Vienna Symphonic Library
Award-winning music production software for all genres. Get inspired by Vienna’s libraries!
Marina Dimitrova, renowned concertmaster and first violinist of the Synchron Stage Orchestra, was asked by Herb Tucmandl, CEO of the Vienna Symphonic Library/Synchron Stage, to compare our new Synchron Solo Violin with the original instrument. How do they compare? We let you decide! Check out the full video on our YouTube 📼
Our piano robot 🤖 was hired back in 2019 and hasn't complained since then! We have to admit, he did a wonderful job on all our Synchron Pianos! 🎹🎶
Seems like a good time to repost a short excerpt of our rather famous piano comparison with highly acclaimed pianist . Originally published on our Synchron Stage YouTube channel quite a while ago, this gem is still worth a (re)view.! 🎹
🎹🎶 A good piano VST is the heart of any musician's template, and Guy Michelmore from ThinkSpace Education knows it!
Check out the full-length video on Guy Michelmore's Youtube channel! Which piano is your favorite?
In case you haven't seen it yet – enjoy LEWITT's exclusive tour of our with chief recording and mixing engineer Bernd Mazagg.
Innovative and huge recording studio in Vienna - Synchron Stage
Find out which one is yours: https://www.vsl.co.at/Synchron_Pianos_Bundle
FREE DEMO LICENSES for you to check out!
Stephan Huber knows his business. Check out the latest addition to our decca tree! 🦆
The Epic Weeks just began!
Equip yourself with everything you need to create massive scores, expansive soundscapes and powerful rhythms.
https://www.vsl.co.at/en/News/2024-06_Epic_Weeks
What music-making process do you dislike and why?
Is it bureaucracy, dealing with annoying clients in endless feedback loops, or just a personal aversion to editing drum recordings? Let us know below!
Levente Kovacs walks you through his latest audio demo called "A Duck's Tale" (or is it "A Duck's Dream?). Get inspired and check out many cool tricks you can also use in your next composition!
Is there an AI-tool you use on a daily basis?
How you do add suspense to you composition?
VTohier Composer knows what he's doing. Join him on his journey!
YES, IT'S TRUE!
We’re Hiring a new Marketing Assistant (full-time) in Vienna!
We’re looking forward to receiving your application, describing your motivation, your skills, and your previous professional experiences! Please send your application to: [email protected]
Two important QUESTIONS:
1. Have you participated in our YT Giveaway yet?
Check out the "30K Subscribers - WIN 3x500 EUR Vouchers!" - on our YouTube.
2. Can you name this MIR location?
Does it sound real? Fabio Amurri shows you through the instruments provided with our new Synchron World Percussion, which is now also available with free demo licenses!
ROUND 2!
Our percussion specialist at Synchron Stage Vienna and Vienna Symphonic Library, Andreas Olszewski, shows you our new Synchron World Percussion instruments, one by one, from his perspective. Tell us! Which one's your favorite?
"These strings are wonderful—They are sweet and expressive and sound like “Hollywood” right out of the box."—Jay Bacal
Here is Jay’s performance of Alan Silvestri’s “End Credits” cue from the film “Contact.” He uses Duality Strings Con Sordino exclusively (no other string libraries). Recorded at Synchron Stage.
Any advice for balancing creativity and commercial appeal?
Authentic Grooves as MIDI Loops. All drums and percussion instruments were recorded in the large hall of and therefore blend seamlessly with all the other sampled instruments captured in this magnificent scoring stage.
Introductory Offer through May 1, 2024. Go to Bio to find out more!
Klicken Sie hier, um Ihren Gesponserten Eintrag zu erhalten.
History
Vienna Symphonic Library (VSL) is one of the leading developers of sample libraries and music production sortware for classical orchestral music. The company is located in a landmark protected building, called Synchron Stage Vienna based in the Austrian capital's 23rd district.
The company was founded in Vienna in October 2000 by Herbert Tucmandl. In the 1990s, Tucmandl, a former cellist, later cameraman, director and composer used some of the available first-generation sample libraries for the creation of his own film scores. He was unsatisfied with the sonic results of those products, so Tucmandl began to develop a concept for a more realistic sounding orchestral sample library. He realized that note transitions (e.g., legato) and multiple note repetitions were also needed to enhance playability.
As the first step, the company designed and built a custom recording facility, called “Silent Stage”, for recording orchestral samples. Over several years Tucmandl invited singers, musicians, ensembles, orchestras there. Many of the musicians whose playing is featured in the final VSL products are or were members of Viennese orchestras. The first product was released in December 2002, including modules for strings, brass, woodwinds and classical percussion. In 2005 the company released their own sample player, the “Vienna Instruments” player, the reverberation application was released under the brand name “Vienna MIR”.
In March 2016, the Vienna Symphonic Library business offices moved into a new recording facility at Synchron Stage Vienna. VSL ushers in a new era in April 2017 with the release of “Synchron Percussion I” that was recorded at the newly revitalized scoring stage. 16 percussion instruments were captured with a phase-controlled multi-microphone set-up, making it the first sample library that provides several available microphone positions also for immersive sound mixes. In December 2017 Synchron Strings I were added to the new Synchron Series.
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