Harris Smith Art
Harris Smith Art Ltd. holds a private gallery and publishing house. Private commissions are by way of donation. International New York Times, 1982.
http://harrissmithart.blogspot.com
Harris Smith Art Ltd holds a private museum and publishing house. The museum is a continued display to represent established contemporary artists, Jeffrey Harris and Nicole Page-Smith. Jeffrey Harris has shown in prestigious exhibitions such as the Carnegie International Exhibition in Pittsburgh, USA, in 1982. "PITTSBURGH The Carnegie International, Steel City's
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Jeffrey Harris 👨🎨
Jeffrey Harris Untitled 3, 1986, Collection Auckland Art Gallery Toi o Tāmaki, New Zealand
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"28" Diptych, 1987, Chartwell Collection, Auckland Art Gallery Toi o Tamaki, New Zealand
Time stands still in the centre of a blackhole but time changes. “Clouded with thoughts”
See blogspot: everythinggoesinacircle.blogspot.com/2024/07/we-die-like-stars.html
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Nicole Page-Smith 📷
Nicole Page-Smith Passage After The Fall, "Sermons in Stones" sculpture series, 2002, Limestone, 1370 x 1215 x 660 mm. (Dunedin Botanic Gardens, 2003, group exhibition, "14 Sculptors Celebrate 140 Years", Dunedin NZ )
Nicole Page-Smith 📷
Nicole Page-Smith 📷
Our ever, expanding universe could expand for infinity, expanding and contracting, creating energy for eternity or until the energy reaches God. “Clouded with thoughts”
See blogspot: everythinggoesinacircle.blogspot.com/2024/07/we-die-like-stars.html
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2010 Drawings. Going home... ✍️
93/2010. pencil on paper. 297 x 208 mm
1999 Paintings 🎨
Nicole Page-Smith studio installation, 1999 (Photograph by Andrew Curtis) https://www.nicolepagesmith.com
Nicole Page-Smith 📷
Nicole Page-Smith 📷
We are of the one God and we are infinite and varied. “Clouded with thoughts”
See blogspot in bio: everythinggoesinacircle.blogspot.com/2024/07/energy-creates-universe.html
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Nicole Page-Smith 📷 https://www.nicolepagesmith.com
Jeffrey Harris 1994 Paintings 🖼️
Jeffrey Harris 1990 Drawings ✍️
Jeffrey Harris 1992 Drawings: 2nd Set ✍️
Jeffrey Harris 1994
Nicole Page-Smith 📷
Mass is form and does not disappear but at the beginning of form as matter, existing and not existing are not relevant. “Clouded with thoughts”
See blogspot in bio: everythinggoesinacircle.blogspot.com/2024/07/energy-creates-universe.html
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Jeffrey Harris Jillian and Calf at French Farm, 1996-2012, Private Collection
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Jeffrey Harris, Untitled, 1995 (Harris Smith Art Collection, Dunedin, New Zealand) Jeffrey Harris Retrospective Catalogue pg. 166
Nicole Page-Smith 📷
Gravity pulls at form but more at matter, tearing us apart only to rejoin chemical, compounds into another form. Stars and matter, we can comprehend but all the unseen substances of space are more important to the formation of the human race, trees and animals, of Earth. Human beings could have died a long time ago or be born out of a blackhole, in antithesis of being. The antimatter is more important than matter itself for the simple age of its lack of substance. “Clouded with thoughts”
See blogspot in bio: everythinggoesinacircle.blogspot.com/2024/07/we-exist-as-substance.html
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Nicole Page-Smith 🐼
Nicole Page-Smith
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Jeffrey Harris 🖼️
Jeffrey Harris ✍️
Nicole Page-Smith ✍️
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https://harrissmithart.blogspot.com
Harris Smith Art Ltd holds a private museum and publishing house. The museum is a continued display to represent established contemporary artists, Jeffrey Harris and Nicole Page-Smith. Private commissions are by way of donation. Jeffrey Harris has shown in prestigious exhibitions such as the Carnegie International Exhibition in Pittsburgh, USA, in 1982. "PITTSBURGH The Carnegie International, Steel City's answer to Documenta and the Venice Biennale, hasn't looked as "international" as this for many years." International New York Times, 1982. Harris has also exhibited in New York and largely throughout New Zealand and, Australia, in both commercial and, non-profit establishments. Jeffrey Harris has large collection support from both the private and public sector. Jeffrey Harris and Nicole Page-Smith met in Melbourne, Australia, in the early 1990's where they exhibited together commercially with Australian and American artists, such as, Philip Guston. Nicole Page-Smith has exhibited professionally with both solo and group representation, in the public museum sector and commercial dealer galleries, after completing a degree course, BA in Fine Art, in Melbourne, 1988. Page-Smith has been collected by important public and private collections. Nicole Page-Smith has regularly been given international recognition by American and European museums. Page-Smith's work has been widely reviewed in several publications: "Nicole Page-Smith, facing off against the great pantheon of the past, has chosen to go inwards, as into a lair, and emerged with her own singular pantheon of marvellous monstrosities: sylphs and caryatids, angels and devils, chandeliers of antlers, candelabras of questing tendrils." Art New Zealand, magazine.
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