JRPIEditions

📣 NEW RELEASE: We are excited to announce that “The Does” by Matthew Lutz-Kinoy is now available exclusively on !⁠
⁠
In partnership with Mendes Wood DM and Mennour⁠
⁠
The Does, 2024⁠
Edition of 99⁠
Print on Swiss Cotton⁠
160 cm x 105 cm (63 in. x 41.34 in.)⁠
⁠
🔗 Want to add it to your collection? The piece is available now on www.jrp-editions.com⁠ ⁠
⁠

📚 Save the date! Join us on Saturday, November 16 to celebrate the launch of Dorothy Iannone’s publication “Love is Forever, Isn’t It?,” taking place at Air de Paris!⁠
⁠⁠
BOOK LAUNCH:⁠
📅 Saturday, November 16, from 3 to 6pm⁠
📍 Air de Paris⁠
👥 ⁠ Readings and conversations with Joanna Zielinska, Florence Bonnefous, Ana Mendoza Aldana, Clément Dirié, and guests.⁠
⁠
On the occasion of the first event organized by Club Dorothy at Air de Paris, the book “Love is Forever, Isn’t It?,” published in collaboration with the Museum of Contemporary Art Antwerp in Spring 2024, will be launched. The event will host the release of the new limited-edition lithograph by Iannone, “Irreconcilable Polarities Meeting in Art (The Berlin Beauties),” coming soon on . Visitors can also discover an exhibition of unseen archives, including letters, photographs, and new publications.⁠
⁠
🔗 Available now on www.jrp-editions.com⁠
⁠
⁠ .ltd

LAUNCHING SOON: Our first collaboration with artist Matthew Lutz-Kinoy—a limited-edition print on cotton titled “The Does”, will be released this week on !⁠

In partnership with Mendes Wood DM and Mennour
⁠
“The Does” is part of a series inspired by the 20th-century English master potter Bernard Leach’s glazed ceramics in which the deer is an iconic animal motif. Matthew Lutz-Kinoy plays with copy and repetition giving the deer a sense of movement like choreography or even a potential narrative. Drawing from modern craft as much as Japanese tradition and echoing parietal cave paintings as well as performing art, “The Does” is emblematic of Lutz-Kinoy’s practice.⁠
⁠
📌 Thursday, November 14 at 6pm (Paris), 12pm (New York)
⁠
🔗 Register your interest via the link in bio on www.jrp-editions.com ⁠or via email at [email protected]⁠

Carroll Dunham’s work is featured in a duo show with Laurie Simmons, currently on view at Le Consortium in Dijon until March 23, 2025!⁠
⁠
The exhibition offers an opportunity to see two significant bodies of work created by both artists over the past thirty years. Envisioned as a “marriage” of two monographic exhibitions, it brings together some twenty works by Laurie Simmons and about twenty by Carroll Dunham. The exhibition thus provides a chance to see their work together and discover possible connections. It is not a “Game of Seven Errors,” nor is it about looking for examples of what the other had already done. Instead, the show invites the viewer to discern—or not—common concerns or forms in both oeuvres which have “grown up together.” ⁠
⁠
📷 ⁠Le Consortium⁠
⁠
⁠
🔗 Discover more about Carroll Dunham via the link in bio.

NEW RELEASE: three series of evocative monotypes and a lithograph by American painter Ann Craven, in collaboration with KARMA & JRP|Editions, are now available exclusively on !⁠ ⁠
⁠
🔗 Don’t miss the chance to make them yours via the link in bio or directly on www.jrp-editions.com⁠ ⁠
⁠
The collection features four works combining limited-edition lithography and unique monotypes. Quiet Moon (2024), a 7-color lithograph, depicts the moon rising over Maine’s Saint George River in an edition of 75. The monotype series includes Bleeding Heart Fade (2024), 12 unique pieces symbolizing devotion and love for family; Full Lovers Moon (2024), 6 monotypes inspired by the artist’s fascination with the moon; and Dahlia’s (For the Pink Moon) (2024), a series of 11 monotypes reflecting the artist’s personal memories and inspirations. Each piece is signed, dated, and titled by the artist.⁠
⁠
Produced by Derriere L’Etoile Studios⁠

Unveiling the first collaboration between renowned American artist Mickalene Thomas & JRP|Editions: a lavish print with 24k gold leaf & hand-applied rhinestones coming soon exclusively on !⁠
⁠
🔗 Join the waiting list via the link in bio on www.jrp-editions.com⁠ or by email at [email protected] ⁠
⁠
Mickalene Thomas is an internationally award-winning multidisciplinary artist known for her elaborate portraits of Black women, often incorporating rhinestones, acrylic, and enamel. Her instantly recognizable style has become widely celebrated within contemporary visual culture.⁠
⁠
Based in New York, Thomas’ critically acclaimed work spans painting, collage, printmaking, photography, video, and immersive installations. Her art engages with themes of female empowerment, autobiography, memory, and Black feminist theory and presents a complex and empowering vision of womanhood, challenging conventional definitions of beauty, sexuality, celebrity, and politics.⁠
⁠
📷 Emil Horowitz, 2023 & Elisabeth Bernstein, 2024⁠
⁠
⁠⁠

📚 Join us today for the event celebrating the launch of Hartwig Art Foundation’s publication “COURTPLAY,” taking place at 5pm at the Kunsthalle Basel!⁠
⁠
🔗 Make it yours via the link in bio or directly on www.jrp-editions.com⁠
⁠
BOOK LAUNCH:⁠
📅 Wednesday, October 23, from 5 to 7pm⁠
📍 Kunsthalle Basel⁠
👥 ⁠ Reading and conversation with Ivan Cheng, Mohamed Almusibli, and designer Sabo Day.⁠
Free admission.⁠
⁠
“COURTPLAY” recollects the eponymous 24-hour exhibition held in January 2024 in Amsterdam, a programme that marked the first large-scale initiative by Hartwig Art Foundation at the former courthouse, the site of the foundation’s forthcoming contemporary art museum.⁠ In addition to contributions by authors such as Sophia Al-Maria, Claire Fontaine and Ed Atkins, which constituted the performance script, the publication features live drawings created throughout the programme by courtroom sketch artist Aloys Oosterwijk. It also includes comprehensive documentation of the exhibited works, an introduction by the curators and an epilogue by Beatrix Ruf. ⁠
⁠
.rtf

American painter Ann Craven, KARMA & JRP|Editions are thrilled to announce their first collaboration - three series of evocative monotypes and a lithograph, coming soon exclusively on !⁠
⁠
🔗 Join waiting list via the link in our bio on www.jrp-editions.com ⁠or email [email protected]⁠
⁠
This summer, Ann Craven produced three series of monotypes and a new lithograph in collaboration with JRP|Editions. This print project is a continuation of Craven’s decades-long conceptual and self-reflexive project on devotion, loss, and the immortalizing nature of her medium. Primarily using unabashedly high-key colors, she paints and repaints her key subjects—animals and flowers often modeled after those found in vintage books, postcards and the internet, and the moon as observed by the artist en plein air.⁠
⁠
Produced by Derriere L’Etoile Studios⁠

📚 We are proud to have published earlier this year the book by Rozsika Parker and Griselda Po***ck, titled “Maîtresses d’autrefois. Femmes, art et idéologie.”⁠
⁠
Don’t miss our book launch today:⁠
📅 Thursday, October 10 at 6.30 pm⁠
📍 Centre d’Art Contemporain Genève⁠
👥 Griselda Po***ck and Giovanna Zapperi⁠
⁠
🔗 Get yours via the link in our bio!⁠
⁠
Originally published in 1981 as “Old Mistresses. Women, Art, and Ideology,” this seminal volume by Rozsika Parker and Griselda Po***ck is now translated into French. This seminal volume by Rozsika Parker and Griselda Po***ck is radical, emancipatory, and still relevant today. It explores how art history, as a discipline and ideology, has affected women artists and their work, while examining what women’s practices could contribute to art history if fully considered. The book’s five parts include case studies—from Sofonisba Anguissola to Mary Kelly—analyses of artistic production, including the ideological divide between art and craft, and stereotypes about “feminine essence.” Parker and Po***ck aim not just to add women to art history but to transform its very structure. The book includes an introduction by art historian Giovanna Zapperi.⁠
⁠
***ck .zapperi

📚 Join us today for the event celebrating the release of “Derek Jarman” monograph, taking place at 4pm at Ivry Contemporary Art Center in Ivry-sur-Seine!⁠
⁠
🔗 Make it yours via the link in bio or directly on www.jrp-editions.com⁠
⁠
1st BOOK LAUNCH⁠
📅 Saturday, October 5 at 4 pm⁠
📍 Ivry Contemporary Art Center – le Crédac⁠
👥 Clément Dirié, Editorial Director of JRP|Editions⁠
Free entry.⁠
⁠
2nd BOOK LAUNCH⁠
📅 Thursday, October 24 at 6:30 pm⁠
📍 Bibliothèque Kandinsky – Centre Pompidou, Level 3⁠
👥 Claire Le Restif, Cy Lecerf Maulpoix, Marco Martella, and James Mackay.⁠
☎️ Reservation required at the Bibliothèque Kandinsky⁠.⁠
⁠
Published in collaboration with Le Crédac, the monograph presents an overview of the iconic artist of the 20th century. It features newly commissioned essays by international art critics and scholars, alongside extensive portfolios of the artist’s work. Contributors include Elisabeth Lebovici, Claire Le Restif, Fiona Corridan, Marco Martella, and Cy Lecerf Maulpoix. ⁠
⁠
⁠⁠

A warm welcome to autumn! 🍁 🍂 Our first collaboration with artist Matthew Lutz-Kinoy and Mendes Wood DM will be launching soon on !⁠
⁠
🔗 Register your interest via the link in bio on www.jrp-editions.com ⁠or via email at [email protected]⁠
⁠
This upcoming print on cotton, titled “The Does”, is inspired by 20th-century English master potter Bernard Leach’s glazed ceramics in which the deer is an iconic animal motif. Drawing from modern craft as much as Japanese tradition and echoing parietal cave paintings as well as performing art, The Does becomes in turn emblematic of Lutz Kinoy’s practice.

“Superflou” Xavier Veilhan’s solo exhibition is currently on view at Galerie de Sèvres in Paris and runs through October 5!⁠
⁠
The show is the culmination of half a decade of work between the artist and those who shape the spirit of the workshops of the Manufacture de Sèvres. Emerging from the ovens, the figures of the Monuments, seven tabletops in wood and biscuit as well as Manfredi, a sculpture in the round drawn in five different shades and sandstone, explore what the artist has loved for many years: indefinition. Firstly that of the image, of the blurring of the form and that of the limit between art and the decorative arts. The exhibition is presented as part of Paris Design Week.⁠
⁠
📷️ Aurélien Mole / Sèvres - Manufacture et Musée nationaux⁠
Veilhan / ADAGP, Paris, 2024⁠
⁠

On view: Urs Fischer’s exhibition “Scratch & Sniff”, running until October 26 at Sadie Coles
HQ in London!

This exhibition, the gallery’s twelfth solo show with Urs Fischer since 2003, showcases the artist’s playful experiments in painting and installation. The works in Scratch & Sniff explore image-building through layered applications of painting, photography, and inkjet printing, creating heightened spatial dimensions with textured surfaces. The images within each painting can be figurative or fragmented, featuring oblique figures, pop compilations, and abstracted landscapes. Like theatrical stage sets, each piece is constructed from front to back or vice versa, shifting between flatness and depth, digital and analogue, and alternating between physical gestures and on-screen experiences.

📸 Stefan Altenburger

Explore Katherine Bradford’s exhibition “Humankind,” currently on view at Kaufmann Repetto in Milan, running through October 31, 2024!⁠
⁠
Three large canvases in the current show explore the theme of people interacting with water, a key motif in Bradford’s work. The dark blue aquatic expanses lack color planes that suggest shores, horizons, or skies, while the bodies, barely distinguished by subtle shifts in skin tones, appear to melt into the water. By dissolving figurative forms into liquid paint, Bradford approaches her interest in “getting the human body to be enfolded in the paint, and therefore in the water.” Here, the fluidity of poetry replaces pictorial narration, allowing a universal interpretation of Bradford’s depictions of humanity.⁠
⁠
Katherine Bradford, “Pool under thalo green sky”, 2023, acrylic on canvas, 152,5 x 183 cm (60 x 72 in) ⁠
⁠
📸 ⁠Kaufmann Repetto⁠
⁠
🔗 Discover more about the artist⁠ via link in bio.

American artist and curator Mark Thomas Gibson & JRP|Editions unveil their first collaboration, with a series of uniquely hand-coloured stone lithographs titled “We Make Our Own Water If We Choose to Grow” - coming soon exclusively on ⁠!⁠
⁠
⁠🔗 Register your interest through the link in bio on www.jrp-editions.com or via email at [email protected]!⁠
⁠
“We Make Our Own Water If We Choose to Grow” employs imagery from the artist’s “Boutonniere” works to explore ourselves.⁠ Making the best use of lithographic printmaking, he masterfully merges both his painting and drawing practices in these exclusive prints.⁠
⁠
Produced by ⁠
⁠
⁠