Folkestone Drum Circle

nd early 1970s for any group of people, particularly counterculture groups, who gather (informally) to play music together. The terms "drum jam" or "jam session" could be substituted. Settings include beaches, parks, concert parking lots, festivals, and retreats. The determining criteria for a drum circle are that the music is improvised and co-created by the participants The Rhythm is always a group expression. In the case of the Folkestone Drum Circle the function is community building and healing through the unique ‘pulse’ of the group. The Folkestone Drum Circle is an informal gathering of people who meet for the purpose of playing ‘drums’ together. Instrumentation centres around drums and percussion, but may include other instruments, such as flutes, didgeridoos, and other non-percussion instruments. Practically anything that can be banged on to make noise can be used as a percussion instrument such as cans, buckets, pipes, etc. you need not own or purchase a drum to participate. Colin Keil is the facilitator who acts to shape the experience through discrete actions, such as helping to maintain a steady beat, demonstrating technique, helping those who need it, and generally managing the environment to see that everyone is able to participate fully. The participants make up the music as they go along, using their energy to make connections and express themselves in any and all ways that feel right. Participation is voluntary and often includes drumming, singing or chanting, dancing, and listening. The Folkestone Drum Circles is open to anyone who feel the attraction of the ‘drum’ and is open to anyone who cares to book.