Center for Beethoven Research at Boston University

THE BOSTON UNIVERSITY CENTER FOR BEETHOVEN RESEARCH
presents
“BEETHOVEN’S NINTH SYMPHONY: A 200-YEAR PERSPECTIVE”
ALL-DAY CONFERENCE, MARCH 27, 2024

at Boston University’s Hillel House
213 Bay State Road, Boston MA 02215

The premiere of Beethoven’s Ninth Symphony took place in Vienna two hundred years ago this spring, on May 7, 1824. A review published a few days later stated:
“Beethoven has long shown through his symphonies so high a level of artistic creation in this branch of composition, that since then it has become difficult for any composer to succeed in the wake of this Helicon. This newest symphony, however, is certainly the greatest work of art that Beethoven, with his full Titan's strength, has brought into existence.”
Wiener allgemeine Theater-Zeitung 8 (May 13, 1824), 230-31.
Still today this composition is regarded as “one of the supreme masterpieces of the Western tradition” and “an international symbol of unity and affirmation.” (Cook, 1993.)
There is no more iconic a piece of music than Beethoven’s Ninth. It has been played at the Olympics to embody international cooperation. Performances of the Ninth with thousands singing in the chorus mark the New Year throughout Japan. Wagner performed it in 1872 to mark the beginning of construction on his opera house at Bayreuth. In 1972, the music of the Ode to Joy was adopted as the Anthem of Europe by the Council of Europe and subsequently by the European Union. It is said that in 1980 the size and duration of the compact disc was settled upon so that a single disc could contain an entire 74-minute performance of the Ninth Symphony. And in 2001, Beethoven's autograph score of the Ninth Symphony, held by the Berlin State Library, was added to the United Nations Heritage list, becoming the first musical score to be recognized in this way.
Researchers and audiences continue to find new insight and meaning in this remarkable work, and new discoveries are reported all the time. In 2020 a completely new critical edition of the whole score was published in Munich. This conference at Boston University brings together the latest findings by the most distinguished Beethoven scholars of our time.
SPONSORED BY BOSTON UNIVERSITY’S SCHOOL OF MUSIC, COLLEGE OF FINE ARTS, AND THE BOSTON UNIVERSITY CENTER FOR THE HUMANITIES
Participants
Julia Adams, Fellowship Advisor, formerly Professor of Music, Franklin and Marshall College, author of Musical Humor and Antonín Dvořák’s Comic Operas.

Mark Evan Bonds, Distinguished Professor Emeritus, University of North Carolina and author of Beethoven: Variations on a Life and The Beethoven Syndrome: Hearing Music as Autobiography.

Beate Angelika Kraus, Resident Scholar, Beethoven Archive, Beethoven-Haus, Bonn, and editor of the new Ninth Symphony critical edition for the Complete Works.

David Levy, Professor Emeritus, Wake Forest University, and author of Beethoven: The Ninth Symphony.

James Parsons, Distinguished Professor, Missouri State University, and editor of The Cambridge Companion to the Lied.

Christopher Reynolds, Distinguished Professor Emeritus, University of California at Davis, and author of Wagner, Schumann and the Lessons of Beethoven’s Ninth.

Elaine Sisman, Anne Parsons Bender Professor of Music, Columbia University, author of Haydn and the Classical Variation.

The conference will take place in the second-floor lounge of Boston University’s Hillel House, which is a comfortable and intimate space. A performance of Liszt’s extraordinary arrangement of the Ninth Symphony for solo piano and singers will take place in the evening of March 27 at Boston University’s Tsai Performance Center.

PROGRAM

Hillel House, Boston University, 2nd-Floor Lounge

8:00AM CONTINENTAL BREAKFAST

9:00AM Jeremy Yudkin: Welcome

9:15AM Beate Angelika Kraus: “Beethoven's Ninth Symphony – On the Edition of a Magnum Opus and its Multiple Manifestations.”

10:00AM Mark Evan Bonds: “Second Thoughts”

10:45 COFFEE/TEA BREAK

11:15AM David Levy: "The Ninth Symphony: Vision, Illusion, or Delusion?"

12-2PM LUNCH (ad libitum)

2PM Elaine Sisman: “A Lexicon of Humor in the Molto Vivace of Beethoven's Ninth Symphony: Composition and Reception.”

2:45PM James Parsons, “What the Choral Fantasy Can Tell Us About the Choral Finale.”

3:30-4:00 COFFEE/TEA BREAK

4-4:45PM Christopher Reynolds: “The Narrative and Musical Debts of Wagner’s Ring to Beethoven’s Ninth.”

5-6PM BREAK (come sopra)

6-7:30 PRIVATE DINNER FOR PARTICIPANTS AT THE BLUE RIBBON BRASSERIE (at the Hotel Commonwealth, Kenmore Square – ten minutes’ walk)

8-10PM CONCERT (Tsai Performance Center, 685 Commonwealth Avenue – ten minutes’ walk)

PROGRAM

(A possibly world-premiere performance of Franz Liszt’s transcription of Beethoven’s Ninth Symphony for Solo Piano with Choral Finale.)

Tsai Performance Center, Boston University, 8PM, Wednesday, March 27, 2024

***
Julia Adams, “Beethoven’s Ninth Symphony: Liszt’s Formidable Transcription for Solo Piano.”

Ludwig van Beethoven, Symphonie No. 9 avec choeur finale sur l’ode de Schiller “An
die Freude,” S. 657 FRANZ LISZT (1811-1886)

Chengcheng Ma, piano

Boston University Chamber Chorus
Conductor, John Black

Beethoven Symposium: Creation and Temporality
Next TUESDAY, NOVEMBER 14, 2023

Join us next Tuesday for an afternoon of presentations and an evening of performances! Admission is FREE and open to the public.

Guests include:

Professor Barbara Barry, Hebrew University, Jerusalem

and

Dr. Lucy Turner, Columbia University

with performances by graduate students of the School of Music’s string department and piano department.

Symposium Program:

3:15-4:30 pm — Open rehearsal wit performers and scholars (Marshall Room CFA 254)

5:00-7:00 pm— Formal presentation of scholarly papers, with musical examples (Marshall Room)

8:00 pm — Concert: (CFA Concert Hall)

Beethoven Piano Trio in Bb, Op. 97 (“Archduke”)

Schubert Piano Trio in Eb, Op. 100

For more information visit: www.bu.edu/beethovencenter

Reframing Beethoven 2022

Concerts featured at the conference are FREE and open to the public!

From More info: https://www.bu.edu/beethovencenter

THE UNKNOWN BEETHOVEN: SUPERB GEMS FOR PIANO SOLO AND DUO - Thursday, March 24, 8pm

“HE UNDERSTOOD EVERYTHING”: A TRIBUTE TO BEETHOVEN - Friday, March 25, 8:30pm

“NOTICING AND RESPONDING TO ALL THE EXPRESSION MARKINGS IN BEETHOVEN’S AUTOGRAPH MANUSCRIPTS” - Saturday, March 26, 8pm

Another sneak peak at another concert featured at the Reframing Beethoven concert NEXT WEEK!

“He Understood Everything”: A tribute to Beethoven

Come enjoy a concert of lesser-known orchestral and choral works by both Beethoven and other composers who composed with Beethoven in mind.

Featuring the BU Symphony Orchestra and the Boston University Singers!

Friday March 25 at 8:30pm

For more info and registration visit: bu.edu/beethovencenter

Center for Beethoven Research | Boston University

THE UNKNOWN BEETHOVEN: SUPERB GEMS FOR PIANO SOLO AND DUO

Thursday, March 24, 8pm

Sneak peak at the first concert of the Reframing Beethoven Conference!

Come enjoy some lesser known Beethoven piano works that even YOU might not know!

Our wonderful performers include:

Pavel Nersessian (Boston University), Boaz Sharon (Boston University), and Anna Arazi (Harvard University).

For registration and details visit: bu.edu/beethovencenter

See you there!

BEETHOVEN LIVES

The Center for Beethoven Research at Boston University is pleased to announce an online International Symposium on Beethoven Biography, scheduled for 12:30—3:30 pm, Saturday, December 12th.

Presenters include Jan Caeyers from Belgium, Barry Cooper from England, William Kinderman from California, Lewis Lockwood from Boston University, and Jan Swafford from the Boston Conservatory. All of them have written biographies of Beethoven, and Lewis Lockwood has recently published a book discussing the history of Beethoven biographies from soon after the composer’s death to the present day.

Other participants include Luigi Bellofatto (Milan, Italy), Kristin Franseen (Carleton University, Ottowa), Abigail Jareño Gómez (Universidad CEU-San Pablo, Madrid), Sarah Waltz (University of the Pacific), and Steven M. Whiting (University of Michigan). Attendees are welcome from anywhere. To attend this international symposium, please write as soon as possible to Professor Jeremy Yudkin at [email protected] to request an invitation.

Jan Caeyers is the music director of Le Concert Olympique, a member of the musicology department of KU Leuven, and the author of Beethoven: A Life (2020).

Barry Cooper is Professor of Music at the University of Manchester, UK, and the author of Beethoven (2000).

William Kinderman is Professor of Music at the University of California at Los Angeles and author of Beethoven (2nd. ed. 2009) as well as the upcoming Beethoven: A Political Artist in Revolutionary Times.

Lewis Lockwood is Emeritus Professor of Music at Harvard University and Distinguished Senior Scholar at Boston University. He is the author of Beethoven: The Music and the Life (repr. 2005) as well as Beethoven’s Lives (2020).

Jan Swafford is a composer and Professor of Music at Boston Conservatory. He is the author of Beethoven: Anguish and Triumph (2014).

Center for Beethoven Research at Boston University updated their phone number.

Watch this space for final times and speakers for our upcoming April mini-conference on the Op. 95 Quartet in F Minor!

Mark Evan Bonds's JAMS article (2017) is worth checking out for anyone delving back into this personal and compressed quartet.
https://jams.ucpress.edu/content/70/2/285.figures-only

Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style

Deepest thanks to Dr. Federica Rovelli for the wonderful lecture on Wednesday! Both the incredible technology behind the Beethovens Werkstatt project and her insightful application thereof to sketches for Op. 101 were received with audible gasps of acclaim. Dr. Rovelli is doing us the honor of spending the next few weeks at BU, and we hope to learn even more.

Here is a link to the Beethovens Werkstatt project website https://beethovens-werkstatt.de/

Reminder reminder scholars and aficionados!

A reminder 👓⏰📆

Upcoming event: Lecture “Beethovens Werkstatt” by Prof. Federica Rovelli, Sept 25, 4:30pm.

: who am I?

Repost from : of Dynasty.

Answer: Ludwig van ! : Johann Nepomuk (Might be mistaken for , oops 😬).

: guess the of this !

Important places in the life of Ludwig van : Theater an der Wien.

Sharing on behalf of the The Ira F. Brilliant Center for Beethoven Studies:

Eighth International New Beethoven Research Conference

Call for Papers

October 30-31 2019, Westin Waterfront Hotel, Boston MA

The Eighth International New Beethoven Research (NBR) conference will take place Wednesday, October 30, and Thursday morning, October 31 in Boston prior to the annual meeting of the American Musicological Society.

We invite proposals for 20-minute papers, groups of papers or lecture-recitals on any topic connected with Beethoven. Submissions from musicologists, theorists, performers, and other relevant disciplines are welcome.

Abstracts of no more than 300 words should be submitted to Erica Buurman, [email protected] by 30 April 2019. Please include a short biography (100 words) and indicate your A/V and piano requirements.

Please refer to
http://www.sjsu.edu/beethoven/research/8th_beethoven_research_conference/index.html
for more information

Eighth International New Beethoven Research Conference | Beethoven Center | San Jose State University This page will have information about the Eighth International New Beethoven Research Conference that will be held in Boston of 2019.

to our concert, featuring piano professors Gila Goldstein, Victor Cayres, and Pavel Nersessian.

AN INTERNATIONAL CONFERENCE IN CELEBRATION OF THE 250th BIRTHDAY OF LUDWIG VAN BEETHOVEN
(AND IN HONOR OF THE 90th BIRTHDAY OF LEWIS LOCKWOOD)

September 29 - October 1, 2020

The Center for Beethoven Research at Boston University invites proposals of up to 300 words for thirty-minute papers to be delivered at Reframing Beethoven, a major International Conference planned by the Center in conjunction with the Boston Symphony Orchestra in commemoration of the 250th birthday of Ludwig van Beethoven and in honor of the 90th birthday of Lewis Lockwood. The conference will be held on the campus of Boston University from September 29 to October 1, 2020. Papers may explore any area of Beethoven studies, including Beethoven's life and works, manuscripts and creative process, reception history, and performance practice. Proposals should clearly indicate the main arguments, new contributions, and significance of the findings to be conveyed, plus any audio-visual equipment needed. Proposals for papers by graduate students and other young scholars are encouraged: travel subventions may be available for these presenters upon application. Please submit proposals together with your name and contact information via email to Jacquelyn Sholes, Chair of the Program Committee, at jsholes at bu dot edu by September 1, 2019. Other enquiries may be addressed to Jeremy Yudkin, Co-Director of the Boston University Center for Beethoven Research at yudkinj at bu dot edu.

A symbol of history, art, and music.

Photo from the : the Paper Presentation session. With Lewis Lockwood, Nicholas Kitchen, Alan Gosman, Jacquelyn Sholes, Jeremy Yudkin, David Levy, Lucy Turner. (Not in this photo: Barbara Barry, Richard Kramer, Sean Gallagher, Erica Buurman, Christopher Reynolds.)

From the Beethoven's Op. 135 Symposium Concert yesterday night: The Graduate Student Quartet with their coach, Prof. Peter Zazofsky. Xu Rebekah Heckler Mu Tao Chang Chao Du