WILD RICE

"Vaudeville routines, b***y humour, gender-bending musical numbers and cuss jokes in all their multilingual glory..." 🕺

Thank you so much Shawn Hoo from The Straits Times for joining us for opening weekend and for writing this review! Read the full review below 👇

Accidental Death of an Activist is now open and runs till 19 Oct 2024. Book your tickets here: https://bit.ly/activistdeath-igs

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𝗧𝗵𝗲𝗮𝘁𝗿𝗲 𝗿𝗲𝘃𝗶𝗲𝘄: 𝗕𝗹𝗮𝗰𝗸 𝗰𝗼𝗺𝗲𝗱𝘆 𝗔𝗰𝗰𝗶𝗱𝗲𝗻𝘁𝗮𝗹 𝗗𝗲𝗮𝘁𝗵 𝗢𝗳 𝗔𝗻 𝗔𝗰𝘁𝗶𝘃𝗶𝘀𝘁 𝗴𝗲𝘁𝘀 𝗮 𝗿𝗼𝘄𝗱𝘆 𝗦𝗶𝗻𝗴𝗮𝗽𝗼𝗿𝗲 𝘀𝗽𝗶𝗻

By Shawn Hoo

Accidental Death Of An Activist
Wild Rice
The Ngee Ann Kongsi Theatre @ Wild Rice
Sept 28, 7.30pm

Vaudeville routines, b***y humour, gender-bending musical numbers and cuss jokes in all their multilingual glory often disguise the dark incident that incites this play: A death penalty activist had just fallen out the window of a police station.

The police claim su***de, but the holes in the story are gaping. Played as a preposterous meta-textual farce, the show satirises bureaucratic cover-up, dirty politics, corruption and everyday authoritarian behaviour.

Rather liberally adapted from Nobel Prize-winning Italian playwright Dario Fo and Franca Rame’s 1970 play Accidental Death Of An Anarchist, Italy is swopped out for a thinly disguised Singapore with characters bearing Italian names.

But the disguise was evidently not convincing enough as the play encountered licensing woes, which led to the cancellation of two preview nights before the run could proceed.

The prologue runs a tongue-in-cheek disclaimer: This play is set in Italy.

Wild Rice also swops out the “anarchist” – the scapegoats for a 1969 bombing in Milan during a turbulent decade for Italian politics – for the dirtier “activist”. The tainted word has a transgressive ring in a country that generally frowns upon activism, characterising it as trouble-making or dangerous.

Malaysian playwright Jo Kukathas’ witty and sprightly adaptation creates a composite titular activist from a variety of high-profile cases. It is drenched with allusions to the many faces of activism, from activist Jolovan Wham being charged over a one-man protest with a smiley face sign to the discourse on repealed anti-gay s*x law Section 377A.

An arrested maniac (Ghafir Akbar), known for his impersonation scams, goes out of control in a police station. In a rowdy and comedic set-up, he takes it upon himself to dupe the officials into confessing their responsibility for an activist’s – the police prefer to say “anarchist” – accidental death.

Leading man Ghafir takes on this versatile role with much ease and flair, shape-shifting between psychiatrist, forensic scientist, actor and punk. The only role he is less convincing in is as a RuPaul-styled drag queen in a cabaret segment, one of the few parts of the show that could be tightened and less drawn-out.

The maniac is ably accompanied by “actors” in this little theatre he has created in the police station. The gender-bending physical antics of Inspector Bertozzo (Siti Khalijah Zainal), the naive boyishness of the lackey Constable (Krish Natarajan), an overly emotive and petulant Inspector Pissani (Sugie Phua) and the stern yet gullible Superintendent (Lim Kay Siu) are all sent for a fine spin.

Less certain is the role of the foreign investigative journalist Maria Feletti (Munah Bagharib), who is both the voice of truth and mocked for her privilege. Not quite fleshed out, the character is bogged down by lengthy and overly convoluted lines of questioning that are rarely of interest.

References to the activist “running amok” – a racial form of mental disorder as defined by British colonial doctors in the late 19th century – in Kukathas’ adaptation give the play a historical dimension. Madness, in this sense, is not natural but seen as a socially constructed pathologisation of certain behaviours.

The play, co-directed by Glen Goei and Kukathas, comes at a time when more Singapore residents agree with the use of the death penalty for the most serious crimes. But there is a growing anti-death penalty movement.

The play does not so much as take sides, but asks if activists should automatically be vilified as suffering from a form of madness. Duped by the maniac’s artful direction, an untransparent system inadvertently owns up to its wrongs. The system, too, slides into and understands its madness.

Is that not a testimony to the role of the artist and theatremaker? The maniac, despite all his ludicrousness, has a role to play.

Book it/Accidental Death Of An Activist
Where: Wild Rice @ Funan, 04-08, 107 North Bridge Road
When: Till Oct 19, 7.30pm (Tuesdays to Saturdays), 2.30pm (weekends)
Admission: From $40
Info: str.sg/odrJr

We regret to inform you that we must cancel the first two preview performances of Accidental Death of an Activist on 26 and 27 September (Thursday and Friday).

As this is a new adaptation, the licensing process has taken longer than expected. To secure our license to perform, we made careful edits to the script whilst ensuring that the integrity of the play has not been compromised.

The IMDA has since issued us a license of Advisory 16, which recommends that the production is more suited for audiences aged 16 and above. (Please note that this is not a rating; audiences below the age of 16 are not prohibited from attending the show.)

Please accept our sincere apologies for the inconvenience caused. We seek your kind understanding that our company needs more time to rehearse the changes so that we can present the best possible production of this world classic.

For affected patrons, please check your email from SISTIC for details on rebooking or getting a refund for your tickets.

Thank you so much for your continued support of Wild Rice and Singapore theatre. We look forward to seeing you at our theatre very soon.

Featured in The Straits Times today! Thank you so much Charmaine Lim for speaking to Glen and Jo Kukathas. Scroll down to read the full interview! 👇

We open Accidental Death of an Activist in exactly ONE WEEK! Book your tickets here: https://bit.ly/activistdeath-fb

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𝗔𝗰𝗰𝗶𝗱𝗲𝗻𝘁𝗮𝗹 𝗗𝗲𝗮𝘁𝗵 𝗢𝗳 𝗔𝗻 𝗔𝗰𝘁𝗶𝘃𝗶𝘀𝘁 𝘂𝘀𝗲𝘀 𝗽𝗵𝘆𝘀𝗶𝗰𝗮𝗹 𝗰𝗼𝗺𝗲𝗱𝘆 𝗮𝘀 ‘𝘀𝘂𝗴𝗮𝗿’ 𝗳𝗼𝗿 𝘁𝗵𝗲 𝗺𝗲𝗱𝗶𝗰𝗶𝗻𝗲 𝗼𝗳 𝗶𝘁𝘀 𝗺𝗲𝘀𝘀𝗮𝗴𝗲
By Charmaine Lim

SINGAPORE – Award-winning Malaysian theatremaker Jo Kukathas is adapting Italian Nobel literature laureate Dario Fo’s Accidental Death Of An Anarchist for the third time.

The 61-year-old first staged the play in Malaysia in 1999, then in 2006. Her third effort will run at Wild Rice from Sept 26 to Oct 19 with a tweaked title: Accidental Death Of An Activist.

Kukathas says: “We’re trying to look at what an activist does and, in this play, it takes the form of a madman. It questions if people are mad to speak up and put themselves on the line. An activist is someone vocal, but why and what are they being vocal about?”

Wild Rice’s founding artistic director Ivan Heng suggested the change to activists as he felt that they were often vilified.

Wild Rice’s co-artistic director Glen Goei, 61, who is co-directing the production with Kukathas, says: “Part of the thing we do at Wild Rice is to look at the classics and not only present them to the Singapore audience, but also reimagine them and sometimes recontextualise them. We try to make it accessible and fresh so that audiences can connect.”

The work centres on an activist who falls to his death from the fourth-floor window of a police station and the questions that ensue: Was it an accident or police brutality?

Co-written with his wife Franca Rame, Fo based his 1970 original, Accidental Death Of An Anarchist, on the Piazza Fontana bombing in Milan on Dec 12, 1969. Police attributed the incident to anarchists and arrested a suspect named Giuseppe Pinelli, who fell out of the fourth-storey police station window to his death three days later.

Kukathas says adapting the work for a Singapore audience entailed quite a fair bit of work. “I had to approach this adaptation quite differently. I couldn’t use the same ideas as I did in Malaysia. We had to do a lot of research, talking to activists and listening to their stories to try to understand the context here a bit more. I had to see how I could speak to the Singaporean audience while staying true to the spirit of the Italian play.”

Award-winning actor Ghafir Akbar takes on the lead role with familiar faces Munah Bagharib, Lim Kay Siu, Krish Natarajan, Sugie Phua and Siti Khalijah Zainal rounding out the cast.

While the play is still set in Italy, this production takes a more indirect approach.

Goei – who has been successfully dusting off some classics for Wild Rice, including 2022’s An Inspector Calls – says: “We’ve updated it to the current day. Our interpretation is also multilingual, and we have different races represented. But the characters are still Italian, dressed like Italian policemen and having Italian names.”

Kukathas observes that the play has withstood the test of time and is a popular choice, especially in countries riven by political strife and where authoritarian regimes are called into question. She cites a Chinese adaptation staged in Beijing in 1998 by director Meng Jinghui.

Kukathas believes the play has a place in Singapore too. “Activism takes different forms. It isn’t necessarily people tearing down buildings. It is actually asking, ‘Can I feel for someone who doesn’t have the same rights as I do?’, and driven by the desire for compassionate understanding of other human beings.”

Activism can be mislabelled as a desire for political correctness or confused with complain culture. Goei draws a distinct differentiation: “Complaining is often about self-interest and how something affects someone personally. Activism is beyond yourself, affecting others that might be marginalised or disenfranchised.

“When you think of what is happening in your community and how it affects your neighbours, that becomes the difference between complaining for personal interest and activism for others.”

While the themes sound heavy going, the co-directors employ a lightweight delivery, using physical comedy, much like Buster Keaton and Groucho Marx films, and almost slapstick humour in scenes where the characters discuss important issues.

Kukathas says, with a laugh: “Dario Fo has written these very silly comedy gags into the script, which I think is very enjoyable for an audience to come and be tickled by. Mary Poppins says, ‘A spoonful of sugar helps the medicine go down’, and this is a lot of sugar.”

Book it/Accidental Death Of An Activist
Where: Wild Rice @ Funan, 04-08, 107 North Bridge Road
When: Sept 26 to Oct 19, 7.30pm (Tuesdays to Saturdays),
2.30pm (weekends)
Admission: From $40
Info: str.sg/odrJr

ICYMI: AWARE Singapore is holding an Active Bystander Workshop at Wild Rice's Studio on Fri 27 September!

If you've seen (or are going to see) 𝐃𝐢𝐯𝐞, this workshop is a really good complement to the show — you'll learn how to recognise & understand signs of coercive control, various types of abuse in relationships, and how to safely step in as a supportive bystander.

This workshop is ticketed and open to all, so please join us if you can! Sign up here: https://www.eventbrite.sg/e/aware-presents-an-active-bystander-workshop-tickets-1000560141317

AWARE Singapore presents an 𝗔𝗰𝘁𝗶𝘃𝗲 𝗕𝘆𝘀𝘁𝗮𝗻𝗱𝗲𝗿 𝗪𝗼𝗿𝗸𝘀𝗵𝗼𝗽
🗓️ Friday, 27 September 2024, 7pm to 9pm
📍 The Studio @ Wild Rice (Level 5)
🎟️ Tickets: https://www.eventbrite.sg/e/aware-presents-an-active-bystander-workshop-tickets-1000560141317

Are you concerned about domestic violence but feel unsure or scared to intervene? Our Active Bystander Workshop is designed just for you.

We'll help you understand the signs of power-based violence and coercive control in relationships, and teach you how to safely and effectively step in. You'll learn to recognize unhealthy dynamics and gain the confidence to act as a supportive bystander, making a real difference in preventing harm.

Join us to empower yourself with the tools and knowledge you need to help those in need, while keeping yourself safe.

𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿: This workshop will include discussions on various types of abuse. A designated safety person will be present to provide support for participants who may be affected by the content. Participants are welcome to take breaks at any point during the workshop as needed.

𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿𝘀:
Annette Shoba Vincent, PhD
Izzaty Ishak, Senior Executive of SPACE

Sign up now: https://www.eventbrite.sg/e/aware-presents-an-active-bystander-workshop-tickets-1000560141317

Some photos from a very special night at 𝐃𝐢𝐯𝐞 with our pioneering batch of New & Now donors & supporters! 🌊

We’re deeply grateful for their contributions to this initiative, which champions new and original writing for the Singapore stage. Thanks to their generosity, 𝐃𝐢𝐯𝐞 was made possible as the first production supported by New & Now. 💙

If you are able to, please support New & Now and help Wild Rice discover and develop the theatre classics of tomorrow! For donations of $5,000 or more, enjoy invitations to get you closer to the drama, including special previews and sneak peeks into our creative and developmental process. Click here: https://www.wildrice.com.sg/how-you-can-help/new-and-now/

New & Now is proudly supported by the Tote Board Enhanced Fundraising Programme. Donations made between 13 July 2024 and 12 July 2025 will be matched dollar-for-dollar. More info can be found here: https://www.toteboard.gov.sg/grants/fund-raising-programme

🚨 It's F1 season again! This means that roads will be closed around Funan from 18 to 24 September. Folks joining us at 𝐃𝐢𝐯𝐞, please take note!

Heavy traffic is expected in the area. We highly recommend arriving at Funan early, planning alternative routes, and taking the MRT instead of driving/taxis/bus. There will also be limited parking spots available.

To avoid the road closures, the best way to get to Funan is the underground pedestrian link that connects Funan Basement 2 and City Hall MRT! From City Hall MRT, take Exit D and walk through Capitol, follow the signs that say "Funan" and you'll cut right through.

More details here: https://www.straitstimes.com/singapore/f1-road-closures-in-marina-centre-padang-from-sept-18-to-24-extended-train-services-on-race-days

F1 road closures in Marina Centre, Padang from Sept 18-24; extended train services on race days The Formula One night race will be in town from Sept 20 to 22. Read more at straitstimes.com.

T-10 days till we open 𝐀𝐜𝐜𝐢𝐝𝐞𝐧𝐭𝐚𝐥 𝐃𝐞𝐚𝐭𝐡 𝐨𝐟 𝐚𝐧 𝐀𝐜𝐭𝐢𝐯𝐢𝐬𝐭!! 🥳

This incredible team is all fired up and ready to bring this wacky, wickedly funny political farce to the stage and we cannot wait to see you in the theatre very soon! 👋

𝐀𝐜𝐜𝐢𝐝𝐞𝐧𝐭𝐚𝐥 𝐃𝐞𝐚𝐭𝐡 𝐨𝐟 𝐚𝐧 𝐀𝐜𝐭𝐢𝐯𝐢𝐬𝐭 runs from 26 September to 19 October 2024. Please book your tickets EARLY to avoid disappointment! Click here: https://bit.ly/activistdeath-fb

We have our first-ever e-book!!! 🥹

We sold out our limited edition print run of the book last year, and many of you requested for an e-book version. So here it is! 🎉

The HOTEL script by Alfian Sa'at & Marcia Vanderstraaten is now available for purchase at all major online e-book retailers: Amazon, Apple Books, Google Books, Kobo, Barnes and Noble.

Huge thanks to our publishers at Pagesetters for making this happen. Click here to get a copy from your preferred service: https://pagesetters.sg/hotel/

"𝙏𝙝𝙚𝙧𝙚 𝙞𝙨 𝙩𝙝𝙚 𝙨𝙬𝙚𝙖𝙧𝙞𝙣𝙜, 𝙩𝙝𝙚 𝙝𝙪𝙧𝙡𝙞𝙣𝙜 𝙤𝙛 𝙜𝙡𝙖𝙨𝙨 𝙖𝙣𝙙 𝙢𝙪𝙘𝙝 𝙥𝙡𝙚𝙖𝙙𝙞𝙣𝙜. 𝙊𝙣𝙚 𝙞𝙨 𝙬𝙤𝙣𝙩 𝙩𝙤 𝙬𝙖𝙡𝙠 𝙤𝙪𝙩 𝙤𝙛 𝙩𝙝𝙞𝙨 𝙬𝙞𝙩𝙝 𝙖 𝙧𝙚𝙣𝙚𝙬𝙚𝙙 𝙧𝙚𝙨𝙤𝙡𝙪𝙩𝙞𝙤𝙣 𝙩𝙤 𝙗𝙚 𝙢𝙪𝙘𝙝, 𝙢𝙪𝙘𝙝 𝙠𝙞𝙣𝙙𝙚𝙧 𝙩𝙤 𝙤𝙣𝙚’𝙨 𝙡𝙤𝙫𝙚𝙙 𝙤𝙣𝙚𝙨."

Thank you so much Clement & The Straits Times for this thoughtful, sensitive review of Dive. 💙 Read the full story below 👇

Dive runs till 22 September and we have very limited seats left - several shows are sold out. Tickets are available here: https://bit.ly/wrdive-fb

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𝐓𝐡𝐞𝐚𝐭𝐫𝐞 𝐫𝐞𝐯𝐢𝐞𝐰: 𝐒𝐦𝐚𝐫𝐭𝐥𝐲 𝐝𝐢𝐫𝐞𝐜𝐭𝐞𝐝 𝐃𝐢𝐯𝐞 𝐩𝐥𝐮𝐧𝐠𝐞𝐬 𝐡𝐞𝐚𝐝-𝐟𝐢𝐫𝐬𝐭 𝐢𝐧𝐭𝐨 𝐚𝐧 𝐚𝐛𝐮𝐬𝐢𝐯𝐞 𝐫𝐞𝐥𝐚𝐭𝐢𝐨𝐧𝐬𝐡𝐢𝐩
By Clement Yong

Dive

Wild Rice
The Studio @ Wild Rice
Sept 7, 7.30pm

There are echoes of David Nicholls’ One Day and Colleen Hoover’s It Ends With Us in this four-hander that tracks the progress of an abusive relationship over decades, intelligently directed by Sim Yan Ying and powerfully acted by Irsyad Dawood, Jean Ng, Ebi Shankara and Ellison Tan.

Different in age and gender, the quartet splits up into pairs for each scene, each duo one-half of a relationship between a doctor and lawyer, whose lives each year the audience sees in increasingly discomfiting episodes.

Two characters multiplied into four voices, they give a multi-perspective depth to the couple’s interactions and conflicts. Their voices commingle: sometimes two people act out a character’s facade and subconscious at the same time, or a character’s present morose sulking and his recent stalking violence.

It sounds confusing – and in the beginning, the role-switching requires close attention. But it is a mechanism that also lends a freshness and theatricality to an ultimately linear story, the different combinations of actors helping the audience visualise love in all forms and giving their exchanges a universality.

Abusive relationships, fired by familiar anxieties and self-doubt, very easily take on the sheen of normality and may even contain a kernel of love. May all who have experienced anything similar find sympathy in this portrayal and take courage in its sensitive denouement.

The playwright for Dive is Nanyang Academy of Fine Arts educator Laura Hayes, making her Wild Rice debut.

Hers is writing that is comfortable with poetic dreamscape interludes, which Sim interprets with some effective contemporary dance movements, including a loving tussle that proves just a turn away from disaster. Beginning with a meet-cute at a swimming pool, it transits to an art gallery, a white tablecloth restaurant, a party yacht – scenes of heteros*xual romance over generations – before the inevitable retreat into the shadowy home.

A case can be made that the escalation is unsubtle and dramatic, maybe too quick and without warning. It is no spoiler to say that the man is the abuser, but some of his toxic outbursts could have been allowed to more gradually filter in, the gaslit woman offering more resistance – and bad behaviour – before the surrender.

Still the wholehearted and ultimately convincing chemistry among the actors makes up for this choice, and it helps that Hayes’ lines have a natural rhythm that flows into one another. Elizabeth Mak’s in the round set, with reflective surfaces above, keeps it claustrophobic and is bare enough to not overwhelm.

There is the swearing, the hurling of glass and much pleading. One is wont to walk out of this with a renewed resolution to be much, much kinder to one’s loved ones.

https://www.straitstimes.com/life/arts/theatre-review-smartly-directed-dive-plunges-head-first-into-an-abusive-relationship

Book It/Dive
Where: The Studio, Wild Rice @ Funan
When: Till Sept 22, Tuesdays to Fridays, 7.30pm; Saturdays and Sundays, 2.30 and 7.30pm
Admission: $40
Info: str.sg/64Za

Theatre review: Smartly directed Dive plunges head-first into an abusive relationship Laura Haynes' script tracks a lawyer and a doctor's relationship over decades. Read more at straitstimes.com.

Thank you so much ICON Magazine Singapore for featuring Ivan Heng & Alfian Sa'at in this gorgeous interview! ❤️

Watch the full video here: https://www.youtube.com/watch?v=Ayn74vpwchU

Read the article: https://www.iconsingapore.com/video/people/the-icons-wild-rice-ivan-heng-and-alfian-saat-theatre/

The Icons: How Wild Rice's Ivan Heng and Alfian Sa'at revolutionise the local theatre landscape 野米剧场(Wild Rice)艺术总监王爱仁(Ivan Heng)和小说家兼剧作家阿菲言(Alfian Sa’at)深耕本地剧场25年，创作许多令人印象深刻且引人深思的作品。他们如何挑战灰色地带，透过戏剧探讨社会问题，引起反思。

𝗖𝗼𝗲𝗿𝗰𝗶𝘃𝗲 𝗖𝗼𝗻𝘁𝗿𝗼𝗹: 𝗪𝗵𝗲𝗻 𝗔𝗯𝘂𝘀𝗲 𝗛𝗶𝗱𝗲𝘀 𝗶𝗻 𝗣𝗹𝗮𝗶𝗻 𝗦𝗶𝗴𝗵𝘁 (𝗣𝗮𝗻𝗲𝗹 𝗗𝗶𝘀𝗰𝘂𝘀𝘀𝗶𝗼𝗻)
🗓️ Sunday 15 Sep 2024, 4:30pm to 5:30pm
📍 The Studio @ Wild Rice Level 5
👉 Open via pre-registration to 𝐃𝐢𝐯𝐞 ticket-holders: https://bit.ly/DivePanel15Sep

Have you heard of coercive control? This subtle yet devastating form of abuse has recently been raised in our national conversation, especially following last year’s parliamentary debates on family violence.

Inspired by some of the themes in Wild Rice’s production of 𝐃𝐢𝐯𝐞 by Laura Hayes, our expert panel delves into the complexities of coercive control — what it is, how it silently invades lives, the experiences of victim-survivors, and what you can do as a bystander. We’ll also examine the legal protections in place and the resources available for those affected. Don’t miss this discussion — your awareness could make a difference.

𝗢𝗻 𝘁𝗵𝗲 𝗽𝗮𝗻𝗲𝗹: Devika Panicker (Advocate for Sexual Assault Survivors), Sim Yan Ying “YY” (Director), Sugidha Nithiananthan (AWARE Singapore), Joel Tan (Moderator)

This event is open via pre-registration to ticket-holders for 𝐃𝐢𝐯𝐞. For admission, we will ask for your name and to present a ticket for 𝐃𝐢𝐯𝐞 (any dates) at the door. Register via the Google Form here: https://bit.ly/DivePanel15Sep

If you'd like to get tickets to 𝐃𝐢𝐯𝐞, you can book yours here: https://bit.ly/wrdive-fb

Rehearsals have begun for 𝐀𝐜𝐜𝐢𝐝𝐞𝐧𝐭𝐚𝐥 𝐃𝐞𝐚𝐭𝐡 𝐨𝐟 𝐚𝐧 𝐀𝐜𝐭𝐢𝐯𝐢𝐬𝐭! 🤸‍♂️

Sharing some photos from our first day at work! Award-winning theatre-maker Jo Kukathas has written a fresh adaptation of Italy’s most performed political farces. She co-directs this wildly entertaining, laugh-out-loud funny play with Glen Goei — it’s one not to miss this September 🌟

🪧 𝐀𝐜𝐜𝐢𝐝𝐞𝐧𝐭𝐚𝐥 𝐃𝐞𝐚𝐭𝐡 𝐨𝐟 𝐚𝐧 𝐀𝐜𝐭𝐢𝐯𝐢𝐬𝐭 runs from 26 September to 19 October 2024. Book your tickets now at https://bit.ly/activistdeath-fb

“𝘿𝙞 𝙢𝙖𝙣𝙖 𝙗𝙪𝙢𝙞 𝙙𝙞𝙥𝙞𝙟𝙖𝙠, 𝙙𝙞 𝙨𝙞𝙩𝙪 𝙡𝙖𝙣𝙜𝙞𝙩 𝙙𝙞𝙟𝙪𝙣𝙟𝙪𝙣𝙜.
𝙒𝙝𝙚𝙧𝙚𝙫𝙚𝙧 𝙮𝙤𝙪𝙧 𝙛𝙚𝙚𝙩 𝙩𝙤𝙪𝙘𝙝 𝙩𝙝𝙚 𝙚𝙖𝙧𝙩𝙝, 𝙩𝙝𝙖𝙩 𝙞𝙨 𝙬𝙝𝙚𝙧𝙚 𝙮𝙤𝙪 𝙝𝙤𝙡𝙙 𝙪𝙥 𝙩𝙝𝙚 𝙨𝙠𝙮." – Zubir Said

Thank you so much to everyone for joining us for our final season of 𝐃𝐨𝐧’𝐭 𝐂𝐚𝐥𝐥 𝐇𝐢𝐦 𝐌𝐫. 𝐌𝐚𝐫𝐢 𝐊𝐢𝐭𝐚 these last four weeks! We are so grateful that we got to share Pak Zubir’s beautiful music and story with all of you. Julian’s personal connection to his teacher’s teacher moved us all to tears – thank you so much Julian for sharing your heart, and for bringing this story to us. ❤️

To quote our director Ivan Heng, “𝐃𝐨𝐧’𝐭 𝐂𝐚𝐥𝐥 𝐇𝐢𝐦 𝐌𝐫. 𝐌𝐚𝐫𝐢 𝐊𝐢𝐭𝐚 is greater than the sum of all its parts and the best it has ever been... It is an extraordinary Singaporean story: one that honours and celebrates our history, our heritage, our music and our teachers. A story that illuminates our identity, and inspires us to reflect on what it truly means to love one’s country.”

We must never forget Pak Zubir’s story. Thank you, and please keep the spirit of Semoga Bahagia alive. “It’s a manifesto for life.” May you be happy, and may you be blessed ✨

Thank you once again to our presenting sponsor for your generosity and for supporting this production. 💫

If you’d like to listen to the Zubir Said Songbook, the album is streaming on Spotify: https://open.spotify.com/album/2dbSAYiGLbWYPUqOlsVvAW?si=jRMl5eKITlu8f2dmxpQS5g

You can also find the complete song lyrics with English translations here: https://www.wildrice.com.sg/dont-call-him-mr-mari-kita-lyrics/

AWARE Singapore presents an 𝗔𝗰𝘁𝗶𝘃𝗲 𝗕𝘆𝘀𝘁𝗮𝗻𝗱𝗲𝗿 𝗪𝗼𝗿𝗸𝘀𝗵𝗼𝗽
🗓️ Friday, 27 September 2024, 7pm to 9pm
📍 The Studio @ Wild Rice (Level 5)
🎟️ Tickets: https://www.eventbrite.sg/e/aware-presents-an-active-bystander-workshop-tickets-1000560141317

Are you concerned about domestic violence but feel unsure or scared to intervene? Our Active Bystander Workshop is designed just for you.

We'll help you understand the signs of power-based violence and coercive control in relationships, and teach you how to safely and effectively step in. You'll learn to recognize unhealthy dynamics and gain the confidence to act as a supportive bystander, making a real difference in preventing harm.

Join us to empower yourself with the tools and knowledge you need to help those in need, while keeping yourself safe.

𝗗𝗶𝘀𝗰𝗹𝗮𝗶𝗺𝗲𝗿: This workshop will include discussions on various types of abuse. A designated safety person will be present to provide support for participants who may be affected by the content. Participants are welcome to take breaks at any point during the workshop as needed.

𝗙𝗮𝗰𝗶𝗹𝗶𝘁𝗮𝘁𝗼𝗿𝘀:
Annette Shoba Vincent, PhD
Izzaty Ishak, Senior Executive of SPACE

Sign up now: https://www.eventbrite.sg/e/aware-presents-an-active-bystander-workshop-tickets-1000560141317