Isaac Taracks

If you didn't get to catch the stream live, it's up on my YouTube channel. Also go check out all of Spencers work!

Interview with Spencer Penfield [10/03/20 STREAM] This is a recording from my live stream on www.twitch.tv/itaracks on 10/03/2020 go follow me there if you want to watch the next one live! In this stream I s...

Didn't get to catch the stream last weekend? No worries, its up on my Youtube here: https://www.youtube.com/watch?v=dmzd2s-QqPQ

Rendering Cars In Volumetric Fog In Octane & Redshift [08/15/20 STREAM] Cinema 4D project files: www.taracks.com/livestream This is a recording from my live stream on www.twitch.tv/itaracks on 08/15/2020 go follow me there if you...

Going live tomorrow @ 1pm EST to breakdown this highly requested render. Stop on by and say what's up, but if you can't catch it live it will be up on my YouTube following the stream. www.twitch.tv/itaracks

Here is my freshly cut 2020 reel. This now covers the past 5 years of work I've done, both personal and client projects. Enjoy!

https://vimeo.com/445530358

Isaac Taracks 2020 Reel A collection of personal and client projects that I have worked on over the five years. You can check out more of my work on my website taracks.com and follow my…

Hey mograph folks! I'll be giving a presentation at 10:30am PST on August 12th covering Quixel Bridge and Mixer and how they work in a Cinema 4D workflow!

https://twitter.com/maxon3d/status/1291432711341477888?s=20

Maxon on Twitter “📣 FREE EVENT | August 12 - Join our panel of influential and award-winning artists as they discuss their workflows and reveal their favorite time-saving tips & tricks. ➡️ https://t.co/YEsM7TSVQi ⬅️ ”

Some detail shots. Did five line growths at various weights and detail solvers. Super fun, a bit heavy, luckily octane's hair rendering worked pretty well.

What's better than a glass skull? A skull made out of whole bunch of line growths built from previous geo that was built from edges that were generated from a skull.

Fun fact: Lighting a glass skull is surprisingly harder than one would think.

Another color test for this guy. When I get Houdini Indie I'll kick out an animated version of this guy, but until then I'm having fun just relighting and texturing.

A detail shot inside the skull with SSS and the line growth.

Recently I've been trying more and more to teach myself Houdini. This was a result of combining a few tutorials, which are amazing and so helpful and everyone should watch.

⚠️ Road Work Ahead ⚠️ //

Image Projecting // little technique Im using in an animation that should be done this Wednesday???

Welcome :)

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things.

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things.

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things. 1016-1216

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things. 0616-1016

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things. 0815-0116

Collection of different explorations that I update monthly. Each render is made using 3D software such as Cinema 4D, Substance Painter, and Octane Render. The goal is that in exploring different portions of the programs I can grow my knowledge and be able to create new and better works each and every day.

Every render is made in a single 24 hour period. Having to take an idea from concept to fruition is what really drives the creativity behind these experiments. Also with the time constraint of 24 hours it eliminates the choice to procrastinate on creating, and just make things.