Marian Goodman Projects

Bon anniversaire chère Annette! We wish you many happy returns on this special day.



📸: Marc Domage

We would like to wish Julie Mehretu a very happy birthday today 🥂🎉

📸: Photo of at by Judith Benhamou-Huet , from April 2022.

We would like to wish a very today! While in Luxembourg, be sure to visit the self-titled solo exhibition at Mudam Luxembourg Museum which features works from
"The Dante Project," along with Dean’s 16mm film "One Hundred and Fifty Years of Painting" (2021).

https://www.mudam.com/exhibitions/tacita-dean

📸 Tacita Dean
Inferno, 2019
10 panels; chalk on blackboard
48 x 96 in. (121.9 x 243.8 cm) (each)
96 x 480 in. (243.8 x 1219.2 cm)

We would like to wish Dara Birnbaum a very happy birthday today! There are currently two surveys of her work on view on the East Coast: "Dara Birnbaum: Journey" at Miller ICA at Carnegie Mellon University and "Dara Birnbaum: Reaction" at CCS Bard.

In an essay for the new book, "Dara Birnbaum: Reaction," Jordan Carter writes:

“In this context of the simultaneous embrace and disruption of the grid and the shifting of its terms of engagement into architectural space, Dara Birnbaum found strategies for exhibiting her early videos. Incorporating the screen and display apparatus into fully realized installations, Birnbaum used audio-visual presentation technologies to mobilize, defy, and expand the logic of the grid by staging it as an experiential and multimedia interface—one that is eccentric, haptic, unstable, and in flux."

https://www.mariangoodman.com/artists/dara-birnbaum/



📸 1: installation view, "Dara Birnbaum: Journey," at Miller Institute of Contemporary Art; photograph by Tom Little
📸 2: installation view, "Dara Birnbaum: Reaction," Hessel Museum of Art / Center for Curatorial Studies at Bard College; photograph by Olympia Shannon

Dara Birnbaum and have both contributed artworks to support NADA's fundraiser to benefit Swing Left, an effort to help Democrats in the most competitive races up and down the ballot.

Bidding is now underway on Artsy; artworks can be viewed in person at NADA’s new gallery space at 311 East Broadway by appointment only, through October 27th, with a closing event celebration on October 25th from 5:30-7:30 pm.

Contributions will be put to immediate use to help fund Swing Left's late-stage voter and volunteer mobilization programs to improve turnout on November 8th.

https://www.artsy.net/auction/swing-left-benefit-auction-2022?sort=sale_position

We’ll be open in London this Saturday for . Stop by 23 Golden Square to view our autumn presentation, showcasing works by Nairy Baghramian, Bernd & Hilla Becher, Tacita Dean, Nan Goldin, Cristina Iglesias, William Kentridge, Sol LeWitt, Danh Vo, and Yang Fudong.⁠

William Kentridge
“Hero,” 2018
Bronze
41 3/8 x 24 3/8 x 23 5/8 in. (105.1 x 61.9 x 60 cm)

Danh Vo
“Flag 4”
American flag made from walnut wood with metal clamps; sold with an accompanying object in walnut wood
Flag: 43 1/4 x 59 5/8 x 5 1/8 in. (110 x 151.5 x 13 cm)

📸 Mark Blower⁠
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Alles Gute zum Geburtstag! We would like to wish Thomas Struth a very !
Here, a look back at our March 2022 exhibition of new work by Thomas Struth in our NYC space.
Learn more about the works that were on view:
https://www.mariangoodman.com/exhibitions/thomas-struth-new-york-2022/

Visit us in London for our new autumn presentation featuring works by Nairy Baghramian, Bernd & Hilla Becher, Tacita Dean, Nan Goldin, Cristina Iglesias, William Kentridge, Sol LeWitt, Danh Vo, and Yang Fudong.

We are located in London at 23 Golden Square. Visiting hours are Monday – Friday, 10 am – 6 pm.

Installation views: Mark Blower

In 2011, Thomas Struth was asked to do a portrait of Queen Elizabeth II and Prince Philip.

"I did much more preparation than I normally would for a family portrait," Struth recently told the .

"I looked at a ton of photographs that exist of her — hundreds — and thought, 'People don’t look at her as a person, as a woman.' "

It is said that the Queen and Prince Philip gazed at the photograph for a long time upon seeing it in a museum.

"It’s quite big — eight feet wide and maybe six feet high — and it’s very, very sharp," Struth said.

https://www.nytimes.com/2022/09/09/arts/design/queen-elizabeth-portraits-art.html?utm_campaign=later-linkinbio-mariangoodmangallery&utm_content=later-29715407&utm_medium=social&utm_source=linkin.bio

, !

“Offspring," a solo exhibition by Huyghe at Kunsten Museum of Modern Art Aalborg, is currently on view through 30 October 2022.

In Huyghe’s contingent universe, diverse intelligent life forms – biotic and abiotic – evolve indeterminately, producing continuous changes in their environments. The works are dynamic and modify over time, often exceeding the artist's control.

For Huyghe the exhibition is not merely a site for viewer experience, but rather an encounter with an immersive, sentient milieu, that perceives, generates new possibilities of alliances between events or things that unfold, indifferent to human presence.

https://kunsten.dk/en/exhibition/offspring-pierre-huyghe-13913

Here’s a look at a series of portraits of Robert Smithson taken by Nancy Holt during their numerous journeys into the landscape together.

“Bob and I both grew up in northern New Jersey, where you could find hidden quarries, forbidden places, scattered throughout the landscape,” Nancy Holt said of her husband, Robert Smithson, in a 2012 interview with the Tate.

These trips to national parks and ancient ruins in both the U.S. and the U.K. were important in shaping each artist's practice and ideas about landscape; artworks were often created during or in direct response to these excursions.⁠

“Bob and I were both fascinated by how the landscape over long periods of time has been changed and reformed by human beings out of necessity, not just as something to look at.”

Learn more: https://www.instagram.com/holtsmithsonfoundation/

The Dominican friars are pleased to present a new exhibition by at their convent in Éveux, France.

Now on view at Couvent de La Tourette (Officiel) through 24 December 2022: https://bit.ly/3TQx4Lc

is pleased to announce NOT ENOUGH TO SEE, the first exhibition of at the gallery. The show features new pictures, dye sublimation prints on museum box, taken in two of the most important art museums in the United States: MoMA The Museum of Modern Art and the Whitney Museum of American Art in New York.

Since the 1980s, museums, galleries, art fairs, auction houses, storage spaces and private homes have served as the stage where Lawler investigates the meaning of artworks within the context of display and reception.

Please join us at the opening reception on Wednesday, 7 September, from 6 – 8 pm. We are located in Paris at 79 rue du Temple in the Marais district. See you soon ❤️ https://bit.ly/3KucBrb

Louise Lawler,
“Three Flags (swiped and numb),” 2022
Dye sublimation print on museum box
48 × 85 5/16 in. (121.9 × 216.7 cm)
© Louise Lawler

returns to her native town of Quedlinburg with a new solo exhibition at the Lyonel-Feininger-Galerie. With around 130 works, including drawings, color studies, paintings, and photographs, the exhibition provides a comprehensive cross-section of her early group of works, "Lobeda." https://bit.ly/3Rk14wV

Sabine Moritz
"Kind – Institut," 1992/94

Over the past two years, has been working on a series of films about life and making work in the studio.⁠
⁠
"SELF-PORTRAIT AS A COFFEE POT is a series made to offer viewers a sense and spirit of possibility, from an artist’s perspective. It is intended as a polemic experience about a way of working, a confidence in giving an image the benefit of the doubt, and seeing what emerges.” —WK
⁠
Three films in this series of nine will premiere at the Toronto International Film Festival next month in the TIFF Docs category.⁠
⁠
🗓️ 12 –16 September 2022⁠
⁠
Tickets: https://bit.ly/3PSG136
⁠

Artist Tacita Dean has two works on view about the sites and collections of the Getty Center and Getty Villa Museum.

Her 16mm film "Pan Amicus" imagines the landscapes around the Getty Center and the Getty Villa as part of Arcadia, the mythical home of Pan, the Greek god of nature. Her other work, "Monet Hates Me," traces Dean’s encounters in the art historical archives at the Getty Research Institute.

Enjoy her works through August 28 at the Getty Center. https://gty.art/3T0x4HN

Richard Deacon’s “Between the Eyes” is an 8 x 19 meter (or about 26 x 62 foot) long sculpture located on Yonge Street in Toronto.

“The sculpture’s huge but I hadn’t wanted to make a huge lump. So that’s why it’s a skeletal structure, to lighten it, to make it something you can look through rather than it always being something you look at,” Deacon said in an interview for The City of Toronto.

“I never wanted the sculpture to belong to the buildings,” he added. “I wanted it to belong to the square and the buildings were a backdrop.”

Learn more about the title of the work, the history of its location and more in his interview, available on Spotify
https://open.spotify.com/episode/0EiVhQWwVRmjU7qAyf9rez?si=2e1313023e5b4339&nd=1

: Heute ist Tag der Architektur! In unseren Ausstellungsräumen gehen Kunst und Architektur eine ganz besondere Verbindung ein. Der Lepanto-Saal wurde eigens für die Arbeiten von Cy Twombly geschaffen. Der wiederum war so begeistert vom gegenüberliegenden Saal, dass er für diesen seine Rosen-Serie malte. Die große Eichentreppe ist charakteristisch für das Museum Brandhorst. Nun hat Nairy Baghramians großformatiges Werk „Scruff of the Neck“ (2016) dort einen außergewöhnlichen Platz gefunden. Habt Ihr das Werk in der aktuellen Ausstellung „Future Bodies from a Recent Past“ schon entdeckt?
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Today is the day of architecture! In our exhibition rooms, art and architecture form a very special connection. The Lepanto Gallery was created specifically for Cy Twombly's work. He, in turn, was so enthusiastic about the room opposite that he painted his series of roses for it. The large oak staircase is characteristic for the Museum Brandhorst. Now Nairy Baghramian's large-scale work "Scruff of the Neck" (2016) has found an extraordinary place there. Have you already discovered the work in the current exhibition "Future Bodies from a Recent Past"?

© Nairy Baghramian. Foto: Elisabeth Greil, Bayerische Staatsgemäldesammlungen, Museum Brandhorst, München

If you are visiting Japan this summer or fall, be sure to check out the あいちトリエンナーレ（Aichi Triennale） , where a selection of Gabriel Orozco’s works are on view.

Orozcoʼs “Roto Shaku” series was inspired by the shaku, a unit of length used in Japan in such fields as architecture and Japanese dressmaking. The “Roto Shaku” are made from the most common wooden building material, in lengths of 6 shaku (182 cm) and 3 shaku (91 cm). This length also corresponds to that of tatami straw mats in a tearoom. On its surface, geometric shapes have been formed using colorful industrial tapes, such as curing and masking tape.

Displayed in the tokonoma alcove and on the walls is Orozcoʼs “Obi Scroll” series, hanging scrolls made of old Japanese fabric, along with sculptures carved out of marble in various circular shapes. For the hanging scrolls, old fabrics are cut into circular shapes and inverted.

The “Roto Shaku,“ “Obi Scrolls” and sculptures share a certain sense of movement based on rotation, inversion, and repetition. In Zen Buddhism, the circular enso form in calligraphy is depicted as the symbol of an infinite universe with neither beginning nor end, and the works that are exhibited here also allude to a state of infinite connection.

These works, along with those from Leonor Antunes, Lothar Baumgarten and Marcel Broodthaers can be seen from now through 10 October 2022.

#あいちトリエンナーレ