haze

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Morning, Caffe Trieste. © Copyright 2021 G Dan Mitchell – all rights reserved.

Patrons in line for coffee at Caffe Trieste, San Francisco.

Last week I spend considerable time in San Francisco’s North Beach neighborhood. I’m a member of Studio Nocturne a group of night photographers (descended from “The Nocturnes”) who have been photographing and exhibiting together for decades. Every fall we do an “open studio” as part of The City’s Artspan Open Studio event. This year we were in the Live Worms Gallery on Grant in North Beach. We’ve been in various locations over the years, and I think this may have been one of the best spots we’ve used — lots of foot traffic, lots of places nearby to eat and drink, great atmosphere. (Terrible parking though!)

Each day I arrived an hour or so before we opened, and on the last day, Sunday, I headed a half block up Grant to this famous espresso shop. You might not know it if you just dropped in on a Sunday morning, like I did, but this is a somewhat historic location in San Francisco. In addition to being a meeting place for all sorts of interesting folks for years, it was the first espresso bar on the West Coast.

View, discuss, and more: https://www.gdanmitchell.com/2021/10/02/morning-caffe-trieste

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Trees, Rocky Ridge, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Wildfire smoke turns the sunset deep red on a rock and tree covered Yosemite wilderness ridge.

Every so often the sky coughs up some unbelievable light, and I feel obligated to say that, yes, this really did happen… and perhaps offer an explanation. In this case the story is a combination of location and conditions. This granite dome-like ridge is located in the Yosemite backcountry overlooking a large canyon and with an unobstructed view to the western horizon. That distant horizon is across the Great Central Valley and marked by the Coast Range. Because the ridge is high the line to the sun right at sunset goes though a lot of atmosphere, which tends to soften and warm the light. On top of that, this was the season of widespread wildfire smoke, and that added to the bloody red color of the light on this ridge.

I had been out on an evening walk away from camp that took me up to a high point on the ridge behind this camera position. I made photographs up there and then started to walk along the backbone of the ridge that would take me back to camp. As I came around to this section that is open to the west, the color of the light was just about as intense as it gets. I dropped my camera bag, popped up my tripod, and made a few exposures during the last moments before the sun dropped below the horizon.

View, discuss, and more: https://www.gdanmitchell.com/2021/10/01/trees-rocky-ridge-sunset

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Summit Boulders and Tree, Sunset. © Copyright 2021 G Dan Mitchell – all rights reserved.

Sunset light on the summit of a Yosemite granite dome on a hazy late-summer evening.

Even back before the recent increase in California wildfires, smoke haze was common during the later summer and early autumn months in the Sierra Nevada and, for that matter, over much of the state. For years I noticed that something was different about the atmosphere in September, and it wasn’t until relatively recently that I realized that the hazy softness in the September sky is, at least in part, due to widespread smoke. To be sure, most of the time it this haze is subtle. And, it can also be beautiful in the right situation. On this evening, it softened and warmed the light just before sunset.

We had been camped in this area for several days, and on this evening I took a long and slow walk with my camera. I headed around the far side of the lake that was next to our camp, gradually working my way toward a high point beyond that overlooks one of the great canyons of the Yosemite backcountry. On this summit I found a few glacial erratics and one small tree hiding in their shadow. I paused to make this photograph, then continued on along the spine of the low peak to descend back towards camp on the other side.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/30/summit-boulders-and-tree-sunset

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Islands, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rocky islands with trees at a small wilderness lake in the Yosemite backcountry.

This photograph is almost a companion to the photograph I shared yesterday — same lake, same morning, similar subject, different trees, and islands instead of a peninsula this time. Once again, though, the trees on the islands and ascending the granite slopes beyond are illuminated by beautiful morning Sierra Nevada back light. To those familiar with the Sierra, this scene likely speaks of many things, but perhaps two in particular. First, is the nature of the forest — different from in many other locations, largely due to its generally more open character. (Some have proposed that the “Range of Light” name may be partially on account of this aspect of the Sierra experience.) Second, and perhaps a bit less obvious at first glance, is the evidence of glaciation. This lake was almost certainly scooped out by those forces, and the dome-like slopes beyond also suggest glacial sculpting.

As I have mentioned as recently as my previous post, I love photographing Sierra subjects — especially trees — in backlight, especially if a there is a bit of haze to produce a sense of distance between foreground and back ground and a bit of “glow” in the atmosphere. This kind of light can extend the hours for photography since it often works even when the early and late golden hour light is not present.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/29/islands-wilderness-lake

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Rocky Peninsula, Wilderness Lake. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees grow on a rocky peninsula extending into a Yosemite wilderness lake.

By this point it is probably no secret that I’m a fan of almost any subject that gets backlit. That kind of light is high on my list of things I look for when I doing landscape photography, especially away from the golden hours times. When the light shines from behind trees, their needles and leaves can seem to glow and their color becomes more intense. (A few friends refer to this a “G Dan light,” but I know I’m not alone in this fascination with back light.)

I made this photograph at a Yosemite wilderness lake where we were camped for about a half of a week a few years ago. The scene was perhaps a bit less alpine than the terrain that I’m usually attracted to, but the gentle landscape of this spot grew on me as we spent time there and I explored it. At least twice a day, morning and evening, I wandered out to walk around the edges of this lake, becoming acquainted with its features and the various ways that the light changed throughout the day.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/28/rocky-peninsula-wilderness-lake

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Dome, Last Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

The last light of the day glows on a granite dome in the Yosemite backcountry wilderness.

If your experience with the natural world comes largely from watching media about the experiences of those who travel there… it is possible that your perception is skewed in ways that do not quite correspond to reality. Based on what you'll sometimes see, you could end up thinking that the wilderness is a wild, thrill-a-minute place full of dangerous animals, daring hikes along edges of cliffs and more — all with exciting, bigger-than-life narration and dramatic musical accompaniment. I admit to occasionally falling (happily) for such illusions, but the reality is a lot different. Most of the time little happens. It is quiet. You are alone with your thoughts. There is time and space to just ponder.

The end of a backcountry day is often such a time, and when it comes — as this scene does — from the end of a backcountry season, it can be even quieter and meditative. As a photographer, the last few hours of the day are often busy times as we “work the light” before it is gone. But inevitably, the light eventually fades, and I’m often left standing quietly and just… looking.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/27/dome-last-light

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

East Slope Aspens, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

A large grove of autumn aspen trees extends up the lower reaches of the Eastern Sierra Nevada.

Many of the autumn aspen photographs that we see feature extensive groves tall, straight trees with beautiful white trunks, and sometimes the groves seem to stretch across entire mountains. For the most part, those are not Sierra Nevada aspens! While you can find some similar examples in the Sierra if you look around a lot, most of “our” trees tend to be a bit smaller, and they are often a bit more twisted and gnarly. Some, in fact, are downright small. If you are used to seeing those straight and tall groves… the Sierra may teach you to appreciate different sorts of trees.

However in a few places there are some rather large groves. They frequently show up in places where the aspens have little competition from conifer forest trees — on the tops of some ridges and in some of the sagebrush high country on the eastern flank of the range. This scene is an example of the latter, and the interlocking groves spread across the rise of these hills toward the eastern side of the Sierra in terrain that is otherwise largely open and dry.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/26/east-slope-aspens-autumn

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Forest and Shoreline Boulders. © Copyright 2021 G Dan Mitchell – all rights reserved.

Trees growing on rocky terrain along the edge of a Yosemite wilderness lake.

While this scene is at a specific little lake in the Yosemite National Park wilderness, it might as well be just about anywhere in the Sierra, its features are so typical of the Range of Light, at least in this high elevation forest zone. Many of the lakes reside in glacially carved hollows, and as a result there are often rocky areas surrounding them. The most recent glaciers came recently enough that the soil is rather thin in many places, but everywhere meadows and forest live next to these lakes.

Because it appears that I am photographing across the lake toward this shoreline you might imagine a rather small lake. But there was a small peninsula that allowed me to get out into the lake and photograph the shoreline from a rather close distance. (There was a lot larger expanse of water behind me than in front of me!) In addition to the rocks and the reflections, this scene includes one of my favorites — backlit trees, here given a bit of separation from the background mountain by means of some late summer haze.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/25/forest-and-shoreline-boulders

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Mono Basin, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

A view of Mono Lake, Mono Basin, and surrounding peaks from the base of the Sierra Nevada.

This photograph is another long view of Mono Basin and Mono Lake, with Paoha Island centered in the frame. Paoha Island is, like its companion Negit Island, the product of volcanic activity where a long string of volcanic sites intersects the lake. You can find lots of other volcanic cones on this like both north and south of Mono, including the much taller and older Mono Craters just to the south.

When I first came to Mono Lake and photographed it many years ago, I typically tried to get very close to the edge of the lake, for example photographing tufa formations along its edge. But over the years I’ve become more fascinated by the longer views that take in the vast space in and above the Mono Basin. To really see this it helps to find an elevated location, and there are plenty of them to see if you poke around a bit in and around the Basin. This photograph was made near the base of the eastern escarpment of the Sierra Nevada, and it looks across the lake and beyond to eastern mountains that belong to Nevada’s basin and range terrain.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/24/mono-basin-morning-2

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Wilderness Lake, Late Season Light. © Copyright 2021 G Dan Mitchell – all rights reserved.

Hazy, late-season light at a Yosemite backcountry lake showing signs of autumn color.

On this first day of autumn I am queuing up this photograph to appear on my website a day later. (Some of you may see it on social media on the equinox.) The photograph provokes the question: When does fall actually start, anyway? It might seem like the objective answer would be obvious, but perhaps not as much as we would think. One definition — the most common one — says that fall, or autumn, beings on the date of the autumnal equinox when the sun is again directly overhead at the equator. However, I’m aware of at least two other ways of looking at this. One refers to so-called “meteorological fall,” which I understand to be the months of September, October, and November. (I’ve always felt that these were the months of autumn.) Another method, which also makes a lot of sense, starts and ends the seasons on so-called “cross quarter days,” the days midway between equinox and solstice.

This photograph falls into this gap and illustrates the conundrum. I made the photograph a few years ago when a group of use spent a few days photographing this backcountry Yosemite Lake and its surroundings… near the start of September. The astronomers will tell you it was still summer, but the meteorologists and backcountry travels will note that the scene had a distinctly autumnal quality, especially from the lovely red bilberry plants in the foreground. Whatever system you follow, there was no question that this was a day more full of the sensations of autumn than of summer.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/23/wilderness-lake-late-season-light

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

East Slope Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

Fall colors in an aspen grove along the east slope of the Sierra Nevada.

I hope you’ll pardon me for reverting to the Eastern Sierra fall color theme over the next few weeks. It is that time of year again. (For those of you seeing this photograph and wondering if you just missed this year’s color — this photograph comes from a pervious year.) While I have not been up there recently (soon, I hope!) to see how things are coming along, I’ve heard rumors of folks seeing early color more or less on schedule. We’re still roughly two weeks from what I think of as the start of the core aspen color season, starting in early October and generally lasting through the third week or so.

This scene holds a lot of what I look for in the Eastern Sierra in the fall. There are several sub-groves of aspens running across the scene — you can see them by their different phases in the color transition. Here we also see something that you don’t see everywhere in the Sierra, namely rather tall and straight trees. There is a bit of color from some non-aspen brush in the foreground, in the case of this location because it is at the edge of high sage brush country.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/22/east-slope-aspen-grove

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Sierra Shoreline, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Reflections and soft morning light on on trees and boulders along the shoreline of a Yosemite wilderness lake.

This photograph brings back a bunch of wonderful and somewhat wistful memories. I made it on a weeklong wilderness trip with a group of photographers with whom I’ve been heading into the Sierra backcountry almost every summer for more than a decade. (The “wistful” part of the memories is largely because the pandemic has prevented us from getting together again this summer.) We typically spend that time exploring some beautiful Sierra location, base-camped long enough to really get to know the place. Every morning we emerge from tents in darkness and head out to photograph for hours. We return to camp in the middle of the morning with stories to tell and chores to take care of. Late in the afternoon we head out into the field again, photographing until the light fades and we return to camp in darkness. The we do the same thing the next day.

This trip took us to a beautiful little forested lake in the Yosemite backcountry, a place I had not visited previously even though I had been in the general area quite a few times. The lake is up high, with expansive views from nearby ridges, and surrounded by forest. On most mornings I did a slow circuit around the lake as the light arrived. This lovely section of shoreline was more or less on the opposite side from our camp, and after photographing it more than once I figured out the light well enough that I was able to photograph it in the soft morning light just before the sun arrived, when the water was still smooth.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/21/sierra-shoreline-morning

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Shadow and Wall. © Copyright 2021 G Dan Mitchell – all rights reserved.

The ephemeral shadow of a passing figure on a wall in Manhattan.

One evening in Manhattan, we were out for a walk along the Highline Park. As always, I was carrying a camera. (Yes, I think I drive my family crazy that way.) I’ve been there a number of times, and I’m usually intrigued by the buildings that line this park — their textures, their windows and rooftops, the glimpses of what goes on in them as the life of the park moves past. I think I was trying to think of a way to photograph the texture of this concrete wall when I came upon this bit of light coming across the walkway and casting shadows.

It is hard to recall too many more specifics of the scene, though I have a series of perhaps a half dozen or more photographs, made as various people moved through the lower part of the scene or, more accurately, their vague shadows moved through the scene. When people ask what sort of camera I carry to places like this, my answer is that it is usually a small camera equipped with small prime lenses. This photograph perhaps illustrates why that is. I can always have such a camera with me, I can use it quickly and without much fuss, and it even works in very low light.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/20/shadow-and-wall

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Aspens and Boulders, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An intimate scene of small autumn-colored aspen trees and boulders, Eastern Sierra Nevada.

When it comes to Sierra Nevada photographic subjects, I’m probably as susceptible as anyone to the lure of the big landscape — after all, the scale of these mountains is a big part of what we find so impressive. But I make fewer photographs of those large subjects and far more of odd little bits and pieces that suggest the feelings of the range to me. Many of the most memorable moments in the Sierra involved these anonymous places that many might not stop to photograph. I’m always on the lookout for them, and they form the framework of my relationship with the range.

Scenes and memories from that part of the range are on my mind once again as the start of the fall color season approaches. While there are aspens west of the crest, the largest and to my mind most impressive examples are on the east side. The color should already have begun, and by the beginning of October the transition will accelerate and spread across the range. For a few weeks the color spreads through the groves, gradually working its way south and to lower elevations before it ends late in the month, setting the stage for the arrival of winter.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/19/aspens-and-boulders-autumn

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Mono Lake Islands, Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Morning light and haze on Negit and Paoho Islands, Mono Lake and Mono Basin.

There are many ways to look at Mono Lake, and a seemingly infinite number of viewpoints to use to take those looks. Many of the most common spots are along the western shoreline, not far from US 395. Not far behind are some of the better known tufa formations. But this is a huge lake and its visual presence is part of the experience throughout the Mono Basin and nearby portions of the Eastern Sierra. Wander about this greater landscape a bit and you’ll inevitably find new and often surprising ways to see the lake and its two volcanic islands.

Since there are so many vista points, the specific identity of any one of them seems somewhat beside the point. In this case I was in a high, quiet, and pleasantly lonely area along the eastern front of the Sierra very early in the morning, which gave me a higher perspective and let me clearly see the major mountains beyond the lake to the east. As the photograph was made in autumn, the typical haze in the atmosphere muted the details of the distant mountains.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/18/mono-lake-islands-morning

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

People Standing By Window. © Copyright 2021 G Dan Mitchell – all rights reserved.

Two people stand against a dark wall next to a window, Museum of Modern Art.

This photograph comes from a Manhattan visit a few years back. We usually are there for at least a week each year — though we have not been back since before the start of the pandemic. We miss the place! We have some traditions when it comes to these visits. One is to indulge me in a lot of “museum time.” (The amount of time I’m willing to spend in such places occasionally makes me the butt of family jokes.) We visited the Museum of Modern Art on this visit, and the photograph comes from there.

I’m often a bit surprised — though by how you’d think I would not be — by how interesting I find museums as photographic spaces. They are full of interesting and sometimes unusual architecture, and they are often designed to incorporate a lot of investing lighting, especially natural lighting. In many cases there is some sort of central atrium or similar that creates a tall, vertical open area… and that provides some wild and off-kilter angles of subjects that would look quite different if photographed on their own level. Here a pair of people stands at the base of a stairway, positioned in the angle between a nearly-black wall and a window.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/17/people-standing-by-window

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

A Seal’s Life, Part III. © Copyright 2021 G Dan Mitchell – all rights reserved.

A solitary elephant seal nappping on a Southern California beach.

Here is one more — and probably the last for now — in the little “Seal’s Life” series. (I resisted the temptation to call in “lounging seals” or “lazy seals” or similar.) The photographs in the set all came from a very brief visit to an easily accessible location along the shoreline below the Big Sur coast. We took that longer route on a drive to Southern California, and we decided to stop as we passed this spot, despite having stopped there many times before and despite the somewhat uninspiring lighting conditions. It is hard to resist visiting these critters!

In the other posts I mentioned the contrast between the appearance of these creatures on land, where they are somewhere in the lazy to lumbering zone, and their purported speed and grace in the water. I’m not a diver, so I’ve never seen the latter — I just get to see (and hear and smell…) them on the beach. On the day we visited, almost all of them were engaging in pretty much the same activity as this one, namely not much activity at all. The head lifted from time to time, a flipper of sand was sent onto the back, a seal rolled over… but the whole scene was mostly one of apparent sloth.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/16/a-seals-life-part-iii

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Autumn Brush and Trees, Eastern Sierra. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brush and trees begin to take on autumn colors along the base of the eastern Sierra Nevada.

My first memories of Sierra Nevada aspen trees could not be more different than what we see in this photograph. Those early experiences came on backpacking trips when trails briefly traversed small groves. I’m thinking of several of them as I write this — a small section along a trail to Cathedral Lakes, arriving at such groves when descending from the crest on the east side, various other backcountry locations. I always associated them with the “High Sierra,” the high elevation, forested wilderness that lies below the exposed high peaks.

It was much later that my perception evolved and encompassed the recognition that these trees can be part of what is essentially a high desert terrain just as easily. I recall a drive east of US 395 into such an area a few decades ago on which I was surprised to find groves of aspens surrounded by rangeland and no other trees. I soon became aware of what had always been there but which I had not noticed — small groups of such trees all along and near the base of the eastern Sierra. This small grove, along with a bunch of shorter brush, grows in a small creek bed passing through an area that is otherwise profoundly dry and seemingly barren.

View, discuss, and more: https://www.gdanmitchell.com/2021/09/15/autumn-brush-and-trees-eastern-sierra

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.