The Cinematheque

DIM Cinema
MUSEUM HOURS
Austria/USA 2012 | Jem Cohen | 106 min.

June 26 (Wednesday) 7:00 pm

In Jem Cohen’s MUSEUM HOURS, Anne, summoned from Montreal in midwinter to keep vigil over a hospitalized cousin finds refuge in the grand Historisches Museum, and forms a bond with Johann, exploring the city, art, and each other’s lives.

“In its modest and unassuming way, MUSEUM HOURS is a total experience, composed of people, sights, sounds, history, travel, argument, speculation, fantastic beauty, and ordinary life, woven together and maintained in aerodynamic tension. It is no more reducible than a day in spring.”
—Lucy Sante, writer and critic

https://thecinematheque.ca/films/2024/museum-hours

✨ New Restorations
RETURN TO REASON: SHORT FILMS BY MAN RAY
70 min.

June 24 & 29, July 1

Man Ray’s forays into filmmaking, wildly improvisational and unapologetically fragmentary, find the artist exploding the cinematic medium. Includes RETURN TO REASON, EMAK BAKIA, L’ÉTOILE DE MER, and LES MYSTÈRES DU CHÂTEAU DE DÉ.

“These four films by Man Ray take us back to the heady days of surrealism, when the essential properties of cinema could be turned against narrative logic, producing moods and gestures more akin to poetry and music.”
—Michael Sicinski, Viennale 2023

https://thecinematheque.ca/films/2024/man-ray

📽 Event
WEST COAST FILM ARCHIVE PRESENTATION
Free Admission

June 22 (Saturday) 4:00 pm

Did you know The Cinematheque is home to a film archive containing works by some of BC’s most important filmmakers? We’ll be projecting a few of these local treasures as part of an illuminating presentation by Film Archive Resident Liam Schell, an MA student in Film and Photography Preservation and Collections Management at Toronto Metropolitan University.

Join us to learn more about the world of film preservation and watch films presented in all their analogue glory! Have you ever wondered how film prints are stored? Are you curious about the different ways film can deteriorate? Do you just want to see beautiful 16mm footage of Vancouver? Be sure to attend this free event, featuring 16mm acetate and polyester prints from The Cinematheque’s one-of-a-kind West Coast Film Archive.

https://thecinematheque.ca/events/2024/archive-presentation

JLG Forever
A MARRIED WOMAN
Une femme mariée
France 1964 | Jean-Luc Godard | 95 min.

June 20 & 28, July 3

Subtitled “Fragments of a film shot in 1964,” Godard’s A MARRIED WOMAN is a high-style, free-form exercise in the sociology of contemporary womanhood, centring on 24 hours in the life of Charlotte (Macha Méril).

“A tour de force…A shimmering network of inferences…A passionate essay about women, men, and the culture of sex.”
—James Monaco, 𝘛𝘩𝘦 𝘕𝘦𝘸 𝘞𝘢𝘷𝘦



https://thecinematheque.ca/films/2024/married-woman

JLG Forever
FOR EVER MOZART
Switzerland/France 1996 | Jean-Luc Godard | 84 min.

June 20 & 28

FOR EVER MOZART, Godard’s “last classical film” by his own description, wrestles with a subject unshakeable for the great auteur: the inadequacy of art to faithfully render, or meaningfully alter, the realities of war.

“A melancholy, exquisitely beautiful elegy to the dream of movies as high art.”
—Stephen Holden, 𝘛𝘩𝘦 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘛𝘪𝘮𝘦𝘴



https://thecinematheque.ca/films/2024/for-ever-mozart

Our Stories to Tell
NATIONAL INDIGENOUS PEOPLES DAY: PÊYAKOTÊWISIWIN
Jules Arita Koostachin
83 min. | Free Admission

June 21 (Friday) 7:00 pm

For this 2024 celebration of National Indigenous Peoples Day, Our Stories to Tell showcases the short films of Jules Arita Koostachin. The four shorts in this program all celebrate and uplift Koostachin’s pêyakotêwisiwin, as her four sons appear throughout the films. We witness the value Koostachin places on her culture and the importance of imparting the InNiNeWak ways on her boys so they may foster a strong sense of identity and connection to Attawapiskat and AsKi (Earth).

PLACEnta
NiiSoTeWak: Two Bodies, One Heart
OshKiKiShiKaw: A New Day
MisTik

𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗱𝗶𝗿𝗲𝗰𝘁𝗼𝗿 𝗝𝘂𝗹𝗲𝘀 𝗔𝗿𝗶𝘁𝗮 𝗞𝗼𝗼𝘀𝘁𝗮𝗰𝗵𝗶𝗻.

https://thecinematheque.ca/films/2024/nipd-peyakotewisiwin

Frames of Mind
ON THE ADAMENT
Sur l’Adamant
France/Japan 2023 | Nicolas Philibert | 109 min. | Rated PG

June 19 (Wednesday) 7:00 pm

Floating on the Seine River in the heart of Paris, the Adamant is a therapeutic day centre whose distinct architectural form—resembling that of a wooden spaceship-turned-barge—defies the clinical setting. Developed in collaboration with staff and persons living with mental illness, the centre opened in July 2010 and operates as part of the Esquirol psychiatric service of the Saint-Maurice hospital network. Winner of the Golden Bear at last year’s Berlinale, ON THE ADAMANT is a tender portrait of collaborative and community-oriented care.

“Compassionate, intelligent, and shrewdly observed … There is a gentle and very happy sense of freedom and possibility aboard the Adamant, and there is enormous warmth, sympathy, and human curiosity in this film.”
—Peter Bradshaw, 𝘛𝘩𝘦 𝘎𝘶𝘢𝘳𝘥𝘪𝘢𝘯

𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗱𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻 𝘄𝗶𝘁𝗵 𝗕𝗮𝗿𝗯𝗮𝗿𝗮 𝗙𝗲𝗲 𝗮𝗻𝗱 𝗗𝗮𝘃𝗲 𝗠𝗮𝗰𝗗𝗼𝗻𝗮𝗹𝗱 𝗼𝗳 𝗣𝗮𝘁𝗵𝘄𝗮𝘆𝘀 𝗖𝗹𝘂𝗯𝗵𝗼𝘂𝘀𝗲.

https://thecinematheque.ca/films/2024/adamant

🍿 Film Club
COYOTE VS. ROAD RUNNER AND OTHER LOONEY TUNES
73 min. | Rated G

June 16 (Sunday) 10:30 am

This 10-film showcase starring Bugs Bunny, Daffy Duck, Road Runner, Tweety Bird, and Wile E. Coyote, among others, is quintessential Looney Tunes: loud, sure, violent yes, but also tender, existential, and operatic!

“Chuck Jones is out to make you laugh, bluntly and, as it turns out, cold-bloodedly…Ridiculousness is behind every Jones gag, but it is labyrinthine in effect because of how much gentleness is mixed in along with an infinite response to one animal’s brass hunger, manipulative power, or blinding speed.”
—Manny Farber, 𝘛𝘩𝘦 𝘕𝘦𝘸 𝘙𝘦𝘱𝘶𝘣𝘭𝘪𝘤

https://thecinematheque.ca/films/2024/coyote-vs-road-runner

Shimizu Hiroshi
SOUND IN THE MIST
霧の音
Japan 1956 | Shimizu Hiroshi | 84 min.

June 17 & 23

A highpoint in the director’s especially underseen 1950s output, SOUND IN THE MIST demonstrates Shimizu’s delicate hand in wringing poetry from tales of heartbreak and longing. This lyrical adaptation of a play by Hojo Hideji stars Naruse regular Uehara Ken (𝘙𝘦𝘱𝘢𝘴𝘵) as Onuma Kazuhiko, a botany professor engaged in an extramarital affair in the Japanese Alps.

Supported by Japan Foundation, New York

https://thecinematheque.ca/films/2024/sound-mist

Shimizu Hiroshi
IMAGE OF A MOTHER
母のおもかげ
Japan 1959 | Shimizu Hiroshi | 89 min.

June 16 & 22

IMAGE OF A MOTHER, the final film of unsung auteur Shimizu Hiroshi, is a moving domestic drama in the register of Ozu Yasujiro, the director’s lifelong friend and occasional collaborator.

Though little of this farewell film is known in the West, the National Film Archive of Japan, instrumental to this year’s stateside Shimizu retrospective, counts it among the director’s supreme achievements.

Supported by Japan Foundation, New York

https://thecinematheque.ca/films/2024/image-mother

Shimizu Hiroshi
MR. SHOSUKE OHARA
小原庄助さん
Japan 1949 | Shimizu Hiroshi | 91 min.
📽 16mm Print

June 14 (Friday) 8:35 pm

MR. SHOSUKE OHARA, a contemporary tragicomedy about the undoing of a nobleman, was singled out by ’80s auteur Somai Shinji as one of his favourite Japanese pictures. It’s not hard to see why.

“One of Shimizu’s richest comedies.”
—Alan Stanbrook, 𝘚𝘪𝘨𝘩𝘵 𝘢𝘯𝘥 𝘚𝘰𝘶𝘯𝘥

Supported by Japan Foundation, New York

https://thecinematheque.ca/films/2024/shosuke-ohara

Shimizu Hiroshi
CHILDREN OF THE BEEHIVE
蜂の巣の子供たち
Japan 1948 | Shimizu Hiroshi | 86 min.
📽 35mm Print

June 14 & 22

An astonishing work of pathos and postwar social realism, Shimizu’s CHILDREN OF THE BEEHIVE masterfully plays to the director’s strengths in its blend of travel, tracking camerawork, and the orbits of children.

“Certainly the masterpiece of Shimizu’s postwar career, it is also one of the outstanding neorealist films.”
—Alexander Jacoby, 𝘚𝘦𝘯𝘴𝘦𝘴 𝘰𝘧 𝘊𝘪𝘯𝘦𝘮𝘢

𝗧𝗵𝗲 𝗝𝘂𝗻𝗲 𝟭𝟰 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝘄𝗶𝗹𝗹 𝗯𝗲 𝗶𝗻𝘁𝗿𝗼𝗱𝘂𝗰𝗲𝗱 𝗯𝘆 𝗦𝗵𝗮𝗿𝗼𝗻 𝗛𝗮𝘆𝗮𝘀𝗵𝗶, 𝗰𝗵𝗮𝗶𝗿 𝗮𝗻𝗱 𝗮𝘀𝘀𝗼𝗰𝗶𝗮𝘁𝗲 𝗽𝗿𝗼𝗳𝗲𝘀𝘀𝗼𝗿 𝗶𝗻 𝘁𝗵𝗲 𝗗𝗲𝗽𝗮𝗿𝘁𝗺𝗲𝗻𝘁 𝗼𝗳 𝗖𝗶𝗻𝗲𝗺𝗮 & 𝗠𝗲𝗱𝗶𝗮 𝗔𝗿𝘁𝘀 𝗮𝘁 𝗬𝗼𝗿𝗸 𝗨𝗻𝗶𝘃𝗲𝗿𝘀𝗶𝘁𝘆.

Supported by Japan Foundation, New York

https://thecinematheque.ca/films/2024/children-beehive

🆕 Series
FOUR POSTWAR FILMS BY SHIMIZU HIROSHI
June 14–23

The Cinematheque has plucked four gems from this year’s historic touring exhibition, each produced during Shimizu’s brilliant (and neglected) postwar career after he left Shochiku and formed his own independent studio, Hachinosu Eiga.

“People like me and Ozu get films made by hard work, but Shimizu is a genius.”
—Mizoguchi Kenji

CHILDREN OF THE BEEHIVE (35mm Print)
MR. SHOSUKE OHARA (16mm Print)
IMAGE OF A MOTHER
SOUND IN THE MIST

Supported by Japan Foundation, New York


https://thecinematheque.ca/series/shimizu-hiroshi

PELAN Presents
THE SILHOUETTES
Iran/Philippines 2020 | Afsaneh Salari | 80 min.

June 13 (Thursday) 7:00 pm

THE SILHOUETTES, by director Afsaneh Salari, co-founder of the Docmaniacs collective, tells the story of Assad and Sharbanoo Safari, a couple who fled war-torn Afghanistan thirty years ago and sought a more peaceful life in Iran.

Jury Special Mention for Best Documentary Feature
Visions du Réel 2020

𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗮𝘂𝗱𝗶𝗲𝗻𝗰𝗲 𝗱𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻 𝗺𝗼𝗱𝗲𝗿𝗮𝘁𝗲𝗱 𝗯𝘆 𝗣𝗘𝗟𝗔𝗡.

https://thecinematheque.ca/films/2024/silhouettes

Vancouver Greek Film Festival
ANIMAL
Greece/Austria/Romania/Cyprus/Bulgaria 2023 | Sofia Exarchou | 116 min.

Closing Night
June 27 (Thursday) 6:30 pm

Writer-director Sofia Exarchou’s ANIMAL, an under-the-radar festival hit, explores the harsh labour conditions at an all-inclusive resort hotel on an unnamed Greek island.

“A profoundly moving work with a subtle political message to match its aesthetic accomplishments.”
—Savina Petkova, 𝘊𝘪𝘯𝘦𝘶𝘳𝘰𝘱𝘢

https://thecinematheque.ca/films/2024/animal

Vancouver Greek Film Festival
THE KILLING OF A SACRED DEER
Ireland/United Kingdom 2017 | Yorgos Lanthimos | 121 min. | Rated 14A

June 15 & 23

Inspired by the Greek tragedy 𝘐𝘱𝘩𝘪𝘨𝘦𝘯𝘪𝘢 𝘪𝘯 𝘈𝘶𝘭𝘪𝘴 by Euripides, Lanthimos’s THE KILLING OF A SACRED DEER is a chillingly note-perfect masterpiece of psychological horror and a suspenseful interrogation of the themes of fate and karmic retribution.

“Lanthimos is less interested in moral shock therapy or social criticism than in aesthetic estrangement. SACRED DEER feels like a dark, opaque bit of folklore transplanted into an off-kilter modern setting.”
—A.O. Scott, 𝘛𝘩𝘦 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘛𝘪𝘮𝘦𝘴

https://thecinematheque.ca/films/2024/killing-sacred-deer

Vancouver Greek Film Festival
THE LOBSTER
Ireland/United Kingdom/Greece/France/Netherlands 2015 | Yorgos Lanthimos | 118 min. | Rated 14A

June 15 & 27

After his wife dumps him for another man, David (Colin Farrell) is detained at a hotel where single people have 45 days to find a life partner, otherwise they will be transformed into an animal of their own choosing. Yorgos Lanthimos effortlessly blends realism with horror and the absurd in THE LOBSTER, his English-language debut.

𝗽𝗿𝗲𝗰𝗲𝗱𝗲𝗱 𝗯𝘆
NIMIC
Germany/​United Kingdom/​USA 2019 | Yorgos Lanthimos | 12 min.

“The encounter of a professional cellist and family man (Matt Dillon) with a stranger on the subway has unexpected and far-reaching consequences on his life” (official synopsis). A pungent distillation of director Lanthimos’s darkly uncanny vision in short form.

https://thecinematheque.ca/films/2024/lobster-nimic

Vancouver Greek Film Festival
FACE TO FACE
Πρόσωπο με πρόσωπο
Greece 1966 | Roviros Manthoulis | 84 min.
✨ New Restoration

June 12 & 16

In Manthoulis’s newly restored FACE TO FACE, a poor English teacher, hired by a wealthy family to tutor their daughter, comes face to face with the family’s values as he navigates the romantic overtures of both the daughter and her mother.

Best Director
Thessaloniki Film Festival 1966

https://thecinematheque.ca/films/2024/face-to-face

Vancouver Greek Film Festival
SINGAPORE SLING
Singapore Sling: Ο Άνθρωπος που Αγάπησε ένα Πτώμα
Greece 1990 | Nikos Nikolaidis | 111 min.
✨ New Restoration

June 7 & 24

Nikos Nikolaidis pushed the boundaries of art cinema with SINGAPORE SLING, a little-known treasure of Greek grindhouse and a compendium of transgressive cult cinema tropes.

“[An] ultra-twisted version of Otto Preminger’s 𝘓𝘢𝘶𝘳𝘢. Features the most beautiful deep-focus black-and-white cinematography you’ve ever seen, plus a good dose of erotic vomiting.”
—Kier-La Janisse

https://thecinematheque.ca/films/2024/singapore-sling

Vancouver Greek Film Festival
TOO LATE BLUES
USA 1961 | John Cassavetes | 103 min.
📽 35mm Print

June 7 & 12

TOO LATE BLUES is a parable of the tensions between art and commerce, described by Dennis Lim as “something like a confessional manifesto from the emerging director.”

“One of the more impressive Hollywood movies to be set in the hip, flip jazz world.”
—Geoff Andrew, 𝘛𝘪𝘮𝘦 𝘖𝘶𝘵

https://thecinematheque.ca/films/2024/too-late-blues

Vancouver Greek Film Festival
Z
France/Algeria 1969 | Costa-Gavras | 127 min. | Rated PG

🍾 Opening Night
June 6 (Thursday) 7:00 pm

Z, a shocking and suspenseful political thriller, deals with fascism and was intended by director Costa-Gavras as a political protest against the Greek government.

“A film of our time … It will make you weep and will make you angry. It will tear your guts out … Z is at the same time a political cry of rage and a brilliant suspense thriller.”
—Roger Ebert, 𝘊𝘩𝘪𝘤𝘢𝘨𝘰 𝘚𝘶𝘯-𝘛𝘪𝘮𝘦𝘴

https://thecinematheque.ca/films/2024/z

Third Annual
VANCOUVER GREEK FILM FESTIVAL
June 6–27

This year’s edition includes a spotlight on Yorgos Lanthimos, new restorations from the Greek Film Archive and American Genre Film Archive, and standout works by Costa-Gavras, John Cassavetes, and Sofia Exarchou.

“The essence of Greek cinema is its diverse and intricate embrace of how to picture life’s experiences.”
—Christos Dikeakos

Z
TOO LATE BLUES
SINGAPORE SLING
FACE TO FACE
THE LOBSTER
THE KILLING OF A SACRED DEER
ANIMAL

https://thecinematheque.ca/series/third-annual-vgff

The Film Musical
GOLDEN EIGHTIES
Belgium/France/Switzerland 1986 | Chantal Akerman | 96 min. | Rated PG
✨ New Restoration

June 29 & 30, July 3

Chantal Akerman’s GOLDEN EIGHTIES, a deeply personal, totally extroverted musical, is completely contained within a shopping mall. displaying the director’s increasingly heightened tendency in the 80s toward crowded casts and choregraphed movement.

“Glorious … Set in a stifling mall and popping with pastel clothes, its lovelorn characters sing of their dreams, sometimes backed up by a chorus of hairdressers.”
—Cristina Cacioppo, 𝘔𝘜𝘉𝘐 𝘕𝘰𝘵𝘦𝘣𝘰𝘰𝘬

https://thecinematheque.ca/films/2024/golden-eighties

The Film Musical
RED PSALM
Még kér a nép
Hungary 1971 | Miklós Jancsó | 84 min.
✨ New Restoration

June 10 & 30

Miklos Jancsó won Best Director honours at Cannes for RED PSALM, one of his pinnacle achievements. The film recounts, in fervid, balletic, and bloody fashion, a farm workers’ rebellion on a large Hungarian estate in the late 19th century.

“RED PSALM, like all great films, raises more questions than it answers … Strange as it may seem, RED PSALM [also] qualifies as a musical, and might encourage a (long overdue) revision of concepts of that genre.”
—Raymond Durgnat, 𝘙𝘰𝘶𝘨𝘦

https://thecinematheque.ca/films/2024/red-psalm

The Film Musical
ALL ABOUT LILY CHOU-CHOU
リリイ・シュシュのすべて
Japan 2001 | Iwai Shunji | 146 min.
✨ New Restoration

June 8 & 18

With unflinching and sometimes brutal clarity, Iwai’s breakthrough youth epic ALL ABOUT LILY CHOU-CHOU intuitively understands and gives expressive weight to the way digital technology has altered communal experience.

“Flashbacks are scant signified, and jump cuts leave out massive amounts of motivating incident, but LILY CHOU-CHOU is a precision-made mystery tour, and possibly the loveliest film ever shot on high-def video.”
—Michael Atkinson, 𝘝𝘪𝘭𝘭𝘢𝘨𝘦 𝘝𝘰𝘪𝘤𝘦

https://thecinematheque.ca/films/2024/lily-chou-chou

The Film Musical
DANCER IN THE DARK
Denmark/Sweden/France/Iceland 2000 | Lars Von Trier | 140 min. | Rated 14A
📽 35mm Print

June 1, 4, 9

Between her masterpieces 𝘏𝘰𝘮𝘰𝘨𝘦𝘯𝘪𝘤 and 𝘝𝘦𝘴𝘱𝘦𝘳𝘵𝘪𝘯𝘦, Björk wrote, produced, and performed the songs for DANCER IN THE DARK, a menace of a musical that at turns embodies and collapses all the strengths of the genre.

“DANCER IN THE DARK is not like any other movie out this week, or this year. It smashes down the walls of habit that surround so many movies. It returns to the wellsprings. It is a bold, reckless gesture.”
—Roger Ebert, 𝘊𝘩𝘪𝘤𝘢𝘨𝘰 𝘚𝘶𝘯-𝘛𝘪𝘮𝘦𝘴

https://thecinematheque.ca/films/2024/dancer-dark

The Film Musical
THE DISCIPLE
India 2020 | Chaitanya Tamhane | 128 min.

June 1 & 3

The pressure of the guru-disciple dynamic in the making of classical Indian music provides the tightly regulated focus of Chaitanya Tamhane’s richly detailed and surprising second feature THE DISCIPLE.

“Filled with soaring musical passages, the movie is finally a meditative, unsparing if compassionate exploration of the ineffable chasm between inspiration and industry, between greatness and the desire to be great.”
—Manohla Dargis, 𝘛𝘩𝘦 𝘕𝘦𝘸 𝘠𝘰𝘳𝘬 𝘛𝘪𝘮𝘦𝘴

https://thecinematheque.ca/films/2024/disciple

GIVEAWAY!⁠
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The Cinematheque presents the third annual Vancouver Greek Film Festival, June 6 - 27! ⁠
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“We hope that the third annual Vancouver Greek Film Festival will continue our tradition of introducing a more contemporary experience of Greek culture to diverse audiences in the Lower Mainland. We’re excited to be able to share this tightly curated program that offers a unique chance to discover the richness and layers of Greek cinema.” - Christos Dikeakos, visual artist and co-founder of the VGFF⁠
⁠
Enter to win two tickets to the screening of your choice during this year's festival.⁠
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To enter: ⁠
⁠
Follow The Cinematheque & Stir Vancouver
Tag your Greek Cinema loving friends (more comments + more entries) ⁠
⁠
⁠
Contest closes Tuesday, May 28 at 11:59PM PST. The winner will be selected at random and contacted by Stir Vancouver the following day. ⁠
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More info: https://thecinematheque.ca/series/vancouver-greek-film-festival
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Film still: The Lobster, screening June 15 & 27

New Cinema
IN OUR DAY
우리의 하루
South Korea 2023 | Hong Sangsoo | 84 min.
🤩 Vancouver Premiere!

May 31–June 10

Hong Sangsoo’s 30th feature film and second of 2023, IN OUR DAY, finds the Korean auteur in a tender and particularly ponderous mood, staging parallel stories that, while never intersecting, echo each other in tantalizingly indirect ways.

“[A] sliver of light and delight … The joy of his elusive movie-morsels is that the more one puzzles over their uneven surfaces, the more they glow, like polished pebbles.”
—Jessica Kiang, 𝘝𝘢𝘳𝘪𝘦𝘵𝘺

https://thecinematheque.ca/films/2024/in-our-day

Our Stories to Tell
POWERLANDS
USA 2022 | Ivey Camille Manybeads Tso | 75 min. | Rated G

May 29 (Wednesday) 7:00 pm

Navajo filmmaker Ivey Camille Manybeads Tso’s debut feature documentary POWERLANDS illuminates the resistance and activism of land and water protectors around the world.

Best Feature
American Indian Film Festival 2022

𝗣𝗼𝘀𝘁-𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴 𝗤&𝗔 𝘄𝗶𝘁𝗵 𝗱𝗶𝗿𝗲𝗰𝘁𝗼𝗿 𝗜𝘃𝗲𝘆 𝗖𝗮𝗺𝗶𝗹𝗹𝗲 𝗠𝗮𝗻𝘆𝗯𝗲𝗮𝗱𝘀 𝗧𝘀𝗼 (𝘃𝗶𝗮 𝗭𝗼𝗼𝗺).

https://thecinematheque.ca/films/2024/powerlands